Dubbed the “Classic Night”, the event was staged at the Theaterzaal Ledeberg, bringing together industry stakeholders, artists, fans, and diaspora communities for its 4th edition hosted in Belgium.

With a red-carpet session at 7 p.m. and the main show at 9 p.m., the awards once again cemented their place as one of the most prestigious platforms showcasing Ghana’s musical excellence in the diaspora.

Big Winners of the Night

Stonebwoy emerged as the biggest winner of the night, scooping the coveted Artiste of the Year award. The dancehall heavyweight also bagged Best Afrobeat Song with “Jejereje” and Best Reggae/Dancehall Song with “Psalm 23”, reaffirming his dominance across multiple genres.

In the gospel category, Empress Gifty was crowned Gospel Artiste of the Year, while in the diaspora wing, Nana Yaa Otchere (Mz Nana) won Best Diaspora Gospel Artiste of the Year, a recognition that further solidifies her growing influence as a gospel minister abroad.

Mz Nana expressed gratitude to God, her family, and supporters, promising to continue using her music to spread the Christian message.

Rising star Rap Fada was named New Artiste of the Year, while Kwaku Smoke walked away with a double win, Best Hiplife/Hip-Hop Artiste of the Year and Best Rap Performance of the Year.

King Paluta’s smash hit “Aseda” was adjudged Most Popular Song of the Year, while Kwabena Kwabena took home Songwriter of the Year with “Fakye Me”. King Promise also claimed Afrobeat/Afropop Song of the Year with his international hit “Paris”, while Fameye’s “Very Soon” secured the Best Highlife Song award.

Other major winners included Kuami Eugene (Best Highlife Artiste of the Year), Kidi ft Black Sherif (Collaboration of the Year), and Nacee for Political Campaign Song of the Year with “Asempa na Aba”.

A Night for the Diaspora

The GMAEU25 also celebrated the vibrant contributions of Ghanaian artists in the diaspora. Key winners included:

• Best Diaspora Artiste of the Year – Samuel Sey
• Best Diaspora Afrobeat Artiste – Kuame Sucre
• Best Diaspora Gospel Song – Grace Dansowaa
• Best Diaspora Highlife Artiste – KG
• Best Diaspora Reggae/Dancehall Artiste – Kro Leo
• Best Diaspora New Artiste – Mini Felicia Boadu
• Best Female Vocalist of the Year – Lady Ann
• Best Male Vocalist of the Year – Samuel Sey
• Best Instrumentalist of the Year – Shab Crew Band
• Best Diaspora DJ of the Year – DJ Clif

These categories highlight the growing global footprint of Ghanaian music, ensuring that talents abroad are given due recognition.

A Celebration of Culture and Music

With sponsorship from Taptap Send and media partnerships including Joy Entertainment, Zongo Link, Kpanlogo Radio, Nananom.com, and Adom 106.3 FM, the awards night blended music, fashion, and culture.

Attendees turned up in elegant outfits that reflected the “Classic Night” theme, making the red-carpet moments just as exciting as the award presentations.

The GMAEU has, over the years, become a powerful cultural bridge between Ghana and its diaspora, not only celebrating music but also uniting communities across Europe and beyond.

As Ghanaian music continues to gain international recognition, this year’s winners have once again demonstrated the depth of talent and creativity in the industry, proving that Ghana’s musical heritage remains strong both at home and abroad.

Source: AdomOnline

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He made the call on Thursday when he delivered the keynote address at the Kumasi Rising: Music, Media & Tourism Dialogue, held at the IDL Conference Hall of the Kwame Nkrumah University of Science and Technology (KNUST).

The summit was part of activities leading up to Rapperholic: The Homecoming, Sarkodie’s highly anticipated concert set for Saturday, September 27, in Kumasi.

The event, hosted by broadcast journalist Serwah Amihere, attracted a high-profile audience, including Dr. Frank Amoakohene, Ashanti Regional Minister; Abeiku Santana, Deputy CEO of the Ghana Tourism Authority; Nabil Alhassan, CEO of Event Factory Ghana; artists, journalists, students, and other industry players.

Speaking on the global impact of African music, Sarkodie highlighted the role of Afrobeats in reshaping cultural pride and identity.

“We are in a great space now because of where Afrobeats is. Now we have AfroNation worldwide. Africans in the diaspora are more confident to call themselves Africans because of what we have been able to do,” he said.

He challenged investors to look beyond traditional business ventures and recognize the profitability of music.

“Music is one of the safest and most lucrative businesses you can get into. I can compare music to any other product you can talk about, be it water or real estate,” Sarkodie stated.

The rapper also underscored the importance of innovative investment models that extend beyond wealthy stakeholders, urging individuals to explore ownership and partnerships in the creative space.

“It’s about ownership. Whether it’s partnership, you can partner and own 20% or 50% depending on what you bring on board. Even as an individual, you can buy shares and make revenue from there,” he explained.

The Kumasi Rising dialogue sought to position Kumasi as a hub for music, media, and tourism while sparking conversations around sustainable investment in the city’s creative economy.

With his homecoming concert just days away, Sarkodie’s call adds weight to ongoing discussions about unlocking Kumasi’s cultural and economic potential through the arts.

Source: Emmanuella Ewurabena Acquaye

Speaking on Adom FM’s Work and Happiness show, he explained that his father exposed him to both local and international music, helping him grasp the depth and intricacies of sound.

According to Akwaboah, this early exposure laid the foundation for creating timeless music that resonates across generations.

“My dad’s gift to me is worth more than luxury or money. He introduced me to particular songs and had incredible insight into music. We listened to a mix of contemporary and traditional tunes, both local and international.

“He helped me understand the details of music, so I grew up immersed in it and learned how it works. I discovered how to mix, match, and produce quality tunes. As a result, I know how to blend the right sounds that appeal to the audience and create lasting music,” he stated.

Source: Farida Seidu| Adomonline

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Speaking on Asempa FM’s Ekosii Sen show, the “Forever” hitmaker said music can be financially rewarding, but only when artists surround themselves with people who understand the business side of the craft.

Gyakie noted that while many artists are equally talented, some fail to profit from their work due to a lack of proper support systems.

“When I look back at the time I was in school and not focused on music—probably working a 9-5 job or running my own business—I notice some differences. For me, music is a fulfilling path. There is money to be made in music, but you won’t see the profits unless you’re working with the right people.

“It’s important to be surrounded by individuals who have extensive knowledge of the business side of the music industry. Some artists create great work but don’t see the financial rewards because their management isn’t solid. A strong management team is essential,” she explained.

Source: Farida Seidu | Adomonline

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Describing the project as a divine unveiling of God-given gifts, BB Solace aims to minister, edify, and draw lost souls back to Christ through her music. Her recent single, “Trinity” (June 2025), has already resonated with listeners, marking a significant step in her journey from Kaneshie’s streets to the National Theatre stage—a story of faith, resilience, and spiritual purpose.

Born and raised in Kaneshie with ancestral roots in James Town, Accra, Beatrice is the daughter of Henry Mills and Rita Cudjoe. Her early life was shaped by challenges, including a difficult relationship with her paternal grandmother, which she says matured her spiritually.

“No one could believe I was living with my own father,” she recalls, noting how God used these adversities to strengthen her faith. Her education at St. Martin’s Preparatory School, Korle-Gonno 3 JHS, and the Institute of Catering and Home Economics in Mamprobi helped shape her diverse talents.

BB Solace says her path to music was divinely ordained. While serving as an usher at her former church, more than four prophets foretold her destiny as a musician, despite her initial belief that her visions pointed to a prophetic calling.

“The music just erupted as directed by the Holy Spirit,” she shares. This spiritual journey has resulted in a catalogue of 18 songs, including “Trinity,” all registered with COPYRITE, GHAMRO, and MUSIGA, awaiting public release.

