King Paluta – Adomonline.com https://www.adomonline.com Your comprehensive news portal Wed, 08 Apr 2026 11:24:03 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://www.adomonline.com/wp-content/uploads/2019/03/cropped-Adomonline140-32x32.png King Paluta – Adomonline.com https://www.adomonline.com 32 32 King Paluta calls out Boomplay over streaming revenue concerns https://www.adomonline.com/king-paluta-calls-out-boomplay-over-streaming-revenue-concerns/ Wed, 08 Apr 2026 11:24:02 +0000 https://www.adomonline.com/?p=2648991 Ghanaian rapper King Paluta has publicly criticised streaming platform Boomplay over what he describes as insufficient financial rewards for artistes, despite strong streaming numbers.

His comments come after Boomplay released its Q1 2026 chart highlighting the most streamed Ghanaian artistes from January to March. King Paluta ranked sixth on the list, which was topped by Black Sherif.

Reacting to the post, the rapper expressed frustration over the disconnect between streaming figures and actual earnings. While acknowledging the recognition of being on the chart, he questioned the value of such milestones without fair compensation.

“…Yes, but no money! You people are taking us for granted and it’s sooo wrong!” he wrote.

Currently, Boomplay pays artistes between $0.003 and $0.005 per stream, depending on user location (primarily Africa) and subscription tier.

King Paluta’s remarks have sparked broader conversations about artiste compensation in Ghana’s digital music space, with many industry stakeholders echoing concerns over low payouts despite high engagement.

The issue of streaming revenue continues to be a hot topic as artistes push for fairer monetisation structures from digital platforms.

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Kwabena Kwabena wades into controversy involving King Paluta and UK fan https://www.adomonline.com/kwabena-kwabena-wades-into-controversy-involving-king-paluta-and-uk-fan/ Tue, 08 Jul 2025 11:27:04 +0000 https://www.adomonline.com/?p=2552612

Renowned Ghanaian highlife musician Kwabena Kwabena has expressed disappointment over rapper King Paluta’s recent conduct during a performance abroad.

The controversy arose when King Paluta reacted harshly to a UK-based female fan who appeared to show disapproval of his performance. His response has since sparked widespread public criticism.

Kwabena Kwabena emphasized the importance of professionalism for artistes on stage, urging them to maintain composure regardless of audience reactions.

“Fans spend their hard-earned money to attend shows and deserve respect and entertainment, even when they express criticism,” he said.

He added that public figures, especially musicians, are always under scrutiny and must manage both praise and criticism with maturity.

“The burden of fame comes with the responsibility to handle emotional situations gracefully,” Kwabena Kwabena noted.

He also encouraged King Paluta and his team to reflect on the incident and use it as an opportunity for growth.

The veteran musician’s remarks contribute to ongoing discussions about how artistes should conduct themselves internationally, recognizing that their behavior impacts not only their personal brand but also Ghana’s entertainment industry.

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King Paluta fires back at DJ Slim over TGMA credibility and nomination comment https://www.adomonline.com/king-paluta-fires-back-at-dj-slim-over-tgma-credibility-and-nomination-comment/ Sat, 07 Jun 2025 07:02:42 +0000 https://www.adomonline.com/?p=2542452 Ghanaian rap heavyweight, King Paluta, has finally addressed the heated remarks made by media personality DJ Slim, who recently questioned the rapper’s credibility and nomination for the Telecel Ghana Music Awards (TGMA).

Speaking on Nhyira FM’s Entertainment Power, hosted by MelvinDaEnigma, King Paluta said “DJ Slim messed up with that comment. It was loose talk.

“You can’t discredit someone’s hard work and success over category promotion.”

DJ Slim’s comments sent shockwaves through the music industry, reigniting debates about media bias and the credibility of award schemes.

Some fans applauded Paluta’s calm but direct clapback, calling it a “masterclass in maturity.”

But that wasn’t all.
In an emotional turn during the interview, the rapper behind hits “Yahitte” and “Aseda”, opened up about the painful journey that led to his breakout.

“I nearly quit,” he confessed. “The rejections, the financial stress—it was overwhelming. But every delay was a blessing in disguise.”

His new album, “Give Time Some Time,” is being described as a raw and reflective anthem of hope, echoing his message of resilience.

“You can’t win in life if you don’t go through hardships. Nothing good comes easy,” said Paluta.

Listeners flooded the station’s lines and social media, praising both the artist and the Entertainment Power team for delivering one of the most honest and electric interviews of the year.

As the dust settles, King Paluta’s name continues to rise; not just as a lyrical powerhouse, but as a voice of patience, perseverance, and now, reckoning.

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2025 TGMA: King Paluta’s ‘Aseda’ wins Best Highlife Song https://www.adomonline.com/2025-tgma-king-palutas-aseda-wins-best-highlife-song/ Sun, 11 May 2025 00:54:03 +0000 https://www.adomonline.com/?p=2533626 Rising rap and highlife sensation King Paluta has clinched the Best Highlife Song award at the ongoing 26th Telecel Ghana Music Awards (TGMA), currently underway at the Grand Arena of the Accra International Conference Centre.

Paluta secured the win with his widely acclaimed hit “Aseda”, beating strong contenders including Fameye, Kuami Eugene, Amerado’s “Abronoma,” Kofi Kinaata’s “Effiakuma Broken Heart,” and Rap Fada’s “Odo Bi Ye Bad,” which also featured Paluta.

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The victory marks a significant milestone for King Paluta, who continues to bridge highlife and rap with his unique style, and it further cements his fast-rising influence in Ghana’s contemporary music scene.

Though he was not present to receive the award, his PRO, MC Portfolio did him the honour.

The TGMAs, now in their 26th year, remain the premier celebration of musical excellence in Ghana, honouring talent across genres and generations.

]]> King Paluta finally meets look-alike after months of support https://www.adomonline.com/king-paluta-finally-meets-look-alike-after-months-of-support/ Fri, 09 May 2025 07:18:35 +0000 https://www.adomonline.com/?p=2532923 Ghanaian rap sensation King Paluta has finally met his look-alike, a passionate fan known as King Holy.

Holy’s striking resemblance to the artist has drawn attention both online and offline.

The emotional encounter took place after months of King Holy actively promoting King Paluta’s music on social media, building fan engagement, and amplifying the artist’s brand.

The resemblance between the two is so intense that fans have often mistaken King Holy for the real Paluta in public appearances and videos.

King Paluta expressed appreciation for the support, acknowledging how the fan’s consistent efforts have contributed to the growth of his music.

He expressed willingness to work with his look-alike due to their shared passion for music.

Fans are already calling for a collaboration or music video appearance to seal the moment.

Watch video below:

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I will collaborate with King Paluta if… – Lord Kenya https://www.adomonline.com/i-will-collaborate-with-king-paluta-if-lord-kenya/ Sat, 03 May 2025 17:49:09 +0000 https://www.adomonline.com/?p=2531292 Former rap icon-turned-evangelist Lord Kenya has expressed admiration for fast-rising Ghanaian rapper King Paluta, saying the young artiste reminds him of his own early days in the music industry.

Speaking in an interview on Kessben FM, Lord Kenya—known in private life as Abraham Philip Akpor Kojo Kainya—praised King Paluta’s lyrical energy and delivery, noting striking similarities with his youthful self.

“One young artiste who reminds me of my early music days is King Paluta. His flow and energy are very much like how I used to sound when I started out,” he shared.

Although he stepped away from secular music over a decade ago to fully embrace his Christian faith, Lord Kenya emphasized that his musical gift remains intact.

“I’ve never stopped making music; it’s a talent God blessed me with. I’d be open to doing a song with King Paluta—but only on one condition: he must accept Christ as his personal Lord and Saviour. Then we can create a gospel song together to glorify God,” he said.

Lord Kenya shot to fame in the late 1990s with chart-topping hits such as Sika Baa, earning him a place among Ghana’s musical greats. Known for his commanding stage presence and lyrical depth, he won several awards including Hiplife Album of the Year and gained international recognition.

Originally from Kumasi, Lord Kenya showed potential in both athletics and music during his school years. Though his family hoped he would study law, his passion for music ultimately won.

In 2010, at the peak of his career, he underwent a life-changing spiritual awakening, gave his life to Christ, and renounced secular music. Today, he ministers as an evangelist, using his life story as a testimony of transformation and divine purpose.

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King Paluta is not the underdog in TGMA Artiste of the Year race – Manager https://www.adomonline.com/king-paluta-is-not-the-underdog-in-tgma-artiste-of-the-year-race-manager/ Mon, 28 Apr 2025 17:12:27 +0000 https://www.adomonline.com/?p=2529495 Rapper and singer King Paluta released not one, not two, but three hit songs during the Telecel Ghana Music Awards (TGMA) year under review.

This has left his manager, Cofy Dela, puzzled as to why King Paluta is often labeled an underdog in the Artiste of the Year (AOTY) race.

