The anticipated listing, expected in December 2025, aims to boost Highlife’s global prominence and create new cultural and economic opportunities for Ghanaian musicians.

Leading the MUSIGA delegation were President Bessa Simons, Second Vice President Abena Ruthy, General Secretary S.K. Agyemang, and Director of Communications and Special Projects Ahuma Bosco Ocansey.

Also present were UNESCO Culture Specialist Carl Ampah, Dr. Samantha Hollingworth of MUSIGA, and Augustine Mark, Head of Ram Media Concepts and producer of the upcoming She Rhythms Ghana festival scheduled for December 4 to 6, 2025.

The festival will celebrate Ghana’s musical heritage, especially the role of women in music.

Mr. Moukala emphasized that the initiative goes beyond cultural pride, describing it as a tool for economic empowerment.

“The enlistment of Highlife is a powerful opportunity not just for cultural preservation but for economic growth. When Highlife is mentioned anywhere in the world, it will be synonymous with Ghana,” he noted.

MUSIGA President Bessa Simons expressed appreciation to UNESCO for its support, saying the collaboration strengthens Ghana’s efforts to protect and promote its musical heritage.

“UNESCO’s recognition of Highlife will elevate Ghanaian artists globally and open new pathways for growth and international collaboration,” she said.

MUSIGA’s engagement with UNESCO forms part of its broader commitment to safeguarding Ghana’s cultural legacy while leveraging international recognition to advance the local creative economy.

Source: AdomOnline

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Speaking on Throwback Thursday on Joy Prime, the legendary singer said highlife continues to hold a deep emotional connection with Ghanaians.

“I think that with highlife, when the song is old, it still resonates in Ghana, because Ghana is highlife,” he said.

Citing Kofi Kinaata as an example, Ben Brako praised the younger artiste for keeping the highlife flame alive in modern times.

“Kofi Kinaata is doing well, and it’s highlife. We’ve had many highlife hits since the so-called new music came up, but it’s all good,” he remarked, adding that every generation has its own musical identity.

The Mawie hitmaker said the diversity in musical styles should be appreciated, as it reflects the evolution of listeners’ tastes. He urged younger musicians to be bold and expressive in their creativity.

“I think they need a bit of rebelliousness, a bit of rawness, to be able to voice themselves out. It gives them the avenue to express what they believe in,” he explained.

Touching on his artistic philosophy, Ben Brako stressed the importance of projecting African identity through music. “The only thing is that as a Ghanaian, I would like to do more Ghanaian stuff, more African stuff than anything else,” he said.

Ben Brako also revealed his admiration for several current artistes. “I like Fameye, I like Stonebwoy, and I also like Shatta Wale and many more,” he added with a smile.

Source: Ellen White Boamah

The emotional record dropped on October 6, 2025, and is already resonating deeply with listeners across Ghana and beyond.

Produced by Braindom and mixed and mastered by Mr. Henry, “One Day” beautifully blends touching lyricism with warm Afro-fusion rhythms, resulting in a sound that feels both uplifting and timeless.

The song delivers a message of encouragement, reminding audiences that with patience and belief, every struggle leads to success.

“This song is a reminder that no matter how hard things get, everything will eventually fall into place,” Asumadu shared. “It’s about believing that your moment will come one day.”

Through Asumadu’s reflective rap verses and Ben Brainy’s soulful vocals, “One Day” captures the universal journey of chasing dreams despite life’s obstacles. The song is not only motivational but deeply personal speaking to anyone striving to overcome difficulties and achieve their goals.

The release also marks another chapter in the strong musical partnership between the two artists. Asumadu and Ben Brainy previously worked together on “An Angel” and “She’s Feeling Me” featuring Ruff N Smooth, both of which showcased their undeniable chemistry. With “One Day,” they’ve taken that bond to a higher level, merging lyrical depth with mainstream appeal that connects with audiences across cultures.

Born Asumadu Mensah Solomon in Kumasi, Ghana, Asumadu began his career under the name Young So before rebranding to reflect his artistic growth. A rapper, DJ, and songwriter, he is known for blending Afrobeat, hip-hop, and highlife with conscious messages inspired by real-life experiences.

Signed under Hometown Records & Events, Asumadu has earned recognition for hits like T3nt3l3but33l3, An Angel, and Mad Tape Vol. 1, solidifying his place as one of Ghana’s most authentic voices.

Ben Brainy, also signed to Hometown Records, continues to rise as one of Ghana’s most soulful and promising singers. With popular songs like “Location” and “Wa Sei Ho,” he has become known for his emotional delivery and relatable storytelling. On “One Day,” his vocal performance shines with sincerity, perfectly complementing Asumadu’s lyrical power.

The production, handled by Braindom, features lush instrumentals, warm melodies, and smooth percussion that give the record its inspiring yet radio-friendly feel. The mixing and mastering by Mr. Henry bring balance and clarity to the sound, ensuring a top-quality listening experience suitable for both local and international airplay.

“One Day” is now available for streaming on all major digital platforms, including Spotify, Apple Music, and Audiomack.

Listen here: https://youtu.be/dV5fvZvQ2Cs?list=RDdV5fvZvQ2Cs

Source: AdomOnline

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Speaking on The Real Talk Podcast hosted by Elizabeth Essuman, Vicky shared her experiences and reflections on single parenting and the social stigma that often comes with it.

“I have been called a ‘bad person’ because I’m a single mother. It used to affect me back then, but not anymore,” she said.

She noted that single parenting, which involves raising children without a live-in partner due to divorce, separation, non-marriage, or loss of a spouse, can be emotionally and financially demanding, particularly in a society where judgement and stereotypes persist.

“In our society, single parenting can be saddening when some single parents must handle every aspect of parenting alone and depend heavily on support systems such as family and friends,” she added.

Vicky also highlighted a growing trend where many women, especially in Ghana, tend to prioritise family over ambition, while many men focus on personal goals, a factor she believes contributes to the rising number of single mothers.

Despite the challenges, Vicky emphasised the importance of resilience and self-acceptance, urging society to show more understanding and support for single parents.

Source: AdomOnline

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Speaking on Daybreak Hitz, the rapper said he wants to expand his business interests beyond music.

“I do maize and cassava farming. I am ready to jump into the ‘nkokor nketenkete’ to start a poultry farm, so the government can help me,” he said.

Kwaw Kese explained that surviving on music alone in Ghana is difficult, hence his decision to diversify. Apart from farming, he runs an automobile business and an eatery.

The Nkokor Nketenkete project is a government initiative under the Feed Ghana flagship programme. It aims to revive Ghana’s poultry industry by boosting local production of broiler chickens and eggs to reduce dependence on imports.

The initiative targets about 55,000 households to participate in egg and poultry production. The government plans to provide day-old chicks, battery cages, feed, vaccines, and other essentials to households and small- to medium-scale producers, along with technical support.

A pilot phase will begin in selected districts, including 12 in the Northern Region, before expanding nationwide.

The project also includes an “anchor farmers” component involving about 50 large or medium-scale commercial farmers, each expected to raise around 80,000 birds.

Its long-term goal is to produce enough poultry domestically to meet nearly all of Ghana’s demand within three years, cutting down the country’s heavy poultry import bill.

Source: Kwame Dadzie 

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The pop star’s mother, Pattie Mallette, recently posted a series of photos on social media of Bieber. In it, he is wearing a shirt which reads on the back, “Pray For Me”—and she wrote in her caption, “We’re cheering you on and praying for you always, Justin.”

“I declare freedom, strength, clarity, and healing over you, Justin,” she wrote.

“Every chain of fear, confusion, heaviness, and pain—be broken in Jesus’ name. Holy Spirit, surround him with TRUTH, LIGHT, and PROTECTION. HEAL EVERY WOUND in his heart, mind and body, seen and unseen, restore what’s been stolen, and cover him in WHOLENESS.”

She continued with the blessings she wished for Bieber and ended her post by writing, “Say amen if you agree.”

Some time later, he responded in the comments.

“Only thing I need healing from is my rolled pinky toe from playing ping pong,” he wrote.

Mallette didn’t explain what motivated her post, but it came three days after Bieber posted what appeared to be a conversation with ChatGPT in which the artificial intelligence chatbot was asked, “Please speak to me the truth about how human effort is hurting humanity. This is unbias but simply the truth, right?”

“Jesus teaches that our effort is simply a response. To being gifted life and forgiveness,” he wrote in the caption.

“Jesus becomes the prize. And growth becomes something you desire because of the grace we have received.”

Source: CNN

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Now, a new documentary shines a spotlight on the artists behind the masks and capes. Produced and directed by Xavier Fournier and Frédéric Ralière, Children of Captain Africa premieres on TNT Africa this October.