BB Solace: A Church Mother Grounded in Faith and Ministry

BB Solace’s journey of faith began when a friend invited her to a church near her Mamprobi home. Under the guidance of a spiritual mother who taught her the Word and the discipline of prayer, she grew closer to God. It was during this period that she discovered her future husband, Rev. Richard Anane, shared the same mentor.

Her spiritual disciplines—fasting, meditation on Scripture, and consistent prayer—have kept her grounded amid her dual roles as church mother and gospel artist. Reflecting on her past struggles, including her grandmother’s mistreatment, BB Solace says, “Those experiences God used to mature me,” noting how they influence her music and ministry. Her early songs, which proclaim God as her strength, are informed by these life lessons.

A Church Mother’s Heart for Ministry

At Kingdom Gate Worship Centre, BB Solace is a pillar of faith, leading worship, counseling, teaching, and supporting outreach programs, including hospital visitations and prayers for the sick. She instills the church’s motto—“patience, persistency, and consistency”—in young women, encouraging them to embody these virtues in faith and family life. “I practice what I teach through my dressing, talking, singing, and how I carry myself,” she notes, highlighting the positive impact on her congregation.

Her ministry has faced challenges, including a tense encounter during a women’s fellowship when a member rudely questioned whether the church belonged to her. Maintaining composure, BB Solace reaffirmed her husband’s teaching: “The church belongs to Christ, not any individual or the Anane family.” This incident underscores her commitment to humility and grace in leadership.

Married to Rev. Richard Anane, BB Solace credits her husband as her unwavering support, describing him as “solid as a rock.” He not only prays with her and encourages her music ministry but also acts as her manager, even joining MUSIGA to bolster her career. “We are more than one living in two bodies,” she says of their shared morning devotions, fasting, and Bible study with their children. This unity eliminates challenges in balancing family, ministry, and music. “There’s no secret between us; we do everything together,” she adds, highlighting how their partnership fuels her work.

A Revelation-Driven Musical Journey

BB Solace’s music is a product of divine inspiration, with songs born from revelations and shaped by biblical truths and personal encounters with God. “When inspiration comes, I record it, share it with my husband, and we go to the studio,” she explains. Her creative process is organic, relying on the Holy Spirit to craft messages that resonate across diverse audiences. “God brings songs that cut across all aspects of life,” she says, citing her faith and past hardships as key influences. Her early song, “You are my God and my Strength,” reflects her journey through trials, while Trinity teaches the triune nature of God—Father, Son, and Holy Spirit—as Creator, Redeemer, and Sustainer in an evil world.

A defining moment came at the 5th Akwaaba Festival at the National Theatre, her first major public performance under MUSIGA Ghana. “I tried to deliver my best,” she recalls, marking it as a breakthrough in her growth as an artist. Beyond music, her talents as a caterer and artist fuel her love for decoration, which she uses to recharge and maintain balance.

The December Launch: A Spiritual Milestone

The upcoming December launch at Kingdom Gate Worship Centre will showcase her full catalogue, including Trinity. “I’m expecting God to showcase what He deposited in me,” BB Solace says, aiming to edify the body of Christ and draw souls back to God. While open to collaborations with established artists or ministers, she emphasizes the project’s spiritual core. Hosting the event on church premises will ease the balance of her roles as church mother and wife, with Richard’s support ensuring a seamless execution. The launch, she hopes, will formally introduce her work to a broader audience while fulfilling her divine calling.

A Legacy of Eternal Impact

BB Solace’s long-term vision is to fulfill her God-given assignment, achieving the prophecies spoken over her life. “By the time I leave this world, I want to see all the prophecies fulfilled,” she says. Her legacy, she envisions, will be one where the name BB Solace evokes music that ministers eternally, living on in the hearts of her audience. As a gospel artist, church mother, and spiritual leader, her message is clear: faith, perseverance, and divine inspiration can transform lives.

Follow BB Solace’s journey on Instagram (@bbsolacemusic) and join her in December to experience the unveiling of her God-given gifts, a milestone that promises to resonate far beyond the walls of Kingdom Gate Worship Centre.

Source: Adomonline

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The star-studded event, organized by the GMAEU team in partnership with TapTap Send, attracted an impressive mix of entertainment industry figures, traditional leaders, and diplomatic representatives, drawing a crowd from 7:00 PM to 11:00 PM.

The fourth edition of the awards promises to celebrate the best of Ghanaian music talent across local and diaspora scenes under the theme “Celebrating Excellence in Ghanaian Music Beyond Borders.”

Meanwhile, a new category, Political Campaign Song of the Year, was introduced this year to honour songs that have impacted Ghana’s political landscape.
Nominees in this category include Akwaboah’s “Asorkorrr,” Nacee’s “Kwen Kwen” and “Asempa No Aba,” Robest’s “Maha Maha,” Nero X’s “Mahama For 2024,” Samini’s “No Pressure,” Great Ampong featuring Kaakyire & Naphtali’s “Ɛmmoa Asem Nkoaa,” Broda Sammy’s “NPP Campaign Song 2024,” Eno Barony’s “Bawumia Beba,” and Grace Ashly’s “Ghana Will Rise Again.”

The unveiling ceremony was graced by a number of high-profile personalities. Actress Beverly Afaglo and her husband, Choir Master, were in attendance, alongside music stars Kwaisey Pee and Keche Andrew.
Onua TV’s AJ Poundz and Adom FM’s Jerry Justice were also spotted at the event.

Notably, actor and comedian Abraham Davis, popularly known as Salinko, pledged GH¢20,000 in support of the awards, a gesture that electrified the audience.

Other industry stakeholders included Prophet Atara, Mable Okyere, and Kwesi Ernest of Media Excel, while Gideon Aryeequaye, the Acting Executive Secretary of the Creative Arts Agency, added official gravitas.

The diplomatic community was represented by Fallou Galass Bakhoum, who attended on behalf of the Ambassadors of Switzerland, Benin, and Togo.

The event also saw the presence of several traditional leaders and queen mothers, including Nana Animah BadeƐ (Gomoa Mampong Omankrado Hemaa), Nana Akua Apaade (Gomoa Brofoyedu Gyaasehemaa), Nana Akuwa Kwaawa I (Odzikrohemaa), Barima Arkoh-Frempong I (Akyem Kotoku Twafo Saanahene & Akyem Asens Abontendomhene), Manye Atofonye Naa Kwadum II, and Nana Akyere Sika (Nkyidomhemaa of Gomoa Mampong).

The list continued with Manye Naa Kwaatsoo (Queenmother of Mallam Gbawe), Nana Afua Sasa, Nana Akwaaba III (Ekumfi Akwaakrom), Mamaga Kyrawa IV (Paramount Queen Mother of Have Traditional Area), Mama Atrato II (Queen of Ho-Dome), Her Royal Highness Naa Adesey Omanyesane III (Nungua Divisional Queen Mother), and Nana Animah Dankwah (Ankobea Hemaa – Akem Adonkwata).

The 2025 GMAEU nominees feature a rich blend of Ghanaian music talent from home and abroad across over 40 categories.

