Speaking on Asempa FM’s Ekosii Sen show, Papa Shee stated that the late musician’s family expects the funeral to be held in March.

“To my knowledge, and according to the family, the funeral will take place in March,” he said.

He further alleged that an attempt by some relatives and planners to present drinks and invitations at the Manhyia Palace on Wednesday was rejected.

“Yesterday they went to the Manhyia Palace and they were turned away. How can they proceed with the funeral if their drinks and invitations were rejected?” he questioned.

Papa Shee also claimed that the planning committee previously set up for Daddy Lumba’s funeral has long been dissolved, suggesting that no official body is currently mandated to organise the ceremony.

“The so-called funeral committee has been dissolved. The planning committee for Daddy Lumba’s funeral was dissolved long ago, so who exactly is claiming to plan the funeral now?” he asked.

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Speaking on Asempa FM’s Ekosii Sen show, he said preparations have been progressing smoothly despite an ongoing court case.

“The funeral will take place this Saturday, 13th December, at the Baba Yara Sports Stadium. He passed away in July, and the one-week observation was held on 30th August. A review meeting with the entire family was held on 2nd September,” he explained.

Mr. Amankwah noted that a major stakeholder meeting led to the agreement on the final date.

He emphasized that while legal proceedings continued, the planning committee carried out its responsibilities to ensure a successful ceremony.

“It was a big stakeholder meeting where the date was concluded. Even though the court case was ongoing, the planners were also making preparations,” he added.

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Under the initiative, she will compose new music and produce video content to raise awareness about the causes of road accidents. She also plans to use her public profile to engage communities in activities promoting safer driving and responsible road use.

In relation to this, Celestine has urged drivers to obey speed limits and avoid distractions.

“Wear your seat belt always, and be patient on the roads,” she said.

The campaign comes amid grim statistics: from January to August 2025, 9,937 people reportedly died in road accidents, equating to roughly six to eight deaths in Ghana each day.

This is not her first social responsibility initiative. She has also led efforts through a group of female gospel musicians to support sick and elderly veteran artistes, providing donations and assistance without fanfare or public display.

A few years ago, she served as a vaccination ambassador for the Ghana Health Service, using her platform to encourage public confidence in COVID-19 vaccines.

With this road-safety campaign, Celestine Donkor hopes to highlight how everyday choices on Ghana’s roads can have profound consequences and encourage citizens to take responsibility for safer driving.

Under the initiative, tourists and local visitors can enjoy Ghana’s rich culture, cuisine, and entertainment and go home with a small piece of gold.

Speaking on the JoyNews’ AM Show, Maame Efua Houadjeto said, “Ghana Tourism Authority is having a partnership with the Gold Board, where after all the fun and memories that you can collect in Ghana, you go home with gold, a small piece of gold. So, GoldBod and Ghana Tourism are having a collaboration. Come and have fun in Ghana. Come and watch our celebrities. Come and eat our food; come and experience our people.”

The promotion, running through December, aims to boost domestic and international tourism while highlighting Ghana’s hospitality and cultural offerings.

Visitors participating in the programme will be able to purchase gold at promotional rates, allowing them to combine their festive celebrations with a tangible souvenir of the “Gold Coast.”

Maame Efua Houadjeto emphasised that the initiative encourages visitors to spend on food, entertainment, and experiences, while also investing in a small piece of gold.

“If you are spending money on food and fun, save a little for gold and go home with gold. Let the world know that you came to the Gold Coast,” she said.

The GTA has been rolling out a series of festive season events, including concerts, food festivals, and cultural showcases across the country.

This collaboration with the Goldbod represents a first-of-its-kind effort to combine leisure, culture, and investment in a single promotion.

Oboy Sika, celebrated for his soulful vocals and distinctly African sound, has built a legacy rooted in authenticity and lived experience. His music—rich in storytelling, emotion, and cultural depth—continues to resonate with fans across Ghana and the diaspora.

Raised in Ghana, Oboy Sika discovered his musical path under the mentorship of legendary highlife icon Nana Acheampong of the renowned Lumba Brothers. This early guidance shaped his vocal style and artistic identity, giving birth to the warm, timeless sound that defines his work today.

Throughout his career, Oboy Sika has released four acclaimed albums: Ɔkwantuni, Asɛsɛdwa, Me Dɔ Wo Ba No, and Enufu Baatan. These albums produced several fan-favorite classics, including “Yi Wani Nampu Woto,” “Yen Bre Nie,” “Yesu Mogya,” “Timeleelee,” and “Nhyira Botwoo.”

In recent years, the highlife sensation has been living and working abroad, exploring new opportunities and creative growth. His experiences overseas have added fresh depth to his music while keeping him deeply connected to his Ghanaian roots.

With the release of “DammI Scopa,” Oboy Sika marks a bold new chapter. The track is energetic, refreshing, and modern, yet stays true to the storytelling and emotional richness that have always defined his artistry.

Fans and industry watchers alike are eagerly anticipating the impact of this new single, which reaffirms Oboy Sika’s position as a resilient, innovative, and truly African musical force.

As he shares this exciting new chapter with the world, one thing is clear: Oboy Sika continues to uplift, inspire, and entertain audiences everywhere.

Watch the video below:

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Her selection has sparked massive excitement among fans and industry players, with many describing her as the “perfect ingredient” to elevate the already star-studded event.

Sister Sandy’s influence on Ghana’s entertainment scene has grown remarkably over the years.

With her signature boldness, infectious energy, unmatched stagecraft, and ability to command massive crowds, she has become one of the most sought-after female MCs in the country.

Whether she is steering high-profile concerts, hosting major festivals, or leading the conversation on TV, Sister Sandy brings a rare blend of creativity, humour, glamour, and professionalism that keeps audiences glued.

Her presence at the BYK Concert is expected to add an extra layer of excitement, as she is known for transforming every stage into a vibrant experience.

Fans can expect her to hype the crowd, deliver spontaneous comedic punches, introduce acts with flair, and ensure the energy never drops throughout the night.

Many industry watchers believe she will help raise the concert’s entertainment value to an entirely new level.

This year’s BYK Concert is being touted as one of Ghana’s biggest musical spectacles.

With giants like Shatta Wale, Sarkodie, Obrafour, Kuami Eugene, Bisa Kdei, Wendy Shay, Keche, and an impressive mix of new-wave stars including Kofi Mole, Kweku Flick, Beeztrap KOTM, O’Kenneth, Olivetheboy and Lalid, the night promises explosive performances from start to finish.

More surprise acts are expected to be announced, heightening anticipation across the country.

But beyond the performances, many fans are equally eager to watch Sister Sandy shine as the face of the event.

Her fashion sense, confidence, charm, and ability to connect with crowds make her a standout personality wherever she appears.

With her continuous rise and undeniable influence, Sister Sandy remains the hottest female in Ghana at the moment.

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Speaking to Kwame Dadzie on Joy FM’s Showbiz A Z, she welcomed the government’s decision to commit money to the fund, noting that it must serve the people who can genuinely drive change in the sector.

“We are hoping that it will be utilised properly and given to the appropriate people that will make impact and change this industry. Favouritism shouldn’t be part of this fund. When you deserve it you must be given and you must have a certain track record,” she said.

On 13th November 2025, the Minister of Finance, Cassiel Ato Forson, announced that government had allocated 20 million Ghana cedis to the Film Fund as seed money to help revive the film industry, including Kumawood and other associations.

According to the Development and Classification of Film Act (935), the objects of the Fund are to provide financial support for the development and production of full-length feature films which are the central focus of the Fund, short and medium-length feature films, and public education on attitudinal change and cultural values.

Other objects include providing financial support for television productions, television genres including drama, animated serials, sitcoms, soaps andcomedy designed to facilitate attitude and behaviour change of the citizenry.

It is also meant to support cinema theatre development in the regional and district capitals, promote the release of feature films in terms of publicity materials and on radio and television advertisement; and support research and the training of professionals for the industry in both public and private training institutions.

Speaking to Doreen Avio and Kwame Dadzie on Hitz FM’s Daybreak Hitz on Monday, 8th December 2025, the Friday Night hit maker disclosed the kind of songs he listens to during his leisure moments.

“I listen to music a lot. Mostly, Muslim songs or Indian songs. It depends on the mood I am in, but mostly it is Muslim songs,” he said.