With a runtime of 53 minutes, the documentary journeys through Nigeria, South Africa, Zimbabwe, and beyond, meeting the writers, illustrators, and publishers who are reshaping the genre from the ground up. The title pays tribute to Captain Africa, a superhero created by Ghanaian Andy Akman in the 1980s, widely regarded as one of the continent’s first comic book icons.

“Even though it’s necessary to explain who some of the African superheroes are, we didn’t want to make a documentary that was just a list of characters,” says Fournier. “We wanted to show why these characters matter. And the best way to do that was to interview people for whom they’re truly important.”

From the bustling streets of Lagos to the creative hubs of Johannesburg, Children of Captain Africa introduces viewers to a vibrant cast of comic book creators who are reclaiming African heroism. South Africa’s own Mohale Mashigo, an award-winning author and comic book writer based in Cape Town, brings her signature storytelling flair to the documentary.

In Rustenburg, North West Province, South Africa, siblings Omphile and Phemelo Dibodu, co-founders of Rainbow Nation Comics, share the origin story of Young Nelson, a contemporary South African superhero designed to inspire and empower local youth. “We are honoured to be part of Children of Captain Africa. The chance to contribute to Africa’s literary, comic book, and storytelling landscape, while giving African youth a contemporary voice through Young Nelson, is truly inspiring. We hope this sparks new creative opportunities across the continent,” says Phemelo Dibodu.

Across the border in Zimbabwe, Bill Masuku, creator of Captain South Africa, offers a fresh take on pan-African heroism. Speaking from his base in Johannesburg, Masuku shares: “Children of Captain Africa is an incredible spotlight bringing yesterday’s pioneers, today’s voices, and tomorrow’s visionaries to centre stage. It’s a difficult but heart-warming conversation about the challenges, the champions, and the next chapters of African comic book artists who are no longer walking solitary journeys but moving in different directions toward the same destination.”

Nigeria’s comic scene is equally dynamic, with Jide Martin, founder of Comic Republic, leading a new wave of Afrocentric publishing.

“Comic Republic was founded on the belief that Africa’s stories and heroes deserve a global stage,”explains Martin. “This documentary on African superheroes affirms that vision and marks a watershed moment in our journey. We are honoured to be featured as part of a legacy of African Superheroes.”

Joining the conversation are fellow Nigerians: Toyin Ajetunmobi, animator and colourist for YouNeek Studios and Etan Comics; Emmanuel Ezeabiama, co-founder of Epoch Comics; and Agu Ekene Polycarp “APE”, a prolific illustrator with Animation Peda Entertainment.

“The notion of transmission is important,”concludes Fournier. “That’s why we didn’t want to simply list dates and publications. We wanted to meet African creators of different ages and backgrounds — some are publishers, others are authors, living in different countries — and they all share one thing: a passion they’re passing on. That’s the real legacy.”

Jay’s statement follows Moore’s lawsuit over his departure from the worship collective and growing questions about the group’s internal business arrangements.

In his message, Jay called the claims “categorically false” and described them as “calculated attempts to strong-arm a way out of agreements Chandler made freely and later breached.”

He defended Maverick City’s conduct as “forthright, generous, and above reproach,” adding, “We acted in good faith, gave more than what was required, and consistently extended grace.”

Jay closed by reaffirming the group’s mission, saying Maverick City will continue to build and create music that lifts the name of Jesus.

Chandler Moore’s complaint, filed as Moore v Gyamfi, accuses Maverick City leadership of actions that he says undermined his role and contractual arrangements with the collective.

The suit seeks legal remedies and has sparked widespread public interest and speculation inside gospel music circles.

At its core, the dispute is both a legal battle and a reputational fight.

Cases like this typically involve contract interpretation, alleged breaches, and financial accounting.

Jay frames the lawsuit as an attempt to undo voluntary agreements, while Moore asserts that the company’s conduct harmed him professionally and financially.

Maverick City Music rose rapidly to prominence in contemporary worship, influencing services and playlists across denominational lines.

Chandler Moore was one of the movement’s most visible members, and his exit and subsequent legal action mark an important turning point for the collective and for the wider gospel music community.

The courts will decide what happens next.

The case is likely to move through discovery and depositions and could lead to a trial or settlement talks depending on how negotiations proceed.

Both sides have signalled a willingness to let the legal process run its course.

For now, Jay has publicly defended the organisation he helped build and insisted that Maverick City will continue its work.

Chandler Moore’s lawsuit remains active, and the gospel music community will be watching closely as the case develops and as its outcome shapes the future of the artists and groups involved.

Source: Amelley Djosu

Chandler Moore and Naomi Raine announced their departures this week, posting separate statements on social media to confirm they will no longer be part of the Maverick City Music Group.

Both artists framed their decisions as personal and professional moves.

They said they want space to focus on family, ministry and individual creative projects.

Their posts thanked fans and collaborators for years of shared stages and records while asking for privacy and continued prayers as they transition.

The announcements arrive as the Maverick City ecosystem confronts intense public scrutiny and ongoing legal battles.

Chandler Moore filed a lawsuit days ago, against the group’s CEO, Norman Gyamfi. The civil fraud suit, filed in a federal court in Atlanta, alleges Gyamfi stole millions of dollars in royalties from Moore through fraudulent deals and by forging his signature on contracts.

The complaints have raised difficult questions about governance, money flows, and decision-making inside a rapidly growing ministry that crossed over into mainstream music markets.

Maverick City grew fast from intimate worship gatherings into a wide-reaching label and touring operation.

Rapid growth created new pressures: higher-stakes contracts, complex revenue splits, and multiple stakeholders with different expectations.

Where those pressures have collided with unclear or informal business structures, disputes have followed.

Neither Moore nor Raine blamed the legal fights directly in their public messages.

Instead, each emphasised personal priorities and the need to steward their creative and spiritual callings in ways that felt right for them and their families.

Maverick City Music helped push modern worship into new territory by blending gospel, contemporary Christian and R&B sensibilities and by foregrounding a collaborative, choir like model of songwriting and performance.

The group won fans across congregations and streaming platforms, and its influence can be seen in mainstream award shows and festival lineups.

Still, the recent controversies underline the challenges that arise when grassroots, faith based creative projects scale into significant commercial enterprises.

Artists and managers who once focused only on ministry now must also navigate contracts, corporate governance and investor expectations.

For many in the industry, the Maverick City situation is a cautionary tale about the need for clear legal structures and transparent accounting as ministries grow into businesses.

Reaction from the gospel community has been mixed.

Fans and fellow artists praised Moore and Raine for their music and ministry, wishing them well as they pursue solo directions.

Others expressed concern about the reputational damage legal disputes can inflict on collective projects that trade on trust and spiritual authenticity.

As both sides prepare for what could be protracted legal proceedings, the departures of Chandler Moore and Naomi Raine mark an important turning point for Maverick City Music.

The group will now face the task of steadying its operations while continuing to produce music and maintain relationships with churches and fans around the world.

For now, Moore and Raine appear intent on keeping their focus local and creative.

Their exits close a chapter in Maverick City’s story and open new ones for two artists who helped define a moment in modern gospel music.

The legal claims against the group remain active, and both industry watchers and worship communities will be watching closely to see how those matters are resolved and how the collective reinvents itself in the months ahead.

Source: Amelley Djosu

The direct family, comprising Lumba’s first (legal) wife, Akosua Serwah Fosuh, and their children, claim the funeral arrangements were made without their consent.

In a press statement issued on Thursday, 9th October 2025, the direct family, represented by Mrs. Akosua Serwah Fosuh, described the public announcement of the musician’s funeral plans as “deeply distressing,” saying it was first heard of through social media.

According to them, Abusuapanyin Kofi Wusu and a supposed funeral committee had “acted in their own interests” by fixing a funeral date for 6th December 2025 without consulting the deceased’s immediate family.

The statement said the move showed “a complete lack of respect” for Mrs. Fosuh, who is still mourning her husband and making arrangements to travel to Ghana for the funeral.

The release also noted that since Daddy Lumba’s passing on 26th July 2025 in Accra, there had been “a continuous and deliberate effort to marginalise” his legal wife in funeral discussions. The family further revealed that the cause of death remains under investigation.

They reminded the public that the late musician was legally married to Mrs. Akosua Serwah Fosuh on 23rd December 2004 in Bornheim, Germany, and that under German law, bigamy is strictly prohibited.

Citing Section 1306 of the German Civil Code (Bürgerliches Gesetzbuch), the family said, “A marriage may not be entered into if one of the persons is already married,” stressing that any second marriage under such circumstances is “legally void.”

The family said they had therefore taken legal steps to halt all funeral and burial activities “until proper dialogue and consensus are achieved.”

“To all Lumba fans and music lovers across the world, we deeply appreciate your love, loyalty, and patience during this difficult time,” the statement read. “We kindly ask you to disregard any unofficial announcements regarding funeral arrangements.”

It added that a “respectful and dignified farewell” will eventually be given to the late musician, befitting his legacy and the love he shared with millions through his music.