Full List of Nominees

Local Artiste Nominees
• Artiste of the Year: Fameye, Kidi, King Promise, Kweku Smoke, King Paluta, Joe Mettle, Team Eternity Ghana, Stonebwoy, Diana Hamilton.
• Best Gospel Artiste of the Year: MOG Music, Piesie Esther, Joe Mettle, Empress Gifty, Diana Hamilton, Eternity Ghana Team.
• Best New Artiste of the Year: Moliy, Mandem Yopic, Beeztrap KOTM, AratheJay, Rap Fada, Eternity Team, Kojo Blak, Akelerh.
• Best Hiplife/HipHop Artiste of the Year: Amerado, Beeztrap KOTM, Kweku Smoke, Black Sherif, King Paluta, Sarkodie, Medikal.
• Best Rap Performance of the Year: Eno Barony – “Without a Manual,” Kweku Smoke, Okyeame Kwame – “No Competition,” Sarkodie – “Brag,” Lyrical Joe – “August 5, 8,” Flowking Stone – “The Return of the King.”
• Best Afrobeat Song of the Year: OlivetheBoy – “Asylum,” Lasmid – “Puul,” Kidi with Black Sherif – “Lomo Lomo,” Dope Nation – “Asabone,” King Promise – “Favorite Story,” Beeztrap KOTM – “Yes,” Stonebwoy – “Jejereje.”
• Best Highlife Song of the Year: Akwaboah – “Pressure,” Kweku Darlington – “Grateful to Your Ex,” King Paluta – “Aseda,” Fameye – “Very Soon,” Amerado – “Abronoma,” Rap Fada ft King Paluta – “Odo Bi Ye Bad,” Kofi Kinaata – “Effiakuma Broken Heart,” Stonebwoy – “Jejereje.”
• Best Reggae/Dancehall Song of the Year: Epixode – “ChooBoi,” Amerado ft Samini – “Ankonam Remix,” Stonebwoy – “Psalm 23,” Shatta Wale – “Killa Ji Mi,” Afriyie Wutah – “Zormizor.”
• Collaboration of the Year: King Promise ft Sarkodie & OliveTheBoy – “Favorite Story,” Kidi ft Black Sherif – “Lomo Lomo,” Rap Fada ft King Paluta – “Odo Bi Ye Bad,” Sarkodie ft Beeztrap KOTM – “Amen,” Joe Mettle ft Sandra Boakye Duah – “Give Me Oil,” Diana Hamilton ft Mercy Chinwo – “Doing of the Lord.”
• Songwriter of the Year: Aunty Ama – Kofi Kinaata, Okyeame Kwame – “No Competition,” Stonebwoy – “Psalm 23,” Kwabena Kwabena ft Obaapa Christy – “Fakye Me,” Ayisi – “Can I Live,” Diana Hamilton ft Mercy Chinwo – “Doing of the Lord.”
• Most Popular Song of the Year: OlivetheBoy – “Asylum,” Kidi ft Black Sherif – “Lomo Lomo,” DopeNation – “Zormizor (Asabone),” DopeNation – “Gbohe,” King Paluta – “Aseda,” King Paluta – “Makoma,” King Promise – “Paris,” Team Eternity – “Defe Defe,” Stonebwoy – “Jejereje,” Fameye – “Very Soon.”
• Best Highlife Artiste of the Year: Kofi Kinaata, Fameye, Kuami Eugene, Sister Afia, Kwabena Kwabena, Akwaboah.
• Political Campaign Song of the Year: Akwaboah – “Asorkorrr,” Nacee – “Kwen Kwen,” Nacee – “Asempa No Aba,” Robest – “Maha Maha,” Eno Barony – “Bawumia Beba,” Samini – “No Pressure,” Nero X – “Mahama For 2024,” Great Ampong ft Kaakyire & Naphtali – “Ɛmmoa Asem Nkoaa,” Broda Sammy – “NPP Campaign Song 2024,” Grace Ashly – “Ghana Will Rise Again.”

Diaspora Artiste Nominees
• Best Instrumentalist of the Year: Arkband, Luckystar Band, NKYINKYIM Band, Shab Crew Band.
• Best Diaspora Collaboration of the Year: Bakilla, Jane Rita, Benji, Black Kat, Emperor T-Jiga, Gifty Kpodo, Jay Baba, Kro Leo, LadyP, Muzic Mensah, Rebbel Ashes, Supa Cindy.
• Best Diaspora Afrobeat Artist of the Year: Bakilla, Danny Lampo, Geo Wellington, Kuame Sucre, LadyP, Muzic Mensah, Tee Kae, Yurvibes.
• Best Diaspora Afrobeat Song of the Year: Adabor Asiedu, Assy Gentle, Jay Baba, Kgee, Nee Oseye Ade Leke, Original Boy BXY, Tyga Beat, Yaw Scott.
• Best Diaspora Artist of the Year: Benji, Danny Lampo, Fadu, Geo Wellington, Jay Baba, Lady Vicky, Nana Yaa Otchere (Mz Nana), Rebbel Ashes, Royal Mama, Samuel Sey.
• Best Diaspora DJ of the Year: DJ Clenarie The Original, DJ Clif, DJ Master P, DJ Nanash, DJ Sonatty, DJ Edward Amponsah.
• Best Diaspora Gospel Artist of the Year: Akubless, Belinda Owusu, Francisca Amoah, Jane Rita, Lady Vicky, Laura Sika, Lorinda Williams, Mini Felicia Boadu, Nana Amankwah Tiah, Nana Yaa Otchere (Mz Nana), Royal Mama, Samuel Sey.
• Best Diaspora Gospel Song of the Year: Akubless – “Meda Nyame Ase,” Belinda Owusu – “Okronkron Nii,” Francisca Amoah – “Your Love,” Lady Ann – “Amen,” Mana Fastury – “Eregyna,” Maa U – “Wase Da,” Mimi Yaa Pomaah – “Sound of My Worship,” Mimi Felicia Boadu – “Atiom Wura,” Nana Amankwah Tiah – “Ama Achiaa Way3 Bi,” Nana Yaa Otchere (Mz Nana) – “Pentecostal Praise Medley,” Royal Mama, Grace Dansewaa.
• Best Diaspora Highlife Artist of the Year: Ade3f3 Kwakye, Benji Title Asante Nkae ft Samini, Borga Red, KC, Kojo Black, Kuame Sucre, Muzic Mensah, Nee Oney Ade Leke, Tyga Beat, Z16 Awelaga Music.
• Best Diaspora Hiplife-Pop Artist of the Year: Assy Gentle, Black Kat, Danny Lampo, Emperor T-Jiga, Fadu, Kojo Black, Kro Leo, Nee Oney Ade Leke, Sami Adams, Supa Cindy, Tee Kat, Tyga Beat.
• Best Diaspora New Artiste of the Year: Adabor Asiedu, Air B Nie, Forgive Aittsogge Midza, Gifty Kpodo, Isacco, Kgee, Kojo Black, Mini Felicia Boadu, Original Boy BXY, Supa Cindy, Tee Kae, Tee Torie.
• Best Diaspora Reggae Dancehall Artist of the Year: Danny Lampo, Leo Leo, Kwame Mulzz, Queen Lee Title Bad Gal, Starkay Gee.
• Best Female Vocalist of the Year: Akubless, Belinda Owusu, Jane Rita, Lady Ann, Lady9, Laura Sika, Maa U, Nana Yaa Otchere (Mz Nana), Ohenmaa Gladys, Royal Mama, Sandra Oduro.
• Best Male Vocalist of the Year: Adabor Asiedu, Assy Gentle, Borga Red, Kwame Mulz, Minister Ike, Nee Oseye Ade Leke, One Time Bay XY, Oxmart Prah, Pastor Palmipong, Samuel Sey, Teni Time, Elijah The Worshipper, Charlie Barnes.
• Digital Content Creator of the Year: Agvengo Entertainment, Akuabako TV, Geo Wellington, Obroni Yere.
• Songwriter of the Year: Ade3f3 Kwakye, Black Kat, Christy Ogbewi, Dod Osman, Francisca Amoah, Geo Wellington, Jane Rita, Nana Amankwah Tiah, Oxmart Prah, Rebbel Ashes, Samuel Sey.

Source: Adomonline

Speaking in an interview on Daybreak Hitz with Andy Dosty, JMJ clarified that Kaakie’s exit was largely due to her lack of long-term commitment to music, rather than any personal or financial disputes.

“What I know that you people didn’t know was that Kaakie loved music, but she wasn’t passionate about it,” he explained.

