She described the arrival of her newborn as a testimony of God’s mercy and faithfulness after a challenging pregnancy journey.

The singer shared the joyful news on social media, expressing gratitude to God for blessing her with the gift of motherhood once again.

In an emotional post announcing the arrival of her daughter, Anita Afriyie wrote: “I’m the one that you have shown me mercy 🥹. Thank you, my Owiagya Nyankopong. God has done it again. Thank you, my love, for making me a mother again.”

Anita Afriyie’s latest addition makes her a mother of three children. She already has two older children from a previous relationship and welcomed her newborn daughter on July 20, 2026.

The arrival of her baby girl comes after what she described as a difficult path to motherhood, having experienced four miscarriages before successfully carrying the pregnancy to term.

Sharing her joy, the singer also offered prayers for women and families hoping for the blessing of children.

The announcement has since attracted congratulatory messages from well-wishers who have celebrated the gospel musician’s new chapter of motherhood.

The goalkeeper paid a courtesy call on the Mayor at City Hall on Monday to personally thank him for the encouragement and confidence he showed throughout the tournament.

Describing the Mayor as both a father and a brother, Benjamin Asare said he deeply valued the support and guidance he received during Ghana’s World Cup journey.

According to him, his emergence as Ghana’s number-one goalkeeper was not something he could have predicted, but rather a blessing he believes came with a divine purpose.

He said representing the Black Stars had always been a childhood dream and a personal ambition he was determined to fulfil, adding that he remains committed to making a meaningful contribution to Ghanaian football.

Benjamin Asare also reflected on his personal journey, noting that although he was unable to attain the level of formal education he desired, he never gave up on his dream of serving the nation through football.

He said his experience with the national team exposed him to the immense love and support Ghanaians have for him and pledged to continue giving his best whenever he is called upon to represent the country.

The goalkeeper prayed for strength and unity among his teammates as they continue to pursue the goals of the Black Stars, while expressing confidence in the continued support of the Mayor and other well-meaning Ghanaians.

In response, Mr Michael Kpakpo Allotey praised Benjamin Asare’s rise and expressed confidence in his ability to reach greater heights in his football career.

The Mayor prayed that the goalkeeper secures opportunities with top international clubs and urged him to always remember his roots, particularly the role played by Accra Hearts of Oak in his development.

Mr Allotey recalled that Hearts of Oak has produced some of Ghana’s finest goalkeepers, including Sammy Adjei, and expressed hope that Benjamin Asare would receive the right opportunities to establish himself on the global stage.

He described the goalkeeper’s rise as a product of divine timing, stressing that when one’s moment arrives, no obstacle can prevent success.

The Mayor also proposed a follow-up engagement with Benjamin Asare and his management team before Friday to explore possible areas where the Assembly and other stakeholders could support his growth and future career.

Welcoming the goalkeeper to the Assembly, Hon. Allotey assured him that while Hearts of Oak remains his first home, the Accra Metropolitan Assembly would serve as his second home.

Speaking in an interview on Hitz FM, Gharbin revealed that he has officially become a Dutch citizen and recently received his Dutch passport, describing it as one of the most valuable achievements of his life.

Explaining what informed his bold assertion, he said the discussion came up during a conversation with a friend who had gone through an exhausting process to secure a five-year U.S. visa.

According to him, comparing their experiences made him realise the practical advantages that come with holding a Dutch passport.

Gharbin explained that unlike many visa applicants who must book embassy appointments, attend interviews and submit extensive documentation, his Dutch passport allows him to complete many travel processes online without even physically visiting an embassy.

He clarified that his comments were not meant to downplay the importance of education but to highlight the real-world opportunities and ease of global mobility that come with holding a strong passport.

For him, the freedom to travel, work and access opportunities across countries without cumbersome visa procedures gives the Dutch passport immense practical value.

Such experience, he opined, in certain respects, surpasses even the prestige of advanced academic qualifications.

His comments have since sparked conversations online, with many debating whether the value of a powerful passport can truly be compared to that of higher education.

Moments after leaving the courtroom, she told journalists, “I’ll die for my party. God is my witness,” before her lawyer quickly stepped in and urged her to stop speaking.

Mama One had earlier appeared before the court after being arrested by the Cyber Vetting and Enforcement Team (CVET) of the Ghana Police Service over videos allegedly shared on social media.

According to investigators, the videos contained offensive and derogatory remarks targeting President Mahama and the First Lady.

Police allege that among the comments, she described the President as an “infidel” and made insulting remarks about Lordina Mahama’s personal hygiene, among other statements currently under investigation.

Following her court appearance, she was granted bail in the sum of GH¢50,000 with two sureties pending the outcome of investigations.

However, her comments immediately after securing bail are likely to attract fresh public attention, particularly as investigators continue to examine the content of her earlier videos.