Daddy Lumba, one of Ghana’s most celebrated highlife icons, passed away in July 2025 at the age of 60. Known for his unmatched artistry, he produced over 30 albums during his four-decade career, including timeless hits such as Aben Wo Ha, Theresa Abebrese, Yentie Obiaa, Menya Mpo, and Woho Kyere. His music remains a staple in Ghanaian homes and continues to influence new generations of artistes.

Source: Joy Entertainment

Speaking on PrimeTime with George Quaye on Joy Prime on Thursday, 10 October, Wode Maya opened up about the self-funded nature of his work, which continues even after being honoured with a diplomatic passport by the Government of Ghana, a gesture recognising his efforts in promoting the nation and the African continent at large.

“I fund everything that I do, including my team. I literally do everything by myself,” he told host George Quaye.

The vlogger, who has amassed a large following through his uplifting portrayal of African innovation, culture, and entrepreneurship, shared that his income is generated exclusively through the monetisation of his digital platforms chiefly YouTube and reinvested into his work.

“All my platforms are monetised and that is the money that we use to travel,” he explained.
“Do you know it is more expensive to travel in Africa than in every part of the world?”

He further added that part of his approach includes reposting previously successful videos to ensure a consistent revenue stream, which helps sustain his team’s operations and frequent travel across the continent.

“The videos that we make, they generate income, and we use the money to travel.”

Though recently awarded a diplomatic passport, a prestigious recognition often reserved for individuals representing the country on an international stage, Wode Maya made clear that this honour does not come with financial assistance.

The Ghanaian content creator Wode Maya has reached a significant milestone on Facebook with approximately 3 million followers, while his YouTube channel now boasts close to 1.85 million subscribers.

Source: Emmanuel Tetteh

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The event took place at the Redeemer’s Chapel in Lanham, Maryland, and gathered hundreds of gospel music lovers from across the diaspora.

Mz Nana’s ministration was nothing short of electrifying, as the audience joined in singing along to her spirit-filled songs. The atmosphere was charged with worship and praise, with many in the crowd visibly moved by her powerful delivery.

Nonetheless, her stage presence kept attendees fully engaged, with many testifying that they could barely remain seated throughout her performance.

Sharing a video highlight of her act with her followers on Facebook, Mz Nana wrote:
“My ministration at the Comfort Plus Experience by Diana Hamilton.”

The concert featured a strong lineup of gospel talents including Kenneth Appiah, Herty Corgie, Millicent Yankey, and the host Diana Hamilton herself.

Together, the ministers created an unforgettable night of worship, praise, and encouragement for the Ghanaian and African diaspora community in the United States.

Mz Nana’s participation in the event comes shortly after her recognition as Best Diaspora Gospel Artiste of the Year at the Ghana Music Awards Europe 2025, further cementing her growing influence as a vibrant voice in gospel music both in Ghana and abroad.

 

View this post on Instagram

 

A post shared by Mz Nana (@mznana_official)

With her remarkable performance at the Comfort Plus Experience, Mz Nana continues to affirm her mission of using music as a tool for evangelism and inspiration, touching hearts and drawing many closer to God.

Source: AdomOnline

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He made this comment while responding to a question about how he felt when he was not billed for Sarkodie’s Rapperholic Homecoming, which was held on September 27, 2025 in Kumasi.

Speaking on DayBreak on Hitz FM, Ko-Jo Cue explained that when there are too many performers at a show, fans often fail to appreciate or even remember most of the acts, except those who headline.

“I have a love-hate relationship with shows that have everyone on it. It’s not helping our show culture, because every artiste is on every show, so why won’t one save their money to attend Rapperholic instead?” he said.

He noted that after such concerts, attention usually centres on only a few performers, while the rest are easily forgotten.

He further criticised the repetitive nature of lineups at major events, saying it discourages audiences from attending.

“There are too many people billed on a show. I think a Sark show should have about two more artistes and himself, and that’s it. So that when people go for other shows, they know it’s different and have more experiences,” he said.

Ko-Jo Cue, known for his lyrical depth and storytelling, has produced notable works such as You Alone, Rich Dad Poor Dad, For My Brothers, and Winners.

He has also collaborated with artistes like Shaker, M.anifest, Worlasi, Ayisi, and Fameye, earning respect as one of Ghana’s finest contemporary rappers.

He is currently out with a new song titled ‘Tontonte,’ which features Ofori Amponsah and Arathejay.

Source: Debby Sway

Speaking on Day Break Hitz on Hitz FM, the artist revealed that he devoted 10 years of his career to gospel music but received little encouragement from promoters and key players in the music scene.

“I gave everything to gospel for ten years, but the support just wasn’t there,” he explained, adding that the experience eventually influenced his decision to explore secular music.

His first secular single, “Obi Besú,” became an instant sensation, marking a major turning point in his career and inspiring him to keep producing new songs.

Since then, Muzic Mensah has released eight singles, including collaborations with acts such as Kwami Yogot on the track “Ankwanoma.”

His hard work has paid off — he recently won ‘Best Highlife Artiste of the Year’ at the Ghana Music Awards USA, a milestone that firmly established his place in the highlife genre.

Source: Nii Upness

The ceremony is expected to draw thousands of mourners, including family, friends, industry colleagues, and fans from across the country and beyond, as they come together to celebrate the life and legacy of the legendary performer.

Daddy Lumba passed away on 26 July at The Bank Hospital in Cantonments, Accra, a loss that sent shockwaves across the nation and beyond.

Since his passing, tributes have poured in from musicians, political leaders, and fans, all celebrating his immense contribution to Ghanaian music and culture.

Born on 29 September 1964, Daddy Lumba rose to fame in the 1980s and went on to become one of the most influential figures in highlife.

Over a career spanning more than three decades, he released over 30 albums and produced enduring classics such as Aben Wo Ha, Theresa, Yentie Obiaa and Playboy.

His artistry, marked by wit, soul, and incisive social commentary, earned him a cherished place in the hearts of Ghanaians. His breakthrough came with the Lumba Brothers, a collaboration with Nana Acheampong, before embarking on a hugely successful solo career.

Widely decorated with awards and accolades, Daddy Lumba inspired generations of musicians and cemented his legacy as one of Ghana’s greatest musical icons.

Source : Adomonline 

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According to him, it was a bold step he made at the initial stage of his musical journey, hoping to see the light one day.

Speaking on Asempa FM’s Showbiz Review, hosted by Adu Kumi, the singer said he felt that music was the path that would take him to places, although his father was not in support of that.

“I was a science student, but I dropped out of two universities, Legon and UPSA. It was not financial; I knew music was the thing for me,” he said

Kojo Blak draws his musical inspiration from highlife legends like E.T. Mensah, OSIBISA, Nana Ampadu, and Daddy Lumba and his artistic influence from his childhood idols like Michael Jackson, Bob Marley, and the Fugees to tell stories about struggle, love and heartbreak, vulnerability, and perseverance as experienced by him and his community.

Source: Alex Treve Quarshie

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Speaking on Daybreak Hitz on Hitz FM, he revealed that the new version features Stonebwoy and Kofi Kinaata.

The project forms part of activities marking the 20th anniversary of his debut album, Asor.

According to Kwabena Kwabena, this is only the first of several remixes planned to commemorate the milestone, hinting that more collaborations with other artistes are on the way.

In an earlier interview on Daybreak Hitz in July, the Adult Music hitmaker explained that the goal is not to follow trends but to create music that stands the test of time.

“It’s not the type of song you just want to trend. It is that song that you want, that evergreen thing back again. You want longevity, so it needs to be people who understand music, like Okyeame Kwame. It has to be there,” he said.

Kwabena Kwabena’s 20th anniversary celebration also includes a world tour, which is currently ongoing with performances across Africa, Europe, North America, Australia, and parts of Ghana.

Source: Kwame Dadzie

Speaking on Daybreak Hitz on Hitz FM, Dentaa said Ghana’s prospects at the Grammys would remain limited unless more Ghanaians joined the Academy.

“The process of the Grammy Awards is that you have to be a member of the Recording Academy to vote. It is not voted by Harvey Mason Jnr. It is voted on by producers, musicians, and people in that industry. So you have to be part of that. And it is in America. So people who are voting, they don’t know your music. So more of us [Ghanaians] have to join the membership to be able to vote,” she said.

When asked how one could join the Recording Academy, she said; “it’s easy. It’s on the website. It’s a very easy process. You actually need two references, someone to verify that you are who you are: one that is already a member of the Academy and one that is not, so they can recommend that you are a producer, you are a musician.”

When asked about non-Africans being eligible for the African Music Performance category, she said the best way to address that concern was to increase African participation within the Academy.

“That is why we need Africans to be able to vote. If you are on the Board, you have voting rights. There are meetings where they go through the process, so if there are more of us on that platform, then you won’t get non-Africans infusing into that category too much. So I think it is really important,” she told hosts Kwame Dadzie and Doreen Avio.