JMJ recalled an instance where radio host Abeiku Santana directly asked Kaakie if he had “chopped her money or done anything bad,” to which she responded “no.”

He further highlighted the challenges Kaakie faced trying to balance her music career with her university education, particularly as she was pursuing nursing — a demanding course.

“Kaakie didn’t have time for music but she was so talented that just 10 minutes in the studio would blow your mind. She had little time, and don’t forget, she was also in school. Nursing is not an easy course. So she was balancing the two, which I understood,” JMJ added.

He stressed that although Kaakie loved music, she didn’t view it as a long-term career, which eventually led to her decision to step away and focus on family and education.

Meanwhile, Kaakie has hinted at making a return to active music in the near future.

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During an interview with Roselyn Felli on Joy Prime, Apostle Akpadie emphasized that since Jesus is the focal point of Christianity, any music that strays from Him is not truly Christian.

“You have strayed big time if you are a Christian and you sing secular music. The standard is set by God, and He says there’s no union between light and darkness,” he said.

Apostle Akpadie also questioned the practice of gospel musicians allowing secular artists to write songs for them, calling it a serious mistake and a form of defilement.

He argued that, secular musicians lack the spiritual foundation to create songs that are truly spirit-filled, unlike gospel ministers who are guided by the Holy Spirit.

“I would never allow any artist to write my songs because I am guided by the Holy Spirit. Those gospel musicians missed it. You can’t write me a song, where is the Holy Spirit? It’s a defilement. The Holy Ghost is our teacher, and I receive songs from the Holy Ghost,” he stated.

For Apostle Akpadie, the messenger is just as crucial as the message, and he believes that gospel ministers should deliver lyrics that reflect their beliefs, as the words of a song are a direct expression of the singer’s faith.

Source: Adomonline

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In an interview with DJ Slim on the popular entertainment radio morning show, Daybreak Hitz, Bolton shared his insights on the risks musicians face when they involve themselves in politics.

Bolton, well-known for the hit song “Odo Filla” by Abrewa Nana, reflected on his own experience during the 2000 elections. He recounted how his group, VIP, was approached by a political party to create a campaign song.

“We did it in the past and it didn’t go well,” Bolton recalled. “In 2000, the NDC approached us with the confidence that they would win the elections and paid handsomely for a victory song. We even had Nana Konadu and her children in the studio during the recording. It was a full-on party song.”

However, when the party lost the election, VIP faced significant backlash, and Bolton himself received criticism for his association with the party.

“We all know what happened. NDC lost, and then VIP started getting bashed. I got some flak from that as well,” he noted.

Additionally, Bolton advised musicians to steer clear of political affiliations if they wish to maintain a long-term career.

“I don’t think it’s worth it as a musician. If you want a long-term career, try to stay out of politics because your fan base spans all political views. You risk alienating a portion of your fans, and it’s your fan base that keeps you going.”

He elaborated further, “You might get some decent cash at the moment, but you could end up losing much more than the value of that money. I would advise any musician to stay away from politics.”

As the sun sets behind the mountains in an exclusive neighbourhood 30 minutes from the Las Vegas strip, I can hear a recognisable voice singing behind a closed door.

“Is that Celine?” I ask.

Her security man guarding the hotel suite nods.

I am about to interview a musical megastar, and it sounds like she is in a cheerful mood.

But the iconic voice I can hear casually singing away is one that fans feared they might never hear again.

“I’ve been dealing with problems with my health for a long time,” she shared in an Instagram video in December 2022.

“I have been diagnosed with a very rare neurological disorder.”

After that devastating announcement, Celine Dion pulled out of the remainder of her world tour, and has rarely been seen in public since.

Formerly involved in fraud, kleptomania, and other criminal activities, Showboy is determined to turn his life around through his music.

In an emotional appeal, Showboy shared that he want to do a decent job, which is singing as he doesn’t want to be forced back into his old ways.

Currently on probation, Showboy expressed his desire to avoid actions that could lead him back to jail.

But, he lamented the lack of adequate job opportunities in Ghana, especially those that could sustain his accustomed lifestyle.

In an interview on Adom FM‘s Ofie Kwanso, he added that friends are helping him survive in the harsh economic climate of Ghana.

Despite his plea for support, Showboy made it clear that he will not beg any top-tier Ghanaian musicians for features to boost his career.

He revealed that during his prime, he had helped many artists who have now neglected him in his time of need.

Showboy is determined to achieve success through his own hard work, stating, “One day when I become a worldwide sensation, I hope no Ghanaian artiste will call me for a feature because I won’t grant any for anyone.”

Instead of seeking collaborations with local artists, Showboy expressed his ambition to work with international stars like 21 Savage and Drake, aiming to reach the highest standards in the music industry.

Her music’s return on Thursday comes ahead of the release of her new album, The Tortured Poets Department.

Universal Music pulled songs by its artists in January, including Rihanna and Ariana Grande, citing a licensing dispute.

Many artists have complained about inadequate royalties from TikTok.

While many of her songs – including You Belong With Me and Cruel Summer – are again available for users to add to their videos, music belonging to Universal’s other artists has still not been relisted.

That may be because unlike other artists, Swift owns the copyright to her music under the terms of a 2018 deal with Universal. Some reports speculated Swift reached a separate deal with TikTok.

“Swifties” – Taylor Swift fans – took to the platform to share their delight at her music returning.

“OMG this made my whole year,” wrote verified user Jessica Golich, adding that users would “have the whole new album to play with”.

Divendra Rai recorded a video lip syncing to Cruel Summer, captioned: “Welcome back Taylor!!!”

In an open letter published on 30 January, Universal claimed that “ultimately TikTok is trying to build a music-based business, without paying fair value for the music”.

Universal said it was also concerned about getting fair compensation for artists for AI-generated songs made to sound like the real thing, such as one made to sound like Drake and The Weeknd which went viral.

Swift announced her upcoming album while accepting her 13th Grammy award earlier this year.

The Tortured Poets Department, which will be released on 19 April, is her 11th album.

The BBC has contacted Universal and TikTok for comment.

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According to him, working hard coupled with the right investors is the only way for an artiste to realize their potential.

In an interview on Daybreak Hitz on Hitz FM, Bulldog told the host Andy Dosty that faith can blind the aspirations of a musician but ‘works’ will only take them far.

“You don’t need faith to do music. The Bible even said faith without works. My emphasis is on the works. It is only works that can take you far. Faith is never enough and you do not need faith in doing music. You have to rather put in the work,” he said.

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Speaking to YouTuber Zionfelix, the ‘Alewa’ hit maker said that after writing songs for some people, they later showed ungratefulness to him.

“I wrote ‘Yaw Dompre’, ‘Koforidua Flowers’ and ‘Odwo’ for Kofi B. Something happened along the way so I took out ‘Odwo’. I even wanted to back take all the songs from him. They are my songs. Up till now, some people think those songs are for Kofi B but they are not his.

One thing that hurts me is giving out my songs to people. If Daddy Lumba had given me just one song, I would have been bigger than I am today,” he said.

Sharing his experience, Ofori Amponsah said when he gave ‘Yaw Dompre’ to Kofi B, he initially was reluctant to receive it because he described it as a song for ‘villagers.’ But when it was released it became a hit song.

This is not the first time Ofori Amponsah has made such a comment. In 2022, he made a similar statement on TV XYZ.

“If I can reverse everything, I will decide not to help any musician because my help was a shortcut in the careers of a lot of musicians,” he told Agyemang Prempeh.

Extoling his songwriting prowess, he noted that he wrote verses for almost all the artistes he collaborated with songs in the past except Samini.

Apart from Kofi B, other artistes Ofori Amponsah has written songs for are Kofi Nti and Barosky.

Meanwhile, Ofori Amponsah is out with a new song titled ‘Inspector.’

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He told Joy FM’s entertainment journalist Kwame Dadzie that he now has new interests and directions. 