Cofy Dela is baffled by the persistent underdog designation whenever the three potential AOTY winners—Stonebwoy, King Promise, and King Paluta—are mentioned, even though it’s clear that King Paluta has more than earned a seat at the table.

He believes that after dropping three bangers—‘Makoma,’ ‘Aseda,’ and ‘For the Papping (Apicki)’—King Paluta, born Thomas Adjei Wireko, deserves to be acknowledged as a serious contender, not just an afterthought in AOTY conversations.

In an interview with Graphic Showbiz on Tuesday, April 22, Cofy Dela passionately defended his artiste’s status following a standout year.

Cofy Dela argued that the ‘Makoma’ hitmaker’s influence in the music industry during the review year has been unmatched. He highlighted King Paluta’s consistency, hit releases, and strong fan engagement as indicators of his leading position among his competitors.

“By the records available, King Paluta deserves it more than any other artiste in the AOTY category because his presence and impact in the year under review are dominant across the board. Among the contenders, can anyone mention even two hit songs in the award year?

“King Paluta doesn’t only have one or two but three hits—‘Aseda,’ ‘Makoma,’ and ‘For the Papping (Apicki),’ which are not mere releases, but pure bangers. They are street anthems that dominated the airwaves and resonated deeply with the people.

“And during last year’s election campaign season, Paluta’s songs played a significant role in energising political rallies. Did any of the contenders have such influence? No!”

Cofy Dela also expressed his frustration that the AOTY debate has shifted to international influence, and that King Paluta’s physical appearance is being used against him for an award whose criteria are already spelt out.

Moving away from the AOTY discussion, Cofy Dela shared what motivated him to manage King Paluta, saying, “I was inspired and drawn to King Paluta’s unique vision, drive, passion, and commitment to his craft.

“He is the true definition of perseverance, dedication, and consistency. This belief has fueled the desire to help realise his full potential and achieve success,” he said.

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TGMA breaks silence on why King Paluta’s ‘Makoma’ missed out on 2025 edition https://www.adomonline.com/tgma-breaks-silence-on-why-king-palutas-makoma-missed-out-on-2025-edition/ Thu, 03 Apr 2025 10:19:03 +0000 https://www.adomonline.com/?p=2521237

The Board of the Telecel Ghana Music Awards has clarified why King Paluta’s ‘Makoma’ was not nominated in this year’s awards scheme.

In response to rumors suggesting the song’s exclusion was due to supposed profanity, a press release signed by Robert Klah, Head of Communications and Public Events at Charterhouse, addressed the issue.

According to the organisers, the rule preventing multiple songs from the same artist in a single category is the primary reason for the exclusion.

The release explained, “Each artiste can have only one song per category, except for Best Collaboration, Best International Collaboration, and Best Music Video.” This rule is designed to prevent vote-splitting and ensure that artists have the most substantial chance of winning.

The Board further stated that, in the case of King Paluta’s songs, they applied this rule by selecting the more popular track, based on research including streaming numbers and airplay from 175 radio stations. “Aseda” was determined to be the more popular choice in both the Highlife and Most Popular Song of the Year categories.

The Board acknowledged that while this rule has been relaxed in past editions, it is now being strictly enforced, limiting each artist to one nomination per category.

This is not the first time the ‘one-song-per-category’ rule has been implemented. In 2016, the same principle was applied to Bisa Kdei when he had two hit songs, “Mansa” and “Bother Brother,” but only “Mansa” received a nomination.

Despite speculations that “Brother Brother” was excluded due to its explicit content, reports indicate that Bisa Kdei was advised to choose his biggest song for nomination. He opted for “Mansa” based on the Board’s policy.

The statement concludes by noting that the Telecel Ghana Music Awards has returned to this original rule, meaning that only one song per artist will be considered in each category moving forward.

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King Paluta confirms receiving money from Bawumia https://www.adomonline.com/king-paluta-confirms-receiving-money-from-bawumia/ Wed, 02 Apr 2025 13:38:06 +0000 https://www.adomonline.com/?p=2520896 Rapper King Paluta admitted to taking money from the New Patriotic Party flagbearer in the 2024 December general elections, Dr Mahamudu Bawumia.

His admission follows a backlash he received over his recent comments on Twitter where he suggested that influencers are being paid to promote certain artists.

In the said Twitter post, King Paluta expressed disappointment that a fan who had previously supported him for Artiste of the Year (AOTY) had suddenly changed stance.

His tweet implied that some Twitter influencers were financially influenced to promote certain artistes over others.

I’ve seen one guy who was supporting me heavily. Even last week… Every time Paluta for AOTY. Yesterday, make I go see aa, he say I no dey deserve the award again. Every Twitter influencer on the payroll already?? Lol Ghana Music, wake up! (in Wendy Shay’s voice), King Paluta wrote in pigin.

However, netizens were quick to call him out, accusing him of engaging in the same practice during the 2024 general elections.

One user replied Paluta, saying, You took big money from politicians during the election era, and you’re here complaining about influencers taking money to support others? You should understand that this is how it works. You pay, you get served. Simple.

In response, King Paluta confirmed taking money from Bawumia, stating: The money I took from Baweezy deɛ, e really pain boys.

His admission reignited speculations that he was paid heavily to associate with the Bawumia-led NPP campaign.

During the 2024 elections, he was seen in the company of then flagbearer Dr Bawumia, where he shared the stage with party executives at some rallies.

While King Paluta has not disclosed the amount he received, his confirmation has sparked debates about musicians and their involvement in political endorsements.

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King Paluta deserves 2025 TGMA Artiste of the Year – Joyce Blessing https://www.adomonline.com/king-paluta-deserves-2025-tgma-artiste-of-the-year-joyce-blessing/ Fri, 28 Mar 2025 10:45:07 +0000 https://www.adomonline.com/?p=2519789

Gospel singer Joyce Blessing is backing King Paluta for the 2025 Telecel Ghana Music Awards’ Artiste of the Year.

According to her, the Kumasi-based secular musician has worked tirelessly over the past year and deserves the title.

Speaking to Roselyn Felli on Joy Prime’s Changes, the gospel songstress stated that she is confident in the Aseda hitmaker, as well as in the majority of Ghanaians.

However, she expressed concerns that the award might elude him due to certain factors she prefers not to disclose.

“Everybody knows King Paluta has done well and deserves the award, but how things are going, we don’t know whether they’ll give it to him or not because ebi Ghana we dey; anything can happen,” she said.

Joyce Blessing has released a song titled Correct, featuring King Paluta, which she said showcases his exceptional talent.

Aside from King Paluta, she is also rooting for gospel group Team Eternity to win the category if he misses out, as they have equally worked hard to earn the nomination.

Other musicians nominated in the 2025 TGMA Artiste of the Year category include Kweku Smoke, Stonebwoy, Joe Mettle, King Promise, and Black Sherif.

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Delay reacts to King Paluta’s ‘Makoma’ snub in 2025 TGMA nominations https://www.adomonline.com/delay-reacts-to-king-palutas-makoma-snub-in-2025-tgma-nominations/ Sat, 22 Mar 2025 11:49:03 +0000 https://www.adomonline.com/?p=2517730

Media personality Deloris Frimpong Manso, popularly known as Delay, has weighed in on the controversy surrounding the omission of King Paluta’s hit song Makoma from the 2025 Telecel Ghana Music Awards (TGMA) nominations.

Taking to her X page on Tuesday, March 18, Delay expressed disappointment over the exclusion of the song from key categories.

“How Makoma didn’t get nominated is exactly why I pray without ceasing. If you stop praying, what rightfully belongs to you can be taken away before your very eyes,” she wrote.

Her statement has added to the growing online debate, as many fans believe Makoma was among the biggest songs of the year and deserved recognition.

Meanwhile, King Paluta and his team have launched a petition demanding clarity on why the song was not considered in any of the four categories they submitted—‘Most Popular Song of the Year,’ ‘Record of the Year,’ ‘Hiplife Song of the Year,’ and ‘Songwriter of the Year.’

They insist that Makoma met all ethical and moral requirements of the awards scheme and was one of the most celebrated songs within the year under review.

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King Paluta petitions TGMA board over ‘Makoma’ snub https://www.adomonline.com/king-paluta-petitions-tgma-board-over-makoma-snub/ Wed, 19 Mar 2025 11:19:58 +0000 https://www.adomonline.com/?p=2516465 Rapper King Paluta has formally petitioned the Telecel Ghana Music Awards (TGMA) board over the exclusion of his hit song “Makoma” from the list of nominees.

In a letter dated March 18, 2025, the management of King Paluta expressed their disappointment that despite submitting “Makoma” for consideration in multiple categories, the song was not nominated.

The categories included Most Popular Song, Record of the Year, Hiplife Song of the Year and Songwriter of the Year.

According to the petition, the team believes “Makoma” was one of Ghana’s most popular songs during the year under review and generated significant excitement among music lovers.

They argue that the song meets all ethical and moral requirements of the board and are requesting a convincing explanation for the decision.