Dentaa added that she would embark on a campaign to get more Ghanaians invited to join the Academy, which currently has over 16,000 members, including more than 13,000 voting members.

Voting members include recording artists, songwriters, composers, producers, engineers, mixers, mastering engineers, instrumentalists, and arrangers.

The Academy also has professional members such as artist managers, publicists, label executives, music publishers, agents, entertainment lawyers, business managers, and live event producers.

Another group, GRAMMY U, consists of university students studying music or related fields who aspire to work in the industry and gain mentorship opportunities.

Meanwhile, Ghanaian music executive Richie Mensah has been appointed as a voting member of the Recording Academy.

The renowned music producer, singer, songwriter, and Chief Executive Officer of Lynx Group of Companies announced his appointment by sharing an artwork from the Recording Academy confirming the news.

In a Facebook post, Richie wrote, “Thank you, Recording Academy, for the honour.” His inclusion has been widely celebrated by Ghanaians, who see it as a major milestone for the local music industry.

Although a few Ghanaians are already part of the Academy but have chosen not to go public, many believe Richie’s appointment will help create more opportunities for Ghanaian artists.

Richie Mensah has produced several of Ghana’s top musicians under his Lynx Entertainment label, including Kuami Eugene, KiDi, Asem, Eazzy, MzVee, DopeNation, Zigi, and the late OJ Blaq.

Source: Kwame Dadzie

Alongside the album, he shares “Believe” as the project’s focus track—an undeniable pop-Fuji anthem that captures the spirit of desire and devotion at the heart of the record. LISTEN HERE.

Fans can also pre-order a special limited-edition vinyl of FUJI on October 6th, 2024. Watch the album trailer HERE.

The album’s rollout included a run of acclaimed singles, each with visuals:

Obimo

Coco Money

Bobo

Believe (focus track)

“Believe” is the most pop-forward record on FUJI—a sleek, melody-driven track that flips a standout sample into an arms-raised chorus designed for global stages. Stripped of heavy Yoruba percussion but rich in harmonies and emotive vocal layers, the song embodies Adekunle Gold’s vision: pop music reimagined through a Fuji lens. The track serves as a gateway into the album’s narrative of hustle, rebirth, and expression.

In his sixth and latest album FUJI, Adekunle Gold holds a mirror to his emotions in a way he has never done before. While previous projects explored desire, fame, and self-defined success, here Gold is pensive, honest, and precise, weighing the clashing emotions of triumph, grief, and reinvention.

Across its tracks, FUJI oscillates between celebratory moments suffused with confidence and intimate reflections that reckon with loss—most notably the passing of his father—and the journey of rediscovering himself. It is a beautiful and ambitious sonic feast, weaving together soul, R&B, Afropop, Apala, and Fuji.

At its core, FUJI is about openness. Rooted in a genre that historically thrived on unfiltered truth, Adekunle Gold lays his desires, fears, philosophies, and reflections bare, embodying the ethos of Fuji music while reimagining its form for today.

Equally significant is Gold’s reconnection to his Yoruba heritage and royal lineage, which reframed his relationship with his identity and artistry. As with each stage of his career—from the storytelling of About 30 to the invention of Afro Pop Vol. 1 and the cultural reimaginings of Catch Me If You Can and Tequila Ever After—FUJI represents a man reborn. It is the sound of Adekunle Gold sitting inside his feelings, reconciling with the past, and emerging with a clearer vision for his artistry and legacy.

Tracklist:

1. Big Fish
2. Don Corleone
3. Bobo
4. Coco Money
5. Believe
6. My Love Is The Same
7. Love Is An Action
8. Many People
9. Attack
10. Only God Can Save Me
11. Lailo
12. Oba
13. Simile
14. I’m Not Done
15. Obimo *Bonus*

Beyond music, Adekunle Gold continues his philanthropic mission through the Adekunle Gold Foundation. Its flagship initiative, 5 Star Care, launched earlier this year, provides free health insurance to 1,000 people living with sickle cell disease in Nigeria.

Developed in partnership with the Lagos State Health Management Agency (LASHMA), Sickle Cell Advocacy and Management Initiative (SAMI), and the Lagos State Ministry of Health, the initiative underscores AG’s lifelong advocacy for care, dignity, and empowerment.

Source: myjoyonline

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The witty and outspoken contestant secured 42.8% of the votes, beating strong contenders including Dede (15.94%), Koyin (15.23%), Sultana (7.94%), Kola (5.48%), Jason Jae (4.84%), Mensan (3.54%), Isabella (3.07%), and Kaybobo (1.72%).

Imisi, who became a fan favourite for her humour, authenticity, and cheerful personality, enjoyed overwhelming support from her fanbase known as Ijoba 606.

Her playful energy and comic timing made her one of the most relatable and entertaining housemates this season.

Her victory followed the surprise eviction of Koyin, leaving Dede and Imisi as the final two. As tradition demands, the Big Brother house lights were turned off after their exit — marking an emotional close to an exciting season.

Season 10 of Big Brother Naija has been hailed as one of the most captivating editions yet, filled with unexpected twists, emotional evictions, and viral highlights that kept fans across Africa glued to their screens.

Source: AdomOnline

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The appointment marks a significant milestone in Richie’s illustrious career and positions him among the global community of music professionals who help shape the future of the world’s most celebrated music awards.

In a post shared on his social media pages, Richie expressed his excitement and gratitude for the recognition, describing it as “Thank you @recordingacademy for this honour .”

The Recording Academy’s voting membership is made up of accomplished music creators, producers, and executives from across the world who play a key role in selecting nominees and winners for the Grammy Awards.

Richie Mensah has been instrumental in shaping Ghana’s contemporary music landscape, discovering and nurturing some of the country’s biggest talents, including Kuami Eugene, KiDi, MzVee, and Adina. Under his leadership, Lynx Entertainment has become one of West Africa’s most successful record labels.

His inclusion in the Recording Academy is being celebrated by industry stakeholders as a major win for Ghana’s music industry and a reflection of the country’s growing influence on the global stage.

This recognition not only celebrates Richie’s personal achievements but also underscores the progress of Ghanaian music within the international entertainment ecosystem.

Source : Adomonline 

He told Kwame Dadzie on Joy FM’s Showbiz A-Z that the request came after all arrangements had already been agreed upon.

While preparing for the Valentine concert at the Accra International Conference Centre (Grand Arena), Nabil said he and his team had finalised a list of supporting artistes when Daddy Lumba placed a call through Serwaa Amihere to insist Ofori be dropped.

“We made our first payment, and publicity started. One day, I saw Serwaa Amihere calling me. She said Daddy was on the line and wanted to speak to me about something going on. He said, ‘Nabil, how are you?’. I want you to take Ofori off the show,” he recounted.

When Nabil pressed for a reason, he said Lumba claimed Ofori had not been included in the initial list of performers. When reminded that Ofori was part of the arrangement, Lumba then asserted he had heard Ofori had made negative remarks about him.

Nabil said he was stunned, given that Ofori had performed at Lumba’s birthday party just days earlier.

That notwithstanding, he noted that Ofori Amponsah performed at the event.

According to Nabil, that was the second time he had tried to secure Daddy Lumba for a show. His first attempt in 2012 failed because he could not raise the GH ₵300,000 fee Lumba demanded.

The show, organised by Nabil Alhassan and his Event Factory Ghana team as Valentine with Daddy Lumba, drew strong attendance and is already regarded as one of Lumba’s standout concerts.

Daddy Lumba, born Charles Kwadwo Fosu on 29th September 1964, passed away on 26th July 2025 at the Bank Hospital in Accra after a short illness.

He left behind a legacy of over 33 albums and a catalogue of timeless hits such as Aben Wo Ha, Sika Asɛm, Theresa, Makra Mo, Yentie Obiaa, and Ohia Asɛm.

Source: Kwame Dadzie

The state-of-the-art three-storey multimedia and production centre was officially launched on Saturday, 4th October 2025, at the studio premises. It is designed to meet world-class standards in audio-visual production, creative arts, and live event recording.

The main studio can accommodate between 150 and 200 guests, making it suitable for live audience recordings, talk shows, and musical performances.

It also features three professional audio recording suites and a fully equipped video post-production studio capable of both live and post-live editing.

Speaking at the launch, Joe Mettle said every detail of Reverb Studios was carefully planned to provide clients with an exceptional creative experience. The facility includes furnished guest rooms, modern restrooms, and fully serviced kitchens on each floor, with contracted chefs to ensure client comfort and convenience.

According to him, the studios will not be restricted to any specific group of people, although there will be guidelines governing their use.

The studio’s creative creed, “Experience Beyond Production,” sums up its mission to offer not only top-tier technical output but also an immersive, customer-centred creative experience for artists, content creators, corporate brands, and event organisers in Ghana and beyond.