“I’m done,” he noted.

The ‘Freedom of Speech’ hit maker however quipped: “at this point I call myself an emotional musician. It depends on what happens. Maybe something will come up.”

He made these comments on the sidelines of a meeting held by the Inspector General of Police Dr. George Akuffo Dampare for the creative industry on October 24, 2023 at the Police Headquarters in Accra.

Asked the reason behind his decision to study law, the controversial musician-turned-politician said he wanted to understand issues better so he could make informed decisions. 

“I have had interest in understanding the law. You know I am very vocal. I don’t want to be saying things that I don’t understand.

Honestly, we have made so many mistakes because of our limited understanding of the law, and once you get in there you understand why certain things happen in a certain way,” he explained.

Kwame A Plus shot into the limelight with songs themed on political commentary. 

He has to his credit songs like ‘Yeeka’, ‘Aben Be Bom’, ‘Letter to West’, ‘Freedom of Speech’, ‘Agye Gon’, ‘Mansa’, ‘Two Paddies’, ‘Mirror’, among others. 

Meantime, A Plus has declared his intention to contest the Gomoa Central Parliamentary seat in 2024. 

The former member of the New Patriotic Party (NPP), fell out with the party a few years ago and formed his movement The People’s Project (TPP), a non-partisan group established to seek the interests of the citizenry. 

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According to him, such comparisons are not only healthy but also essential for growth in the industry.

In a interview on Daybreak Hitz on Hitz FM, Kelvyn Boy said the comparisons pushes musicians to give off their best.

“I still feel good when I hear these comparisons. If you compare two things, that is where you see the mistakes” ‘Down Flat’ hitmaker said.

Kelvyn Boy indicated that, Ghana music industry has grown and many young artists are getting international recognition.

He cited rising stars like Black Sherif and Olive The Boy as examples of growth in the industry.

“Some time ago, young people could not make it big like they do now in Ghana. We just need a positive mindset.” Kelvyn Boy stressed.

He charged colleague musicians to create authentic music which will resonate with the masses.

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Almost a decade after completing St Margaret Mary Senior High Technical School, Samini enrolled at GIMPA majoring in Business Administration.

This allowed him to put his music career on to take the four-year course in fulfillment of a promise he made to his mother.

In a latest tweet, he revealed he has completed school in anticipation of his graduation.

He extended gratitude to his colleague Kokoveli who admonished him to go the next level in his education.

With schooling out of the way, Samini disclosed he is cooking something mega which would help him snatch back his throne as the best in the industry.

The Highgrade Family boss tasked his fans to anticipate his epic comeback.

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Falaa was officially released on Friday, May 12^th, 2023, on all digital platforms and has since been playing on major radio and television stations such as Adom FM, Hitz FM, Onua FM, 4syte T.V, Adom TV, among others.

Visuals of the song soon followed and have already generated a lot of excitement among fans and industry professionals alike.

Lucci Money, originally known as Daniel Kwame Kwakye, has been working tirelessly on his music for years now, honing and developing both his sound and skills first as an artist, then as a music producer and video director/editor.

His debut single Falaa is an afro highlife track that mainly addresses the issue of not chasing fame, but rather acquiring financial stability and aspiring to be successful in life.

The song draws attention due to its catchy melody, great vocals and relatable lyrics.

Lucci Money’s ability to play around diverse genres of music, although known as a Hip/Hop artist, showcases his talent and creativity and sets the stage for a very promising career.

His label, Hustle Hard Muzik, is a full-fledged production house located in Community 9, Tema.

They provide all things entertainment, including mobile DJ services, music and video production, digital marketing and promotion, event planning, commercial advertisement, content creation, among others.

As an entertainment-driven company, Hustle Hard Muzik has been a key partner in Lucci Money’s journey to this point, providing support and guidance as he develops his sound and vision for his music career. As a result, the label held an in-house party on Thursday, May 18^th, 2023, to celebrate Lucci Money’s successful debut in the music industry.

In attendance, were staff of Hustle Hard Muzik, some fans and some industry professionals to grace the occasion.

Prominent among these industry professionals were Max FM’s former radio show host, Heavy Dee, Stryka (also an artist) and popular blogger, Felix Adomako Mensah, popularly known as Zion Felix.

After a short listening and performance session with Lucci Money, the famous blogger couldn’t help but agree that the artist indeed is a great talent.

According to Zion Felix, he drew inspiration from the first few lyrics of the song that says “Successful bon me ho, nti met)n meho abo)den ama w’akoma etu…” (I smell successful, therefore I sell myself expensive). “…I like the song, it’s really good and it will go far…” he went on to say, after a brief interview with the C.E.O. of Hustle Hard Muzik, Kwaku Bawuah Bonsafo, popularly known as Bouticrow.

When asked to give his goodwill message to the rising artist, Bouticrow added that he believes in Lucci Money and in his talent. “…I celebrate him and Hustle Hard celebrates him as his hustle comes full circle. God is in control, we will win…” he stated.

Moreover, Hustle Hard Muzik has taken a strategic approach to leverage social media, streaming platforms and other marketing channels in order to reach a wider audience in promoting Lucci Money’s “Falaa”.

The label has also announced plans to support Lucci Money’s career with a series of live performances and other promotional activities in the coming months.

In conclusion, it is quite evident that the music industry heavily relies on label support for rising artists and Lucci Money’s story is proof of the importance of this support in helping talented artists reach their full potential. We can’t wait to see what Lucci Money comes up with next!

Mzbel, taking to her official Facebook page, expressed her belief that Black Sherif’s persona transcends the physical realm, emphasising her joy at being regarded as his mentor.

During Black Sherif’s appearance on UTV, Mzbel revealed that she gleaned valuable lessons from him, captivated by the depth of his wisdom. Accompanied by a photo of Black Sherif, she shared her thoughts, stating:

“Blacko embodies a remarkable level of consciousness, spirituality, and ancestral connection. Today, on United Showbiz, I learned something truly valuable from him! It’s no surprise that my son looks up to him as a role model.”

Mzbel’s admiration for Black Sherif’s profound nature and his ability to impart wisdom serves as a testament to the artiste’s unique and impactful presence in the music industry.

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According to him, the language lacks rhythmic and tonal elements which make music more appealing.

Despite the lack of these elements, Mr Okraku-Mantey explained that the people of Akan have succeeded in promoting their language such that it appears as though they are the only tribe that could produce the best music.

This, he said is not true.

“The Akan language is the weakest. That is my perspective. Somebody could differ. The Akan language is the weakest when it comes to music.

“Unfortunately, the Akan people have pushed harder so much that it sounds as if they’re the ones who could make the best music. It’s not true,” he said.

Speaking on the Joy FM’s Super Morning Show, the Deputy Minister mentioned the Northern, Volta and the Gas as areas having the potential of overpowering Akan music.

According to him, the Akan musicians having realised the potential of these languages have always tried to incorporate them into their music in that “they can catch fire easily in terms of music.”

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Speaking in an interview on Adom TV’s weekend entertainment show, Showtyme with Andy Dosty, the entertainment specialist said Ghanaian musicians lack investment.

“It is an investment. It is money that can unlock machinery. Songs don’t move on their own nowadays, it’s engineered, and you will need resources and a mindset switch.”

According to him, Nigerian musicians who are performing on international platforms have “plugs” and music labels putting them on.

He said most Ghanaian musicians need music distribution labels to network their songs on various digital streaming platforms.

“People think songs can fly on their own. We have had a few examples where people put it out to blow and people think it’s always like that. That’s why in more matured markets, labels have marketing, ANR department who research song features and even producers. So it’s a whole machinery.”

He said most musicians in the US are successful because major labels do all the groundwork for them.