The management further urged the TGMA board to reconsider the song’s inclusion in the previously submitted categories, emphasizing their confidence in the board’s competence and fairness.

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TGMA: King Paluta makes strong case for why he deserves AOTY https://www.adomonline.com/tgma-king-paluta-makes-strong-case-for-why-he-deserves-aoty/ Tue, 04 Mar 2025 07:48:16 +0000 https://www.adomonline.com/?p=2510805

Rapper King Paluta, born Paluta Thomas Adjei Wireko, has made a strong case for why he deserves to be crowned Artist of the Year at this year’s Telecel Ghana Music Awards (TGMA).

Speaking in an interview on Neat FM, King Paluta highlighted his consistency and hard work over the past year, citing his numerous achievements.

He noted that he released four hit songs—Odo Bi Ye Bad, Aseda, Makoma, and For the Popping (Apicki)—which gained significant traction both locally and internationally.

Additionally, he featured on over 40 songs, performed at 115 shows, and successfully released an album.

“Last year, I won TGMA’s Best New Artist of the Year, which was the second most prestigious award after the ultimate Artist of the Year. If I have evolved from being a new cat to making bigger moves, then I deserve the ultimate this time around,” he argued.

He further emphasized that 2024 has been a “King Paluta Year,” as his songs have reached audiences beyond Ghana.

“I did not sleep on my talent. I have recorded back-to-back hits. My songs went worldwide—people from different countries were jamming to them. It will be unfair not to be given due recognition as Artist of the Year,” he stressed.

However, King Paluta falls short of meeting the requirement of headlining his own show, a factor that could impact his chances.

Defending this, he explained that he had to prioritize international engagements due to high demand from his global fanbase.

Aside from Artist of the Year, King Paluta is also eyeing awards in categories such as Best Collaboration and Most Popular Song of the Year, given his impressive contributions to the music industry.

]]> Okyeame Kwame tips King Paluta for Artiste of the Year https://www.adomonline.com/okyeame-kwame-tips-king-paluta-for-artiste-of-the-year/ Mon, 24 Feb 2025 17:23:48 +0000 https://www.adomonline.com/?p=2508055

Ghanaian rapper and entrepreneur Okyeame Kwame has thrown his support behind King Paluta as Artiste of the Year.

In a Facebook post, Okyeame Kwame wrote: “Artiste of the year. Signed sealed delivered. And he is wearing the love equation by ok. Medaase.”

Although he didn’t specify any award scheme, his post has sparked discussions about who deserves to win the Artiste of the Year title at the upcoming Telecel Ghana Music Awards.

Many have argued that King Paluta’s hard work and visibility throughout 2024 have made him a standout contender. His release of three hit songs—Aseda, Makoma, and Pop Champagne, along with an album and several performances at major concerts both in Ghana and abroad, has made him one of the most talked-about musicians of the year.

Meanwhile, some music lovers are also backing King Promise, a strong contender for the title last year, as well as Stonebwoy, whose impressive work in 2024 has also been acknowledged by music stakeholders, with some believing he deserves to win the Artiste of the Year award once again.

The Telecel Ghana Music Awards’ Artiste of the Year category recognizes the artist with the highest audience appeal and popularity, as determined by the Academy, Board, and the General Public. The artist must have released a hit single, EP, or album and received one of the highest nominations during the year.

As of now, the organizers of the TGMA have yet to announce the nominations for this year’s awards.

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King Paluta donates to Kumasi Children’s Home https://www.adomonline.com/king-paluta-donates-to-kumasi-childrens-home/ Mon, 13 Jan 2025 13:13:39 +0000 https://www.adomonline.com/?p=2492287 Renowned rapper King Paluta has extended a generous hand to the Kumasi Children’s Home as part of his philanthropic project, Give Time Some Time.

The donation, carried out with the support of his team, provided much-needed supplies, including bags of rice, cooking oil, bottled water, and boxes of toiletries, aimed at easing the daily needs of the children and staff at the home.

Reflecting on the gesture, King Paluta recounted his humble beginnings, recalling his struggles for basic needs like accommodation and food while growing up.

“Where I came from was hard, so I know the essence of giving back to the streets. Generosity is a virtue we should all embrace, especially when we can make life a little easier for others.”

The Give Time Some Time project, which focuses on acts of kindness and uplifting communities, is King Paluta’s way of contributing to society and inspiring others to prioritize giving back.

The management of the Kumasi Children’s Home expressed their gratitude for the thoughtful gesture, noting how the items would go a long way in supporting their operations and caring for the children.

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Tarkwa Nsuaem Independent Candidate bills Stonebwoy, King Paluta for free concert for constituents https://www.adomonline.com/tarkwa-nsuaem-independent-candidate-bills-stonebwoy-king-paluta-for-free-concert-for-constituents/ Tue, 19 Nov 2024 22:51:41 +0000 https://www.adomonline.com/?p=2473521 Tarkwa Nsuaem is set to come alive on Saturday, November 23, 2024, with a free concert featuring Ghanaian music heavyweights Stonebwoy and King Paluta.

Dubbed the Joy Concert, the event will be held at the Tarkwa Community Center and is powered by independent parliamentary candidate Joycelyn Andoh.

The concert forms part of Joycelyn Andoh’s campaign to connect with constituents and share her vision for transforming Tarkwa Nsuaem through initiatives in education, entrepreneurship, and community development.

Outlining her priorities, Joycelyn Andoh highlighted plans to offer scholarships for students from Free SHS backgrounds, provide interest-free loans to market women, and introduce a work-and-pay taxi scheme to empower young drivers.

She also pledged to recognize hardworking teachers and farmers through annual awards and launch a market day initiative to stimulate local commerce.

This event promises an evening of great music and an opportunity to engage with Andoh’s vision for a brighter Tarkwa Nsuaem

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King Paluta apologizes for no-show at Oyibi concert https://www.adomonline.com/king-paluta-apologizes-for-no-show-at-oyibi-concert/ Mon, 04 Nov 2024 22:22:02 +0000 https://www.adomonline.com/?p=2468440 Budding artiste King Paluta has issued an apology to fans after missing his scheduled performance at Lochers Lounge in Oyibi last Saturday.

Fans who had eagerly gathered to see him perform were left disappointed, as the artist never made it back to the stage after initially arriving at the venue.

In response to the frustration expressed by many patrons, King Paluta explained that unexpected circumstances prevented him from performing, adding that the situation was beyond his control.

He clarified that both he and the event organizers had planned for his appearance, dismissing rumors that he deliberately disrespected the event.

According to reports, King Paluta did make an appearance at the lounge and enjoyed a portion of the refreshments provided.

However, after excusing himself, he did not return, leaving some fans upset and questioning his commitment.

The backlash on social media was swift, with several fans calling his absence disrespectful.

In his apology, King Paluta acknowledged the fans’ disappointment and assured them he valued their support.

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Stonebwoy questions inclusion of Blacko, Paluta in Grammy Hiplife article https://www.adomonline.com/stonebwoy-questions-inclusion-of-blacko-paluta-in-grammy-hiplife-article/ Tue, 27 Aug 2024 08:32:25 +0000 https://www.adomonline.com/?p=2439420 Dancehall artiste, Stonebwoy has sparked a debate after questioning the inclusion of Black Sherif and King Paluta in a recent GRAMMY article about the history of hiplife music in Ghana.

The article, which explored the origins and evolution of hiplife from the late 90s to present, recognized pioneers like Reggie Rockstone, Mzbel, and Obrafour, as well as newer artists keeping the genre alive.

However, it also acknowledged Black Sherif and King Paluta for their contributions to putting Ghanaian music on the global stage, a move that Stonebwoy criticized.

Stonebwoy defended his statement, clarifying that he’s not opposed to the mentioned artistes but rather queries the relevance of Black Sherif and King Paluta to the 90s hiplife conversation, as they hadn’t yet entered the mainstream.

He asked, “What are the roles of Blacko and Paluta in hiplife? One may argue that they tap inspiration from hiplife, but so do I.”

He further expressed disappointment over the omission of his own name, which he viewed as part of a larger agenda to discredit his efforts in the industry.

“It’s not about my name being on the Grammy platform,” Stonebwoy remarked. “I’ve had more articles written about me there. But the story should capture the true essence of Ghanaian music, especially hiplife, which is our foundation. The article didn’t do due diligence.”

The debate raises questions about the representation and recognition of artists in the Ghanaian music industry.

Aside Stonebwoy, other legends including Tic and Kwaw Kesse have also voiced their reservations.

Watch video below:

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STONEBWOY responds to criticisms over his GRAMMY comments,political ambition & setting TGMA record nonadult
King Paluta breaks down in tears during London performance [Video] https://www.adomonline.com/king-paluta-breaks-down-in-tears-during-london-performance-video/ Mon, 26 Aug 2024 14:07:11 +0000 https://www.adomonline.com/?p=2439007 Rap sensation, King Paluta had a moment of pure elation turn into an emotional breakdown on stage during his recent performance in London.