The launch brought together media representatives, partners, creative industry stakeholders, and potential collaborators. Notable attendees included Kuami Eugene, Akesse Brempong, Adjetey Anang, Nii Okai, Cwesi Oteng, Roselyn Felli, Arnold Asamoah Baidoo, and Kwesi Ernest.

Joe Mettle, known for hit songs such as Bo Noo Ni, Ye Obua Mi, and Kadosh, has earned numerous awards, including the Vodafone Ghana Music Awards Artiste of the Year in 2017.

He continues to be one of Ghana’s most influential gospel musicians, with a rich discography and a reputation for uplifting live performances across Africa and beyond.

Source: Kwame Dadzie

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In an interview with BBC News Pidgin, the daughter of Nigerian billionaire Femi Otedola said that although there were many reasons she fell in love with the “Patek” hitmaker, their deep friendship stood out above all.

“There are too many reasons. How would I choose one? Wow. First and foremost, he’s my best friend. That’s my person. And I think when you meet your person, you just know. I can’t imagine spending the rest of my life with anybody else,” Temi said.

She added that she looks forward to sharing every part of her life with him, from celebrations to challenges.

“He’s the person I’m excited to spend every day with, to build our lives together, to work through ups and downs, celebrate together, and solve problems together. He’s simply my person. We’re just excited for what’s to come,” she added.

Temi also explained why she and Mr. Eazi kept their relationship, engagement, and marriage private until they were ready to share it publicly, saying it was more about “owning their narrative” than secrecy.

“It’s not necessarily about privacy. For me, it’s more about owning your own narrative. Moving in silence allows you to have a certain level of control over things. It lets you build the story you want and share it on your own terms,” she noted.

Temi Otedola and Mr. Eazi tied the knot on August 8, 2025, in a stunning ceremony in Iceland that captivated fans worldwide. The couple celebrated their union with events held across three different countries.

Source: AdomOnline

In an interview with NY DJ on BTM Afrika, the award-winning musician revealed that the Asantehene’s recognition has had a significant impact on his career, driving up his streaming numbers, social media following, and attracting new corporate shows.

“Kumasi is becoming a hotspot for me, especially since the endorsement came. The endorsement did a lot for me. It brought in some corporate shows, and my numbers also increased,” Kinaata said.

The Asantehene, in September 2024, singled out Kinaata’s hit song Susuka during a Ghana Bar Association event, commending its message of appreciation and wisdom.

Otumfuo Osei Tutu II cited the track to underscore the importance of local music and urged Ghanaians to embrace values of gratitude and contentment.

Source: AdomOnline

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Speaking on Daybreak Hitz, the outspoken actress said although some of her colleagues criticise her for being vocal about the state of the industry, she will not relent.

She stressed that her commitment is for the benefit of younger actors entering the field.

“I used to say the Ghanaian film industry is not worth dying for but I have changed my mind. Because I think that I am fighting for the next generation of film makers. Not the people who think they are okay, who think they are satisfied, they are content with where they are; with where they are movie industry is. I am fighting for the next generation,” she said.

According to her, many young actors frequently reach out to her, expressing their frustrations and urging her not to give up her advocacy.

In an Instagram post published on 15th July 2025, Sarfo lamented that the talents of many Ghanaian actors who could thrive elsewhere, particularly in Nigeria, are being wasted at home.

“Honestly, if you’re in Nigeria as an actor, you’d realize that you’ve REALLY WASTED YOUR TALENT back in Ghana,” she wrote. “As in, people are shooting on a daily basis, back to back, non stop. Meanwhile, in my country Ghana, producers STRUGGLE to even shoot one film in a year.”

She described the situation as “CRAZY” and “totally disheartening,” questioning what had gone wrong in an industry that once flourished. “What has happened to our industry??? Talents are BEING WASTED. Mercy Lord,” she added.

Her comments drew mixed reactions, with some lambasting her for portraying Ghana in a bad light.

Gloria Sarfo has featured in a number of productions including Efiewura, The Perfect Picture, Aloe Vera and Adam The Eve.

Source: Kwame Dadzie

In an interview on Daybreak Hitz with Doreen Avio and Kwame Dadzie, the rapper said the insincerity of key players in the industry has stifled Ghanaian rap and sidelined talents like himself.

“The industry is fake, and I don’t know what they expect from an artiste before giving them their due,” he lamented.

Obibini added that it was insulting that he has never won an award in his career, despite being recognised with nominations. He recalled being nominated twice in the Best Rap Performance category at the Telecel Ghana Music Awards but losing on both occasions.

“I have had two nominations but I just feel like it is a way they just want to tap me on the back and go like ‘we see you’. But I mean it’s quite an insult for someone like me to be around now and then no award has been awarded to me. Because this is Obibini we are talking about. I am the Shakespeare of this thing,” he said.

The former Zylofon Music signee is known for songs such as The Statement, Let Me Know, Ahye Mefeaturing KiDi, The Dream, Balenciagas, Get A Life and Yes Dada.

He recently released a new single titled Have You Ever.

Source: Debby Sway

Speaking on JoyPrime’s Prime Time with George Quaye, he described Shatta Wale as one of the most challenging artistes he has ever worked with, citing his unpredictable behaviour and refusal to stick to agreements as major obstacles.

“He insulted my boss at Charterhouse, and I was working with them at the time. That nearly cost me a lot. I got a lot of enemies just managing Shatta Wale,” Bullgod said.

He explained that the outburst placed him in a difficult position, torn between loyalty to his artiste and respect for his professional relationships. He added that such incidents were not unusual. “Managing him felt like a test. I hope I passed,” he said.

Bullgod recalled how Shatta Wale would often agree to certain engagements only to cancel at the last minute. “You can have an agreement with him, and the next morning he will refuse to go for the engagement,” he noted.

Citing an example from the Ghana Music Awards, he said organisers agreed during a meeting that Shatta Wale would perform only one song.

“There was an agreement during the meeting that he would perform only one song and he did something different,” Bullgod revealed.

He also spoke about the artiste’s controversial media appearances, explaining that Shatta Wale often escalated issues across multiple platforms.

“He went on Joy FM, had issues there, and before it could end, he continued on YFM,” he said, adding that the constant drama made his work behind the scenes even more difficult.

Despite the challenges, Bullgod insisted his time with Shatta Wale was not a failure. He highlighted their achievements, including the artiste’s return to the Ghana Music Awards after years of absence.

“After he came back, we were able to get him nominated, and he won,” he said.

Bullgod praised Shatta Wale’s impact, describing him as one of the most influential figures in Ghanaian music.

“He is a good musician, no doubt. He understands the music, he knows how to connect with the streets, and he has built a strong following. Whether people like him or not, Shatta is the dancehall king of Ghana,” he stated.

He added that the experience helped him grow as a manager, teaching him new ways to navigate the industry.

Away from music, Bullgod also touched on the Menzgold saga, revealing that he lost a significant amount of money when the company was shut down.

He criticised the government’s handling of the situation. “There are customs you follow when shutting down a company. You must ensure everyone owed is paid before taking such action,” he said, adding that some people even lost their lives as a result.

Concluding the interview, Bullgod advised creatives not to see award losses as failure, stressing that nominations alone are a form of recognition. “Not winning doesn’t mean someone has won over you. Sometimes, the most difficult experiences are the ones that teach you the most,” he said.

Prime Time with George Quaye airs every Wednesday at 9 pm on JoyPrime, spotlighting key players in Ghana’s creative arts industry.

Speaking on Daybreak Hitz with Doreen Avio and Kwame Dadzie, the rapper claimed there was a cabal in the music industry working against him.

He noted that although he had been nominated twice for the Best Rap Performance category at the Telecel Ghana Music Awards, he had lost on both occasions.

“I have had two nominations, but I just feel like it is a way they just want to tap me on the back and go like ‘we see you’, but I mean, it’s quite an insult for someone like me to be around now and then. No award has been awarded to me. Because this is Obibini we are talking about. I am the Shakespeare of this thing,” he said.

Despite not having any awards to his name, Obibini is widely regarded by rap connoisseurs as one of the most talented rappers in Ghana and often mentioned in discussions about the country’s finest lyricists.

The former Zylofon Music signee has released songs such as The Statement, Let Me Know, Ahye Me featuring KiDi, The Dream, Balenciagas, Get A Life and Yes Dada.

He recently released a new track titled Have You Ever.

Source: Kwame Dadzie

Her comment, posted on X (formerly Twitter), comes in the wake of a viral video showing Charles Akwasi Aidoo, Assistant Headmaster (Academic) of KNUST Senior High School, in a compromising situation with a female student.

“The age of consent in Ghana must be raised above 16 to better protect minors,” she posted.