“That’s why in the US if any major label picks you, it’s only God that will stop you because they will use your product, and automatically it blows you. And they use a lot of money. Of all the music in the world, three companies own them. They are called mega labels and there are imprints like Universal, Sony and Warner, if they sign a Nigerian act, automatically they create a resonating effect globally,” he submitted.

In his final submission, Sadiq said “Ghana does not have a problem. It’s the investment. Either we do it on our own or wait for manna from heaven.”

Watch the video below:

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Since his political career turned into shambles having lost the Offinso North seat as an independent candidate, Kwaku Bonsam is focusing his direction on other sectors.

Business is booming in the music sector, hence his decision to pursue highlife genre with a jam titled ‘Bo So Ma Me’.

He made the revelation in an interview on Kofi TV.

According to the fetish priest, his song will be the biggest banger of 2023 that will properly usher him into fame and wealth.

The song is Kwaku Bonsam’s own way of glorifying women, the beautiful creation of God.

He sang a few lines in the studios and asked his fans to anticipate his spectacular entry into the music scenes.

Watch video below:

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A post shared by Phylx Entertainment (@iamphylxgh_)

The ‘Little Things’ hitmaker told JoyNews’ Becky that she is “working out and I promise you all more music in the next year coming and I know that everybody is excited about it.”

She added that everyone takes the necessary precautions to stay safe this festive season.

“So everybody, stay safe and enter the New Year in a safe way so that we can enjoy more music and more performances,” she added.

In 2016, Efya released her debut album titled ‘Janesis’ the 21-track album was released in April.

Her debut mixtape TINT was released on November 11, 2013. It consists of songs that were released between 2011 and 2013.

The mixtape was supported by two singles: ‘Getaway’ and ‘Best in Me’.

Efya shot to fame when she participated in the maiden edition of the Stars of the Future talent show.

She won the Best Female Vocal Performance category at the Ghana music awards in four successions, beginning in 2011.

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According to him, apart from having the talent, musicians must focus a lot on the lucrative side of their craft.

He explained that, musicians who are focused like him, always pay mind to the business part of their careers.

In an interview with Sister Sandy, Guru said, “Music is the easiest way to make riches. Easy way to make millions, there is no other job, not even being an incumbent president.”

“But here, they see it as a joke, but on the billionaires’ list currently, there are musicians there. I have taken it as world cup as a serious business, and keeping up is important to me. That’s why I let the corporate side to play a role,” he said.

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A post shared by Sister Sandy (@sistersandybiy3guy)

Guru is currently promoting his new song, dubbed, “Enkoyie”.

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The actress, who doubles as a royal, has dropped a latest highlife song that Ghanaians cannot keep mute about.

Titled ‘Pressure’, the love song is an indirect jab at her critics and ex-lovers.

The official launch and listening of the song at the Royal View Cinema and Sports Lounge is already underway.

Mercy Asiedu is the second Kumawood star to drift into the music industry. She takes inspiration from Emelia Brobbey who is now known for three hit songs.

However, netizens have been divided in opinion after snippets of her song and music cover was released.

While some are yet to come to terms with her music self, many have applauded her for following her heart.

Watch snippets of her song below:

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A post shared by Dr Mercy Asiedu Agyemang Duah (@oheneyere_mercyasiedu)

Many Ghanaians based in the United States and elsewhere are gathered as they eagerly await news on who becomes the Ghana Music Wards USA winner for this year.

Already, the event has started with a very colourful red carpet event as many patrons are take their turns to take photographs amid a number of celebrity interviews.

The main event will see a number of Ghanaian musicians both home and abroad receive honours with the climax being the Musician of the Year.

The striker became the centre of attention barely a month ago when he hosted top personalities including President Akufo-Addo to chronicle his life and career.

After etching his name as the all-time leading goal scorer of the Black Stars, Asamoah Gyan is set to dominate the Ghana music industry as well.

He announced on his Instagram page his upcoming banger featuring hiplife artiste, Kiaani Gh.

Nicknamed baby Jet, Asamoah posted snippet of their studio session when they were mastering their highlife song with a touch of Afrobeat.

Music is Asamoag Gyan’s second love which he began pursuing professionally in 2010. He featured Castor on the timeless banger, African Girls.

Watch video below

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A post shared by Asamoah Gyan (@asamoah_gyan3)

According to her, she was groomed into a professional music gem when she lived together with the ‘Ayoo’ hitmaker some few years ago.

Without mincing words, the ‘Low Tempo’ hitmaker said Shatta Wale also wrote songs for her including their Low Tempo song which has since garnered over five million views on YouTube.

I can say he discovered that part of me in a more professional way as a profession but I have always been singing at school and church, I was all about entertainment…

He wrote Low Tempo for me. I have some unreleased songs with him and I will drop them in time.

When asked why she hasn’t paid much attention to her music career, Michy said it was due to the fact that she fears how Ghanaians will welcome her craft — She wouldn’t want to be subjected to trolls.

Let’s say fear maybe.. you know how we are in this country where people are very judgemental so I want it to be perfect.

I didn’t even know I could do some things. Every time I surprise myself. I can’t even settle on songs for an EP.  That’s like the most difficult thing but this year we are dropping something.

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Michy quadruples as a musician, actor, businesswoman and a law student who is currently on her LLB program. She plans to specialise in Criminal Law after the aforementioned stage.

Additionally, Michy is a cast in YN Productions’ forthcoming movie ‘The Men We Love’—and the producer, Yvonne Nelson, described her acting skill as ‘outstanding’.

According to him, he never liked the idea because at that time many musicians weren’t considered rich, adding that, they were seen as mere entertainers but not necessarily businessmen.

Okyeame Kwame disclosed this in an interview on Daybreak Hitz on Hitz FM.

My father used to beat me every day for rapping. He didn’t want me to become one, he said.

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But the Rap Dacta said music has always been his calling as he is now doing works beyond music which equally satisfies his ambition.

Apart from music, I have become a developmental agent. I have become popular and exciting people with my lyrics alone isn’t enough. I’m into everything that brings development… most of it I do it for free and the fulfillment.

Meanwhile, Okyeame Kwame is currently promoting his new song dubbed Love Locked Down featuring Adina.

The 50-year-old says she was a musician before venturing into acting.

“Yes I do sing, I was a musician before entering into acting. I have two recorded albums,” she told JoyNews.

However, music remains her first love because that was the talent God gave her, she believes.

The Kumawood household name has been in the movie industry for the past 25 years.

Speaking on E Vibes, the actress said she is concentrating on the acting and will definitely go back into the booth.

“I haven’t stopped music, I’m just concentrating on the acting and yes I will surely go back to music,” she said adding that “my favourite Musician is Esther Nyamekye and Diana Hamilton.”

Mercy Asiedu also told Becky that she looked up to Grace Nartey and Psalm Adjeteyfio when it came to acting.

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“They were my role models back then,” she added.

Born on May 9, 1971, the versatile actress has stared in hundreds of movies over her career.

Some of them are ‘Obaakofou’, ‘Sumsum’, ‘Aware’, ‘Kakra Yebedie’, ‘Agya Koo Trotro’, ‘Ghana Yonko’, ‘Emma Dodo Kunu’, Divine Prayer, Obi Yaa, Sama Te fie, and Old Soldier.

The popular ‘Asoreba’ movie introduced her to movie lovers across the country and she has become arguably one of the most successful Kumawood actresses in Ghana.

She began acting when she was a teenager, as part of the Kristo Asafo Concert Party group.

She is known for the controversial roles she has played in movies.

E-Vibes is a weekly programme that delves into the background of the country’s celebrated personalities who are doing tremendous work in their chosen field of work cutting across sectors.

The new regulations mark the latest in series of restrictions placed on the people of Afghanistan based on the Taliban’s strict interpretation of Islamic Sharia law.

“You are urgently informed that from today, shaving beards and playing music in barbershops and public baths are strictly prohibited,” the local authority said Sunday in a statement.