Asked why he gravitates toward those genres, he explained: “I like it, you won’t get. That feeling? Somebody go fit do some style bi. They have a unique progression.”

Lasmid has demonstrated similar melodic patterns in several of his works, including a verse on Kojo Blak’s latest song titled Balance.

Music used in Islamic worship and Indian compositions often features more micro tones than the usual diatonic scale used by many musicians across the world.

In the meantime, Lasmid has released a new single titled No Issues, which is already gaining significant attention.

The exhibition, titled The Awentami Paul Afoko Collection, is scheduled to run from December 16 to 20 at Adakuruk, Afoko’s hilltop residence overlooking the historic Zamramra Battle site, where warriors once repelled the slave raider Babatu.

A native of Sandema, Mr. Afoko has spent decades collecting contemporary and modern Ghanaian artworks from both emerging and established artists. His collection features pieces by renowned names such as Hacajaka, James Cudjoe, Godfried Donkoh, Larry Otoo, Francis Nunoo, Glen Turner, Prof. E. K. Tetteh, Patrick Tagoe-Turkson, and Nigerian Oshogbo artist Chief Buraimoh.

While these works are usually displayed across his offices and homes in Accra and Sandema, this exhibition marks the first time the public will have access to what is considered one of northern Ghana’s most significant private art collections.

The event is curated by the former director of the Art Gallery at the National Theatre and organized in collaboration with the Museum of Ghanaian Art.

Residents and visitors attending the Feok Festival are expected to flock to the venue to experience this unique display of creativity and cultural heritage.

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The celebration brought together government officials, traditional leaders, industry legends, creatives, and fans of Ghanaian music to honour five decades of cultural influence and chart a bold future for the creative arts.

Representing the Chief of Staff, Deputy Chief of Staff (Administration) Nana Oye Bampoe Addo delivered an uplifting message celebrating MUSIGA’s legacy and reaffirming government’s renewed commitment to the creative economy.

She described Ghana’s music sector as a powerful force for tourism, national identity, and job creation, contributing meaningfully to GDP and strengthening Ghana’s global presence.

She outlined ongoing government initiatives, including the GH¢20 million Creative Arts Fund, enhanced copyright systems, and new partnerships with digital platforms to better support creators.

She urged musicians and industry players to embrace opportunities in technology, AI, digital distribution and international partnerships, stressing that “this is the time for Ghana to take its rightful place on the global creative stage.”

The evening featured stirring performances by renowned musicians, a tribute to highlife legends, and the launch and auction of the MUSIGA@50 Commemorative Book.

MUSIGA also honoured distinguished figures who have shaped Ghana’s music story over the last five decades.

MUSIGA President Bessa Simons expressed deep gratitude to members, partners, and pioneers of the Union, reaffirming the organisation’s commitment to nurturing talent and building a stronger creative future.

The night closed with a powerful call for unity—celebrating a rich past, inspiring the present, and energising the next 50 years of Ghanaian music and creativity.

She passed away in the early hours of Sunday, December 7, 2025 after a brief illness.

For decades, Maame Tiwaa stood beside Yaw Sarpong as the soothing female voice of the Yaw Sarpong & Asomafo music group.

She contributed to numerous gospel classics that continue to inspire believers across the country.

Her last known performances were her tribute to Yaw Sarpong at this year’s TGMA night and at her son’s wedding.

In recent months, Maame Tiwa had been actively caring for Yaw Sarpong during his health struggles.

Tragically, Maame Tiwa has passed away, leaving the gospel fraternity and Yaw Sarpong himself in mourning.

Fans and members of the gospel community have begun pouring tributes, remembering her as a gentle soul whose voice brought spiritual upliftment.

The family is yet to release details regarding the cause of her death and funeral arrangements.

The family has rejected a widely circulated funeral poster that listed Mrs. Akosua Serwah Fosuh alongside another individual as “widow.”

In a statement, the family said the poster was published without Mrs. Fosuh’s consent, misrepresents her status, and includes several family names “for cosmetic purposes,” urging the public to disregard it entirely.

The family strongly defended the legitimacy of Mrs. Fosuh’s German marriage certificate, condemning remarks by Mr. Kofi Owusu on an entertainment programme where he dismissed it as an “Ashtown document.”

The family described such claims as “pathetic, uninformed, and hostile,” and emphasized that the certificate remains a legally valid and internationally recognised document.

Defending their spokesperson, Evangelist Papa Shee, also known as Nana Yaw Akosah, the family reiterated that he is a long-standing confidant and fully authorised to speak on their behalf, dismissing suggestions to the contrary as false and unfounded.

While expressing respect for the recent ruling by Her Ladyship Justice Dorinda Smith Arthur, the family noted disagreements with aspects of the decision and indicated plans to seek legal redress to ensure clarity and protect the dignity of the late musician’s widow and children.

The family concluded by reassuring Ghanaians, particularly those in Germany, of the authenticity and credibility of German marriage certificates, describing them as “the Mercedes-Benz of marriage certificates,”.

They also affirmed their commitment to honouring the legacy of Charles Kwadwo Fosuh with transparency and dignity.

The two were seen in two viral videos having heated altercations, both in Nigeria and in London, which sparked a lot of reactions from Nigerians.

Many expressed concern for the music star and called for action to be taken. Singer Teni Apata even composed an emotional song about the situation. According to reports circulating online, 2Baba’s family is allegedly set to take legal action against Natasha.

The petition sent to the Inspector General of Police accuses Natasha of bigamy. It was alleged that 2Baba had not completed his divorce proceedings with his previous wife before Natasha began presenting herself as his new wife.

In the petition, 2Baba’s family also alleges that Natasha has been assaulting their son at different locations in both Nigeria and London.

The petition further accuses Natasha of substance abuse and urges the AIG to investigate her alleged intake of hard substances.

Additionally, the singer’s family has asked the Inspector General of Police to recover the singer’s travel documents, which they claim Natasha has seized. They also stated that Natasha has been causing the music star embarrassment wherever he goes. This is not the first time Natasha has been rumoured to be abusing substances.

Prior to her traditional wedding to 2Baba, many interpreted her body language as indicative of substance use. These allegations were corroborated by Kaka, 2Baba’s manager, in an interview with Daddy Freeze.

The Idibia family petitions the IG’s office against Natasha for allegedly assaulting their son, Innocent Idibia, in London and other locations.

They also ask the IG to investigate her alleged substance abuse, which they claim leads to her assaulting and stressing Innocent.… pic.twitter.com/zSYvW4JKdc

— Metro Naija (@metronaija) December 4, 2025

‘My family destroyed my marriage with Annie, now they’re after Natasha’…

Nyarko, who spent approximately 20 years in prison before his release and now ministers to inmates, revealed that Agradaa, whose real name is Evangelist Patricia Asiedu, remains committed to her ministry even while incarcerated.

His comments contrast with recent remarks made by Appiah Biblical, who, during a court appearance on November 19, 2025, described Agradaa as appearing “pitiful” and noted that her current state left many in the courtroom visibly shocked.

“Agradaa came to court today. If you saw her, you would be stunned. Her appearance has completely changed, and everyone in the courtroom was shocked, including myself,” Biblical said.

Despite such observations, Evangelist Nyarko reassured the public that Agradaa is managing well in prison. Speaking to Channel One TV on November 30, 2025, he shared that he recently visited her and found her in good spirits, actively sharing the word of God with fellow inmates.

“Nana Agradaa is doing well in prison… she’s even preaching.” — Evangelist Richard Nyarko.
After spending two decades behind bars, he reveals that he personally saw Evangelist Patricia Asiedua, popularly known as Nana Agradaa, doing well in prison and actively preaching. pic.twitter.com/Zqzh4oslsC

— ChannelOne TV (@Channel1TVGHA) November 30, 2025

“Our sister Patricia is doing well by God’s grace. I saw her last Sunday…as scripture says, ‘before I was afflicted, I went astray.’ It’s surprising how God can use affliction to bring about transformation. I trust that the Lord will orchestrate her freedom in His time,” he stated.

Agradaa, founder of Heaven Way Champion International Church, has been serving a 15-year sentence with hard labour since July 3, 2025.

The Accra Circuit Court, presided over by Judge Evelyn Asamoah, convicted her on charges of charlatanic advertisement and defrauding by false pretences.