The artiste was mid-performance of his hit song ‘Aseda’ when he paused, overcome with emotion, and broke down in tears.

The crowd, fully immersed in the performance, took over chanting his lyrics with enthusiasm.

The realization of his hard work and dedication paying off seemed to hit him hard, and he was visibly moved to tears.

The audience continued to sing along, fueling King Paluta’s passion and further igniting his performance.

His London performance will undoubtedly be remembered as a highlight in his career, marking a milestone in his rise to prominence in the music industry.

Watch video below:

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Keche Joshua exposes King Paluta in latest video [Watch] https://www.adomonline.com/keche-joshua-exposes-king-paluta-in-latest-video-watch/ Fri, 23 Aug 2024 19:14:19 +0000 https://www.adomonline.com/?p=2438014 Keche Joshua, a member of the popular Ghanaian music group Keche, has publicly expressed his frustration with fellow musician King Paluta, accusing him of disrespecting the group by failing to promote a song they did together.

In a post on Instagram, he said King Paluta is now arrogant following his recent success in the music industry.

According to Keche Joshua, King Paluta, known for his hit song “Aseda,” has failed to accord the needed respect to established artistes like Keche, who have paved the way in Ghana’s music industry.

Joshua highlighted that while other artists, including Sista Afia, Eno Barony, and Wendy Shay, have supported and promoted songs they’ve worked on with King Paluta, he has refused to do the same for their joint project.

“These artistes who get one hit, two hits, don’t respect. You see King Paluta, where you reach? What kind of stupid disrespect is that? King Paluta, you do music and video with Sista Afia, Eno Barony, Wendy Shay, Tulenkey, and all of them—it’s beautiful,” Keche Joshua remarked, expressing his disappointment.

He further urged King Paluta to take inspiration from how artistes like Shatta Wale and Amerado are actively promoting their collaborations, emphasizing the need for unity and mutual support within the industry.

Keche Joshua pointed out that despite their efforts to promote the ‘My Father’, song, King Paluta’s team dismissed their requests, stating that they only use his platform for his solo promotions.

“We do music with you, King Paluta… he never posts it… his team says they don’t use his page to do promo, only for King Paluta Army. See the way Wale and Amerado do it… We called you, recorded the song with you… we talked with you, and you were happy… we wanted a visualizer, you never did. We bothered him so many times… now he does a video, sends it to us… we post it, and he never reposts,” Keche Joshua lamented.

As of now, King Paluta has not responded to the allegations made by Keche Joshua. The situation has sparked discussions among fans and industry insiders, with many awaiting King Paluta’s side of the story.

Watch Keche and King Paluta’s My Father below:

Source: Dennis Kofi Adu
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Obaapa Christy speaks out on Catholic Bishop’s apology after King Paluta’s ‘Aseda’ performance [Video] https://www.adomonline.com/obaapa-christy-speaks-out-on-catholic-bishops-apology-after-king-palutas-aseda-performance-video/ Thu, 22 Aug 2024 11:59:28 +0000 https://www.adomonline.com/?p=2437345 Gospel musician Obaapa Christy has weighed in with her perspective, in response to the recent controversy surrounding Rev. Fr. Peter Kusi Twumasi’s performance of King Paluta’s song “Aseda” in church.

The video of the Catholic bishop singing the secular track at St. Stephen Rectorate in Bodomase went viral, prompting Rev. Fr. Twumasi to issue a heartfelt apology for what many viewed as an infringement on the sanctity of the church environment.

Obaapa Christy, reflecting on the incident in an interview on Hitz FM’s U Say Wetin, offered a nuanced take on the situation.

“Such matters can easily lead to misunderstandings if not handled with care. I pray for wisdom to navigate such discussions. There are songs that are meaningful and others that may be seen as profane. Singing King Paluta’s song doesn’t reflect on my character,” she said.

She emphasized that everyone has their own perspective and that one should ensure their actions are in alignment with their values.

“Everyone will have their opinions on everything. It’s important to reflect internally and be confident in what you’re doing. God loves us all, regardless of the type of music we enjoy,” Obaapa Christy added.

The controversy arose when Rev. Fr. Twumasi’s performance of “Aseda” during a church service was shared online, raising questions about the appropriateness of secular music in religious settings.

In his apology, Rev. Fr. Twumasi admitted that he had let secular influences infiltrate a sacred space and expressed regret for any offence caused.

“I sincerely apologize for my actions. I allowed secular elements into our church space, which was not my intention. I understand that my actions may have caused confusion and hurt, and for that, I am truly sorry,” Rev. Fr. Twumasi stated.

Source: Dennis Kofi Adu

 

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10 essential Hiplife artistes: From godfather Reggie Rockstone to King Paluta https://www.adomonline.com/10-essential-hiplife-artistes-from-godfather-reggie-rockstone-to-king-paluta/ Wed, 21 Aug 2024 15:33:05 +0000 https://www.adomonline.com/?p=2436940

In the 1990s, artists and producers from Accra merged the sound and aesthetic of American hip-hop with their Ghanaian sounds and culture.

The resulting genre, hiplife, significantly influenced the music coming from Ghana and the African continent.

Ghana has been home to some of the most recognizable musical exports from the African continent, contributing heavily to the globalization and development of the continent’s sound.

While highlife is regarded as the country’s biggest sonic export, the introduction of hiplife some 30 years ago invigorated the Ghanaian music scene and birthed some of the country’s most important artists.

Hiplife music blends hip-hop from the West with Ghanaian highlife sounds like Jama and Kpanlogo — a sound and dance by the Ga people, who make use of nono (metal bell), fao (gourd rattle), and local drums to play beats.

These elements were fused with funk, bass, and boom-bap to create hiplife. Hiplife and hip-hop have aural similarities and both use rapping; both genres also reflect a larger culture.

While Gyedu-Blay Ambolley is considered one of the earliest rappers, as demonstrated on his 1973 song “Simigwa-Do,” the term “hiplife” was only coined in the late 1990s by genre pioneer Reggie Rockstone.

Still, American hip-hop had arrived in the Ghanaian capital of Accra by the early ’90s and local rappers began to release their own music soon after. Duo Talking Drum were among this early cohort, and their single “Aden” was an underground hit in 1993.

As a movement and culture, hiplife is also an identity,  created to encourage people to be daring in their exploration of sound. Pioneering hiplife artists like Root Eye Samini and Shatta Wale (then known as Bandana) fused dancehall and highlife in the early ’90s to make music which could connect with local audiences.

Collaborations between artists and producers have been crucial in defining the sound, evolution, and amplification of hiplife.

Just as hip-hop has developed a plethora of subgenres, hiplife has birthed other sounds such as azonto and asakaa.

An offshoot of asakaa, Ghanaian drill, was among the elements in the new Best African Music Performance Category at the 2024 GRAMMYs.

The story of hiplife includes many important producers, artists and labels, including Kassa Records, DJ Rab, Zap Mallet, Akyeame, Panji Anoff, JayQ, Hammer,  Ex Doe, Chicago, and Okomfour Kwadee. Going forward, the mantle will fall on artists like TicTac, Abrewa Nana, Appietus, and much later a younger generation including  Asem, Richie Mensah, and Beeztrap KOTM continue to amplify hiplife.

Afrobeats artists have also taken notice; Tic Tac and Tony Tetuila’s “Fefe Ne Fe” was sampled on the 2019 song “Gbese” by DJ Tunez feat. Wizkid and Blaqjerzee.

With African music continuing to gain global recognition, the rich sounds emanating from the African continent are ripe for exploration.  Read on for 10 artists who have been essential to the story of hiplife music.

Reggie Rockstone

Reggie Rockstone is regarded by many Ghanaians as the godfather of hiplife, having paved the path for many to pursue rapping as a career.

Working with producers like the late Rab Bakari (DJ Rab Bakari), Reggie set the ball rolling for hiplife through songs like “Tsooboi.”

His 1997 album Makaa Maka offered an early template for the sound, fusing Western-influenced hip-hop with traditional Ghanaian highlife sounds. The linguistically adept Reggie Rockstone — a Ghanaian boy who was raised in the UK and New York — rapped in both English and impeccable Ghanaian Twi to the shock and admiration of many. By this singular act, he proved that it was cool to rap in your own dialect and not necessarily in English, like American rappers of the ’90s.

Reggie’s will to make Ghanaian rap music stand out via releases like Me Na Me Kae, and Me Ka did not go unrewarded. He also scored hits with his singles “Keep Your Eyes on the Road,” “Plan Ben,” and “AH.” He has also collaborated withdancehall giant Beenie Man and Nigerian legend 2Face.

Lord Kenya

Lord Kenya rose to fame when he joined Slip Music, one of Ghana’s celebrated music labels of the late ’90s and mid-2000s. His musicality was undeniable, and his hardcore rap style was adored by many for its energetic flow and delivery.

