Initially scheduled for Saturday, August 16, 2025, the state-assisted burial will now take place on Saturday, September 6, 2025, at the Forecourt of the State House in Accra.

According to the family, the burial and final thanksgiving service will follow on Sunday, September 7, at Agona Asamang in the Ashanti Region, the late musician’s hometown.

The funeral is expected to attract dignitaries, fellow musicians, key industry figures, and fans, in honour of Dada K.D.’s immense contributions to Ghanaian music over the past three decades.

The rescheduling is believed to be in response to the national mourning period declared after the tragic military helicopter crash in the Adansi District, which claimed eight lives.

Dada K.D. passed away on May 17, 2025, after a brief illness, leaving behind a rich musical legacy.

Source: Adomonline.com

The Creative Arts Agency, the organisers, announced in a press statement dated on Thursday, August 7, 2025, signed by the acting Executive Secretary of the Agency, Gideon Aryeequaye.

The planned vigil has been postponed indefinitely as a mark of respect for the eight individuals who lost their lives in a recent helicopter crash.

The decision comes after President John Dramani Mahama declared three days of national mourning, from August 7 to 9, 2025, in honour of the victims.

The planned Kumasi vigil followed a successful edition held at the Independence Square in Accra on Saturday, August 2, 2025.

The event in the capital drew hundreds of fans, fellow musicians, and dignitaries who gathered to pay tribute to one of Ghana’s most influential musicians.

Daddy Lumba, born Charles Kwadwo Fosu, died on Saturday, July 26, 2025, after a short illness, aged 60.

The Creative Arts Agency has offered its condolences to the families of the victims and to the nation, expressing sympathy and solidarity during this difficult time

Source: Graphic.com.gh

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In a heartfelt statement posted on her social media, Ms Forson stressed that the nation is united in grief, saying the losses suffered were collective and the pain shared.

She extended her prayers to the families of the deceased and urged the media to exercise restraint and empathy.

“This is not content. Allow people to grieve. How many more times must we say this?” she wrote.

Forson also appealed to the Ghana Journalists Association (GJA) to take a stronger stance on ethical media practices.

“I call on the GJA to step up and lead by holding its members accountable. Enough is enough,” she added.

Echoing similar sentiments, rapper Sarkodie condemned the rush for exclusive content at the expense of decency.

“Wanting to be the first to get exclusives all in the name of content can make you inhumane … Be human first,” he wrote.

Source: AdomOnline

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• King Promise mourns victims of tragic helicopter crash

In a post shared on his social media page, Kinaata described it as “a tragic day for Ghana,” noting that the nation had lost “some of our finest.”

“We honour their service and mourn with their families. May their souls rest in peace,” he wrote.

The crash in the Adansi Akrofuom District has plunged the country into mourning, with tributes continuing to pour in from public figures and citizens across Ghana.

A tragic day for Ghana.
The helicopter crash of Wednesday, 6th August 2025, has taken some of our nation’s finest.
We honour their service and mourn with their families. May their souls rest in peace.

— Kofi Kinaata (@KinaataGh) August 6, 2025

Source: Adomonline.com

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• GNFS joins probe into military helicopter crash that claimed eight lives 

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In a brief but heartfelt message shared on his social media page, the award-winning artist expressed his sympathy for the families affected by the disaster.

“Prayers & strength to the families of the souls lost in the helicopter crash. So tragic & heartbreaking,” he wrote.

The accident, which claimed the lives of two cabinet ministers, senior military officers, and other government officials, has sparked a wave of national grief, with tributes pouring in from political leaders, international allies and celebrities across the country.

💔
Prayers & Strength to the families of the souls lost in the helicopter crush. So tragic & heartbreaking 😞😞😞

— King Promise (@IamKingPromise) August 6, 2025

Source: Adomonline.com

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It also includes playwright Latif Batalima Abubakar, as well as former radio host and singer Korkui Selormey.

The full composition of the board, as released by the Agency, is as follows:

1. Chairperson – Appointed by the President (name not specified in list)
2. Gideon Cyril Aryeequaye – Executive Secretary
3. William Akwetey Bonsu – Copyright Office representative
4. Divine Owusu Ansah – Ministry of Tourism, Culture and Creative Arts
5. Yaw Lorlorwu Sekyi – Ministry of Trade, Industry and Agribusiness
6. Brenda Abankwah – Ministry of Finance
7. Divina Dornuki Nkwatabisa – Attorney General’s Department
8. Clement Amponfi Bonney (Mr Beautiful) – Creative Arts Industry representative
9. Akofa Edjeani – Creative Arts Industry representative
10. Leonora Buckman – Creative Arts Industry representative
11. Korkui Selormey – Creative Arts Industry representative
12. Latif Batalima Abubakar – Creative Arts Industry representative
13. Benjamin Anabila – Creative Arts Industry representative
14. [Vacant] – One seat remains unfilled

The newly constituted board brings together government officials and seasoned creative professionals to steer policy for Ghana’s arts sector.

Their mandate includes addressing critical industry issues such as copyright protection, funding mechanisms, and infrastructure development.

The board is expected to commence work immediately following its inauguration.

Source: Graphic Showbiz

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Speaking on Hitz FM’s Daybreak Hitz with Kwame Dadzie, Okraku-Mantey said that while preserving the legacies of Ghanaian celebrities is important, direct government involvement in building museums for individuals could spark public backlash.

“Government should not even show interest in any museum of any celebrity. Yes, let me tell you why. I’ve been there, done that. Knowing my people, they will come and say.

“They did it for Lumba, but they didn’t do it for Dada KD. A government can become unpopular out of this. By just taking a step to do it for one person and not doing for the other person, it can bring problems. So government can create the enabling environment like the land we offered,” he said.

He suggested that government’s role should be to provide the enabling environment for private sector and community-driven investments, rather than fully funding such projects.

To illustrate his point, Okraku-Mantey referenced the ongoing efforts by Kwahu traditional leaders to establish a museum in honour of the late ‘King of Highlife’, Nana Kwame Ampadu, in his hometown.

“So for government to be safe, not to worry you for your votes, just play safe, create the enabling environment so that the private sector people come on board. They are the ones who can maintain these infrastructure. The government infrastructure itself is struggling,” he added.

Okraku-Mantey made these remarks during a discussion on how to preserve the legacies of Ghanaian creatives.

Source: Joy Entertainment 

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Speaking during a condolence visit to the family of the late highlife star, Mr. McMahon shared a touching personal detail that underscored the global reach of Daddy Lumba’s music.

“As many of you may know, King Charles—my King—was such a fan of Daddy Lumba,” he said. “He told me he has a playlist on his iPhone, and one of his favourites is Daddy Lumba.”

Mr. McMahon said this admiration from King Charles reflected the extraordinary influence of Daddy Lumba beyond Ghana’s borders.

“I think that shows the breadth and the reach that Daddy Lumba had across the world. He was very influential to so many people.”

The diplomat, who visited the family on behalf of Britain and what he called “the world,” described Lumba as “a cultural pop icon” whose legacy continues to resonate globally.

“It was important to come here today and say that to his family, and remind them that although he could not live longer with us, his influence lives for a long time. God bless Daddy Lumba,” he said.

Mr. McMahon’s visit adds to the long list of dignitaries and public figures who have paid tribute since the highlife icon’s passing.

Among them are former President Nana Akufo-Addo and former Vice President Dr. Mahamudu Bawumia.

The revelation about King Charles’ admiration for Daddy Lumba adds a deeply personal and international dimension to the outpouring of grief and celebration of his life.

The highlife legend’s unique sound, lyrical mastery, and cultural resonance continue to inspire music lovers across generations and continents.

Source: Myjoyonline.com

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The vehicle was seized as part of a joint operation between EOCO and United States authorities. Here are ten important things to know about the incident:

1. Seizure linked to US financial crimes case

The 2019 Lamborghini Urus was seized in connection with financial crimes committed by Nana Kwabena Amuah, a Ghanaian currently serving an 86-month prison sentence in the United States.

The FBI and US Department of Justice requested Ghanaian authorities to locate assets connected to the case.