The case forms part of a series of investigations by the Police into alleged offensive and threatening political content circulated on social media.

Speaking on Hitz FM’s Daybreak Hitz, he argued that Ghana cannot attract more tourists if access to major tourist destinations remains difficult due to poor road networks.

“The first thing to boost tourism in any country is good roads,” he said.

According to Mr Happiness, improving roads should be a priority for government and stakeholders seeking to make Ghana a more attractive tourism destination.

He noted that many of Ghana’s major tourist attractions are located outside Accra, making reliable transportation infrastructure essential.

“And most of our tourist attractions are outside of Accra,” he added.

The content creator said poor road conditions across the country, including in Accra, create frustrating experiences for both local and international visitors.

“There are no better roads in Accra, talk of outside Accra,” he stated.

He explained that travelling to some tourist destinations often becomes uncomfortable and time-consuming, particularly for visitors without vehicles designed for difficult road conditions.

“So a journey that can take two hours, if you don’t own a Land Cruiser to absorb the shocks and provide comfort on the road…” he said.

Mr Happiness questioned whether tourists who endure long international flights would be willing to undertake similarly stressful journeys within Ghana.

“Do you think somebody travelling eight hours from a flight will want to go to Nzulezu or anywhere, and the journey is supposed to be four hours but ends up taking eight hours?” he asked.

He believes such experiences could discourage visitors from recommending Ghana as a preferred tourism destination.

“Do you think this person will recommend a friend to come and see this?” he added.

Speaking on Hitz FM’s Daybreak Hitz, he said cooking should not be viewed as a responsibility reserved only for women, arguing that men should be able to care for their households even before marriage.

“I love cooking. Food is life. The stomach is the centre of life. Why would you give that part of your life for somebody else to control?” he said.

According to Mr Happiness, men should be self-sufficient and not rely entirely on their wives for meals.

“As a man, you are the head of the house. You have to know how to cook before you bring a helper — a woman — into your life,” he stated.

He argued that men who lack cooking skills could struggle to manage their homes during emergencies, such as when their wives are unavailable due to childbirth or illness.

“If you don’t know how to cook, don’t marry. If you are married and you have your first child, maybe your mother will come and help. Two or three years later, you decide to have your second child. If your wife is at the hospital and your first child is hungry, as the husband, will I have to call my mother to come and cook?” he questioned.

Mr Happiness further referenced the Bible, explaining that the role of a helper suggests that a man should already be capable of leading and managing his home before marriage.

“The Bible says the man leads and the woman is the helper. For you to get a helper means you are already doing something effectively. A man who cannot handle his home shouldn’t marry,” he added.

Reflecting on the experience during an interview on Hitz FM, the politician described detention as one of the most uncomfortable moments of his life, saying no amount of preparation can truly prepare a person for the reality of confinement.

According to him, it was not necessarily the physical conditions that weighed heavily on him, but the psychological reality of knowing he could no longer enjoy the freedom most people take for granted.

“It’s not the same as sleeping in your room. The mere fact that you know you can’t open the door and walk out at will is a problem. It’s a challenge,” he recounted.

Aboagye admitted the experience left a lasting impression on him, so much that he has no desire to ever find himself in a similar situation again.

“Confinement is not a good thing. I don’t want to experience it again, and I don’t wish it for anybody,” he said.

Despite the ordeal, he maintained that he harbours no resentment towards the investigators, as they were simply carrying out their constitutional mandate.

The former government official also used the opportunity to thank his political allies and supporters who reached out to him with messages of encouragement during his detention.

Miracles Aboagye was arrested by EOCO as part of investigations into alleged financial and procurement-related irregularities said to involve about GH¢55 million during his tenure as Executive Secretary of the IMCCoD.

He was subsequently granted GH¢50 million bail pending the outcome of investigations.

Following his release, the politician firmly rejected the allegations, insisting he was never questioned by investigators over any missing GH¢55 million and describing reports suggesting otherwise as inaccurate.

As investigations continue, Aboagye says his focus remains on cooperating fully with the authorities while clearing his name.

Watch video below:

Speaking ahead of the launch of the ‘Highlife to the World (H2TW) – Black Star Experience 2027’ campaign, scheduled for August 2, 2026, in Barcelona, Spain, the MUSIGA President described Highlife as Ghana’s priceless gift to the world.

The campaign is dedicated to promoting and preserving Ghana’s Highlife music, which the United Nations Educational, Scientific and Cultural Organization (UNESCO) officially inscribed on its Intangible Cultural Heritage List in December 2025.

“We are formally announcing the campaign at the concert at SeaSea Club in Barcelona, but the rollout starts in March next year alongside Ghana’s 70th Independence Anniversary celebrations. Highlife is the glorious rhythm from Ghana, and we are proud of it,” Bessa Simons said.