The former traditional priestess-turned-evangelist was found guilty of defrauding multiple victims during a 2022 televised broadcast, claiming she had the power to double money. Her false promises convinced many to hand over large sums, expecting miraculous financial returns that never materialized.

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He warned that the same pattern of behaviour was now being repeated this time against his current partner, Natasha.

2Baba stressed that he is mentally sound, not in danger, and capable of making decisions about his own life, dismissing what he described as attempts to portray him as unstable.

He expressed deep frustration that those claiming to “save” him are instead causing severe emotional harm, endangering Natasha, and escalating the situation to a dangerous level.

The singer appealed to the public and especially to his family to stop the harassment, stop spreading unverified stories, and allow him to live peacefully.

He added that he plans to reveal more details in the coming days but could no longer remain silent as the situation spirals out of control.

The singer added that family members are now endangering his relationship with Natasha.

In an emotional video shared online, the award-winning singer said the situation has escalated beyond normal family disputes, claiming that Natasha is now receiving death threats as a result of the ongoing crisis.

Funny Face opens up about his time at Pantang Hospital

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The actor, who has battled mental health challenges in recent years, recounted his experiences during an interview on the Real Talk Podcast, saying he hopes his story will help Ghanaians better understand the struggles of those dealing with similar conditions.

Describing daily life inside the facility, Funny Face recalled sharing a room with another patient whose pain revealed itself every night.

“One of the men I stayed with was a wealthy, responsible person. We were in the same room, and he slept on the top bunk while I took the lower one because he was there before me. Every night around 3 a.m., he would shout, ‘Oh Adwoa Serwaa, why?’ You can’t even laugh, no matter how it sounds,” he said.

He noted that the early-morning hours at the facility were especially difficult, describing the atmosphere as heavy and unsettling — a period when many patients struggled the most.

Avraham Ben Moshe, who joined him on the podcast, pushed back against claims that such moments were spiritual. Instead, he explained that emotional episodes intensify at dawn because of the nature of certain mental health conditions.

Funny Face’s struggles became public following the breakdown of his relationship with his ex-partner, Vanessa Nicole, with whom he shares three children. The tension between them, along with his emotional outbursts toward her and several public figures, signaled a decline that eventually led to medical intervention at both the Accra Psychiatric Hospital and later the Pantang Mental Hospital.

Now reflecting on those experiences, Funny Face says he wants Ghanaians to show more empathy toward people dealing with mental health issues.

His hope, he said, is that sharing his story will break stigma and encourage more compassion for those suffering in silence.

Comic star, Funny Face recounts his time at the Pantang Psychiatric Hospital, revealing how a well established man was on admission and the challenges men face, putting them at a higher risk of mental incapacitation. pic.twitter.com/fTzXK2cBl7

— SIKAOFFICIAL🦍 (@SIKAOFFICIAL1) December 3, 2025

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Agradaa is currently serving a 15-year prison sentence following her conviction for charlatanic advertisement and defrauding by false pretence.

The High Court judge issued a clear timeline for the submission of final legal arguments, marking a significant step toward scheduling a date for the highly anticipated judgement.

Agradaa’s legal team, led by Richard Asare Baffour, has been given a crucial two-week window to finalise their submission. This timeline will dictate the pace of the remaining judicial process:

• Defence Submission: The defence counsel has two weeks from December 4 to file its written address.
• Prosecution Response: The prosecution will then have one month from the date they receive the defence’s submission to file its comprehensive response.

The case has been formally adjourned to January 21, 2026, for a status update hearing, during which the court is expected to schedule the final judgement date.

Proceedings were momentarily halted when the prosecution informed the court that the record of appeal was incomplete, specifically missing a vital pen drive containing video evidence central to the original trial.

This video evidence reportedly captures the church service that led to the conviction.

To ensure procedural fairness and allow the hearing to continue, the defence requested that the matter be temporarily stood down.

The request was granted, allowing copies of the video files to be retrieved directly from the court’s docket and handed over to the Attorney General’s office. The immediate provision of the necessary materials enabled the hearing to proceed without substantial delay.

The Grounds for Appeal

Nana Agradaa is challenging her conviction and the 15-year custodial sentence imposed on her on July 3, 2025. Her appeal hinges on multiple claims of legal injustice:

1. Trial Unfairness: Arguing that the entire trial process was unfairly conducted.
2. Insufficient Evidence: Contending that the evidence presented did not sufficiently support the guilty verdict.
3. Excessive Sentence: Asserting that the 15-year jail term for charlatanic advertisement and defrauding by false pretence is disproportionate and excessive.

Her lawyer, Richard Asare Baffour, said that the defence has been given two weeks to file its written address.

The continued judicial process is keenly watched by the public, given the high-profile nature of the case involving one of Ghana’s most controversial religious figures.

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A lawsuit filed by members of the musician’s immediate family accuses the designated head of the wider family of secrecy, mismanagement, and attempting to hijack the memorial rites since Lumba’s passing on July 26, 2025.

The matter is scheduled to be heard in court on Thursday, December 11, 2025.

Criminal Probe Demanded Over Secret Autopsy

The most profound grievance underlying the civil suit is the lack of transparency surrounding Daddy Lumba’s death. The plaintiffs—Obaapanin Afia Adomah, Robert Gyamfi (Wofa Yaw Poku), Georgina Gyamfi, Ernestina Fosuh, and Nana Afia Kobi—claim they were deliberately excluded from critical decisions.

According to the writ filed, the immediate family was not officially informed of the musician’s passing before:

“…an autopsy had already been conducted without their knowledge or consent.”

Disturbed by the procedural irregularities and perceived deliberate concealment, the plaintiffs have escalated the matter beyond civil litigation.

They have lodged a formal complaint with the Homicide Division of the Ghana Police Service, demanding a full investigation to ascertain the true cause of death.

The Fight for the Coffin: Injunction Against Funeral Home

The plaintiffs have sought sweeping interlocutory injunctions against three specific parties: Kofi Owusu (identified as the head of the wider family), CalBank, and Transitions Funeral Home.

The immediate family’s control over the highlife legend’s remains is a key point of contention. To prevent what they perceive as an unauthorized release of the body, the family has asked the court to:

“…stop Transitions Funeral Home from releasing the corpse to Owusu or anyone acting on his behalf until the suit is determined.”

They argue that the wider family head’s unilateral actions concerning the body and funeral arrangements necessitate this drastic judicial restraint.

Financial Hijack: The DL Foundation Account

The dispute is further inflamed by allegations of the mismanagement of public donations collected during the one-week observation rites.

The core financial asset in dispute is the “DL Foundation” account held at CalBank, into which all cash contributions from the memorial were deposited.

The family alleges that Kofi Owusu unilaterally formed a committee to manage these funds and rites without the core family’s consent. They claim unauthorized monies were withdrawn, and all attempts to compel Owusu to account for the funds have been rebuffed.

Their fears over the financial health of the funeral arrangements are starkly outlined in their writ:

“The core fear driving the suit is that ‘Owusu will continue to squander all the monies in the account,’ leaving nothing for the organization of the final funeral rites.”

Consequently, the family is asking the court for explicit financial injunctions:

• Restrain CalBank from releasing any money from the DL Foundation account to Owusu.
• Block Owusu from accessing any other accounts belonging to the Daddy Lumba Memorial Foundation LBG.

Manhyia Intervention Deemed Ineffective

The depth of the family crisis is evidenced by the fact that the dispute had previously reached the Manhyia Palace, the traditional seat of the Asantehene.

The initial committee formed by Owusu was reportedly dissolved at Manhyia, and a new funeral committee was appointed.

However, the plaintiffs claim that despite the traditional authority’s intervention, Owusu has “continued to retain funds and authority previously under his control,” necessitating the current legal action.

The tragic situation transforms what should be a unified national period of mourning into a bitter, high-stakes legal contest over transparency, control, and legitimacy that threatens to cast a shadow over the enduring legacy of one of Ghana’s most celebrated musicians.

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Tagawa died surrounded by his family in Santa Barbara from complications due to a stroke, his manager, Margie Weiner, confirmed on Thursday.

“Cary was a rare soul: generous, thoughtful, and endlessly committed to his craft,” she said in an email. “His loss is immeasurable. My heart is with his family, friends, and all who loved him.”