Likened to Tupac Shakur, Kenya was very direct whenever he was on the mic. He never shied away from any lyrical battle thus earning him the title “rap heavyweight.”

His swagger on and off the mic made him a star, with many eager to catch him anytime he performed.

Lord Kenya’s street affinity, coupled with great stage performances, left a mark on Ghanaian audiences. His albums — including 1998’s Sika Card, Yesom Sika, and Sika Baa — solidified his position as one of hiplife’s most important artists.

Kenya’s hit singles “Enyomo,” “Medo” and “Sika Mpo Mfa Neho” as well as his verse on the late Daseebre Dwamena’s song, “Kookoo” ushered in a street approach to the rap scene, as seen in the careers of rappers like Kwaw Kese and Kweku Smoke in later years.

Obrafour

Revered, celebrated, and crowned by music rap purists in Ghana as “Rap Sofo” (high priest of rap), Obrafour influenced multiple generations of rappers in Ghana.

The artist first gained popularity in the late ’90s with his cadence and mastery over his mother tongue, Twi, as well as his storytelling, lyricism, and wisdom.

Obrafour’s flow complemented the work of legendary producer Hammer, who brought hard-hitting drums, horns, and legendary sharp chords to Obrafour’s 1999 album Pae Mu Ka.

The album is regarded as the bridge that connected older audiences who dismissed hiplife as a passing fad and the youth, who regarded hiplife as the future of Ghanaian music. Today, Pae Mu Ka is as important to hiplife as Nas’ Illmatic is to hip-hop.

Pae Mu Ka was the first of several collaborations between Obrafour and Hammer. Together, they created a sound that would influence generations of rappers. Obrafour is held in high regard by rappers such as M.anifest, Guru, Ko-Jo Cue, and Pappy Kojo.

VIP

Established in Nima, a suburb of Accra, VIP underwent significant personnel changes but never let their commitment to hiplife music falter. Original member Friction later onboarded Promzy, Prodigal, and Lazzy (who later changed his name to Zeal), and Bone championed the vision of the group for over a decade (as well as the departure of  Friction, Bone and Promzy).

Backed by the group’s diverse personalities, VIP quickly became one of the biggest music exports of the country, winning six awards at the Ghana Music Awards in (2004), including Song Of The Year for the 2003 hit title track “Ahomka Wo Mu.”

Over a two-decade period, the group released albums and scored several hits and collaborated with some of the continent’s finest, including  2Face, Patoranking and a host of others. Vision in Progress (VIP) epitomized the cultural ethos of hiplife: raw energy, passion and talent.

When Reggie Rockstone, a longtime admirer of the group, arrived in 2014, the group became  VVIP. The group’s success would be further cemented as they crossed over into Nigeria and other parts of the world. “Ahomka Wo Mu” has been sampled and interpolated by various musicians, including songs by  MUT4Y & Wizkid  and Kida Kudz.

Tinny

While Twi rapping artists dominated the hiplife music industry, very few artists were successfully making music in other local dialects. Tinny — a rapper who raps in Ga, a language spoken by the people of Accra —  rose to the occasion with both rap and fashion. Another product of Hammer’s Last Two record label, Tinny had an unmatched aura that earned him the moniker “Sexy Man Tinny.”

Early aughts albums such as Makola Kwakwe, Aletse (Akwe Polo), and Kaa Bu Ame still echo in today’s industry. His later works with record producer Richie Mensah on singles like “Ringtone” and “Now I Know” further entrenched his name in Ghana’s hiplife history.

Tinny’s will to pursue rap music in Ga laid the foundation for artists such as Edem, who raps predominantly in Ewe and to a degree music duo Blackstone who performed in Dagbani. Tinny also featured in the BET Hiphop Awards International Cypher (Ghana) alongside Reggie Rockstone, Sarkodie, D Black, Edem, Kwaku-T and Baby G (2010).

Mzbel

In a male-dominated industry, Mzbel created change that still reverberates today through the careers of women like Amaarae, Wendy Shay, Sister Afia and Gyakie.

Following in the footsteps of those before her, like Abrewa Nana (a household name in the early 2000s for her role as one of the leading female artists in hiplife), Mzbel’s singing and rap skills were not just catchy, but thought-provoking with themes of love, sex, body positivity, and addressing abuse.

Mzbel’s non-conformity made her a target by some aspects of the industry. The general public who felt she was a bad influence on younger girls, due to the sensuality in her lyrics and imagery. Yet she was unphased.

Mzbel scored national hits with her albums Awosome, and 2005’s 16 Years, and touched on issues many regarded as controversial. The rapper stood up for women’s rights and encouraged women to be vocal about things society heavily criticizes women for.

She ensured that women were not bullied into silence but instead express themselves fully through art. Her hit single “16 Years” with the late Castro touched on the issue of sexual harassment and abuse young girls face at the hands of older men and, as such, became a national topic.

Sarkodie

Since bursting onto the scene in 2008, Sarkodie has churned out multiple hits year after year with a unique flow and delivery.

His records touch on multiple subjects, including friendship, family, love, heartbreak, and bad governance. His hold over rap in Ghana has been extended across the continent, making him one of the most influential rappers in Africa.

In 2012, Sarkodie played a pivotal role in the amplification of azonto music (an offshoot of hiplife that melds dance music genre from the early 2010s with upbeat fast-paced sounds and witty comical lyrics) with his song “U Go Kill Me” with fellow rapper E.L. Winning “Artist Of The Decade at the” Ghana Music Awards (2019), cemented his influence and status.

Rapping predominantly in Twi, Sarkodie’s ability to find pockets on the beat has made him a frequent featured artist by the likes of Mr. Eazi, Ice Prince, Flavour, Victoria Kimani, Patoranking and a host of other important artists in Africa. Sarkodie won Best International Act: Africa (2012) and the inaugural Best International Flow at the BET Hiphop Awards in 2019.

Asakaa Boys

In a time when hiplife had taken a back seat to Afrobeats and amapiano on the Ghanaian market, a group of artists from Kumasi (Kumerica) — a slang used to describe people of Kumasi who enthusiasts of American music and culture — burst onto the scene via asakaa, or Ghanaian drill.

Inspired by Pop Smoke’s drill music, the sound reflects their lifestyle on the streets of Kumasi, hiplife elements, and American hip-hop culture such as fashion.

The name asakaa originates from the word saka, a flipped slang of the Twi word kasa, which means to speak. Saka, a style of speaking where words are pronounced backwards, was heard in the songs that were released by the Asakaa Boys.

The asakaa sound is credited to the Kumasi-based Life Living Records, and signees Jay Bahd, Kawabanga, O’Kenneth, City Boy, Kwaku DMC, Reggie, Sean Lifer, Braa Benk and Skyface SDW under the moniker The Asakaa Boys.

With songs like “Akatafoc“, “Sore,” and “Agyeiwaa,” and leading the charge, Asakaa (Ghanaian Drill) has gained recognition locally and internationally in the 2020s.

Black Sherif

Black Sherif may be young, but he has already charted a path of success for himself in Ghana’s music industry which many are yet to match. Black Sherif’s sound, writing, fashion, and mannerisms have earned him admiration.

He first tasted popularity when his song “Money” went viral in 2019; two years later he regained public attention in 2021 with his First and Second Sermon songs and after a Burna Boy cosign on “Second Sermon Remix,” Black Sherif’s popularity soared.

The artist has gone on to deliver multiple hit songs such as “Kweku The Traveller,” “Soja,” and a monstrous guest verse on Odumodu Blvck’s “Wotowoto Seasoning.”

In 2023 he won Artiste of the Year at the Ghana Music Awards and aBET Awards Best International Award. Additionally, he has performed on global stages atMOBO Awards, Wireless Festival, and 2023’s AfroNation.

King Paluta

With a charisma like that of Lord Kenya, King Paluta is an energetic rapper with some “thugness” in his delivery influenced by life on the streets of Kumasi.

As a young man, he often slept in the studio, where he learned how to operate the equipment in the studio and dropped his first official single in 2015.

Despite releasing music and being popular in Kumasi, he would only gain national attention in 2023 for “Yahitte,” which earned him the award as the Best New Artist at The Ghana Music Awards in 2024.

In the 2024 alone, he has scored two charting-topping singles, “Aseda” and “Makoma,” making him arguably the hottest artist in Ghana.

As a student of hiplife, King Paluta has fully embodied the genre as evident in his music. He has positioned himself to carry on the legacy of those before him as far as hiplife is concerned, and he is on track thus far.

Source: Grammy.com
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How King Paluta reacted to his song ‘Makoma’ being performed in a church https://www.adomonline.com/how-king-paluta-reacted-to-his-song-makoma-being-performed-in-a-church/ Wed, 21 Aug 2024 08:20:05 +0000 https://www.adomonline.com/?p=2436670 Popular Ghanaian artiste, King Paluta has reacted to a viral video of a church congregation dancing to his latest song, “Makoma.”