2. Shatta Wale was in possession of the vehicle

EOCO confirmed in its statement that the luxury car was in the possession of Shatta Wale at the time of the search. However, the agency did not directly accuse the artiste of committing any crime.

3. FBI and US Justice Department requested EOCO’s assistance

The operation was carried out at the request of the US FBI and Justice Department in 2023 as part of efforts to recover assets for Amuah’s court-ordered restitution of $4.7 million.

4. Search conducted by EOCO’s Asset Recovery Unit

EOCO’s Surveillance and Asset Recovery Unit (SARU) led the search at Shatta Wale’s residence in Trassaco Valley Phase 1, one of Accra’s high-end neighbourhoods, on August 5, 2025.

5. Shatta Wale voluntarily surrendered the Lamborghini

The musician was reportedly cooperative during the operation and pleaded with officers not to publicise the seizure due to the vehicle’s association with his public image. EOCO allowed him to voluntarily hand over the car, which is now in their custody.

6 EOCO officers were armed – standard protocol

In response to concerns raised by Shatta Wale about armed officials entering his home, EOCO clarified that officers were armed strictly as part of standard safety procedures during such high-profile seizures.

7. Shatta Wale accused EOCO of intimidation

Following the incident, Shatta Wale took to Facebook to accuse EOCO of intimidating him. He claimed EOCO officials stormed his residence with guns and singled out Executive Director Raymond Archer as having led the operation.

8. Political undertones in Shatta Wale’s allegations

Shatta Wale warned that the EOCO’s actions could have political consequences for the ruling party. “Raymond Archer, EOCO boss, I Ibe you go make NDC go out of power next 4 years,” he wrote in his Facebook post.

9. Shatta Wale named a ‘Person of Interest’

Although no formal charges have been brought against him, EOCO has listed Shatta Wale as a person of interest in the ongoing investigation. A former senior officer of the National Signals Bureau is also under scrutiny.

10. US to file Mutual Legal Assistance Request

EOCO stated that the FBI and US Justice Department will formally request the repatriation of the Lamborghini through a Mutual Legal Assistance (MLA) process, which would allow the vehicle to be returned to the US as part of asset recovery.

The seizure marks a significant development in international cooperation between Ghanaian authorities and US law enforcement in tackling cross-border financial crimes. EOCO has indicated that further investigations are underway.

Source: Graphic.com

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The operation, carried out in June 2025 by EOCO’s Surveillance and Asset Recovery Unit (SARU), followed a 2023 request from the United States Federal Bureau of Investigation (FBI) and Department of Justice (DOJ).

The request was part of an ongoing international investigation into financial crimes.

During the operation, EOCO seized a 2019 Lamborghini Urus linked to criminal proceeds belonging to Nana Kwabena Amuah, a Ghanaian currently serving an 86-month sentence in the U.S. for multiple financial offences.

According to both Ghanaian and U.S. authorities, the luxury vehicle was acquired with funds from Amuah’s criminal activities and had been traced to Shatta Wale.

EOCO stated that the operation was carried out lawfully and without incident. Officers were described as professional and civil throughout the exercise.

Shatta Wale reportedly appealed to the officers to keep the seizure out of the public domain, citing concerns that the vehicle was central to his brand and public image. He was, however, allowed to voluntarily hand over the vehicle, which is now in EOCO custody.

EOCO further clarified that it is standard protocol for SARU officers to be armed during such operations for security reasons.

A formal Mutual Legal Assistance (MLA) request is expected from the FBI and DOJ to the Government of Ghana, seeking the repatriation of the Lamborghini as part of efforts to recover a $4.7 million restitution imposed on Amuah.

EOCO also revealed that Shatta Wale and a former senior officer of Ghana’s National Signals Bureau (NSB) have been named persons of interest in the matter. Both are expected to be invited to assist with the ongoing investigation.

The agency added that the final investigative report may be shared with U.S. authorities in line with international cooperation protocols.

Source: Adomonline

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In a Facebook post on Tuesday, August 5, 2025, the musician alleged that the operation was personally led by EOCO’s Executive Director, Raymond Archer.

While Shatta Wale did not provide full details of the incident, he described the action as unwarranted and politically dangerous.

“Raymond Archer EOCO Boss, Ibe you go make NDC go out of power next 4yrs. Bringing guns to my house was uncalled for,” he wrote.

In a follow-up post, he accused the EOCO boss of humiliating citizens, insisting that such behaviour was not in line with the purpose of his appointment.

EOCO has yet to issue an official statement on the incident. However, a report by Accra-based GHOne TV suggests that the operation may have been linked to investigations into suspected stolen vehicles.

The situation continues to generate public interest, especially as questions remain over the motive and conduct of the reported operation.

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Set to take place on Friday, 13th September 2025 at 45 Boulevard Frédérick Sauvage, the festival serves as a cultural bridge between Ghana and the Francophone world.

It offers a unique opportunity for Ghanaians living in France and neighbouring countries to reconnect with their roots, while sharing their rich traditions with a broader international audience.

Now a fixture on the Ghanaian cultural calendar in Europe, the GoldCoastEvent Festival has grown into an important platform for artistic expression, unity, and diaspora engagement.

This year’s edition carries special significance with the presence of the Nananom Traditional Council of Marseille, who will be honoured guests at the event. Their participation underscores the festival’s commitment to preserving and promoting Ghanaian customs abroad.

The entertainment lineup features some of Ghana’s most well known comedic talents, including Salinko and Quappiah, whose performances are expected to bring a blend of humour, social commentary, and nostalgia.

The event will also highlight Highlife music, the iconic genre that has long served as the heartbeat of Ghanaian culture.

Organisers say the festival is about more than just entertainment—it is about identity, connection, and pride.

“We are not just celebrating music and comedy,” said a festival spokesperson. “We are celebrating who we are as a people, and we’re inviting the world to join us.”

Marseille, often regarded as France’s second cultural capital after Paris, provides a fitting backdrop for this celebration of Ghanaian heritage, one that resonates with both the local African diaspora and the city’s diverse population.

The GoldCoastEvent Festival 2025 invites all Ghanaians, Francophones, and global citizens to come together for a night of rhythm, laughter, and cultural exchange.

This was disclosed in an official statement following the formal announcement of his passing to Asantehene Otumfuo Osei Tutu II at the Manhyia Palace.

According to the Abusuapanyin of the Ekuona Royal Family, the final funeral rites will take place in Kumasi, the capital of the Ashanti Region. The specific venue, however, will be announced later.

The family said the decision to hold the final funeral rites in Kumasi stems from Daddy Lumba’s royal lineage.

“It is only right that his final resting and farewell be rooted in his hometown and royal ancestry,” the family head stated.

They added that preparations are underway to officially inform the Ga Mantse and the Ga Traditional Council, given the many years Daddy Lumba lived in Accra and the strong fan base he built there.

Acknowledging his global influence and enduring legacy, the family urged fans and sympathisers to observe the commemorations respectfully.

“We humbly ask that all who attend the celebrations and funeral behave in a dignified manner to honour his memory and ensure a peaceful and successful commemoration befitting of the legend he was,” the statement added.

The family also expressed gratitude to Ghanaians at home and abroad for the outpouring of support and tributes following news of his passing.

Further details on funeral arrangements will be communicated in due course.

Press Release: The one-week celebration of the legendary Daddy Lumba will be held in Accra on August 30, 2025, while the funeral will take place in Kumasi, according to Asantehene Otumfuo Osei Tutu II – Ekuona Royal Family of Nsuta Abusuapanyin." pic.twitter.com/rrDExfrxDO

— DLFM 106.9 (@DLFM1069) August 5, 2025

His appointment, made by the President in accordance with the Development and Classification of Film Act (Act 935), places him at the helm of the board tasked with regulating, promoting and supporting Ghana’s film industry.

The inauguration was done on Monday, August 4, 2025.

The National Film Authority, established in 2016 under the Ministry of Tourism, Culture and Creative Arts, oversees the classification of films, industry regulation, and advocacy for filmmakers.