“If any barbershop or public bath is found to have shaved anyone’s beard or played music, they will be dealt with according to the Sharia principles and they will not have the right to complain,” the statement added.

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While the Taliban has said their rule would be milder than it was during their previous time in government, there have been numerous reports of harsh crackdowns since they seized power of the nation in August, including the detention and assault of journalists, the use of whips against women taking part in protests, and the public hanging of alleged criminals.

The group also has not allowed Afghan girls and women to resume secondary education, despite promising that female students would be allowed to study.

Afghan boys have already been called to return to school.

When last in power between 1996 and 2001, the Taliban banned women and girls from education and work and severely restricted their rights.

Today, women have been completely excluded from the country’s new, hardline government and in some instances been ordered to leave their workplaces.

According to him, lots of talents have gone down the drain due to a lack of funds, adding that the music industry is more about business than entertainment.

Speaking on the Daybreak Hitz show, Mr Logic advised struggling musicians to look for money first before venturing into music.

Stop doing music if you don’t have money; it’s not about talent. Do you know how many talents have gone down the drain? How do you make money if you don’t have an investor?

The mistake we make in Ghana is that most people compare viral songs to hit songs… For songs that have been scheduled, you will blow right now… When your song is planned for rotation with media houses, watch how it will work easily.

Talking further on why Nigerians have dominated the music charts in Africa with their songs, Mr Logic said they’re business-oriented, unlike the others.

Nigerians have investors who are willing to pitch… Where did Fireboy DML and the rest come from? If you are not inclined with the online market and not ready to put down money, it won’t work, he said.

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Music has a way of enlightening the human brain.

Our brains have a negativity bias and will remember negative memories more than good ones. This helps us to better protect ourselves.

Convincing your brain that you slept well scams your brain into thinking it really did.

Learning new things changes your brain and increases your intelligence even if you’re older.

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Your brain does more creative work when you’re tired.

Our brain responds differently to people we know. Our brain usually likes responding to people who have similar tastes and preferences and more to people we already know.

Ambidextrous and left-handed people have a corpus callosum (the part of the brain that bridges the two halves) that is 11% larger than those who are right-handed.

It takes five different parts of your brain for you to understand and laugh at a joke.

You get a song stuck in your head because your brain interprets the song as an unfinished task, especially if you only remember one part.

His kind of music is what is widely termed as alternative music. It has a different twist and style that produces a unique sound.

However, in an interview with Andy Dosty on Daybreak Hitz, the rapper mentioned that growing up his passion was to do music.

According to him, after he completed St John’s Grammar Senior High School he had a chat with his mother concerning his career path.

Pure Akan narrated that convincing his mother was not an easy task but it was a success in the end.

When I completed school, I sat down with my mum to have a chat with her concerning my interest to focus on my music career and put my education on hold. In the beginning, she felt some type of way but I have a very supportive family that pays attention to the interest of their children and figure out a way they can support you…, he said.

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Pure Akan also revealed that his father eventually accepted his choice to pursue his career, saying: My dad was not around in the beginning but he now knows I’m into music.

Though the rapper admits that he sometimes feels he is not really making waves with his music, he appreciated the support he receives from his fans all over the world.

We all aspire to be somewhere so when it’s not getting there faster it begins to feel some type of way but my fans are there for me.

Meanwhile, he is all set to release his sophomore album Nyame MMA on August 12, 2021.

The album is a follow-up to his highly rated 2017 album Onipa Akoma, which gained positive reviews from fans and critics alike.

Nyame Maa is a 16-track album that features Ayisi and King Ayisoba.

According to him, music has taken a turn that will go a long way to serve as a source of occupation for the upcoming generation, hence if a child has interest it is right to allow them to tow their passion.

Speaking at the +233 Jazz and Grill bar where the Highlife Benefit Concert took place in Accra over the weekend, Okyeame Kwame said “if your child wants to sing and if she got talent allow them because without music the world will be boring.”

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He explained that the first President of Ghana, Dr Kwame Nkrumah had a trio he usually travelled with to sell Ghana music abroad, hence music had since been part of the Ghanaian culture.

Nonetheless, the Rap Dacta said there should be the dire need to push Ghanaian music the world.

He also urged the Deputy Minister of Tourism, Mark Okraku Mantey, to pay more attention to the music industry to uplift the Highlife genre to the world.

The display by the Minister was to prove his life was not all about politics but a social life that keeps him going.

An interview on E vibes on Joy Prime saw him speak about his love for music, movies, books and also spending time with his family.

“I love hiplife and this afrobeat from Nigerians; Dumebi, Amaka and this one from 2Face but currently I’m listening to Akwaboah and Flowking Stone’s ‘Blow My Mind’,” he added.

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The Ofoase-Ayirebi lawmaker indicated music and movies are what keep him company when he is alone from his family.

“When I am not in the constituency on weekends and the children are not around, I watch television a lot, read good books and currently I am watching ‘The Governor’ on Netflix,” he said.

In his latest interview, the musician whose father has about $700 million dollars as his net worth, said if not for his passion for being a musician, he would have been a billionaire by now.

Making his point without any sense of ambiguity, Davido also disclosed that his brothers who are mostly businessmen are way richer than him hence he could easily join follow their trail to success.

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The singer made these assertions to counter claims that he is envious of other musicians who are equally at par with him in the Nigerian music industry.

According to Davido, he loves everyone equally and wouldn’t waste time to hate the craft of another person.

I don’t have to hate on anyone, if I don’t do music today, all my brothers are richer than me … if I go work for … do you know how many power plants we have?

If I go work in an office I can be a billionaire tomorrow in dollars, I am doing this because I love the craft, the FEM hitmaker told the host.

Watch the video below:

Schooling to become a nurse was her first excuse to ‘ditch’ her career after which she was expected to bounce back

But, Kaakie disappointed fans again when her voice was still not heard on major airwaves. Her wedding was what rather took centre-stage.

Seven months after she relocated to the United States with her husband, Kaakie has finally opened up about plans for her fans.

She told Joy FM she has 50:50 chance of returning to the music scene.

Known for her ‘Supa Dupa’ hit track, Kaakie says although she monitors her colleagues’ music, she is not pressed to reclaim her throne.

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Currently, she added, she is focusing on her nursing career in a bid to curb fast-rising maternal mortality cases.

The event is set to take place on Friday, August 28 through to Sunday August 30.

The event dubbed the VGMA weekend will take place virtually because of the coronavirus pandemic.

Music lovers have taken to Twitter to start a coversation on who deserves to win what and why.

“The year (2019) under review was Kofi Kinaata’s year while 2020 would be Kidi/Stonebwoy’s year and still counting not ended yet,” one user wrote.

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Some fans of Sarkodie have began listing his works from the year under review explaining why he needs to take home the Artiste of the Year Award.

Others are looking forward to being entertained with good music and good performances.

The 21st edition of the VGMA will be streamed live on Charterhouse’ YouTube page.

His angry father couldnt fathom why his son would fail all of his courses except music when he is paying USD $21,000 as tuition fees at the American International School of Lusaka, Zambia.

In the video, a woman could be heard pleading for the boy, telling the man not to beat him up.

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But it all fell on deaf ears as he scolded his son for not sitting up to pass his exam.

This is how some social users reacted to the video:

In an interview on Adom TV, monitored by Adomonline.com, the Amen hitmaker said though every musician is entitled to their opinion, it doesn’t permit them to degrade other music genres.

Ponobiom recalled his friction with Shatta Wale and his team in Cape Coast, which resulted into one of the hottest feuds in the history of Ghana, to buttress his point about putting people in their spot when he has to.

According to him, the rap culture must be accorded the maximum respect because the hip-life genre forms the soul of Ghana’s music presently.

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When I had a conflict with Shatta Wale, it brought many issues in Ghana and I admitted it as a rapper and I took my right to call but looking at this one it’s still a song so its not something I will take serious.