Tagawa’s decades of film and TV roles truly got off the ground in 1987 when he appeared in Bernardo Bertolucci’s Oscar-winning film “The Last Emperor.” Since then, he has appeared in such films as “Pearl Harbor,” “Planet of the Apes,” and “License to Kill.”

Tagawa was raised mostly in the US South while his Hawaii-born father was assigned to US mainland Army bases. He lived in Honolulu and on the Hawaiian island of Kauai for a while.

Tagawa’s father met his mother while stationed in Japan, Tagawa told Honolulu Magazine in 2004. His parents named him after Cary Grant and his brother after Gregory Peck, he said.

His mother, Ayako, had been a stage actor in Japan, according to the Honolulu weekly newspaper Midweek. Tagawa said she asked him not to pursue acting because there weren’t many good roles for Asians.

He eventually began an acting career at age 36 after being a celery farmer, limo driver, pizza supply truck driver, and photojournalist, he said.

“The good news for Asian actors and Hollywood is that it’s better than it’s ever been, but the bad news is that it hasn’t changed that much,” he told Midweek in 2005. “The opportunities haven’t increased that much, but commercially there’s more exposure.”

Tagawa played the Baron in “Memoirs of a Geisha,” a 2005 movie based on the bestselling novel chronicling a young girl’s rise from poverty in a Japanese fishing village to life in high society.

Some critics said the movie lacked authenticity, but Tagawa said it was unrealistic to expect a fictional work written and directed by Americans to fully reflect Japanese style and sensitivities.

“What did they expect? “It wasn’t a documentary,” Tagawa told The Associated Press in 2006. “Unless the Japanese did the movie, it’s all interpretation.”

Tagawa told the AP that he studied various martial acts but left because he wasn’t into fighting or competition.

Instead, he developed a system he called Ninjah Sportz, which incorporated martial arts as a training and healing tool. He worked with professional athletes like World Boxing Council light flyweight champion Brian Viloria and advised members of the University of Hawaii football team.

In 2008, Tagawa pleaded guilty in a Honolulu court to a petty misdemeanor charge of harassing a girlfriend. She had bruises on her legs, police said at the time.

His attorney said he took full responsibility for the case from the beginning and made no excuses.

In a move intended to restore peace and correct the public record, Agradaa, through her legal representatives, has admitted that the sensational claims—circulated on social media in May 2025—were entirely false and lacked merit.

Claims Disowned: Allegations Made ‘In the Spur of the Moment’

The formal retraction was issued on Thursday, December 4, 2025, via a statement from Agradaa’s legal firm, Agyaa Asamani Law Consult. The firm revealed that the controversial statements were made “in the spur of the moment”, suggesting they lacked deliberate premeditation but were nonetheless damaging.

Richard Asare Baffour, the lawyer handling the case, publicly emphasised the definitive nature of the withdrawal:

“…the allegations against Empress Gifty were untrue and should not be given any weight.”

This clear admission of falsehood aims to decisively end the public speculation and tension that has characterised the relationship between the two public figures over the past several months.

Restoring Peace: Sincere Apology Issued

Nana Agradaa has followed the legal retraction with a personal, unqualified and sincere apology to the gospel artiste.

The apology acknowledges the profound harm the social media posts inflicted on Empress Gifty’s reputation, professional standing, and personal well-being.

The formal regret extends beyond the musician herself, encompassing Empress Gifty’s family, friends, and colleagues, all of whom were affected by the fallout from the claims.

The lawyers noted that the overarching purpose of the retraction is to “restore peace and correct the public record” following months of highly publicised conflict.

This decisive legal action marks a significant step toward closing the chapter on one of the year’s most high-profile social media feuds.

Mahama, whose work often uses found materials including textile remnants, topped the ranking of the contemporary art world’s most influential people and organisations as chosen by a global judging panel.

He told the Guardian he felt humbled to be named at the top of a list he first heard about while studying at the Kwame Nkrumah University of Science and Technology in Ghana in 2011, when the Chinese dissident Ai Weiwei topped the ranking.

He said: “For me to be part of this, especially coming from a place like Ghana, which for many years was almost as if we were not even part of the discourse, is quite humbling.”

Mahama, who is based in Ghana’s northern city of Tamale, said he hoped his success could inspire younger artists in his country to “realise that they are part of the contemporary discourse and not just on the sideline”.

Mark Rappolt, ArtReview’s editor-in-chief, said the choice of Mahama indicated that the seat of power was shifting in the world of art.

He said: “I think you could also look at that as saying there’s a realignment of where global finance sits … I wouldn’t say that the art world is separate from those worlds. The MENA region has historically always been a bridge between east and west.”

The power list’s top 10 features several artists and curators from the Middle East and Africa. Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, one of the most powerful women in Qatar and the chair of Qatar Museums since 2006, is at No 2, in part due to her immense purchasing power.

Last year’s No 1, Sheikha Hoor al-Qasimi, the president and director of the Sharjah Art Foundation in the United Arab Emirates, slips two places to No 3, and the Egyptian artist Wael Shawky comes in at No 4.

Singapore’s Ho Tzu Nyen (5), the Americans Amy Sherald (6), Kerry James Marshall (7) and Saidiya Hartman (8), the UK-based group Forensic Architecture (9) and Germany’s Wolfgang Tillmans (10) round out the top 10.

Mahama has had an incredibly busy couple of years. He is represented by the influential Apalazzo Gallery and White Cube galleries and his practice includes using old hospital beds, discarded train carriages and other artefacts that he turns into art objects.

Last year at Edinburgh’s Fruitmarket Gallery, Mahama’s Songs About Roses, which focused on the rise and fall of the railway that the British government built in Ghana between 1898 and 1923, was described as being “as extraordinary as a great magic-realist novel”.

The Guardian’s Jonathan Jones said the work’s reckoning with history’s ghosts “puts Mahama up there with William Kentridge and Anselm Kiefer as one of today’s most important artists.”

A few months before his Edinburgh show opened, Mahama draped the Barbican in 2,000 sq metres of bright pink fabric, which had been stitched together in a football field in Ghana because it was so large.

In 2019, Mahama opened the Savannah Centre for Contemporary Art in Tamale, a 900 sq metre site that is an exhibition space, library, residency space, archive and studio.

Rappolt said many of the highest-ranking artists ran programmes in their local communities. He said of Mahama: “He’s not acting as this classic idea of the sole artist producing his own the flashes of genius, but also as a person who’s part of a community.”

Thirty anonymous experts from around the world compiled the annual power ranking, which has been running for 24 years.

In an interview on the Prime Time on Joy Prime, he said his is often misunderstood, explaining that it is his passion that fuels his work and propels his success.

Medikal noted that the perception of rudeness does not reflect who he is. 

“People say I’m rude but I’m not. I’m passionate and driven with my career. It’s the passion that drives me to new levels in life,” he said. 

He added that his hunger for progress keeps him restless.

“I might have the hottest song today and still wake up to go to the studio the next day. I’m hungry for what I do. That’s what gears and energizes me to keep pushing forward,” he noted.

He stressed that repetition remains a key ingredient in his journey and attributed his rise to his natural ability. 

“My journey has been built on talent. It’s my talent that has taken me far. Talent is the prime source of my success,” he said. 

Medikal added that music plays a role in helping fans navigate their struggles. 

“I rap to entertain and help people get over their problems and depressions,” he explained.

Responding to critics, the rapper suggested there is affection hidden behind the negativity he receives. 

“Love is derived from hate. My haters love me,” he remarked. 

He also spoke warmly about his relationship with Sister Derby, saying they maintain a good rapport and that she has been supportive throughout his career.

Medikal wrapped up the conversation by sharing the legacy he hopes to build. 

“I want people to remember me for my realness. “I’m a real guy,” he said, reaffirming his commitment to authenticity in his life and music.

Over the years, the genre has reinvented itself repeatedly, absorbing new trends and inspiring offshoots such as Afrobeats, Rock, Hiplife, and even Trap music.

Nearly a decade after its revival, Highlife remains the soul of Ghana’s music identity. No matter which genre takes the spotlight, Highlife’s rhythm is always present beneath it.