Quashigah, founder and Chief Executive Officer of Farmhouse Productions, is one of Ghana’s most celebrated creative minds.

Trained in directing and scriptwriting at the National Film and Television Institute (NAFTI), he also holds an Executive Master’s degree in Governance and Leadership from Ghana Institute of Management and Public Administration (GIMPA).

His career spans decades of groundbreaking work, including producing and directing the highly acclaimed youth television series Things We Do for Love and Yolo (You Only Live Once), among a litany of other film and television productions.

Yolo dominated the 2016 Ghana Movie Awards, winning seven out of eight nominations, while Quashigah has earned more than 18 international and local accolades, including recognition at FESPACO for Best Short Feature.

As Chairman, Quashigah is expected to lead the board of the Authority in tandem with the Executive Secretary, to advance its mission to improve industry standards, champion Ghanaian storytelling and enhance the country’s presence on the global film stage.

Check out the full list of NFA Board Members below:

1. Appointed by the President – Ivan Quashigah, Chairperson

2. Executive Secretary – Kafui Danku Pitcher

3. Copyright Office – Oladele Kwaku Aribike

4. Ministry of Tourism, Culture and Creative Arts – Mabel Cudjoe

5. Ministry of Communication, Digital Technology and Innovations – Emmanuel Ofori

6. National Film and Television Institute (UNIMAC) – Dr. Rebecca Ohene-Asah

7. Ghana Actors Guild – Yet to be nominated

8. Film Producers Association of Ghana – Mr. Augustine Abbey (Idikoko)

9. Ghana Academy of Film and Television Arts – George Bosompem

10. Women in Film and Television – Assey Tamakloe

11. Collective Management Organisation of Audio Visual Rights Owners – Zakaria Abdulai

12. Film Distributors and Marketers Association of Ghana – Rukiyatou Naa Ayiwaley Antah

13. Film Crew Association of Ghana – Alejandro Peterson Davids White-Cross

14. Television station – Yet to be nominated

Source: Kwame Dadzie

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Ghanaians have been mourning the legendary musician who passed on a few days ago, with a National Candlelight Vigil held last Saturday in celebration of his illustrious musical career.

KK Fosu, in the newly released song titled “Lumba,” expresses his condolences to the bereaved family, urging them to stay strong in these difficult times.

Speaking in an interview after the release, KK Fosu said Daddy Lumba was a music icon he always looked up to and also paved the way for younger artistes like him.

“This tribute song is to celebrate the good works of Daddy Lumba and the impact he has had over the past four decades. He is an inspiration for all younger Highlife artistes and for me personally, he shaped and inspired my career,” said KK Fosu.

The newly released single, which is available across various streaming platforms, also comes along with a visualiser that was shot by Zizi.

Source: GNA

Speaking on Daybreak Hitz on Hitz FM, Okraku‑Mantey reminded listeners that the President had announced during the launch of the Blackstar Experience on May 1, 2025, that a fashion event would take place in July—one in which he himself would walk the runway.

“You guys were promised a fashion show in July by President Mahama and he was going to catwalk himself. July has passed, we are in August,” he told host Kwame Dadzie.

He added that the lack of communication on the matter would have sparked backlash had it occurred under his tenure.

“If I was the one in office, tongues would be wagging at me,” he said.

The fashion show was announced as a major highlight of the Blackstar Experience—an initiative aimed at projecting Ghana’s arts, culture, and creative economy to a global audience.

At the launch in Accra, President Mahama had emphasized his personal commitment to promoting Ghanaian fashion.

“When we host the Ghana fashion week in July, I, your president, will proudly take to the catwalk,” he stated.
“I always wear Made in Ghana clothes, and I have political suits all sewn by Ghanaian tailors. Because this experience is real and it belongs to all of us. On that day, I am going to change three times and walk on the catwalk. And anytime I walk, I will tell you which designer sewed that particular dress.”

As of now, no official communication has been issued regarding the postponement or cancellation of the event.

The Blackstar Experience is the government’s flagship Culture, Arts, and Tourism brand. It is designed to redefine and affirm the Ghanaian identity, attract investment, create jobs, and increase tourism through a year-round celebration of Ghana’s creative and cultural sectors.

Source: Adomonline.com

Founded on the pillars of creativity, unity, and excellence, the Ghana-based label is already making waves with its unique approach to artistry and business.

At the heart of Siblings Recordz are two breakout artists. El Jena, celebrated for his soulful voice and electrifying performances, is poised to captivate audiences far beyond Ghana’s borders.

Alongside him is Chiedza, a gospel sensation whose powerful vocals and inspiring message resonate deeply with fans across Africa. Together, they embody the label’s vision of authentic and boundary pushing music.

“Our mission is simple but powerful. We are here to create a family where artists can thrive, where creativity has no limits, and where African music takes its rightful place on the global stage,” says Derrick Kwaku Oduro, Founder of Siblings Recordz.

Behind the label’s growing success is a forward-thinking leadership team comprising Mr. Bright Pipim Addo (Chief Operating Officer), Miss Sandra Asimeng Sefah (Chief Financial Officer), and Mr. Victor Gonzalez (General Manager).

Together, they bring a mix of strategic vision, industry knowledge, and passion for African music that is positioning Siblings Recordz as a force to be reckoned with.

“More than a label, we see ourselves as a movement, a community where artistry and excellence meet. We are here to shift the narrative,” adds Mr. Bright Pipim Addo.

One of the label’s most anticipated projects is “Carry Go,” an Afrobeat inspired single by El Jena.

Blending infectious grooves with heartfelt storytelling, the track is expected to make a significant impact both locally and internationally when it drops.

Speaking about the track, El Jena shared, “Carry Go is a song that I believe will connect with people everywhere, whether you are in Accra, Lagos, London, or New York.”

Looking to the future, Siblings Recordz has even bigger plans.

The label is preparing to launch an annual global music festival within the next two years. Designed to bring together artists from Africa, the Caribbean, and around the world, including their own stars, the festival aims to celebrate diversity, foster cultural unity, and become a must-attend event on the international music calendar.

“This festival is about more than music. It is about connection, culture, and showcasing Africa’s endless creativity,” says Miss Sandra Asimeng Sefah. Official dates and details will be announced soon.

As Siblings Recordz charts its bold path, it invites music lovers, industry stakeholders, and media partners to be part of its journey. With a mission to redefine Africa’s soundscape, the label is committed to nurturing talent, breaking barriers, and creating a legacy that will inspire generations.

“We are just getting started,” says Mr Gonzalez. “This is more than a career. It is a calling to use music as a force for good, to uplift, and to unite.”

Source: Adomonline

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Daddy Lumba’s family officially informs Asantehene of his passing

A delegation led by the Saamanhene paid a solemn visit to the Manhyia Palace on Monday, August 4, 2025, to perform the traditional rites of notification to the revered monarch.

The visit marks a significant cultural tradition in Asanteman, where the Asantehene, as the custodian of the land and its people, must be formally informed of the death of any royal or prominent native.

With the customary announcement now complete, all traditional protocols have been activated, paving the way for the next phase of funeral preparations.

As part of the commemorative activities, a Candlelight Vigil will be held this Saturday at the Heroes Park of the Baba Yara Sports Stadium in Kumasi, in honour of the late music legend.

The event is expected to attract thousands of fans, fellow musicians, dignitaries, and well-wishers who wish to pay their respects to the man whose music influenced generations.

Further details regarding the final funeral rites are expected to be announced in the coming days.

]]> https://www.adomonline.com/i-am-gods-messenger-victoria-lebene-responds-to-doubts-about-her-calling/ Mon, 04 Aug 2025 16:55:47 +0000 https://www.adomonline.com/?p=2563427 Actress-turned-minister Victoria Lebene has responded to possible doubts surrounding her spiritual calling, stating confidently that her ministry is not self-appointed but divinely assigned.

In a candid moment during her interview on The Career Trail program, she addressed the quiet skepticism she believes may exist in some circles regarding her recent transition into ministry.

“I have not heard it, or nobody has said it to my face. But I am definitely sure a couple of people will be wondering or may not understand because they have not had an encounter with me,” she said.