The video, shared on X by user EdHub, shows a lively congregation singing and dancing to the song during a live service.

In a humorous response, King Paluta quipped, “Make nobody write apology letter come again o,” referencing a previous incident where Rev. Father Peter Kusi Twumasi, Acting Rector of St. Stephen Rectorate in Bodomase, Ashanti Region, apologized for leading his congregation in singing King Paluta’s “Aseda” during a church service.

The earlier viral video, which showed the congregation joyfully singing along, sparked mixed reactions.

The priest later explained that he was carried away and did not intend to disrespect Catholic Church traditions by allowing a secular song in a sacred space.

King Paluta’s songs, known for their inspirational messages, have found their way into various settings, including wedding ceremonies, political rallies, and churches.

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Priest in viral video apologizes for singing King Paluta’s ‘Aseda’ in church

NAPO thrills supporters with energetic performance of King Paluta’s Aseda [Watch]

Catholic Priest apologises after singing King Paluta’s song in Church

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Priest in viral video apologizes for singing King Paluta’s ‘Aseda’ in church https://www.adomonline.com/priest-in-viral-video-apologizes-for-singing-king-palutas-aseda-in-church/ Mon, 19 Aug 2024 03:06:42 +0000 https://www.adomonline.com/?p=2435549 Rev. Fr. Peter Kusi Twumasi, the Acting Rector of St. Stephen Rectorate in Bodomase, has issued a heartfelt apology after a video of him singing the secular song “Aseda” by King Paluta in church went viral.

The video, which has garnered widespread attention on social media, has sparked controversy and led to concerns about maintaining the sanctity of religious spaces.

In his apology, Rev. Fr. Twumasi expressed deep regret for his actions, acknowledging that he allowed secular influences to enter a sacred space.

He stated that his intention was never to disrespect the traditions or faith of the Church, and he is fully committed to upholding its values and teachings.

“I am deeply sorry for my actions in relation to the viral video. I let my guard down and allowed a secular influence to enter our sacred space. I realize now that my mistake has caused offense and confusion, and for that, I am truly sorry,” Rev. Fr. Twumasi said in his statement.

He also expressed his embarrassment over the incident being amplified on social media, which has brought unwanted attention to the community.

The priest took full responsibility for the situation and assured that such an incident would not happen again.

“I offer my sincerest apologies to our Bishop, the Diocese, the National Liturgical Commission, and the entire Catholic community for any offense or scandal caused by my actions. I commit to being more mindful and discerning in my public expressions, ensuring they align with the values and traditions of the One, Holy, Catholic, and Apostolic Church,” he added.

Rev. Fr. Twumasi concluded his apology by hoping that his letter would help clarify the situation and restore the image of Konongo Mampong and the Catholic Church at large.

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Catholic Priest apologises after singing King Paluta’s song in Church https://www.adomonline.com/catholic-priest-apologises-after-singing-king-palutas-song-in-church/ Wed, 14 Aug 2024 14:45:59 +0000 https://www.adomonline.com/?p=2433831
Acting Rector of St. Stephen Rectorate, Bodomase in the Ashanti region, Rev. Father Peter Kusi Twumasi, has rendered an unqualified apology for leading his congregation to sing King Paluta’s Aseda.

In a viral social media video, many members were seen singing happily and effortlessly with the priest, sparking mixed reactions.

However, the priest has said he was carried away and let his guard down for a secular song to enter the sacred space.

He indicated that, he had no intentions to disrespect the traditions of the Catholic Church.

Read the full statement below:
ALSO READ:
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King Paluta’s “Aseda” sparks mixed reactions after Catholic priest leads congregation in sing-along https://www.adomonline.com/king-palutas-aseda-sparks-mixed-reactions-after-catholic-priest-leads-congregation-in-sing-along/ Tue, 13 Aug 2024 02:15:06 +0000 https://www.adomonline.com/?p=2432940 Singer King Paluta’s hit track “Aseda” is gaining widespread attention after a video surfaced showing the Catholic priest of St. Stephen’s Catholic Church in Kumawu-Bodomase leading his congregation in a lively sing-along to the song.

In the video, many members enthusiastically joined in with the priest, singing the lyrics word for word, and has since sparked varied reactions among fans and social media users.

While some praised the priest for his authenticity, calling him “not a hypocrite,” others commended the song, stating it is “better than some gospel songs these days.”

However, not everyone was pleased, with some expressing their displeasure, labelling the priest’s actions as a “distasteful act” in the house of God, despite the song’s lyrical content.

Watch the video below:

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Okyeame Kwame lauds King Paluta’s unique voice https://www.adomonline.com/okyeame-kwame-lauds-king-palutas-unique-voice/ Wed, 24 Jul 2024 05:44:08 +0000 https://www.adomonline.com/?p=2425157 Renowned musician Okyeame Kwame has come forward to praise King Paluta while showing admiration for his unique and authentic voice.

Despite some public criticism suggesting that King Paluta struggles to stay in key and that his voice flats, Okyeame Kwame strongly disagrees

Owing to his years of experience and learning from the best including veteran Agya Koo Nimo, Okyeame Kwame explained that King Paluta’s voice best suits his music style.

According to him, King Paluta has control of his voice, and his vocal style is both unique and authentic.

His music conveys deep emotions, reflecting his pain, hustle, and upbringing.

Okyeame Kwame emphasizes that every human has a unique voice that shouldn’t conform to societal expectations, and King Paluta’s distinct style is a testament to his talent.

King Paluta’s ability to convey deep emotions through his music resonates with listeners, making him releases worthy to top charts.

me Kwame’s endorsement adds significant weight to King Paluta’s growing reputation in the music industry.

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KOKA apologizes for calling King Paluta’s singing voice ‘useless’ [Video] https://www.adomonline.com/koka-apologizes-for-calling-king-palutas-singing-voice-as-useless/ Fri, 19 Jul 2024 01:40:35 +0000 https://www.adomonline.com/?p=2423450 Entertainment critic Kwaku Osei Korankye Asiedu, popularly known as KOKA, has issued an apology for his harsh remarks about King Paluta’s singing voice.

KOKA had previously described Paluta’s singing as “useless,” but he now admits that his choice of words was inappropriate.

Speaking after a discussion on Asempa FM’s Showbiz Review, KOKA clarified his stance, stating, “The nonsense and useless thing I said is a no-no, but whatever advice I gave still holds. There is no need to hold resentment over what I said and take it personal.”

He pointed out that during the Party in the Park event in UK, King Paluta struggled with breath control and pitch, which affected his performance.

KOKA advised King Paluta to hire a professional voice coach to improve his singing and breath control.

He emphasized that without proper training, Paluta might struggle with his career longevity and miss out on being recognized as a top male vocalist in award schemes.

Confident in his advice, KOKA concluded, “If King Paluta listens to my advice, 20 years from now, he would still reign as a household name.”

Watch video below

 

 

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TGMA bills King Paluta, Olivetheboy for ‘Ghana Party in The Park’ in London https://www.adomonline.com/tgma-bills-king-paluta-olivetheboy-for-ghana-party-in-the-park-in-london/ Tue, 09 Jul 2024 12:46:53 +0000 https://www.adomonline.com/?p=2419618 The New Artiste of the Year at the 25th Telecel Ghana Music Awards, King Paluta, is set to perform at the Ghana Party in the Park on Saturday, July 13th, 2024, at Oak Hill Park in London.

Since 2022, Charterhouse, the organizers of the Telecel Ghana Music Awards (TGMA), and Akwaaba UK, the organizers of the Ghana Party in the Park, have collaborated to provide winners of the Best New Artiste category a performance slot at this annual event in London.

This year, Akwaaba UK has extended this opportunity to Olive the Boy, a strong contender for the Best New Artiste title at the 25th TGMAs, to join King Paluta on stage.

They will perform alongside artistes such as KiDi, Wendy Shay, and Tulenkey.

The event, attracting attendees from around the world, offers a platform for artists to gain international recognition.

The Head of Communications and Public Events for Charterhouse, Robert Klah, said, “the UK is the 3rd largest music market in the world, after USA and Japan, so we are keen on getting our Best New Artistes on the stage of the Ghana Party in Park. Since our agreement in 2022, we have had different challenges in making joint goal a reality.

“But this year, the goal has not just been achieved, it’s been exceeded. We don’t just have King Paluta performing on that stage; Olive the Boy, a Best New Artiste nominee has also been billed to perform to a diverse audience of approximately 10,000. I couldn’t be happier. Kudos to Dennis Tawiah and team Akwaaba UK. We look forward for more of such partnerships,” he added.

READ ALSO:

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Lil Win records new song from hospital bed after tragic accident [Video] https://www.adomonline.com/lil-win-records-new-song-from-hospital-bed-after-tragic-accident-video/ Sat, 29 Jun 2024 01:47:29 +0000 https://www.adomonline.com/?p=2415219 Popular actor and musician Lil Win is back in the spotlight, this time collaborating with Kweku Flick and King Paluta on a new music project.