To preserve this powerful legacy for generations to come, Ghana’s number one entertainment hub, Adom FM, has officially launched the highly anticipated Strictly Highlife 2026 — a night dedicated to unfiltered Ghanaian music culture.

Returning as the New Year’s first mega-event, the show will ignite January 1 with a fully upgraded experience designed for music lovers across all generations.

This year marks the second edition of the event, following last year’s spectacular debut, which drew massive crowds and left patrons yearning for more even after the curtains fell. The overwhelming feedback delivered one clear message: bring it back and make it bigger.

This time, the party moves from the Silver Star Tower to the Palm’s Convention Centre at La Palm Royal Beach Hotel — a larger, ground-level space ideal for dancing, mingling, and soaking in hours of pure live-band brilliance.

Strictly Highlife 2026 promises premium experiences for every reveler, with Platinum, Gold, Silver, and Regular tickets, as well as Double Tables and exclusive Hideouts for those who prefer to party in luxury.

Adom FM’s Programmes Manager, Joshua Kwasi Tigo, assured that each tier will deliver a “to-die-for” experience.

The music will flow from 8pm to 4am, and as always, the dress code is all-white.

Get ready to dance, relive nostalgic moments, and enjoy the true essence of Ghanaian music — because on January 1, it’s Highlife and Highlife only!

More information in video below:

Speaking during a TikTok live session, the skit star explained that the union, which began in 2023, ended without conflict.

He noted that he and his ex-wife remain on cordial terms and are united in their commitment to raising their daughter.

Responding to lingering rumours of domestic abuse and infidelity, Sabinus dismissed the claims and urged the public not to sensationalize the situation.

“I’m not married. My marriage ended peacefully. The mum and I are good. My daughter is okay, and she is doing fine,” he said.

His confirmation brings closure to months of speculation about the couple’s relationship, which had intensified despite earlier denials from both sides.

This year has been nothing short of a masterclass, with the young superstar outpacing every competitor to cement his status as the year’s undisputed frontrunner.

He made history by becoming the first Ghanaian artiste to occupy all top 12 spots on the Apple Music Ghana Top Songs Chart of 2025.

On Spotify, the story was no different. Blacko secured the top six most-streamed songs of the year, with his tracks appearing eight times in the Top 10 most-streamed songs overall.

His momentum extended to albums as well, with Iron Boy and The Villain I Never Was ranking No. 1 and No. 2 respectively on Spotify’s Most-Streamed Albums in Ghana.

By every metric, Black Sherif was the people’s choice as he ended the year as both Ghana’s Most-Streamed Artiste and the Most-Streamed Ghanaian Artiste.

Black Sherif has held on to this title four consecutive years from 2022.

In a landscape where competition is fierce and trends shift quickly, Black Sherif ranked No. 3 Most Exported Ghanaian Artiste globally, with Moliy being first.

This clean sweep confirms his stranglehold on the nation’s listening habits.

The celebrated musician touched down in Accra last night and called on Ghanaians to join in honouring the memory of the late icon.

“Let’s come together and celebrate the life of my brother Daddy Lumba… My condolences once again to the family and loved ones,” he said.

The funeral is expected to take place on December 13, 2025, as announced by the Manhyia Palace.

However, the ceremony remains in limbo, as the direct family of the late highlife legend, Charles Kwadwo Fosuh—popularly known as Daddy Lumba—has strongly objected to the widely circulated date.

According to the family, a December funeral is impossible due to the ongoing autopsy and investigations in both Ghana and Germany, critical academic examinations for some of the late musician’s children abroad, and the need to allow adequate time for relatives and close associates overseas to prepare and attend.

Nonetheless, Nana Acheampong has arrived in time to offer his support, expressing deep heartbreak over the passing of his ‘brother.’

Nana Acheampong and Daddy Lumba formed one of Ghana’s most celebrated music duos, the Lumba Brothers, after meeting in Germany in the 1980s.

Their partnership revolutionized the highlife genre and birthed a modern sound that influenced an entire generation.

Their debut album, Yeeye Aka Akwantuo Mu, set them on an iconic path, and although they later pursued solo careers, both continued to dominate the highlife music scene.

Despite occasional public speculation about rivalry, both artistes consistently affirmed their deep brotherhood and musical bond, which spanned more than three decades.

According to her, they met at Kwame Nkrumah Circle in Accra when she went to pick up a parcel sent from Kumasi.

At the time they met, she didn’t know he was a pastor until he was later invited to preach at her church.

“We met at Circle. I was going for my fees. They used to have this ford like now VIP that people send parcels to. So I was going to ford station to take a parcel from Kumasi and he was also going to take something from there. That time, I was walking with somebody so the person was waiting for me somewhere. We were in the queue; he took his parcel first before me but we didn’t talk and he left. When I took mine and was going to meet friend so we can leave, he was chatting with my friend and she introduced me to her but we didn’t exchange contacts,” she narrated to Roselyn Felli on Joy Prime.

A few months later, they met again at her church and exchanged contacts. That was how their journey officially began.

“Four months later, he was invited to our church to preach and that was when I realized that he’s a pastor. After the service, we exchanged numbers and he called me later in the evening.”

They built a strong friendship and started communicating regularly. He later encouraged her to participate in the Mentor music reality show, where she eventually became a music star.

She stated that she knew she would marry her husband while they were still in the friend zone because of how he supported her when she needed help.

“He’s a very good man and very supportive. He’s somebody who has my interest at heart; he hates to see me worried. He really did supported me when I went to mentor and I knew that he was the right man for me.”

However, before she met her husband, she had always known that she would marry a pastor because the majority of the men who approached her and showed interest in her were pastors. Hence, she wasn’t surprised when she eventually found out that her husband was one.

Since the Daddy Lumba family controversy broke out, I have avoided reading any of the stories or the debates. I’ve tuned off on this matter, as I have on some family feuds in the past.

The closest I have come to developing an interest in the Lumba family feud is that one of the women is called Serwaa, which is the most pleasant female name I know. If you ask me who the first wife is or who won the court case, I cannot tell you.

(And I have nothing against those who follow the story. Not everyone must be interested in Elder Agyepong’s “borla” business, you barb?)

So, what I’m about to write is not the substance of the matter, but a disturbing commentary I have seen some men write about the controversy.

It is worth noting that if a woman had died and left two men fighting, the narrative would have been predictably different from what we are seeing now. But even beyond that, some men seem to be defining marriage in narrow terms, from the dominant positive of power.

I have seen sermons admonishing women to take good care of their husbands so that the men are not tempted to go for other women. Some have even compared the role of women to domestic workers. And the woman’s fellowship of social media descended on those posts with the appropriate responses, so I have nothing more to add. But the views are varied.

Clara Kowlaga Kasser-Tee posted a piece of advice she took from the learned Justice Henrietta Mensah-Bonsu on choosing the father of one’s children carefully. In response to that post, my friend Atik Mohammed, among other things, wrote:

“…The decision of marriage is strictly the man’s. You can have your ideal man you wish to marry as a woman, if that man does not do you the honors, thinking of him as a husband is at best, a wishful thought.”

Really?

Unlike random Facebookers whose intelligence I cannot vouch for, Atik is a smart dude, but I disagree with his position, which many men seem to endorse.

If you are a man who thinks marrying a woman is doing her a favour, then you are missing a major point about marriage. You’re entering into a union in which both parties have an equal stake. Being the head of that union, as men are made to believe, is just ceremonial.

Wielding a penis does not make you wiser than your wife. Why? The penis is brainless.

Any man who believes that the duty of his wife is to stay home and take care of him is not fit to be called a husband. That man is a child who should go back to his parents to be taken care of.

A married man is supposed to be an adult. The toxic mindset that a woman is responsible for taking care of her husband is ingrained in our society. That is what informs some TV commercials (such as the one in a Vodafone ad or so) in which mothers-in-law call their sons’ wives and instruct them on how to take care of their husbands.

The world has moved on. One does not need a university degree to discard the disturbingly archaic idea that marrying a woman means getting a cook or a laundry hand.

Mr. Man, it is true that your mother did not teach you how to cook. But it is also true that your father did not take you through “atopa” tutorials. So, if you have learned to have sex on your own, you can learn to cook.