Victoria acknowledged that people are entitled to their opinions and perceptions but made it clear that such doubts don’t shake her faith or mission.

“You know, people are entitled to have different perceptions and opinions. But I don’t care because I exhibit God-given talents that I have shown to people who have had encounters with me,” she stressed.

“I don’t dwell on such doubts, whether people accept me for who I say I am or not.”

She emphasized that her calling is not self-imposed but rooted in a divine mandate.

“I am a sender. I have not come by myself. It is what God has made me.”

Victoria explained that truly understanding her requires knowing the full story—one that she is responsible for living out through obedience and consistency.

“So you need to know the story to be able to accept. And how do you know the story? It is my responsibility to exhibit all the things that God has said I should become,” she highlighted.

Although she remains authentic to who she is, she admits that the call of God has influenced how she approaches life and purpose.

“It has influenced how I do things, in some aspects, though I’m still myself,” she said.

Source: Irene Adubea Aning

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Speaking candidly on The Career Trail, aired on Joy Learning TV and Joy News, Victoria reflected on how the call of God had been evident in her life since childhood—even when she didn’t fully understand it.

“The call of God has been upon my life from childhood. Anything you see me doing now started at a very young age,” she said.

She admitted that despite this early calling, she initially focused on building a life and career around what felt more comfortable and familiar.

“Sometimes you may not know the direction that our Lord is taking you, and so you turn a blind eye to certain things you are supposed to pay attention to. You want to do the things in your comfort zone—being an actress, a public figure, a model, an influencer, or a humanitarian seemed to be my comfort zone,” she noted.

While pursuing these passions, Victoria said the call of God never left her—quiet at times but persistent—manifesting through dreams, messages, and spiritual promptings.

“You can’t fathom what God wants to communicate unless He keeps coming at you. The call kept coming at me several times, in several instances, in several cases, and in several dimensions. It is unexplainable,” she emphasized.

Eventually, she reached a point where she could no longer ignore the calling.

“I just had to accept the call because it had come on me several times,” she acknowledged.

For Victoria, stepping into ministry is more than a new chapter—it’s a divine assignment.

“It is not easy to do the work of God. You need to be synced into the kingdom work. You need to understand. You need to be willing to accept, both in the mind and in the heart, before the body even comes,” she explained.

Looking back, she believes everything is now aligning with God’s perfect plan.

“Glory be to God. He has made all my goals and desires come to play,” she affirmed.

Source: Irene Adubea Aning

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Speaking on The Career Trail with Irene Adubea Aning, on Joy Learning TV and Joy News, Victoria explained that her early exposure to church life and prophetic declarations shaped her youthful expectations.

“Ministry for me started at a young age. My mom and I would go to church, and the prophet would say, ‘Your child will be a pastor.’ And I thought that I was going to marry a pastor,” she recalled.

However, life took a different path. She got married to entertainment blogger Eugene Osafo-Nkansah, popularly known as Konkonsa, even before completing her studies at Zenith University.

She noted that although she didn’t end up in pastoral marriage, her spiritual sensitivity has remained intact. Victoria believes her life is still aligned with God’s purpose.

“Sometimes you may not know the direction that our Lord is taking you, and so you turn a blind eye to certain things you are supposed to pay attention to. But I thank God for everything I am, because it is through Him that I have become who I am today,” she emphasized.

Source: Irene Adubea Aning

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• Stop referring to me as Adjorlolo’s ex – Victoria Lebene

During an interview on The Career Trail aired on Joy Learning TV and Joy News, she revealed that the business was born out of her husband’s unique eating habits.

According to Victoria, her husband, well-known entertainment blogger Eugene, popularly known as Konkonsa, does not eat meat and prefers only fish.

This sparked a culinary experiment that eventually grew into a full-fledged business.

“Vicky’s Recipe came about as a result of my husband, who doesn’t eat meat; he takes only fish. So I said to myself, what can I do if I want to make jollof? So I did a little experiment with fish, and it tasted so nice,” she recounted.

Impressed by the taste, her husband encouraged her to take the bold step from kitchen to business.

“He loved it and said, ‘You have to allow people to have a taste too. You need to commercialize this.’ So I said okay and started online,” she shared.

What began as a humble online offering quickly caught fire. Orders poured in, and customers praised the unique flavor.

“The love for the food went crazy. Everybody was like, ‘Vicky’s Recipe tastes great. I want the jollof,’ and it went gaga. I’m like, oh my God, this thing is catching a lot of fire,” she said.

Encouraged by the demand, Victoria expanded her menu to include more dishes. However, it’s the original fish jollof that continues to steal the spotlight.

Buoyed by the overwhelming response and growing customer base, Victoria Lebene revealed that her next big step is to open a physical restaurant.

Source: Irene Adubea Aning

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• I will soon be ordained a pastor – Victoria Lebene reveals

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Source: graphic.com.gh

Song was found unresponsive inside a parked car in Cheoin-gu, Yongin, south of Seoul, around 8 a.m. local time, according to local authorities. Police confirmed there were no signs of foul play and no suicide note was found. An acquaintance discovered his body.

Song made his stage debut in 1994 in the children’s musical “Wizard Mureul” and built a steady three-decade career across theater, film and television. He was best known for supporting roles in projects including “Trick,” “Stove League,” “Baseball Girk” and “Hyena.”

His appearance in “Extreme Job” — one of the highest-grossing films in Korean cinema – cemented his status as a reliable character actor with a knack for dry humor and gritty realism.

In June this year, Song was involved in a DUI incident in Yongin, reportedly driving five kilometers with a blood alcohol concentration high enough for license revocation under South Korean law. He was referred to prosecution without detention. In the aftermath, Song stepped down from the stage production of “Shakespeare in Love” and was removed or minimized in two dramas airing at the time – ENA’s “The Defects” and SBS’s “The Winning Try.”

Song’s gravitas and consistency made him a go-to supporting actor in the Korean entertainment industry. His performances often grounded large-scale productions with quiet authority, a presence that resonated with audiences even in ensemble-heavy works. His unexpected death adds another chapter to the ongoing conversation about mental health and media scrutiny in the South Korean entertainment landscape. Earlier this year, actor Kim Sae-ron was found dead at her home.

Song is survived by his wife and two daughters.

Source: Variety.com

In a heartfelt message shared on his official Facebook page, the minister reflected on their journey together, describing it as “a reflection of life – highs, lows, joys and tears.”

He expressed deep appreciation for the love, friendship, and mutual respect that have sustained their relationship over the years.

“I cherish the bond we share and look forward to the next chapters of our story,” he wrote.

Paying tribute to his wife, Sam George described her as “a wonderful partner, lover, mother, wife, but most importantly, friend,” adding, “I loved you that first day, today, tomorrow, and every tomorrow after.”

The post has since drawn warm reactions from well-wishers and admirers.

Source: Adomonline.com

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In a series of social media posts, Jamar revealed that while his contract officially ends this year, GADone Records has been unresponsive since 2024. According to him, all attempts to seek closure have been ignored.

The rapper expressed frustration about the label’s silence, describing it as cruel and indicative of how artists are sometimes treated.

He added that he’s seeking legal counsel to navigate the remainder of the contract.

Shortly after the posts gained traction online, GADone Records issued a formal press release countering Jamar’s claims.

The label stated that the artist remains under contract and has not fulfilled all his obligations. It accused him of breaching the agreement through unauthorized music releases and business engagements without the label’s consent.

GADone further asserted that Jamar had “full and ongoing access” to his designated managers and regional head, and warned that his public comments could be damaging to the label’s reputation.

Jamar, however, fired back again on social media, questioning how a label could “go inactive for almost a year” and expect the artist not to seek alternative means of survival.

While the label has stated it will make no further public comments for now, the fallout has triggered wider conversations online about artist-label relationships in Ghana.

The event, organized by the Creative Arts Agency, served as a heartfelt tribute to a legendary artist whose music has continued to resonate with generations of Ghanaians.