The announcement comes amid a tumultuous period for Lil Win, who has been embroiled in legal and personal drama following a tragic accident.

In a recently released video, Lil Win is seen recording a new song from what appears to be a private hospital bed.

This comes in the wake of a severe accident that claimed the life of a 3-year-old boy and left Lil Win, his manager, and the child’s father seriously injured.

The accident, which occurred in Kumasi, has drawn significant public criticism, particularly when Lil Win attended the premiere of his film “A Country Called Ghana” on the same day as the tragic incident.

In response to the backlash, Lil Win is preparing to release a song that addresses his critics. On Instagram, he shared a heartfelt message:

“Rejoice always, pray continually, give thanks in all circumstances; for this is God’s will for you in Christ Jesus. On 25th of May 2024 I had a terrible accident with my manager @ray_moni and through that a 3-year-old boy lost his life. Rest in perfect peace, Nana Yaw. I pray the good Lord grants your parents another child to complete whatever you were destined to do. To all my fans, I say a big thank you for your prayers ?. Big thanks to @kwekuflick @kingpalutamusic & @apyagh for this project.? ”

 

View this post on Instagram

 

A post shared by OfficialLilWin (@officiallilwin)

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There is nothing wrong with King Paluta joining Bawumia’s campaign to sing – Fredyma https://www.adomonline.com/there-is-nothing-wrong-with-king-paluta-joining-bawumias-campaign-to-sing-fredyma/ Sat, 22 Jun 2024 23:15:46 +0000 https://www.adomonline.com/?p=2412143 Music producer, Fred Kyei Mensah, also known as Fredyma, has expressed his support for musician King Paluta’s involvement in Vice President Dr. Mahamudu Bawumia’s campaign activities.

He believes that the election season presents an ideal opportunity for the “Aseda” hit maker to leverage his musical talents.

Fredyma dismissed concerns about potential harm to Paluta’s career, citing the continued success of other politically active musicians.

In an interview on Angel FM, the veteran producer said, “King Paluta’s song resonated with Bawumia’s campaign, leading to an invitation to join them. Why be upset if they are seen performing together? This is his opportunity to make money. Some fear that political involvement will harm their careers.”

“However, history shows that politically engaged artists often experience a surge in popularity and career success. Nacee, Rex Omar, Mercy Asiedu, and others were not criticized for their political affiliations” he added.

This statement follows a viral video in which King Paluta was performing his hit song ‘Aseda’ with the Vice President during his tour in the Ashanti Region.

Defending his actions, King Paluta argued that accepting the Vice President’s invitation was not an issue and described his critics as ’empty-headed.’

However, his remarks sparked significant backlash from netizens.

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Ablakwa replies Bryan Acheampong; produces ‘evidence’

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King Paluta clarifies participation in Bawumia’s campaign https://www.adomonline.com/king-paluta-clarifies-participation-in-bawumias-campaign/ Mon, 17 Jun 2024 06:54:59 +0000 https://www.adomonline.com/?p=2409726 Musician King Paluta has addressed rumors surrounding his recent participation in campaign activities alongside Vice President Bawumia.

King Paluta explained that being captured in a bus with Bawumia was coincidental and not politically motivated.

He explained that while interacting with a personality who was recording him and offering praise, he was invited to meet Vice President Bawumia, an opportunity he accepted out of respect for Bawumia’s stature in the country.

“Aside from his party affiliation, Bawumia is a big man in the country and an elder, so should I have shunned his call?” King Paluta questioned.

In response to allegations that he received a substantial payment for his appearance, King Paluta defended himself, stating that he attended the event as part of his personal engagements.

He clarified that any compensation he received was justified, covering expenses such as fuel and other logistical costs associated with attending the event.

He stressed that his brand and services are not provided for free given his role as an entertainer.

Furthermore, King Paluta admonished Ghanaians against linking him with any political party affiliation based on his appearance at the campaign event.

He asked his fans not to be shocked should they see him at any political gathering of another party.

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Don Little cautions King Paluta amid Bawumia campaign controversy https://www.adomonline.com/don-little-cautions-king-paluta-amid-bawumia-campaign-controversy/ Mon, 17 Jun 2024 01:16:57 +0000 https://www.adomonline.com/?p=2409727 Ghanaian actor Don Little has sent out a caution to musician King Paluta following a viral video showing him participating in Vice President Mahamudu Bawumia’s campaign activities.

King Paluta was captured singing alongside the Vice President on a bus during his Ashanti Regional tour.

In response to criticism and questions about his involvement, King Paluta defended his actions, asserting that he saw no issue in responding to the Bawumia’s honorary call.

However, Don Little has expressed contrasting views, believing it to be an ill-advised move for King Paluta’s emerging career in the entertainment industry.

He reminded the musician that no politician contributed to his rise to stardom, the reason he urges King Paulta to take a neutral stance in political matters.

Don Little advised King Paluta not to dread politicians, but love them from afar.

Acknowledging King Paluta’s focus on the business side of music, Don Little cautioned that affiliating with political figures could lead to him being prematurely associated with a specific political party.

He advised King Paluta to prioritize producing quality music and building his brand independently, as such foundation would yield long-term success.

 

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King Paluta spotted with Bawumia singing ‘Aseda’ in a bus https://www.adomonline.com/king-paluta-spotted-with-bawumia-singing-aseda-in-a-bus/ Wed, 12 Jun 2024 21:48:19 +0000 https://www.adomonline.com/?p=2408397 The 2024 Telecel Ghana Music Award’s (TGMA) New Artiste of the Year, King Paluta, has been spotted with Vice President Dr Mahamudu Bawumia and others singing an acapella version of his hit song ‘Aseda.’

The Vice President, along with Dome Kwabenya MP Adwoa Sarfo, the Ashanti Regional Minister Simon Osei-Mensah, and the New Patriotic Party (NPP) Ashanti Regional Chairman, Bernard Antwi Boasiako, enthusiastically sang along.

Dr Bawumia, who appeared excited, could not help but enthusiastically throw his hands around to the tune.

Antwi Boasiako also known as Chairman Wontumi could not help but keep nodding and singing along while the Dome Kwabenya MP gave a few dance moves.

This took place during the climax of Dr Bawumia’s Ashanti Regional tour.

It comes a day after he was seen dancing at his Youth Connect event to conclude his regional tour.

During the Wednesday event, he was joined by the musician Guru. The singer performed his popular “Lapaz Toyota” song to the excitement of the crowd.

But the crowd was not the only group of people on their feet. Vice President Dr Bawumia joined in, doing the signature dance of the song.

These visuals have triggered mixed reactions on social media.

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#25thTGMA: King Paluta wins Best Hiplife song of the Year with Yahitte remix https://www.adomonline.com/25thtgma-king-paluta-wins-best-hiplife-song-of-the-year-with-yahitte-remix/ Sat, 01 Jun 2024 23:37:50 +0000 https://www.adomonline.com/?p=2403347 After years of dedication and perseverance, King Paluta’s triumph at the 25th Telecel Ghana Music Awards (TGMA) marks a significant milestone in his career.

The acclaimed artiste, who has spent over a decade in the underground music scene, has finally received recognition for his hard work and talent.

The award-winning song, “Yahitte” Remix, stood out in the Hiplife category, earning King Paluta the prestigious title of Best Hiplife Song of the Year.

The remix of the track features notable artists Kuami Eugene and Andy Dosty, adding to its allure and popularity.

Renowned radio personality Andy Dosty, who played a role in the success of the song, expressed his initial reluctance to collaborate but ultimately contributed to its remarkable achievement.

As he accepted the award on behalf of King Paluta, Andy Dosty highlighted the significance of the win and the artist’s journey from underground to mainstream success.

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May 2024: Top 10 Ghanaian songs trending hot on YouTube https://www.adomonline.com/may-2024-top-10-ghanaian-songs-trending-hot-on-youtube/ Thu, 16 May 2024 20:11:00 +0000 https://www.adomonline.com/?p=2395958 Ghanaian music is making waves on YouTube as top artistes dominate the platform with their latest hits.

Here are the top ten Ghanaian songs currently trending in May 2024 curated by Adomonline.com

1. Team Eternity Ghana – Defe Defe led by Naana Asiedu

With over 505K views in just 12 days, Team Eternity Ghana is captivating audiences with its powerful message.

The Ghanaian gospel music group has assumed the No. 1 position on Apple Music Top 100: Ghana and also YouTube, with its song ‘Defe Defe’.

This song is taken off the group’s sophomore album ‘Testimony’.

2. Sarkodie – Brag (Lyrics Video)

Sarkodie’s lyrical prowess shines in this video, with 338K views in just 6 days. He has stirred up battles among rappers on the African continent with this Brag song.

3. Lyrical Joe – 1960

This track by rapper Lyrical Joe has gained 102K views in 4 days, showcasing his unique rap style and wordplay.