ALSO READ:

Full judgment reveals more details of Akosua Serwaa’s marriage case [read]

‘Ghana Television channels killed our movie industry’ – Selassie Ibrahim claims

In a world he describes as “one where noise travels faster than truth,” the Senator spoke openly about the woman who has brought peace, maturity, and unwavering strength into his life.

According to him, Laila is a woman of calm character — someone who values privacy and sincerity over public attention or social media presence.

“She has never been the type to chase attention or respond to every passing opinion. She prefers a peaceful and private life where her energy goes to the things that truly matter,” he wrote.

He painted Laila as a woman of remarkable composure, whose gentleness, patience, and kindness continue to impress everyone who truly knows her. “She gives without expecting anything in return and chooses understanding even when she is misunderstood,” he added.

Acknowledging the harsh and often unfair nature of the online space, the Senator emphasized that Laila does not concern herself with defending her reputation on the internet.

“Her life and worth are not determined by online opinions. She allows time, truth, and character to speak for her,” he said.

While admitting it can be difficult watching false assumptions circulate, he affirmed that he remains grounded in his knowledge of the woman he loves. He expressed deep admiration for her quiet strength, describing it as a source of stability in his life.

“Her strength does not shout. Her goodness does not need an audience. As her partner, I will always stand by her and protect her name with pride,” he added.

He also thanked supporters who have shown understanding and fairness during moments of heightened public scrutiny.

Describing Laila as a woman of “depth, dignity, and grace,” Senator Nwoko concluded his message with a powerful affirmation of his commitment:

“Laila, you are valued, you are loved, and you are far greater than anything said about you online. I am proud of the woman you are, and I will always stand with you — today and every day.”

In a world where noise travels faster than truth, I want to take a moment to speak about the woman I know, the woman I love, and the woman I cherish. My wife, Laila. She is a woman whose quiet strength continues to amaze me every single day.

Laila is not someone who lives on… pic.twitter.com/ryoWw5s1c2

— Senator (Dr.) Prince Ned Nwoko (@Prince_NedNwoko) December 3, 2025

Speaking on Daybreak Hitz on Hitz FM, Ibrahim argued that local channels prioritise cheap foreign content over high-quality Ghanaian productions, making the business model for domestic filmmakers unsustainable.

The Unprofitable Local Content Dilemma

A key figure in the industry for decades, Selassie Ibrahim condemned the low acquisition fees offered to Ghanaian producers compared with the ready acceptance of foreign movies.

“Look, the TV channels are not helping us. I’ll say it again. I don’t care what they think. I don’t care what they say. I’ve said it before and they bashed me. But you know what? I will still keep saying it until they help us,” she said.

She highlighted the massive gap between production costs and the fees offered by local channels, which she says forces producers into debt:

“You shoot content and send it to TV channels; they look into your eyes and offer a thousand Ghana cedis [GH₵1,000] when I spent over $20,000 to $30,000.”

This pricing structure, she argues, makes it nearly impossible for producers to recover their investments, contributing to the current stagnation in industry activity.

Prioritising Cheap Foreign Films

Ibrahim also criticised channels for favouring old foreign films over new Ghanaian productions.

“Yet they go and buy movies that are 10 years old that had made their money from cinema and everything,” she said.

She accused local broadcasters of deliberately undermining the domestic creative economy:

“You want us to sell it to you the same? Do you want to collapse [our businesses]? You’ve done it. When people say, ‘oh, Ghanaian film is dead,’ my heart bleeds, but how many people can you explain to that it started from the TV channels because they killed our industry?”

The Failure to Celebrate Our Own

Ibrahim also highlighted a cultural issue: the lack of appreciation for local content in Ghana.

“Because when you go to Nigeria, you don’t find them watching any Ghanaian movie. But in Ghana, anything foreign is fine; everything Ghanaian is bad. They will criticise. They will not go and watch. I can’t figure it out? We don’t know how to celebrate our own… and that is what has killed Ghana movie till today.”

Ghana’s film industry, which thrived in the early 2000s, has seen a sharp decline in production since 2015. Analysts point to low TV licensing fees, the proliferation of cheap satellite channels, and the absence of government-imposed local content quotas as key drivers of the collapse.

Ibrahim’s comments place responsibility squarely on television channels and regulatory bodies, urging them to implement fair pricing and supportive programming strategies to revive Ghana’s film industry.

The document offers a comprehensive account of the evidence presented, including marriage certificates, witness testimonies, and civil documentation.

It outlines the court’s reasoning for recognising both women’s marital status, addressing claims related to widowhood rites, estate management, and the rights of surviving spouses.

The judgment also clarifies disputes over property, financial entitlements, and family responsibilities, offering guidance on how the musician’s estate is to be managed.

Legal experts note that the case sets a significant precedent in Ghanaian family law, particularly regarding the recognition of multiple marriages under both civil and customary law.

Read full 49-page judgement below:

Mohbad passed away on September 12, 2023, and was initially buried in line with traditional customs. However, the body was exhumed just nine days later to comply with police requirements and autopsy procedures and has remained unburied since.

Autopsy and toxicology results were inconclusive, with authorities citing decomposition as a factor.

The delay has been further complicated by questions surrounding the paternity of Mohbad’s son, prompting a fresh court case.

Speaking publicly, Mohbad’s father said the DNA test is the main hurdle preventing the burial from taking place.

“Today is the DNA court case, and we are here now. This is exactly 9 o’clock, and my lawyer is here. I’m telling the whole world that this is the most important thing, and this is exactly what is delaying the burial. After the DNA is done, we can now move on to the burial,” he stated.

Mohbad’s wife, Wunmi, has submitted their son for the test and remains confident it will result in a positive match.

Prada signed a definitive agreement in April to buy Versace from US-based Capri Holdings for about 1.3 billion euros ($1.51 billion), after Capri’s sale to Tapestry was scrapped in the wake of a challenge by antitrust regulators.

Lorenzo Bertelli, the son of Prada owners Miuccia Prada and Patrizio Bertelli, told Reuters in November that he will become executive chairman of Versace once the integration is complete. He said that Prada had been keen on a deal for several years.

“There had already been contacts during the COVID period, there were talks even before Capri’s sale to Tapestry. When that deal fell through over antitrust issues, we came back and tried to speed things up,” Lorenzo Bertelli said.

“It was something that had been in the works for a long time,” he added.

Founded in 1978 by Gianni Versace in Milan, the brand renowned for its bold, glamorous aesthetic will join the group’s two main labels – its namesake Prada and the smaller but fast growing Miu Miu – marking a sharp strategic shift for the Italian fashion house.

Bertelli, who strongly pushed for the acquisition, said Versace met two key conditions: that it was not too risky financially and that it was worth it, given the brand ranks among the world’s leaders in terms of awareness.

In March, a few weeks before the deal with Prada was announced, Donatella Versace stepped down as creative chief after almost three decades in the role.

Dario Vitale, formerly design director at Miu Miu, took over the role.

He said in an interview with the Ghana Times media network that he does not fully embrace the concept.

Detty December refers to the wave of parties, festivals, concerts and homecoming activities that take place in Ghana throughout December.

The term is widely linked to former Mr Eazi manager, Bernard Kafui Sopke, popularly known as Mr. Meister, during the period the artiste lived and worked in Ghana.

In an Ghanaweb report published on May 6, 2025, Bernard said he coined the term ‘Detty December’ in 2019 during a December concert for Nigerian artiste Mr. Eazi.

“At that time, we used to call him ‘Detty Boy’. So for that December concert, ‘Life is Easy’, we decided to call it ‘Detty December because it was just going to be a fun December, an exciting December. It was like showing the full limits of enjoying December to the max,” he said.

He further explained that, ‘detty” is a playful adaptation of the Ghanaian expression “dirty your body,” which refers to engaging in fun activities that might leave one physically messed up but emotionally happy.

KOD in his recent interview said he was not particularly excited about the concept. 

“Personally I am not a great fan of Detty December. It’s one of the reasons we are having events like the Diaspora Summit under the auspices of the President between 19th and 20th December,” he said.

He added that many visitors from the diaspora do not travel to Ghana solely for entertainment.

“Many people from the Diaspora are coming to Ghana. They are all not coming to have fun. There are people who are here for business opportunities as well so we want to go beyond the Detty December, great opportunities to network and bring money home,” he said.

KOD made the comment when asked whether the government’s Blackstar Experience programme had replaced Detty December.