The gathering attracted not only fans and fellow musicians but also dignitaries and members of the general public, all uniting in shared grief and reflection over the loss of an iconic figure in Ghana’s music history.

Dressed in black to symbolize their mourning, participants lit candles and sang along to Daddy Lumba’s timeless hits, creating a warm atmosphere filled with nostalgia and a celebration of his extraordinary career.

Tributes poured in, reflecting the profound loss felt by fans mourning a true music legend.

Some of Daddy Lumba’s most beloved songs, including “Yemfa Odo,” “Sika Asem,” “Sika,” “Yɛne Wo Sere Kwa,” “Mepaebo,” “Akwanoma,” “Ɛyɛ N’adom,” and “Makra Mo,” echoed powerfully throughout the vigil.

The event was graced with performances from celebrated artists such as Rev. Thomas Yawson, Kwabena Kwabena, Apioko Abbey, Andy Dosty, among others—each adding to the emotional tapestry of the evening while honoring Daddy Lumba’s indelible legacy in the hearts of many.

Adomonline’s photojournalist, Joseph Odotei, was on the ground to capture poignant moments from the solemn occasion.

This year’s celebration, themed “Connecting, Projecting and Developing,” aims to foster unity, strengthen support systems, and drive development across the municipality.

In an interview, the Municipal Chief Executive, Dr. Ebenezer Ekow Aidoo, extended an open invitation to indigenes both home and abroad.

He encouraged them to join the festivities, noting that their participation would help promote unity and provide practical solutions to some of the pressing challenges facing the area.

AACAFest 2025 promises a vibrant lineup of activities, including a health walk, free health screening, a trade fair, an awards night, the Miss AACAFest pageant, and a food bazaar, among other engaging events.

Source: Alex Treve Quarshie

The monthly series, launched at the NFB office in Cantonments, Accra, will be held on the second Friday of every month and feature stories from Ghana’s diverse regions, told in local languages to reflect the country’s cultural and linguistic richness.

In a speech read on behalf, Madam Dzifa Ablah Gomashie, Minister for Tourism, Culture and Creative Arts, described storytelling as a “living library” and a vital tool for education and moral instruction.

“We cannot allow a very important intangible cultural heritage to go down, as it serves in safeguarding our society’s identity, fostering social cohesion, and promoting economic growth,” she said.

The Minister said the initiative would help children learn firsthand cultural practices that support socialisation.

“From Ananse stories in the South to epic histories from the Savannah, from Ewe, Dagbani and Ga oral traditions to the symbolism of Kente and Adinkra, showcasing the depth and breadth of Ghanaian creativity,” she added.

Madam Gomashie said the programme formed part of the government’s “Black Star Experience,” initiated by President John Mahama to boost cultural tourism.

Executive Director of the NFB, Mrs Bernice Ann Deh-Kumah, said the Board was established to preserve Ghana’s intangible cultural heritage.

She explained that the Copyright Act, 2005 (Act 690), mandates the Board to protect expressions of folklore and ensure proper documentation, use, and promotion.

“Since our establishment, we have organised various activities to disseminate information on folklore and assisted in the administration and monitoring of its use,” she said.

These include World Folklore Day celebrations, Folklore Fun Day events, and the formation of folklore clubs in basic schools.

She called on parents and the public to embrace the initiative, which aims to reconnect the younger generation with Ghana’s storytelling traditions.

Source: GNA

He noted that this is part of the measures to show appreciation to the musician.

The Former President said this when he visited the family to extend his sympathy.

Nana Akufo-Addo insisted that the late Highlife Musician Daddy Lumba is indeed among the greats in the Music industry that the country has produced.

“Indeed, Daddy Lumba goes into the History books for Highlife greats that the country has produced, like King Bruce, Jerry Hanson and E.T. Mensah.

“He is indeed part of them. And to his children, the assurance is that they will not be orphans. We will all support them,” the former president said.

Source: Myjoyonline

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‘My name is everywhere because of him’: Akufo-Addo pleads to be…

Ghanaians immortalise Lumba – Candlelight event at Independence Square tonight

The former President noted that the highlife legend helped him win the mandate of Ghanaians to govern the country.

Nana Akufo-Addo said this when he paid a visit to the family of the late highlife legend on Friday, August 1, 2025, to extend his sympathy.

“I came here to sympathise with you and the loss of your royal. I cannot forget what he has done for me. Today, my name is everywhere in Ghana because of him and the work he did,” he said.

The former President also noted that he will be very pained if he is not part of the funeral arrangement, because he really wants to show his appreciation.

Source: George Wiafe

Ghanaians immortalise Lumba – Candlelight event at Independence Square tonight

Kofi Okyere-Darko: Random thoughts on growing up around Daddy Lumba

Aben wo aha, but Lumba wɔ aseɛ hɔ.

The fire raged, the dance never stopped, the lyrics still sting with joy and truth, yet today, the voice that made even sorrow sound sweet is quiet.

The man, whose music stitched itself into the very rhythm of our lives, has taken his final bow.

Daddy Lumba, born Charles Kwadwo Fosu, was not just a name, but a mood, a memory, a movement. In a period he had reached over 35 years of setting stages ablaze, he vanished like a final note fading into dusk.

Tonight, a national candlelight vigil is being held at the Independence Square in his memory, with a book of condolence already opened by the family at his radio station, DLFM (106.9 MHz) and residence since last Tuesday.

Just last September, he turned 60, and for the first time, he let us in, not through a song, but through a rare celebration.

He laughed, he waved, he glowed. Maybe, he was saying goodbye.

Now the stage is empty, but the spotlight remains.

The beat may pause, but the legend? He lives on in every note that dares to carry his name.

Though he was one of Ghana’s most celebrated stars, Daddy Lumba remained intensely private.

He rarely granted interviews or courted publicity, choosing instead to let his music speak for him.

In 1998, Gaddy Laryea’s Media Majique and Research Systems, the firm responsible for organising the Miss Ghana Beauty Pageant, went through a herculean task to get him to perform on stage live as part of the event.

It was the very first time Ghanaians would see Daddy Lumba wow his fans in a live stage performance, shattering doubts about his stagecraft.

Emmanuel Krampah, who was the General Manager at Media Whiz Kids, the event organising unit of MMRS, said Daddy Lumba’s Manager at the time, the late Kwasi Brenyah, then of Peace FM, executed the contract.

His quiet nature added to the mystique, making every rare appearance feel like a privilege.

Collective grief

Even in death, Daddy Lumba is bringing people together, not under concert lights this time, but through shared tears and glowing memories.

To the gospel singing trio, Daughters of Glorious Jesus, the connection ran deeper than sound.

“We used to call him our big brother. I recall the days we recorded in the same studio in Germany.

He was soft-spoken, so lovable, so kind.

After studio sessions, we’d go home and eat together; that’s who he was,” said Cynthia Appiadu, the soprano singer of the group.

For Edna Sarpong, also a member of the group, Lumba’s strength lay not just in vocals, but in restraint.

“He was slow to anger, quiet in the face of media noise. He hardly responded; he let the music speak.

The way he strung words together, the way he brought stories to life in songs, it was unmatched,” she said.

And for Monica Owusu Ansah, also a glorious daughter, the void feels even deeper.

“I wish he had left a protégé, someone to carry that torch. When you listen to his gospel songs, you feel it.

Yes, he may not have seemed ‘too churchy’ for some, but the man had a heart for God.

That guy could sing about anything and make you feel everything,” she said.

Gospel act, Diana Asamoah, shared similar sentiments: “Daddy Lumba wasn’t just a highlife legend; he was a man who knew God in his own quiet, personal way.

Gospel act, Diana Asamoah, shared similar sentiments: “Daddy Lumba wasn’t just a highlife legend; he was a man who knew God in his own quiet, personal way.

Flagbearer hopeful of the New Patriotic Party (NPP), Kwabena Agyei Agyapong, spoke from a place of personal loss.

“Daddy Lumba was a national asset.

A friend, a man whose voice comforted us in private pain and public joy.

This one hurts; we didn’t just lose an artiste, I lost a personal friend.”