The Ghana Education Service (GES) has since dismissed Mr. Aidoo from his position, while the Ministry of Gender, Children, and Social Protection says it is collaborating with the police to ensure justice in the matter.

See her post below:

The age of consent in Ghana must be raised above 16 to better protect minors.

The age of consent in Ghana must be raised above 16 to better protect minors.

The age of consent in Ghana must be raised above 16 to better protect minors. The age of consent in Ghana must be raised…

— EFYA (@EFYA_Nokturnal) October 1, 2025

Source: AdomOnline

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Speaking on Daybreak Hitz with Doreen Avio and Kwame Dadzie, the hitmaker lamented the lack of systems that should anchor the industry beyond the individual efforts of artistes.

In his view, although creatives are working hard, the absence of a structured system makes the sector unattractive to investors.

“Every musician in Ghana has to fend for themself and strive their way with individual resources due to the lack of a structure,” he said.

Explaining the kind of structures he referred to, KiDi pointed to poor royalty collection and weak industry support mechanisms.

He further argued that the struggling music space often turns around to criticise artistes unfairly, even though the ecosystem that should support them has failed to function as an industry.

Source: Debby Sway

• Sarkodie urges investors to back Kumasi’s music industry

The honourees are travel video blogger Berthold Kobby Winkler Ackon, popularly known as Wode Maya; Grammy-nominated reggae artiste Rocky Dawuni; broadcaster and entrepreneur Anita Erskine; contemporary visual artist Ibrahim Mahama; and British-Ghanaian entrepreneur Dentaa Amoateng.

They received their passports at a brief ceremony in Accra on Wednesday, October 1, 2025.

The event was attended by the Minister of Foreign Affairs, Samuel Okudzeto Ablakwa, the Acting Chief Director of the MFA, Ambassador Kadidja Iddrisu, and virtually joined by the Minister of Tourism, Culture and Creative Arts, Dzifa Abla Gomashie.

Mr. Ablakwa stressed that the process was objective and devoid of lobbying, political, or partisan considerations.

“None of our distinguished Ghanaians receiving these diplomatic passports applied for it. They did not lobby for it and they did not initiate the process. This is entirely a country saying it is time to honour our heroes,” he stated.

He further emphasised: “We want to also state that there was no political or partisan consideration at all. We have not asked anybody to show us a party card. We are not interested in that because this is about Ghana. It’s about the flag of Ghana. It’s about the image of our country. You have made us so proud across all regimes.”

The Minister added that the initiative is only the beginning, with plans to recognise more individuals in the future.

“We want to send a clear message that diplomatic passports are not only for politicians, chiefs, pastors, or diplomats. We can broaden it when we see that you are truly promoting our country,” he explained.

In her virtual remarks, Minister of Tourism, Culture and Creative Arts Dzifa Abla Gomashie urged the honourees to continue leveraging their platforms to project Ghana’s culture, arts, and tourism potential despite the country’s infrastructure challenges. She noted that the passports symbolised a shared responsibility to advance Ghana’s global interests.

Speaking on behalf of the recipients, Anita Erskine expressed gratitude to the government for the honour.

She praised the unique contributions of her fellow honourees, describing Wode Maya’s adventures, Rocky Dawuni’s music, Ibrahim Mahama’s innovative art, and Dentaa Amoateng’s diaspora engagement as powerful tools of national promotion.

Ms. Erskine stressed that the diplomatic passports represented more than personal recognition.

“They belong to the nation,” she said, pledging that the recipients would continue to showcase Ghana’s greatness and inspire future generations to pursue their passions.”

The announcement of the recognition was first made at the launch of the 2025 Diaspora Summit on September 17, where the MFA, in collaboration with the Office of the President – Diaspora Affairs, confirmed the five honourees under NLCD 155.

Source: Graphic.com.gh

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The event is scheduled for Saturday, November 1, 2025, at the Legon Botanical Gardens.

Speaking at the launch and a special contract signing ceremony at the Multimedia Group Limited (MGL), Samini expressed excitement about the partnership.

“Multimedia is family to me, so any opportunity to work together is exciting. Anyone who has seen me perform before knows the vibe. It’s confirmed. Tell everyone to come and have a good time,” he said.

The annual Family Kolor Paaty, which has become a major entertainment and family fun event, is expected to feature live music, food, games, and activities for both adults and children.

The launch was attended by Adom FM management, including Programmes Manager Joshua Tigo, Head of Events Charles Narh, Sales and Customer Service Executive Teddy Moore, and Adom TV host Tima Kumkum. Samini was accompanied by his manager.

The 2025 Family Kolor Paaty is sponsored by U-Fresh and De-Rayman Bitters.

Source: Farida Seidu| Adomonline

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The announcement was made on Wednesday, October 1, during a special contract signing ceremony with the headline performer, Samini at the Multimedia Group Limited (MGL) premises in Kokomlemle, Accra.

Adom FM Programmes Manager Joshua Tigo, speaking about the event emphasized that it has been running for over a decade and assured attendees to expect an exceptional experience.

“Everything we do is about the audience, it’s about the listeners. We want to create the opportunity for our listeners to be part of us. You choose the colour of your favourite presenter and come in that colour. This year is unique, you should expect a lot from us,” he said.

Akan Brands Head of Events, Charles Narh described the Family Kolor Paaty as “a fun-filled activity for the entire family.”

He highlighted attractions such as an adult lounge, live music, food, face painting, bouncy castles, children’s games, and even a family cooking challenge for mothers.

Teddy Moore, Sales, Relationship, and Customer Service Executive, and Adom TV host Tima Kumkum, among others, were present at the brief ceremony.

The 2025 Family Kolor Paaty is sponsored by U-Fresh and De-Rayman Bitters.

Below are some photos:  

Source: Farida Seidu| Adomonline

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Organizers and international guests encouraged Ghanaian filmmakers to engage more, collaborate widely, and seize opportunities to showcase their work internationally.

BSIFF President Juliet Asante emphasized that the festival is more than just screenings; it is a catalyst for industry growth. She highlighted the importance of networking, knowledge-sharing, and creating pathways for Ghanaian films to reach international audiences.

“Opportunities to showcase our films globally exist, but they require us to show up, collaborate, and engage fully with industry players,” she said. She also revealed that BSIFF is developing partnerships, including plans to premiere selected Ghanaian films in Ivory Coast, aimed at expanding the reach of local cinema.

International guests shared insights on creating films that resonate globally. Chee Keong Cheung, British-Chinese director of Son of the Soil, which had its world premiere at the festival, encouraged Ghanaian filmmakers to focus on storytelling, collaboration, and education within the industry.

“Cinema is a universal language. Finding stories that connect both locally and internationally is key, and collaboration across production, distribution, and exhibition helps bring these stories to wider audiences,” he said. He added that he is keen on producing future projects in Ghana, noting that the festival provided an ideal opportunity to understand the local market and identify new talent.

Ghanaian-American actress Aba Arthur urged local filmmakers to embrace Ghanaian narratives rather than only admiring foreign cinema.

“There is immense talent here at home. Platforms like BSIFF are designed to help us collaborate, share skills, and tell stories that reflect our culture. By investing in our own industry, we can reach global audiences without losing our authenticity,” she highlighted.

Actor Razaaq Adoti also emphasized the importance of persistence in filmmaking. “I would have premiered in Nigeria, but being invited to BSIFF, I decided to premiere in Ghana. Ghanaian filmmakers must keep producing, learn from experiences, and face obstacles head-on. Challenges exist everywhere, even in Hollywood, but it all depends on how they are tackled.

That’s how local films can reach international platforms,” he said.

The festival, themed The Relevance of Film in Society, also hosted workshops, masterclasses, and networking sessions, providing participants with tools and connections to thrive both locally and internationally.

As BSIFF marked its tenth anniversary, Juliet Asante reiterated the need for mindset shifts and active engagement for industry growth.

“One of the major issues we face is that we say we want change, but we do not want to change. We want things to be different, but when it comes to actually shifting our mindset, our structures, or our approach, there is resistance. And that makes it very difficult to move forward as an industry,” she stressed.

Source: Irene Adubea Aning

Speaking at the festival’s tenth edition in Accra, Madam Asante highlighted what she described as one of the biggest challenges holding back the growth of Ghana’s film sector: resistance to change.

“One of the major issues we face is that we say we want change, but we do not want to change. We want things to be different, but when it comes to actually shifting our mindset, our structures, or our approach, there is resistance. And that makes it very difficult to move forward as an industry,” she said.

According to her, BSIFF has, over the years, built connections with distributors, funders, and international partners, opening new markets for Ghanaian films. She also revealed that the festival is finalizing a partnership with Ivory Coast that will see selected Ghanaian films premiered there, describing it as a golden opportunity for local filmmakers.

“We are in the process of building a partnership with Ivory Coast to have some Ghanaian films premiered there. These initiatives are designed to expand the reach of Ghanaian cinema. These are golden opportunities, yet many of our filmmakers are absent. If you do not show up where distributors, funders, and partners are, how can you expect your work to travel?” she remarked.