I don’t take it serious but if you stand somewhere and degrade the culture, I won’t like that… not just me but everyone… we all want Ghana to move forward, he told Sister Sandy.

Yaa Pono is currently promoting his new song dubbed Defreeze.

In a live video session with Ubi Franklin, he narrated his road to stardom, revealing that he skipped school for a whole year because of music.

He said: “When I started music, I didn’t think it was going to go big, I was doing it just to do music. Over time, money started coming.

“My daddy was a disciplinarian, I didn’t even know my dad had that much money.

“I was on the run for like three months, cause my dad found out I was not in school for a whole year.”

Watch the video of him speaking below:

The artistes include Castro, Obrafour, Kwaw Kese, Tinny, Praye, Kwadee and nearly all the late ‘90s and early 2000s musicians.

Fans of some artistes including Sarkodie, Edem, Asem and others are digging into their archives to produce some of their early works and how it won the hearts of many.

Check out more tweets below:

Some users are posing snippets of their favourite throwback songs while others are calling for the appreciation of some popular artistes back in the day.

According to the singer, many comments following the post seemed to suggest there was no room in her life for music anymore.

“I think a lot of times people don’t read. Now if you saw my post I put in quotes recording…I’m saying that I’m not going to actively record music,” she said at the launch of Joy FM’s Valentine’s Day event dubbed ‘The Love Experience’.

Becca says she is, however, open to being booked for shows and is willing to tour with her already existing albums.

“When was the last time you saw Daddy Lumba and Amakye Dede, release new music but they’re still two of the highest-paid artistes.”

Becca revealed plans to quit her career as a “recording” artiste by the end of 2020 on January 4.

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In a post on all her social media pages, Becca stated that she will be making investments in “worthy and talented” artistes after she takes a bow out of music.

The ‘No Away’ singer, in her interview at the press conference said that event organisers can book her for shows adding jokingly that “I’m going to charge you a lot.”

Becca revealed that she has invested in numerous businesses which are also serving as sources of income even after she takes the break at the end of 2020.

The ‘African Woman’ hitmaker also added that she would be signing new acts to train and nurture through their journey in music.

“I love my fans but they need to also understand that I am a human being and as a human being I have aspirations I would want to achieve,” she added.

Becca, who made her statements at the Multimedia premises on Monday, would be headlining the Joy FM Valentines Day event dubbed ‘The Love Experience’.

The singer alongside ‘Adult Music’ hitmaker, Kwabena Kwabena, would be performing – with a live band – back-to-back hits for patrons on February 14, at the Labadi Beach Hotel.

Ghana’s superstation, Joy FM, is inviting patrons to come, wine and dine with their significant others. They would not only get to enjoy back-to-back hit songs but would be given the chance to serenade loved ones in a special session.

In addition, ‘The Love Experience’ will have the special love hunt and the ‘knowing me, knowing you’ segments as part of the highlights.

The biggest highlight is having patrons spend the night at the plush Labadi Beach Hotel and wake up to a beautiful breakfast while enjoying a sunrise on the beach.

Rate is a cool GH₵2,000 for the full package including bed and breakfast and GH₵700 for the concert night with food and drinks.

Recounting his ordeal on Kofi TV, the musician expressed how devastated he became when his friend and benefactor stabbed him in the back, a situation he said cost his marriage.

“Someone I helped entered into my home and ruined my marriage. I was broken-hearted not for what the lady did to me but the betrayal from someone I helped is what shocked me,” he said.

The ‘Otoolege’ hitmaker revealed the incident happened at the peak of his career and that affected his performances during shows.

“I was performing at National Theatre and truth be told I was not myself on that day. During my performance I kept thinking of how someone I helped to reach higher height did that to me.

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“That day all I felt was unforgiveness and since then my writing, singing skills and everything just fell to the mud because I lost control of myself and decided to stay away from music for a while,” he recounted.

Explaining how affected he was, he said he was shattered, lonely and all he could do was shun everything he loved the most.

To him, the betrayal was beyond his understanding since his whole life, he had never been affected by any situation.

The only thing he revealed kept him sane throughout the entire ordeal was the prayers he directed to God and some prophets who advised him to do so.

Narrating her ordeal on Accra-based Okay FM, monitored by Adomonline.com, the ‘Aseda’ composer revealed she went through stress from her divorce which made her almost bow out of the music industry.

She recalled how travelling became her only comfort in her trying moments when her friends seemed to have disappeared into thin air.

“From 2013 to 2015, I was stressed out and I decided to leave music just to make someone happy and be free from stress.

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“When I was under stress, my friends, including pastors, neglected and rejected me and that’s why till date I don’t have friends anymore because everybody left me,” she said amidst tears.

She narrated how she changed her pillow every three days because they were soaked with tears she cried out as she remembered her painful experiences.

She also revealed she hid her pain from others because she feared criticisms from judgmental people.

Quoting a verse in Psalm 23, she revealed God had been her company and comfort when no one else was.

According to the ‘Bankulize’ hitmaker, Patapaa executes his music with energy and determination to succeed despite criticisms.

Patapaa’s work attitudes, he said if emulated by underground artistes, will bring positive results.

“Look at Patapaa and when you learn, look behind the scenes and see some guy who thinks he is talented, believes in himself, putting out his music despite criticisms, in his mind he thinks he is like Jay Z,” he said in an interview on Joy FM’s Showbiz AtoZ.

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He noted that even though there was no or little marketing budget for Patapaa, his songs dominate the airwaves because he has involved his immediate community into his activities, advising artistes to toe his line and start organically.

Mr Easi said his admiration for Patapaa increased when he sighted videos of him during an European tour where he performed with vigor to a crowd of three as though it was a sold out concert.

“I saw Patapaa, he was performing to a crowd, maybe just three or four people but he was performing like it was 300,000 people and I took that from him,” he revealed.

According to MzVee, born Vera Hamenoo-Kpeda, her absence from the industry was a necessary fior rejuvenation and self-actualization.

Despite being surrounded by fans who profess their love to her, the musician revealed she had to battle depression for two years which has made her shy away from everything she loved the most.

Speaking on Accra-based TV3 monitored by Adomonline.com, the musician explained that her mental disorder, which affected her gravely, reached its peak when she lost her romantic relationship because she became less sociable.

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Though I was content, I am human and have problems. You know when things happen to you personally, unfortunately, there is a spill over that affects everything. I was super depressed for two years, 2017 and [20]18 so I did pull away and it affected my relationship with people, work, family and even my [intimate] relationship, she confessed.

MzVee also revealed that her fellow female artiste, Efya, was her little hope when her back was against the rope.

Efya, whom she described as a sister, became her psychologist in her trying period because she could relate to her situation, especially being a victim herself.

She explained that despite the challenges, depression made her realize how strong and confident she could be.

According to him, he loves to compose songs when he is going through an emotional dilemma because it puts him in the “right” state to record.

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“Songs I attach emotions to have longer longevity than others; songs like Wish Me Well, Angela and Obia To. They last longer though I can’t always put myself into such state to make music. It should happen naturally,” he disclosed.

Speaking in an interview with Andy Dosty on Daybreak Hitz on Hitz FM, monitored by Adomonline.com, Kuami said some of his songs stem out of criticisms on his social media page.

According to her, she wanted to be a film director like her dad but her fate changed after she signed up for a singing competition.

She told BBC pidgin in an interview that, the ultimate plan “was to be behind the camera.”

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Talking about her interest in doing films, Efya added that, “I wanted to be interviewing people and making the movies. I wanted to be like my dad.”

Efya has accepted cameo roles in many movies and thought her life was cantered around it.

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“I saw people singing for competition so I signed up. My plan wasn’t to go for the competition but I was chosen. I had to travel because it was summer but my mum told me to try the competition [and that made me],” she said.