President John Mahama also joined the national chorus of mourning with a tribute on Facebook.

“Lumba’s unmatched musical genius provided the soundtrack to our lives, carrying us through various phases of life.

The beats to his memorable songs may have died down, but his enduring legacy will echo through the ages.”

Other entertainers such as Sarkodie, Guru, Sista Afia, M.anifest, Pat Thomas and Wendy Shay have also paid glowing tributes, honouring the incredible gift he shared with the world.

Charting immortality

In the days following his passing, Lumba’s music has flooded digital platforms.

On Apple Music Ghana, 30 of his songs entered the Top 100, with Makra Mo shooting straight to No.1.

Best headphones deals

His political anthem, Nana Ye Winner, released ahead of the 2008 elections, boldly stepped into the political space.

Yet, his fan base remained solid, proof of a legacy that transcended party lines.

Daddy Lumba’s true magic was not just in his beat, it was also in his words, his mastery of Asante Twi, laced with wit, proverbs, giving his music unmatched depth.

You didn’t always catch every word. But you felt every meaning.

His songs captured everyday realities from financial struggles (Sika Asem, Ohia Asem) to romantic highs (Se Sumye Kasa, Odo Nti) and even sensual themes (Tokuro Mu, Awooso). Yet, even when he flirted with controversy, he did it with class, never crass.

Lumba also reminded us of faith (Mesom Jesus, Yesu Ka Yen Ho), gratitude (Theresa), and truth (Yentie Obiaa). He was a master of double meaning — Obi Ate Me So Buɔ, Biribi Gyegye Wo and Sesee Wo Se — prove that.

But what struck me most was how he faced death.

He didn’t shy away from it, he sang about it.

Songs like Makra Mo, Yemfa Odo, and Adaka Teaa were his way of writing his own eulogy.

Source: grahic.com.gh

-Then a horn honked at the gate. My cousins Joe, Anita and I rushed to open it, and there he was. The living legend himself, Daddy Lumba, driving in like a scene straight out of TV. We were beside ourselves with excitement.

That’s how it all began. We were introduced as his younger cousins, tied by our mothers’ roots in the Bretuo-Aduana lineage of Asante Mampong. I must’ve been around 14 or 15 years old, and from then on, I started spending more time with him at home with Gina, at Charles Amoah’s place in Awudome or with Willie Roy in Tema, where demos were always in the works. It was during these moments that I truly fell in love with highlife music and developed an eye for artistry and musicianship.

When computer schools started springing up everywhere, Papa pulled me aside and said, “Nana, I think you should enrol, this is where the world is heading.” The next day, it had been paid for me to start a computer program at Arab Libyan Cultural Centre on the Ring Road. He was always ahead of his time.

During school vacations, I’d help out at his music shop in Okaishie, just opposite the MTTU. Joe and I worked alongside Sister Abena (his wife Akosua Serwaa’s older sister). The shop was like a magnet for underground musicians, some hopeful, some discouraged, but all inspired. Getting through the gate to meet him was a mission in itself, you needed more than luck, you needed Papa’s green light.

That little corner of Dome, introduced me to so many greats like Nana Tuffour, Oheneba Kissi, Afia Ampofoa, KK Kabobo (another proud son of Adansi), Felix Owusu, Dada KD (who often worked with Charles Amoah), Tommy Wiredu, Frank Mensah… Papa adored their talent. There was also our brother Papa Shee, then his dancer, and a quiet, persistent young guy who often waited patiently at the gate with his demo, none other than Ofori Amponsah. That patience paid off with a collaboration album in 1999–2000. I would later manage Ofori for four incredible years.

One random afternoon, we were driving from an interview at Vibe FM, tuned in to Radio Gold (the gold standard back then for authentic Ghanaian music). An ad came on calling for new radio presenters. Papa suddenly turned to me and said, “Nana, this one’s for you, let’s apply.” I jumped at the idea, I’d always dreamed of doing radio. With help from Kwame Farkye at Sunshine Radio, I recorded a demo. Papa himself drove me to Radio Gold to meet Kwaku Boafo-Agyemang, the Programs Manager. And just like that, my media journey began in 1997.

Thank you, Papa, for seeing something in many of us before we even saw it ourselves. For being generous with your time, intentional with your influence, and unapologetic about helping others win. You changed my life and the lives of countless others. You weren’t just a legend on stage, you were magic offstage too.

Sleep well Papa!

The group included the Benkumhene of Bosomtwe Asaman Kokofu and veteran highlife musician Kaakyire Kwame Appiah, gospel singer ACP Kofi Sarpong, and fellow highlife artiste Nana Agyemang.

They visited the late icon’s residence at East Legon, Accra, where they sympathised with his grieving family.

Speaking on behalf of the group, Kaakyire Kwame Appiah described Daddy Lumba as a towering figure in Ghana’s highlife music scene.

He revealed that many highlife musicians regarded Lumba as an icon whose influence was so great that artists often delayed releasing their own songs when Lumba dropped new music.

“Whenever Daddy Lumba released a song, we knew competition was tough. We would often hold back on our releases. He set a high standard for all of us,” Kaakyire Kwame Appiah said.

Gospel musician ACP Kofi Sarpong urged the public to remember the bereaved family in prayer.

“This is a painful moment for the wife, children, and entire family. Let’s lift them up in prayer during these difficult times,” he appealed.

Daddy Lumba, born Charles Kwadwo Fosu, was one of Ghana’s most celebrated and influential highlife musicians.

Known for his unique voice, soulful lyrics, and consistency across decades, he produced numerous hits including Aben Wo Ha, Yentie Obiaa, and Theresa.

Source: Prince Owusu

Adom Brands of Multimedia Group commiserate with family of late Daddy Lumba

Arriving in a solemn convoy, the former President was received by chief mourners, family heads, and a host of sympathizers gathered to honour the memory of the iconic musician.

Clad in black, Akufo-Addo was seen in a moment of quiet reflection as he paid his respects and offered his condolences.

During the visit, he signed the book of condolence opened in honour of the late musician, whose influence on Ghana’s music industry spanned decades.

He was later joined by the Minority Leader, Alexander Afenyo-Markin, and other prominent members of the New Patriotic Party (NPP), who also visited the residence to mourn with the family.

He came earlier this week… and he’s back again. Minority Leader Alexander Afenyo-Markin returns to Daddy Lumba’s residence, this time, to join former President Akufo-Addo as he signs the book of condolences. #JoyNewsFocus || #JoyDigital pic.twitter.com/oYpcrbLlM8

— JoyNews (@JoyNewsOnTV) August 1, 2025

The atmosphere was filled with deep emotion as dignitaries and fans continued to gather, reflecting the national significance of Daddy Lumba’s passing.

Former President Akufo-Addo extended his heartfelt condolences to the family, describing Daddy Lumba as a cultural icon whose legacy would live on.

The arrest, which occurred on Thursday, July 31, 2025, followed a formal complaint filed by Xandy Kamel in collaboration with the Ghana Copyright Office.

According to officials, FAST TV allegedly broadcast copyrighted content from Kamel’s movie Unseen Beauty without authorisation. The film is currently streaming on her YouTube channel, XandyKamelsTV.

Despite receiving prior warnings and notices, the station reportedly continued airing the material, prompting legal action.

The arrest was made possible through the support of the Copyright Monitoring Team and the assistance of Mr. Socrate Safo, a long-time advocate for copyright enforcement in Ghana.

Commenting on the development, Xandy Kamel said:
“I have always believed in standing up for what is right, not just for myself but for every Ghanaian creative whose work is exploited or stolen. This is not personal. It’s a clear message that copyright laws in Ghana must be respected.”

Officials from the Ghana Copyright Office confirmed that investigations are ongoing, and more details will be shared as the case unfolds.

Source: Adomonline.com

As the 2025 season of Think Media and Adom TV’s collaborative talent competition roars to life, fans can enjoy a sweetly refreshing twist: celebrated actress and TV darling Nikki Samonas is now joined by the unmistakable voice and face of Adom FM and Adom TV, Eric Asiedu Boadi, as co-host of this year’s show.