A few months ago, the Speaker of Parliament, Alban Bagbin, also suggested that the name “Detty December” conveyed negative lifestyle implications.

In the meantime, Nigeria has swiftly adopted ‘Detty December’ with some of their online reports crediting the country as the origin. 

Meanwhile, the Ghana Tourism Authority has amplified the drive for December in GH activities for this year with many billboards mounted in various parts in Accra. A lot of activities and events, as captured on GTA’s December in GH calendar, will take place within the December period.

While most of the events started in mid-November, others will also run into the early weeks of January 2026

According to him, it was a revelation from God that he should pursue a course to enable him to become a more lenient evangelist, since he was already practising.

Recounting the revelation on Joy Prime’s Changes show with Roselyn Felli, Rev. Acquaah narrated that he travelled to Nigeria to teach French after completing the University of Cape Coast in the early 1960s. Upon his return to Ghana, God told him to begin evangelism in secondary schools, which he did.

While he was practising, God revealed to him again that he should pursue a course to deepen his knowledge of the word of God and become a lenient, rather than an ordinary, evangelist.

“I started my secondary school at Mfantsipim. I went there in 1954 and left in 1958. I worked for some time and continued at Cape Coast University to do French. When I got my degree in French, things were hard in Ghana, so I had to go to Nigeria to teach French. I was teaching in public schools but my appointment was not a pensionable appointment. So I had to leave and start the children of rich people in Nigeria so that I could get more money.”

“So I was teaching those children until 2018 when I felt had to come to Ghana. When I came back home, God told me loud and clear that I have to evangelize, inspire and guide students in secondary schools. So, when I came back, that was what I was doing. As I was evangelizing and guiding these secondary school students, God spoke to me again that I should not be an ordinary evangelist, I should be a learned evangelist and to be a learned evangelist, I have to go to the university to increase my knowledge in the word of God not a roadside evangelist. That’s what took me to Central University to study Theology from 2020 to this year,” Rev. Acquaah recounted.

During his stay in Nigeria, he always had the thought of returning to Ghana, no matter how long he remained there. But he needed to stay longer in Nigeria due to the economic hardship in Ghana at the time, as Nigeria was more prosperous.

When he informed his children about his decision to return to school, they welcomed the idea and supported him. Even though he was already retired, he needed to pursue the course because, according to him, it was an instruction from God.

Asked how he was able to study and pass considering his age, he said, “My intelligence is a gift from God.”

With regard to the challenges he faced while undertaking the course, he said he was prevented from writing his Level 300 exams because the son who was sending him money for his school fees delayed in doing so.

“There were four questions and I had written answers to three of the four questions. I was on the fourth question when because I had not paid my school fees, he seized my paper, squeezed it in the presence of the other students. I was very hurt,” Rev. Acquaah reminisced.

However, the school fees were paid later, and he was able to write the remaining subjects successfully.

For him, graduating at age 86 is a great delight, and he is grateful to God for providing him with the intelligence, determination, and perseverance needed to complete four years at the university.

Rev. James Acquaah was part of the 24th Congregation Ceremony of Central University, held on November 19. He was awarded as the Most Resilient Graduate and completed his studies with a Bachelor of Arts degree in Theology.

The former fetish priestess, now evangelist, appeared before the court on Tuesday in the ongoing case in which she is accused of broadcasting nude images of Pastor Emmanuel Appiah Fumum, also known as Osofo Biblical.

The case was filed by Osofo Appiah, who alleges that Agradaa unlawfully aired a video showing him engaged in a sexual act with a married woman on her now-defunct Thunder TV station during her time as a self-styled fetish priestess.

During proceedings, the court directed that all parties file the full details of the proposed plea agreement at least three clear days before the next adjourned date, scheduled for December 16, 2025. The directive is intended to guide the court’s consideration of the plea bargain when the case resumes.

Meanwhile, Agradaa’s lawyer, Richard Asare Baffour, has urged the public to exercise restraint and await the court’s full judgment.

The singer shared her thoughts during a question-and-answer session with fans on X.

When a fan, @Gbolaha_n9, asked her, “One thing you love about BigWiz?” Tems responded: “His heart, his work ethic.”

Wizkid and Tems formed one of Afrobeats’ most iconic collaborations with the release of Essence in 2020 on Wizkid’s Made in Lagos album. The track became a global sensation and earned multiple nominations.

The duo has also been seen performing together on several international stages, further cementing their status as one of Afrobeats’ most celebrated partnerships.

The news was first reported by SDK Blog, which claimed that the union had collapsed and alleged that the actress faced significant personal struggles during the marriage.

Sources close to the couple say Anita suffered two devastating pregnancy losses—a miscarriage and a stillbirth—during her time in the marriage.

The same sources also allege that domestic abuse was a recurring issue. Michael, despite his calm public persona, was said to have frequent anger outbursts reportedly fuelled by alcohol, smoking, and laughing gas. These episodes allegedly resulted in Anita being physically assaulted occasionally, with the actress often forgiving him afterward.

Reports further claim repeated infidelity, with friends reportedly urging Anita to leave the marriage long before now.

While Anita did not directly confirm the details circulating online, her Instagram post suggested the reports were not far from the truth.

In her message, she thanked those who had reached out with love and prayers, adding that although she is healing, she is not yet ready to tell her side of the story.

“And the Lord did not forsake me,” she wrote. “I want to thank everyone who has shown me love one way or the other. Mother Hen is doing well. I will tell my story when I deem fit. Shalom.”

Fans and colleagues have since flooded her page with messages of support, encouraging her to stay strong as she navigates what appears to be a deeply emotional chapter in her life.

Ticketmaster confirmed the last-minute cancellation on its website on Thursday. The show in Minneapolis will not take place, while another concert scheduled for December 1, 2025, in Chicago was also affected.

Tour organisers have not provided a specific reason for the cancellations. However, the development comes amid public criticism of Burna Boy following an incident in Colorado, where he walked out on a fan who fell asleep during his performance.

A viral video of the incident sparked controversy, which intensified after the singer responded to critics during an Instagram Live session, saying he “only wants supporters who buy his tickets and not fans.” It was later reported that the woman who fell asleep during his show was grieving a recent personal loss.

Confirming the cancellations, Burna Boy shared a post on his Instagram story on Friday morning, including a direct link from Ticketmaster showing that both concerts had been cancelled.

The couple, who tied the knot earlier this year, were captured in a tense exchange inside a UK mall, an argument so intense that security reportedly intervened.

In circulating footage, 2Face was seen being escorted out in handcuffs as he attempted to explain himself to officers, while Natasha followed closely behind, visibly upset.

But the drama didn’t end there.

Later that night, popular media personality Daddy Freeze joined the conversation after receiving numerous enquiries about the alleged arrest.

When he reached out to 2Face on Instagram Live for clarification, the situation escalated again, this time in front of thousands of viewers.

2Face, aware he was live but clearly frustrated, tried addressing Freeze’s questions when Natasha suddenly attempted to grab his phone and join the discussion.

The exchange quickly devolved into another shouting match, with the singer heard snapping, “What is your problem?” before telling her to “shut the f*** up.” Natasha responded in equal measure as they struggled for control of the phone.

Onlookers on the live session watched in shock as the couple’s dispute played out unfiltered, forcing the broadcast to abruptly end.

The incident has sparked intense conversation across social media, with fans expressing worry over the couple’s rocky start and the public nature of the confrontation.

Speaking in a recent interview, the award-winning skit maker revealed that his father had always wanted him to become a lawyer. He tried to fulfil that dream but repeatedly struggled to gain admission to study law, eventually settling for Linguistics and Communication Studies at the University of Port Harcourt (Uniport).

It was at Uniport, he said, that comedy found him.

According to Sabinus, skit-making began as a passion project on campus long before it brought any financial reward.

“Money wasn’t coming,” he admitted, recalling how he balanced schoolwork with shooting comedy videos in hopes of making a breakthrough.

After graduation, he hid his comedy journey from his father for a full year, fearing disapproval. But the truth emerged when his father began seeing his face on comedy posters and confirmed it through Sabinus’ sisters.

The reaction, he said, was explosive.

“He was very furious. ‘Which comedy? Stupid business. Look at the boy I sent to become a lawyer,’” Sabinus recounted.