His version of Sarkodie’s Brag was aimed at Davido’s signee Dremo, and he was lauded for commencing the lyrical rebuttal on behalf of Sarkodie.

4. Kofi Kinaata – Auntie Ama 

Kofi Kinaata’s catchy tune off his Kofi oo Kofi EP has garnered 117K views in 6 days, Auntie Ama is proving to be fans’ favourite.

5. King Paluta – ASEDA

King Paluta’s gratitude-themed song Aseda has amassed 225K views in just 7 days, resonating with listeners and music fans alike.

6. Kofi Kinaata – Saman 

With 76K views in 6 days, Kofi Kinaata’s Saman off his Kofi oo Kofi EP continues to gain popularity among fans.

7. Kofi Kinaata – Abonsam

Another hit from Kofi Kinaata’s Kofi oo Kofi album, ‘Abonsam’ has received 87K views in 6 days, showcasing the Takoradi based artiste’s versatility and lyrical abilities.

8. Beeztrap KOTM – Fly Girl (Remix) feat. Gyakie & Oseikrom Sikanii (Visualizer)

This remix of Beeztrap KOTM’s Fly Girl has captured the attention of fans with 138K views in 2 weeks. It features Gyakie and Oseikrom Sikanii and its just a visualizer. An official video might be in the pipeline.

9. Shatta Wale – Rise Like Dollar 

Shatta Movement boss, Shatta Wale’s latest video, Rise Like Dollar, has garnered 149K views in 9 days, demonstrating his continued popularity.

10. Amerado – Tin Ton Tan (Visualizer)

Amerado’s Tin Ton Tan visualizer has amassed 383K views in 2 weeks, showcasing his growing fan base.

These songs represent the diversity and talent within the Ghanaian music industry, attracting listeners from all over the world.

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Several A-list musicians queueing for collaborations – King Paluta reveals [Video] https://www.adomonline.com/several-a-list-musicians-queueing-up-for-collaborations-king-paluta-revealsvideo/ Tue, 14 May 2024 19:41:36 +0000 https://www.adomonline.com/?p=2394510 Ghanaian rapper, King Paluta has revealed that A-list artistes are in his Direct Message (DM) begging for collaboration.

The emerging artiste, who has been underground for over a decade, expressed his surprise at the overwhelming requests from established musicians in the industry.

“It’s crazy, man,” said King Paluta. “Lots of A-list artistes are in my DM, sending me songs. Some are even complaining that it’s keeping long.”

King Paluta, known for his unique style and lyrical prowess, admitted that managing this sudden influx of requests has been challenging.

He attributed his newfound popularity to his dedication and hard work in the studio.

“Way back I had a lot of time to be in the studio, but this time, I can be here this week and be here the next week. Those who understand get it. There are some of them who have got to this stage before, so they know how it is” King Paluta explained.

The rapper’s rise to fame has been swift, and his talent has not gone unnoticed by the industry’s heavyweights.

While juggling his own projects, King Paluta is now faced with the task of deciding which collaborations to prioritize.

“It’s a good problem to have, don’t get me wrong but it’s definitely keeping me on my toes” he stated.

Despite the challenges, King Paluta remains grateful for the support and recognition he has received from his peers.

He sees this as an opportunity to learn and grow as an artiste, while also making valuable connections within the music industry.

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Why singing is working for me than rap – King Paluta opens up [Video] https://www.adomonline.com/why-singing-is-working-for-me-than-rap-king-paluta-opens-up-video/ Tue, 14 May 2024 14:28:17 +0000 https://www.adomonline.com/?p=2394349 Ghanaian musician, King Paluta has revealed that singing is currently more successful for him than rapping, but he remains dedicated to both craft.

In an interview on Hitz FM’s Daybreak Hitz show with host Andy Dosty, the “Aseda” hitmaker shared his thoughts on his evolving career.

“At this moment, the singing is working for me more than the rap. Maybe it will get to a time that the rap will work for me, I don’t know. I won’t stop rapping, though,” King Paluta explained.

He acknowledged that, while rap had been successful for others, it had not been as lucrative for him.

“Rap isn’t paying, it’s working for other people. Rap has helped Amerado… before he started singing. For me, it’s the singing, everyone can testify to this,” he added.

The Kumasi-based artiste emphasized that his focus now is on singing.

“My focus is at the singing side… I could be rapping then singing now flows. The singing has taken me to Germany and back, so right now at Kotoka, they have noticed me,” King Paluta stated.

King Paluta’s remarks come amidst his growing success in the music industry. He is singing more and it is doing the trick for him.

Fans have witnessed his versatility as he seamlessly transitions between rap and singing styles in his music with regard to his songs like ‘Aseda’, ‘Odo Bi Ye Bad’ and ‘Sika Aba Fie’ among others. 

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Stop tagging me to reply Nigerians – King Paluta speaks on ‘Brag’ brouhaha [Video] https://www.adomonline.com/stop-tagging-me-to-reply-nigerians-king-paluta-speaks-on-brag-brouhaha-video/ Tue, 14 May 2024 12:20:24 +0000 https://www.adomonline.com/?p=2394321 Ghana’s music sensation, King Paluta has asked fans to stop tagging him to join Sarkodie’s Brag rap war against Nigerians.

Born as Thomas Adjei Wireko, King Paluta, whose ‘Aseda’ song has been trending massively, said he has closed the chapter on rap indefinitely.

According to him, he is aware of the banter between the two countries, but he would rather be in his own space.

Speaking in an interview on Daybreak Hitz on Hitz FM, King Paluta told show host, Andy Dosty said he is no more a rapper.

“I am just looking away. Singing is the way now. I have seen people tagging me. I want to be singing. All those tagging me, if I switch and go there, they will look away after the heat dies. We are in the Aseda era. Sarkodie is Sarkodie… when he dropped you will forget the attention, but it’s King Paluta’s season now” he said.

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TGMA: King Paluta deserves New Artiste of the Year award – Kofi Jamar https://www.adomonline.com/tgma-king-paluta-deserves-new-artiste-of-the-year-award-kofi-jamar/ Thu, 18 Apr 2024 21:14:19 +0000 https://www.adomonline.com/?p=2383044 Rising Ghanaian star, has thrown his weight behind fellow artist King Paluta for the New Artiste of the Year award at the upcoming Telecel Ghana Music Awards.

In an interview on EBN monitored by Adomonline.com, Kofi Jamar expressed his belief that King Paluta is more than deserving of the accolade due to his consistent hard work and dedication to his craft.

He touted that King Paluta’s journey to success began long before his breakout hit “Yahiti” and extends beyond the limelight.

He added that King Paluta has widespread influence owing to his strong fanbase in both Kumasi and Accra.

Despite the competitive nature of the music industry, Jamar asserted his unwavering support for King Paluta.

King Paluta faces competition from other talented artists such as Bandy Banero, DSL, Maya Blu, Olivetheboy, and Oseikrom Sikanii in the New Artiste of the Year category.

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King Paluta deserves New Artiste of the Year award – Abeiku Santana https://www.adomonline.com/king-paluta-deserves-new-artiste-of-the-year-award-abeiku-santana/ Tue, 12 Dec 2023 20:08:13 +0000 https://www.adomonline.com/?p=2331340 Ace Ghanaian broadcaster, Gilbert Abeiku Aggrey Santana, popularly known as Abeiku Santana, says rap sensation, King Paluta deserves to be crowned New Artiste of the Year at the next Vodafone Ghana Music Awards (VGMA).

According to Abeiku Santana, it would be disastrous if King Paluta is not given the title.

“If the New Artiste of the Year is not given to King Paluta, then I think that would be the end of the VGMA. I am part of the VGMA Board, and I will vote for King Paluta, and I am sorry for the rest,” Abeiku Santana said.

King Paluta, under the year of review, has garnered over five million streams from his two hit songs, “Yahitte” and “Sika Aba Fie.”

He recently received massive commendation from rap legend, Okyeame Kwame, who touted him as one of the biggest music prodigies from Ashanti Region.

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Popular Ghanaian rapper involved in accident [Photos] https://www.adomonline.com/popular-ghanaian-rapper-involved-in-accident-photos/ Mon, 31 Jul 2023 09:15:39 +0000 https://www.adomonline.com/?p=2278612 Rap sensation King Paluta and his entourage have been involved in a devastating accident on the Accra-Kumasi road, near Nkawkaw.

The incident occurred while they were on their way back to Kumasi to perform at the “Star Shine on National Tour” show at the Heroes venue on Saturday.

Despite the severity of the accident, there were no fatalities, and King Paluta and his team escaped with minor injuries.

King Paluta’s manager, Cofy Dela, who confirmed the news said the artiste is safe and sound.

Details of the crash are sketchy, but photos splashed on social media captured the damaged car in some bushes along the highway.

The news of the accident has sent shockwaves through the music industry and among fans, who are all expressing their concern and sending well-wishes to King Paluta and his team. The accident serves as a stark reminder of the importance of road safety and the unpredictable nature of life on the road.

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