Together, the duo is poised to breathe new energy into Sunday night television, so grab that chilled bottle of Darling Lemon and some popcorn, if you will, sit back, and enjoy the thrill.

A blend of elegance and everyday charisma

Nikki Samonas is no stranger to commanding the spotlight. With her magnetic screen presence and effortless style, she’s long been a staple in Ghana’s entertainment scene.

This season, she returns with her signature flair, but this time, she’s got company.

Eric Asiedu Boadi, affectionately known on air as “Kegyiwa Nankasa,” has evolved from his early days as a pupil teacher in Nkawkaw to becoming a household name in broadcasting. His story is the stuff of true Ghanaian inspiration.

A product of reality radio himself, Eric beat over 500 contestants to win the second edition of Adom FM’s Adom Star reality competition in 2010, a breakout moment that launched his journey with the Multimedia Group.

The accolades have only grown since then: Deputy Head of Sports at Multimedia, lead host of the Ultimate Sports Show and Sports Arena, and one of the first-ever Twi commentators for FIFA World Cup and English Premier League coverage on DStv.

His deep, expressive voice has made him one of Ghana’s most sought-after voice-over artists, with a fanbase that spans TikTok, Facebook, and Ghana’s airwaves.

His presence on The Darling Factor adds a warm, relatable, “dreams-come-true” magic that resonates deeply with contestants and Ghana’s mass audience.

Their chemistry? Unmistakable. Where Nikki glides, Eric grounds. Where she dazzles, he disarms. And where she brings the sparkle, he brings the soul.

A new era for the Darling Factor

By pairing these two distinct personalities, Adom TV signals a bolder, more inclusive direction for the show.

It’s not just about discovering raw talent anymore; it’s about telling stories, stirring conversations, and building deeper connections with viewers across Ghana and beyond.

Nikki and Eric reflect two sides of the same coin: urban elegance meets grassroots energy. This balance is exactly what The Darling Factor needs as it evolves from a talent competition into a true cultural moment.

Sunday nights just got more interesting

Whether you’re tuning in to cheer on your favourite contestant or simply vibing with the hosts’ banter, one thing is clear: The Darling Factor has never felt more alive. With Nikki and Eric at the helm, each episode promises not just competition, but conversation, surprise, and soul.

This season, we don’t just watch talent rise; we will feel it.

The Darling Factor airs every Sunday at 8:30 PM on Adom TV. Join the conversation online with #TheDarlingFactor and follow Adom TV on all platforms, especially WhatsApp, for exclusive behind-the-scenes content.

The 44-year-old said he was “shocked” to receive the diagnosis, but it explained why he “would be on stage and in a massive amount of nerve pain or, just feeling crazy fatigue or sickness”.

The Cry Me A River singer shared his diagnosis on Instagram following the conclusion of his Forget Tomorrow world tour.

Lyme disease is a bacterial infection that can be spread to humans by infected ticks. A few people diagnosed and treated for the disease can continue to have symptoms, like tiredness, aches and loss of energy, that can last for years.

Timberlake said he was faced with the decision to stop his tour early, but ultimately decided to keep going.

Writing on Instagram on Thursday, he said: “As many of you know, I’m a pretty private person. But as I’m reflecting on the tour and festival tour, I want to tell you a little bit about what’s going on with me.

“Among other things, I’ve been battling some health issues, and was diagnosed with Lyme disease – which I don’t say so you feel bad for me – but to shed some light on what I’ve been up against behind the scenes.

“If you’ve experienced this disease or know someone who has – then you’re aware: living with this can be relentlessly debilitating, both mentally and physically.”

According to America’s Centers for Disease and Control and Prevention (CDC), patients treated with antibiotics in the early stages of the infection usually recover quickly and completely.

It adds most patients treated in later stages respond well to antibiotics, but some may have suffered long-term damage to the nervous system or joints.

Justin Bieber, Shania Twain and Avril Lavigne are among other singers to have struggled with Lyme disease.

‘Trying to be more transparent about struggles’

But Timberlake said the “joy that performing brings” outweighed the stress his body was feeling, and he was “glad I kept going”.

His two-year world tour, which started in April 2024, concluded in Turkey on Wednesday.

“Not only did I prove my mental tenacity to myself, but I now have so many special moments with all of you that I will never forget,” he said, adding he was trying to be “more transparent” about his struggles so “they aren’t misinterpreted”.

The star had come in for criticism from some fans on social media for underwhelming performances.

Timberlake’s diagnosis follows a turbulent few years.

In September 2024, he pleaded guilty to bring driving while impaired as part of a plea deal to bring his drink-driving case to an end.

“This is a mistake I have made, but I hope whoever is watching and listening right now can learn from this. I know I certainly have,” he said at the time.

The singer has also faced backlash after details about his relationship with ex-girlfriend Britney Spears were revealed in her memoir and a separate Britney Spears documentary.

Timberlake, who fronted boy band NSYNC, has earned 10 Grammys as a solo artist and is one of the best-selling record artists of all time.

He is married to actress Jessica Biel.

BBC

Photos and a video from the traditional wedding ceremony, held on Friday, July 25, have surfaced online, showing the couple receiving parental blessings in an intimate event attended by family and a few close friends.

The newlyweds reportedly chose to keep the event private, only making their union public a week after the ceremony.

The wedding follows months of subtle hints from the couple, including 2Face’s proposal to Natasha and her recent decision to adopt the Idibia surname—a move that sparked online speculation about an imminent wedding.

This marks 2Face’s second marriage and Natasha’s first.

His previous marriage to Nollywood actress Annie Idibia ended earlier this year after 12 years. In January, the “African Queen” hitmaker announced their separation, stating his intention to embrace peace and focus on a new chapter of growth.

Girls Can Talk isn’t just another talk show. It’s Ghana’s cultural clapback to a media landscape that has, for far too long, placed women in the frame, but rarely handed them the mic.

It’s a timely answer to a generation of young Ghanaian women who are smart, stylish, socially aware, and tired of being told to tone it down.

We’re living through a global reckoning, around gender, power, and voice. From #MeToo to #FixTheCountry, from podcast confessions to viral tweetstorms, women everywhere are speaking, and being heard.

But while these conversations echo loudly on Twitter threads and WhatsApp groups, they’ve rarely taken center stage on Ghanaian television. Until now.

On GCT, no topic is off-limits, and no opinion is too loud. It’s a space for unfiltered truth on love, money, sex, ambition, identity, motherhood, slay culture, and everything in between. And it’s not just what they’re talking about that matters, it’s who’s doing the talking.

Girls Can Talk is powered by a rotating panel of passionate, brilliant, bold women, the campus queen, the market girl, the boss chick, the dreamer, the disruptor.

It’s not about finding consensus. It’s about creating contrast. It’s about letting truth clash with tradition, and letting women walk boldly through the fire of public opinion with style, substance, and soul.

What makes Girls Can Talk especially urgent is its timing. Right now, young Ghanaian women are rewriting the rules.

They’re running businesses on Instagram, challenging patriarchy on TikTok, shaping culture on Twitter, and reimagining what it means to be African and female in 2025. But television hasn’t caught up.

GCT is here to close that gap.

This is not a show made to please. It’s made to provoke, to push, to play, and to peel back the layers of what it means to be a woman in Ghana today.

It’s what radio can’t hold. It’s what social media can’t fully contain. It’s not a reaction. It’s a statement.

And maybe, just maybe, it’s the loud, laughing, liberated future of TV we didn’t know we needed.

Girls Can Talk. Are you ready to listen?

No, she’s not a household face on Ghanaian TV, and no, she’s not a popping influencer with numbers on Instagram and TikTok. Not yet anyway. But she might just be the voice we didn’t know we needed.

Yaa is in her late 20s, a proud Ashanti born in Accra and raised between the two cultural poles of Kumasi and the capital.

That duality is evident in her energy: quiet confidence, layered with warmth, humor, and a subtle fire. “I like to believe I’m an introvert,” she says with a laugh, “but that doesn’t take the fun out of my personality. Most people close to me say I’m a talker. Some might even say I’m a little mischievous.” She giggled with a glint in her eyes.