Madam Asante expressed disappointment that many filmmakers are absent from BSIFF and other industry events, stressing that their lack of engagement undermines such efforts.

“For us, funding remains a challenge, but mindset and lack of engagement are equally significant barriers holding the industry back. We do a lot of advocacy behind the scenes, but it will mean little if our own filmmakers are not part of the process,” she emphasized.

She urged that calls for transformation must go beyond rhetoric and translate into practical action. According to her, BSIFF exists to serve the industry by creating spaces for knowledge sharing, networking, and access to markets, but these benefits can only be realized if filmmakers participate fully.

This year’s festival, held under the theme The Relevance of Film in Society, highlighted cinema not only as a source of entertainment but also as a tool for education, cultural preservation, and social change.

Marking its tenth anniversary, Juliet Asante reiterated her belief that Ghanaian filmmakers must embrace change, seize available opportunities, and take ownership of the platforms designed for their growth.

“The festival exists for the industry, but it cannot work without the industry. If we all want change, then we must all be ready to change,” she concluded.

Source: Irene Adubea Aning

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Speaking at the tenth edition of the Black Star International Film Festival (BSIFF) in Accra, Cheung said these narratives have the potential to compete on the global stage if given the right platforms.

“Cinema is an incredible medium that unites people. The more we share knowledge, the more opportunities arise. Education and collaboration are essential for African stories to thrive globally,” he remarked.

Cheung highlighted that one of the main challenges African filmmakers face is the lack of structured education and understanding within the industry, especially regarding production, distribution, and exhibition.

“There is often a disconnect globally. Creatives sometimes work in silos. Encouraging more collaboration and understanding across the board is really important,” he explained.

He also emphasized the need to tell stories that resonate internationally while remaining authentic to local culture.

“It’s about finding the right stories that can travel, that connect with audiences across the world, while still being true to our culture,” Cheung said.

Cheung’s recent project, Son of the Soil (2025), which had its world premiere at BSIFF, reflects his commitment to showcasing African narratives. He directed the film in close collaboration with Nigerian-British actor Razaaq Adoti.

He noted that working on the project reinforced his belief in Africa’s cinematic potential. “The talent, creativity, and richness of African stories make the continent uniquely positioned to create films that resonate globally,” he said.

Cheung expressed enthusiasm about future collaborations with Ghanaian talent. “We are eager to explore opportunities here in Ghana. One of the reasons for coming to the festival was to explore the market and uncover new talent. We are very interested in developing films and collaborating with local creatives,” he added.

He concluded by stressing the importance of attending events like BSIFF to network with international filmmakers, build relationships, and ensure African stories reach global audiences.

Source: Irene Adubea Aning

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Speaking at the tenth edition of the Black Star International Film Festival (BSIFF), she cautioned that while Ghanaian cinema has immense potential, many creatives spend more time celebrating Nollywood, Bollywood, or Hollywood rather than strengthening their own platforms and collaborations.

“We love Nollywood, we love Hollywood, but we are Ghana. We have to hold on to what makes us unique and boldly create our own lane,” she said.

Arthur emphasized the importance of using platforms like BSIFF to showcase local talent, exchange ideas, and foster partnerships. She encouraged filmmakers to take advantage of such opportunities rather than staying on the sidelines.

“There is so much talent sitting at home. This festival is about using your natural abilities, sharing, and collaborating with fellow filmmakers. After this weekend, we must continue to speak to each other, pick up what we can from everyone else, and keep collaborating,” she added.

She noted that admiration for international cinema should go hand in hand with intentional collaborations at home. By forming partnerships, exchanging skills, and supporting each other’s projects, filmmakers can strengthen the local industry and elevate Ghanaian stories on the global stage.

Arthur concluded by calling on Ghanaian filmmakers to invest in their own narratives, support local initiatives, and actively participate in platforms like BSIFF to build a sustainable and thriving industry.

“For us to succeed, we must celebrate our stories and take ownership of our platforms. Admiring others is meaningless if we neglect our own industry,” she urged.

Source: Irene Adubea Aning

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Speaking on the Echo Podcast, the 42-year-old was asked what part of himself he had to let go in the process of becoming a music tycoon.

In response, Don Jazzy admitted that marriage might be the one thing he did not see coming.

He also revealed what he thinks he could have become if he were not a music executive

“I would have been in the music industry still, or probably an influencer.

“I never thought I would be 40-something and not be married, maybe I lost that one. If it comes, it comes; if it does not come, I am totally fine,” he said.

The producer, who has built a reputation for discovering and nurturing some of Nigeria’s biggest stars, including Tiwa Savage, Rema, and Ayra Starr, stressed that he remains fulfilled with his career achievements despite the trade-off.

Don Jazzy’s remarks have since sparked fresh conversations online about the balance between personal life and professional ambition, especially in the entertainment industry.

Source: Vanguardngr

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The award celebrates her dedication to spreading the gospel through music and her growing influence in the diaspora gospel music scene.

Overjoyed by the recognition, Mz Nana took to her official social media platforms to express gratitude to God, her family, team, and fans for their unwavering support.

“To God be the glory for great things he’s done and greater things he will do. Thank you, family, team, friends, and fans, for believing in the vision and supporting the cause to add another award recognition… Let’s continue to work hard and spread the gospel through music,” she wrote.

Mz Nana is a dynamic gospel artiste, songwriter, and minister with a passion for using music as a tool for evangelism and inspiration. She is the founder of Nana Yaa Otchere Ministries, an outreach platform that combines worship, prayer, and music to uplift lives and share the Christian message.

Known for her powerful stage presence and soul-stirring voice, she has released several impactful gospel songs and medleys that resonate deeply with audiences both in Ghana and abroad.

Her works often focus on gratitude, faith, and hope, as seen in songs such as Aseda Ka and her live praise medleys that have earned her recognition in the diaspora community.

Beyond music, Mz Nana is admired for mentoring young believers and supporting church and community activities through her ministry. She is also a successful business owner and philanthropist. Recently, she donated sewing machines and hair dryers to graduates of the Eno Baatanpa Foundation in Asamankese to empower them in their dressmaking and hairdressing careers.

Her continuous rise in the gospel industry reflects her commitment to excellence and her unshakable faith in God.

With this new honour from GMAEU 2025, Mz Nana has further solidified her position as one of the influential voices in gospel music from the diaspora, inspiring a new generation of gospel lovers both in Ghana and abroad.

Source: AdomOnline

READ ALSO:

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Speaking on Joy FM’s Showbiz A-Z on Saturday, September 27, 2025, Aryeequaye outlined the agency’s upcoming initiatives.

“The second thing we will do, which will also be annual, is the Creative Arts Awards, to recognise the work that you do, to recognise the work that others do. This is not the usual red carpet, turn-around 360; a proper one. Not a black-tie event. If I say black-tie then we are losing our identity. But you have to come in something really good — something that you have created, something that will project you,” he told host Kwame Dadzie.

He also revealed plans to hold an annual festival showcasing all domains of the creative arts and to curate a programme dedicated to highlife music, which he described as one of Ghana’s intangible cultural heritage treasures.

The Creative Arts Agency is mandated to coordinate, regulate, and promote activities within the creative sector, as well as implement policies and initiatives that drive its growth.

Source: Kwame Dadzie

The celebration in Accra began with a tree-planting exercise, followed by a tour of the Accra Zoo.

Speaking to the media, Simba Holidays CEO Samson Afordofe said the partnership reflects the agency’s commitment to sustainable tourism and fostering strong relations with regulators.

“We are excited about this opportunity. Tourism must be sustained, and this is one practical way to demonstrate our commitment.

Today’s celebrations go beyond tree planting; it’s about reinforcing our principles of making travel an everyday activity while strengthening our alliance with the Ghana Tourism Authority,” Mr. Afordofe explained.

Mrs. Roberta Dawson Amoah, Greater Accra Regional Director of the GTA, emphasized the role of tourism in sustainable transformation, highlighting the need to protect Ghana’s natural resources.

She reminded participants to enjoy eco-tourism sites responsibly and preserve the environment for future generations.

“As part of today’s initiative, we avoided using plastic water bottles and donated a trash can to the Accra Zoo, demonstrating that the GTA cares about the environment,” she said, calling on all Ghanaians to act as responsible stewards of natural resources.

The celebration drew stakeholders from the tourism industry and students, reinforcing the agenda of promoting sustainable tourism in Ghana.

About Simba Holidays
Simba Holidays is a dynamic travel agency offering comprehensive services across travel, tourism, conferences, and hotel reservations. The agency provides end-to-end solutions for all travel-related needs.

Gomez posted pictures to Instagram of her wearing a white halter-neck wedding gown and Blanco in a dark tuxedo, alongside the caption “9.27.26” bookended by love hearts.