Despite the tension, he continued to pursue entertainment, eventually rising to become one of Nigeria’s most influential online comedians. His story now stands as a testament to persistence and the courage to chase an unconventional dream.

Speaking on a new episode of their podcast, How Far? With Mr Eazi and Temi Otedola, she explained that cordial interactions do not bother her, especially when previous relationships ended on a good note.

She said simple gestures such as sending birthday wishes or a polite message are acceptable, but she becomes uneasy when it crosses into online engagement or monitoring.

“You can send a happy birthday message, no problem, but once it becomes liking their pictures or keeping an eye on their updates, that’s where I draw the line,” she said.

The billionaire couple recently tied the knot in three lavish wedding ceremonies after dating for more than seven years.

During the event, MUSIGA presented a special award to President John Dramani Mahama in recognition of his unwavering support for Ghana’s creative industries, particularly the music sector. The award was received on his behalf by Deputy Chief of Staff Nana Oye Bampoe Addo.

The citation praised President Mahama for “recognizing that the heart of Ghana’s Music Industry beats in the lives of its people and is secured by its institutions,” highlighting his advocacy for the welfare of aged and struggling musicians. It also commended his leadership in establishing the Ministry of Tourism, Culture and Creative Arts, reinforcing the sector’s role in national development.

Other distinguished awardees included veteran ethnomusicologist Professor Edmond John Collins; former MUSIGA Presidents Agya Koo Nimo, Alhaji Sidiku Buari, Diana Hopeson, and Bice (Obour) Osei Kuffour; UK-based international promoter Freddie Annan; Dr. Adrian Odoi Oddoye, CEO of +233 and the Ghana Jazz Foundation; and retired longest-serving MUSIGA Chairman Ben Kolaan.

The Soiree attracted prominent attendees including Edmond Moukala, Head of UNESCO Ghana; H.E. Thando Dalamba, South African Ambassador to Ghana; industry leaders, musicians, and stakeholders. Performances featured Obrafour, Pat Thomas, Smart Nkansah, Adane Best, Asabea Cropper, and a percussion cameo by Mr. Moukala with the Bessa Band.

A commemorative book, The MUSIGA Story, chronicling the union’s 50-year journey, was auctioned. Deputy Chief of Staff Nana Oye Bampoe secured a copy for GHC 10,000, with additional copies acquired by Mrs. Theresa Ayoade, CEO of Charterhouse Ghana; US-based businessman Kobi Manful; and Ahotor FM. Nana Oye Bampoe reaffirmed government support for the creative industries, while Mr. Moukala emphasized their integral role in Ghana’s 24-hour economy and called for sustained investment.

The event also marked the launch of MUSIGA’s flagship initiatives for 2026: Ghana Music Honour, the MUSIGA Presidential Grand Ball, and Live Band City, signaling the union’s ongoing commitment to elevating Ghana’s music and creative sectors.

The Soiree was organized by Showbiz Africa and supported by Stanbic Bank, Club Beer, and Telecel.

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I don’t think anyone can find love – Olivetheboy

Akosua Serwaa to appeal High Court ruling in widowhood case

In an interview on Hitz FM, the Goodsin hitmaker admitted that despite his reputation as a loverboy, real-life romance has been challenging.

“I don’t think anyone can find love. You can find someone, but not love… especially for people like me,” he said, sounding reflective.

Olivetheboy explained that the emotional depth in his music comes from past experiences rather than current relationships. “Most of the love songs I write are not from present time. From Bend to Speedometer and the rest, they’re old experiences,” he noted.

For now, the rising global sensation says he hasn’t found anyone special, and when he does, he plans to keep it private rather than sharing it with the public. He prefers to shield his love life from the noise and expectations that come with fame.

The court recently rejected her assertion that her marriage to the musician was an ordinance marriage, a status that would have legally prevented him from contracting any subsequent marriages.

Her lawyer, William Kusi, told Accra-based Citi FM that the legal team would “file the appeal by the end of the day,” insisting the High Court erred in its judgment. According to him, “the supporting documents and admissions from the defendants” strongly supported Serwaa’s position.

Kusi also pushed back against public criticism that he mishandled aspects of the case, including concerns about certifying the marriage certificate through a German official. He maintained that the law allows “multiple legitimate means” of submitting such documents and that his team followed due process.

The case has generated significant public attention, highlighting the legal complexities surrounding marriage recognition and validity under Ghanaian law.

Boateng recounted how, long before they became a couple, his wife felt spiritually compelled to help him heal from years of emotional trauma. She invited him to church, believing it would be the first step toward his restoration.

Stepping into the church for the first time, he admitted, was both unfamiliar and intimidating, and he almost turned back while battling doubts.

“I kept telling myself, ‘Don’t go. Tell her you’re sick.’ So many voices were in my head. I was standing in front of the church, looking at these people with the Bibles going inside, thinking, ‘What am I doing here? I can’t do it,’” he shared.

But the moment he entered, something shifted. He felt the presence of God immediately.

“After five minutes, I don’t know what happened, something inside me… I just stood up, lifted my hands, and started crying. The spirit hit me with so much conviction, and I felt so sorry. That was the moment I decided to give my life to God,” he said.

He added that, despite his tattoos and past lifestyle, he has since learned to fully submit to the will of God and redirect his life according to the Almighty’s ways.

After its post-pandemic reinvention as a DJ-led experience, Detty Rave now sets the standard with futuristic production, immersive visuals, and high-energy performances.

This year’s lineup features Chichi DJ, Diplo, Ciza, DJ Aroma, SPINALL, and Choplife Soundsystem (Don Eazi x DJ Edu), with the festival’s signature surprise acts keeping the night unpredictable.

More than a rave, Detty Rave celebrates African creativity with music, art installations, food experiences, and culture in one explosive night. Tickets are available at dettyrave.com or via USSD *725*5555# and with previous editions selling out fast, early purchase is essential.

With its combination of world-class DJs, immersive production, and unforgettable surprises, Detty Rave 2025 is shaping up to be another must-attend event of the year.

According to reports, she deleted her X account and allegedly fled her marital home shortly after the allegation was exposed as false. She was later arrested on November 6, 2025, detained, and subsequently charged on November 10.

Sources close to the case say Rudeboy chose not to publicise her arrest to prevent generating public sympathy that could influence the legal process.

Her troubles deepened when, less than 24 hours into detention, she reportedly complained of difficulty breathing and swollen legs, prompting her lawyers to request urgent medical care. She was released on compassionate grounds with a commitment to return to court on November 10, but she failed to do so.

Her lawyer later claimed she was still receiving medical treatment, forcing the court to adjourn the case to November 17. Once again, she did not appear, with the same explanation provided.

The case has now been rescheduled to December 1, 2025, with the court issuing a firm directive that either the accused or her legal representative must appear without fail.

The matter continues to draw significant attention across social media, as many await the court’s next move in what has become one of the year’s most controversial false-rape allegation cases.

Francis, 38, passed away on November 2, 2025, after a brief illness at the Dansoman Polyclinic.

A heartbreaking moment unfolded when the devastated actor, standing beside his son’s casket, lamented that his years of struggle now felt meaningless. With a trembling voice, he expressed the pain no parent wishes to bear, stating that he had hoped his son would be the one to bury him, not the reverse.

The emotional scene left many mourners in tears, marking one of the most sorrowful chapters in the life of the celebrated actor.

The funeral service, which ran from dawn until late afternoon, drew family members, close friends and sympathizers from across the entertainment industry.

Following the service, Francis was laid to rest at the Winneba Cemetery.

Madam Akua Donkor died on Tuesday, October 28, 2024, at the Ridge Hospital in Accra. She was laid to rest on March 29, 2025, at a ceremony that drew supporters, political figures and admirers of her unconventional yet spirited political journey.

As part of the one-year anniversary, family members and GFP representatives gathered for a tomb unveiling ceremony at Ejuratia.

Roman Fada’s visit, marked by solemn reflection at the graveside, was his way of honouring a woman he described as fearless and unapologetically committed to her convictions. He noted that Akua Donkor’s legacy continues to inspire many grassroots supporters who admired her boldness and distinctive style of politics.

He further called on GFP members and sympathizers to uphold the principles she championed and to keep the party active in her honour.

Her passing, he said, has left a significant void within the party and in Ghana’s political space.