She didn’t grow up with a silver spoon, but best believe, she’ll find one to beat you with, if that’s what it takes to shift your perspective.

Yaa speaks with the conviction of someone who inherited something far more valuable than a fancy education in a prissy neighborhood: grounding.

“Growing up, my father always made sure I was sorted.” Her mother, a trader and a force of nature, taught her to hustle hard and pray harder. “Self-sufficiency gives you a seat at the table,” Yaa says. “It gives you the power to choose who you want to be. You don’t need to sacrifice what you believe in on the anvil of other people’s benevolence.”

It’s this sense of self that makes her the perfect referee for a show like Girls Can Talk, a space that demands both empathy and audacity. She sees the show not as a performance, but a responsibility. “Adom TV saw beyond the numbers and chose me because they believe every woman, regardless of status or spotlight, deserves to be heard. And they’re letting me be the vessel for that voice.”

She describes her hosting style as “engaging, warm, and accommodating but firm.” Her favorite topics? Love, identity, money, and culture. Her boldest public opinion? Her unapologetic pride in being Ashanti. And what does she hope young Ghanaian women are ready to say? “That they are enough.”

When asked what message she hopes viewers take from every episode, Yaa’s answer is simple, but powerful: “Say your truth, and stand by it no matter what.”

Yaa Lopez may be new to the screen, but she’s no stranger to real talk. And Girls Can Talk isn’t just her show, it’s her statement.

Girls Can Talk will start airing on Adom TV from the 12th of August. The show comes your way at 3:00 pm every Tuesday and Thursday.

In a solemn show of solidarity, a delegation made up of representatives from Adom TV, Adom FM, and Asempa FM visited the late musician’s family home to commiserate with them during this difficult time.

They joined loved ones, industry colleagues, and sympathizers to honour the memory of a man whose music has shaped generations.

Senior News Editor in Charge of Special Assignments, A. C. Ohene, signed the book of condolence on behalf of the group.

In his tribute, he wrote:

“To us, a national icon; to our Maker, a son returned. We take comfort in the hope that someday we shall meet again in eternity. Daddy Lumba, the Adom Brands salute you. Multimedia bids you, Damirifa Due.”

Describing Daddy Lumba as a musical trailblazer, the delegation praised his immense contribution to Ghanaian music and culture, noting that his timeless catalogue continues to inspire millions.

The family, while expressing gratitude for the visit, assured the delegation that details of the one-week observance and funeral arrangements would be communicated in due course. In response, the Adom Brands team pledged their support in helping to publicize these announcements and ensure Daddy Lumba is celebrated fittingly.

The delegation included brand managers, presenters, producers, as well as sales and marketing executives.

Below are scenes from the visit:

Photo Credit: Joseph Odotei 

Daddy Lumba’s real name is Charles Kwadwo Fosu, which might suggest he was born on Monday, given the traditional Ghanaian naming convention where “Kwadwo” signifies a male born on Monday.

However, his birthdate, September 29, 1964, actually fell on a Tuesday, contradicting this assumption. Interestingly, in Ghanaian culture, Tuesday-born males are typically named Kwabena, which aligns with Daddy Lumba’s given name Kwabena.

In an interview with Graphic Showbiz, ET Akonor, Lumba’s friend and confidant has disclosed the reason for the music icon’s name.

“Lumba is a Tuesday born. He is Kwabena. The Kwadwo Fosu is a compound surname of his father so he would have been Kwabena Kwadwo Fosu which would have been odd so they just gave him Charles Kwadwo Fosu,” he revealed.

Daddy Lumba was born on September 29, 1964 and hailed from Nsuta near Mampong in the Ashanti Region.

He started his music career at age 16 and became the leader of the then Juaben Secondary School choir in 1983.

After secondary school, Daddy Lumba formed the Lumba Brothers group with his friends Yaw and Kwabena and girlfriend, Theresa Abebrese.

With the help of his girlfriend Theresa, Daddy Lumba travelled to Germany after school to seek greener pastures and met Ernest Nana Acheampong.

Nana Acheampong, another highlife legend introduced Daddy Lumba to highlife music as all Lumba knew then was gospel music.

They formed the group called Lumba Brothers and rose to fame with many songs starting with “Yɛɛyɛ aka akwantuo mu”.

They released many songs until they went their separate ways.

Graphic showbiz 

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• Lumba’s reputation would have been ruined if… – Mystic Twins

• How late Daddy Lumba got his stage name

In an Instagram post, the Grammy award-winner said she was “honoured”, adding “thank you Benin for opening your arms and your heart to me”.

The citizenship scheme is part of an initiative by the small West African country to build ties with the African diaspora and boost cultural tourism.

Ciara, known for R&B and pop hits such as Goodies and 1,2 Step, officially became a citizen at a ceremony in the city of Cotonou.

“This act, which is symbolic, humane and historic, is not merely an administrative gesture. It is a gesture of the soul, a return to one’s roots, a hand extended to those whom history, in its brutality, had torn from this land,” the government said in a statement on Monday, following the ceremony.

By enacting the My Afro Origins Law last year, Benin joined countries like Ghana and Guinea-Bissau in offering citizenship to people with an African ancestor who was taken from their homeland as part of the transatlantic slave trade.

Descendants can apply to become a citizen via a recently launched website.

Just last week, Benin appointed renowned American filmmaker Spike Lee and his wife, Tonya Lewis Lee, a seasoned producer and author, as its ambassadors for African-Americans in the US.

Benin’s coastline is part of what was once known as the Slave Coast – a major departure point for enslaved Africans shipped across the Atlantic Ocean to the Americas.

Between 1580 and 1727, the Kingdom of Whydah, a major slave-trading centre located on what is now Benin’s coast, is estimated to have exported more than a million Africans to the US, the Caribbean and Brazil.

Source: BBC

Clad in a striking multicoloured fugu—reflecting the red, gold, green, and black of the Ghanaian flag—his outfit drew instant attention.

But it wasn’t just his vibrant attire that captured the public’s eye.

What has stirred the most online buzz is his choice of footwear: an oversized pair of black sandals worn under loosely draped green trousers.

The look has since sparked humorous reactions and mixed commentary on social media.

Unbothered by the chatter, King Ayisoba exuded the eccentric and unapologetic persona that has long defined his unique music career.

Watch video below:

 

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A post shared by Nana Kwame Brain (@ghbrain_)

In an interview with Okay FM, Jim Iyke stated that women cannot raise boys into men on their own.

He explained that boys require male guidance and discipline, which women, despite their nurturing nature, cannot fully provide independently.

“A woman can’t raise a man alone. I’ve met women in this very place, and I can tell you they are not built for it. A single mother cannot raise a boy properly without male influence. Find your brother who’s doing well, your father, or even a man you trust. There has to be a male presence,” he said.

“Women are naturally built to nurture and love. But without that balance, what you may end up raising is a weak man someone who might even resemble the man who walked out on you. That becomes his idea of manhood. A boy needs someone who will discipline him, tell him ‘no’ when necessary, and encourage him to grow through challenges,” he added.

Jim shared a personal story about a time when his four-year-old son was bullied by other kids during a football game. Rather than rushing to defend him, he allowed his son to handle the situation on his own.

“He came to me crying, but I didn’t act like I knew him,” he admitted, explaining that this was a test to see how his son would react.

When the boy’s mother tried to intervene, Jim stopped her. “That’s the instinct of a woman: to go and help him. I told her, ‘Don’t you dare go near him,’” he said.

He elaborated that part of leadership involves having a partner who respects your approach and trusts your judgment.

Eventually, his son returned to the game, stood up for himself, and demonstrated his strength. Jim expressed pride in that moment, as it showed growth and courage.

“That was the unspoken understanding between us: I’m not here to help you. I’m here to guide you, protect you, and provide for you. The rest is for you to figure out yourself,” he said.

The actor concluded by emphasising that his parenting style aims to raise resilient children who are prepared for the real world. “That’s my idea of leadership. That’s greatness,” he added.

Source: graphic.com.gh