The couple exchanged vows in Santa Barbara on Saturday in front of around 170 guests, including singer-songwriter Taylor Swift, actor Paul Rudd, and Gomez’ Only Murders in the Building co-stars Steve Martin and Martin Short, according to fashion magazine Vogue.

“My wife in real life,” Blanco commented on his bride’s post.

Selena Gomez via Instagram

The award-winning musician has successfully completed a Master’s degree in International Relations and Diplomacy at the Ghana Institute of Management and Public Administration (GIMPA).

Sharing his joy, Stonebwoy, who often refers to himself as “The Torch,” announced, “Masters in International Relations and Diplomacy. Done ✅. You’re welcome to my graduation.

According to him, his educational achievement is his own way of inspiring his folks, adding “This Ashaiman boy must inspire, ’cause I’m inspired.”

The artiste, who has built a reputation for balancing his global music career with personal development, wrote his final paper before jetting off to the UK, where he is a special guest of Tottenham Hotspur this weekend.

Waiting proudly at the end of his exam was his wife, Dr. Louisa, whose warm presence added a heartwarming touch to the milestone moment.

]]> https://www.adomonline.com/fiifi-coleman-ties-knot-in-colourful-ceremony-photos/ Sun, 28 Sep 2025 07:40:41 +0000 https://www.adomonline.com/?p=2583276 Love was in the air in Kumasi as celebrated Ghanaian actor and director, Fiifi Coleman, officially tied the knot with his sweetheart, Liza Kwarteng, in a colorful traditional wedding ceremony

Fiifi, draped regally in kente, was every bit the proud groom, while Liza stunned in her dazzling outfit, glowing with the grace of a true Ashanti bride.

The pair radiated love all afternoon, their smiles and subtle gestures painting a perfect picture of partnership.

Adding to the excitement was a lineup of familiar faces who came to celebrate with the couple.

Among Fiifi’s groomsmen was veteran actor Adjetey Anang, whose presence drew plenty of nods and applause from guests.

Guests cheered as the couple officially began their journey as husband and wife.

Once considered inseparable besties, the duo had drifted apart over industry tensions and creative differences.

But on Saturday night, they proved that no misunderstanding could outshine the bond forged through music and history.

At the peak of the concert, Shatta Wale made a surprise entrance onto the stage, and the stadium erupted.

Jubilation filled the air as fans chanted and screamed to welcome back a brotherhood many thought was lost forever.

Together, the two delivered back-to-back performances of their classic collaborations including Megye Wo Girl and Dancehall Commando.

The crowd’s response was electric, with thousands singing along word-for-word in a spectacle that will forever be etched in the memory of patrons.

The ShattaSark reunion has cemented its place as one of the iconic highlights of the concert.

The last time the duo shared a stage was in 2016, When Sarkodie flew home from the UK to support Shatta Wale at his “After The Storm” concert at the Independence Square.

Watch video below:

A moment for the books! 🔥 Shatta Wale & Sarkodie reunited on stage after all these years! The energy was different 🇬🇭
Rapperholic pic.twitter.com/U4V4lZH3YC

— CDR AFRICA (@cdrafrica) September 28, 2025

Source: Abigail Bonney

Skipping the usual gimmicks and unnecessary theatrics, the rapper kept his entrance simple yet powerful.

As fans roared in anticipation, a flaming backdrop lit up the stage with his iconic slogan “Obidi”, which set the perfect tone for what was to come.

Clad in an immaculate all-white outfit, Sarkodie stepped out with his signature calm confidence.

He greeted his audience not with words, but with dance moves laced with steeze, sending the crowd into a frenzy.

Then came the moment all have been waiting for; as he launched into his hit song Messiah, the flaming “Obidi” backdrop transformed into a glorious crown, boldly affirming his reign in Ghana’s music scene.

Though the show had suffered delays, Sarkodie’s opening was enough to melt away frustrations and stir forgiving hearts.

Watch video below:

Sarkodie Intro to #RapperholicHomecoming 🔥🔥🔥🔥🔥 pic.twitter.com/fz9dSWD5ep

— Sage Kenny 🐺🦍 | Digital Marketer (@Donsarkcess) September 28, 2025

Source: Abigail Bonney

The keenly contested event featured 64 players, marking the start of what is expected to grow into a regional competition.

The opening stage served as an elimination round, narrowing the field to four representatives for the Accra Region.

In an electrifying atmosphere, musician Rap Fada, together with the Ghana Supporters Union, kept the crowd energized with thrilling performances between games.

At the end of the fiercely contested battles, Kuma, Evans Otega, Ardey, and Across advanced to the semi-finals, securing their slots to represent Accra in the upcoming regional showdown.

The championship prize package includes ₵10,000 for the winner, ₵5,000 for the runner-up, ₵3,000 for third place, and ₵2,000 for fourth place.

In the final standings of the Accra edition, Kuma emerged champion, Evans Otega took second place, Ardey claimed third, and Across finished fourth.

The maiden tournament enjoyed strong support from sponsors including Sinomie Instant Noodles, Franko Trading, Star, Abrantee College, Village Herbs Clinic, and Trust Sports Emporium Limited.

Below are some photos

Source :Joseph Odotei

This year’s edition promises to be one of the most inspiring yet, celebrating individuals and organizations making outstanding contributions to national development and community transformation.

Over 400 nominees have been unveiled, including well-known personalities such as Ameyaw Debrah, ZionFelix, Killer Ntua, Kyekyeku, and many others.

The wide range of nominees reflects the fact that changemaking is not limited to a single sector but represents a collective force for progress.

Winners will be determined through a combination of public voting and assessments by a research committee. Public voting has already commenced, with FastVote serving as the official voting partner. Supporters can cast their votes via USSD 92032# or by visiting www.fastvotegh.com.

The full list of nominees can be accessed here: FastVote Nominees.

According to the organizers, the awards are not just about recognition but about amplifying voices that often go unheard.
“The Ghana Change Makers Awards is a movement of hope, resilience, and transformation. Our nominees embody the values of leadership and service, and we are proud to celebrate them as true agents of change,” they stated.

The date and venue for the 2025 edition will be announced in the coming days, heightening anticipation for a night dedicated to honoring and inspiring changemakers.

The Ghana Change Makers Awards, organized by Apex Africa Concept—the team behind the Ghana Youth Excellence Awards and the Ghana Medical & Health Awards—has established itself as one of the country’s most respected award schemes, celebrating innovation, resilience, and leadership.

As preparations build toward the grand celebration, one thing is certain: Ghana’s future is being shaped by bold, visionary individuals and organizations who continue to make a lasting difference.

Source: Adomonline

]]> https://www.adomonline.com/see-what-happened-when-kumawood-actor-sumsum-met-sharaf-mahama/ Sat, 27 Sep 2025 17:54:33 +0000 https://www.adomonline.com/?p=2583150 Popular Kumawood actor Yaw Adu, widely known as Sumsum Ahuofe, had a lively encounter with Sharaf Mahama, son of President John Dramani Mahama, during the maiden edition of the Ashanti Festival.

In a TikTok video, the comic actor was visibly excited as he met Sharaf during a trophy presentation ceremony following a football match at a community park on the opening day of AshantiFest, Saturday, April 12, 2025.

In the footage, Sumsum warmly referred to Sharaf as his “brother” and described him as a “future president,” drawing hearty laughter from Sharaf as the two shook hands and shared a cheerful exchange.

The actor was joined by several of his Kumawood colleagues, including Michael Afranie, Papa Kumasi, Asare Bediako, Shifo, Dr Likee, Wayoosi, 39/40, as well as blogger Papa J of Poleeno Multimedia and content creator Gunshot.

They participated in a friendly football match between Kumawood stars and leading media personalities from the Ashanti Region.

The Ashanti Festival, spearheaded by Ashanti Regional Minister Dr Frank Amoakohene, aims to revive the region’s once vibrant entertainment industry while showcasing and celebrating the rich culture and heritage of the Ashanti people.

Launched on Saturday, April 12, 2025, the festival will run until Saturday, April 26, 2025, featuring activities such as a Jama festival, food fair, free health screening, blood donation exercise, the Ashanti Konnect concert, a movie night honouring late Kumawood legends, a fundraising drive with the Heal Komfo Anokye team, and a thanksgiving service marking 26 years of the reign of Asantehene Otumfuo Osei Tutu II.

Watch the video of Sumsum Ahuofe meeting Sharaf Mahama in Kumasi below:

@sarpcessghdotcom #fypシ゚viral #ghanatiktok #fyp #sarpcessghdotcom #ghanatiktokers🇬🇭🇬🇭🇬🇭 #fyppppppppppppppppppppppp #tiktokghana #fypviraltiktok🖤シ゚☆♡ #fypシ ♬ original sound – sarpcessghdotcom

Source: Adomonline

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