The Barcelona event will take place from 10:00 a.m. to 5:30 p.m. It is being organised by the Ghana Embassy in Madrid, the Musicians Union of Ghana (MUSIGA), the Black Star Experience and Showbiz Africa.

Performers at the concert will include Stonebwoy, Amandzeba Nat Brew, Obrafour, Bessa Simons, Jupitar and others. DJs on rotation will include some of Ghana’s finest based in Europe, including DJ Logs, DJ Demo, DJ Enoch and DJ King Solo, with a guest appearance by Spain-based Nigerian DJ Enny.

The Ghanaian delegation will be hosted by H.E. Kalsoume Sinare Baffour, Ghana’s Ambassador to Spain. It will include Bessa Simons (President, Musicians Union of Ghana), Maame Efua Houadjeto (CEO, Ghana Tourism Authority) and Rex Omar (Black Star Experience Coordinator).

Other members of the delegation are Gideon Nee Aryeequaye (Executive Secretary, Creative Arts Agency), Verus Nartey (CEO, Showbiz Africa and Made in Ghana Consulting Ltd) and Eric Acquah (CEO, Benayacon Entertainment).

The Barcelona event is being organised in partnership with Benayacon Entertainment, the National Folklore Board, the Ghana Tourism Authority and the Creative Arts Agency, with support from the Spanish Embassy in Ghana and the UNESCO Office in Ghana.

Her father, Joshua Hottle, announced the news in a Facebook livestream using American Sign Language, saying that she died in a car accident in Maryland and he was flying from Texas to claim her body. 

Texas School for the Deaf, where Hottle was a senior, also confirmed the news in a statement on social media. Hottle and her father are both deaf and come from a multi-generational deaf family.

“It is with profound sadness that we share the heartbreaking news that one of our TSD seniors, Kaylee Hottle, tragically passed away yesterday in a car accident in Frederick, Maryland,” Texas School for the Deaf’s post reads.

“Our hearts are with Kaylee’s family, friends, classmates, and everyone who knew and loved her during this incredibly difficult time. At this time, we have very limited information and ask that everyone respect the privacy of Kaylee’s family and refrain from sharing or speculating about the circumstances surrounding the accident.”

Hottle is best known for playing Jia, a deaf orphan who forms a close bond with Kong and is taken in by Dr. Ilene Andrews (Rebecca Hall), in 2021’s “Godzilla vs. Kong” and 2024’s “Godzilla x Kong: The New Empire.”

For the latter, Hottle was nominated for the Saturn Award for best performance by a younger actor.

Born in Atlanta, Georgia, on May 1, 2007, Hottle was from an all-deaf family and got her start in commercials promoting support for the deaf community, including the video interpreting service Convo.

She was fluent in American Sign Language and communicated with Kong in both “Godzilla” films by signing. Besides the two “Godzilla” films, she is also credited in a 2021 episode of “Magnum P.I.”

In addition to her acting work, Hottle was an athlete and competed on Texas School for the Deaf’s track-and-field team.

Musicians wrote the songs. Fans memorised every lyric. Radio stations, clubs, bars, concerts and, more recently, streaming platforms kept the music alive. Yet when royalty season arrived, many creators were left scratching their heads.

How was my royalty calculated? Where did the money come from? Why is my payment so small?

Even worse, royalty distributions often sparked another familiar chorus. Speculation. Complaints. Allegations that payments depended more on influence than actual music usage. Some artistes publicly questioned the amounts they received, while others wondered whether the system rewarded popularity, productivity or simply proximity to power.

GHAMRO now appears determined to change that narrative.

Beginning July 27, 2026, the Ghana Music Rights Organisation(GHAMRO) will commence its first royalty distribution of the year, fulfilling its pledge to pay royalties twice annually. For the first time, every beneficiary will receive a personalised royalty statement showing exactly which quarters generated theirearnings.

That may sound like a routine administrative upgrade. It is anything but.

Transparency is the currency of trust. Today’s musicians no longer want to hear, “Here’s your money.” They want to know exactly how every pesewa found its way into their account.

Technology finally takes centre stage

This is more than another payment cycle. It is a sign that GHAMRO is embracing the tools used by leading collective management organisations around the world.

The organisation now relies on WIPO Connect for repertoire management, ACRCloud for broadcast monitoring, CIS-Net for international rights data exchange, and CISAC standards for copyright administration. Together, these systems improve data accuracy, strengthen royalty matching, and give creators greater confidence that their music is being tracked properly.

In today’s digital music economy, technology is no longer a luxury. It is the backbone of fair royalty distribution.

The numbers tell a bigger story

This distribution covers:

• Background Music Royalties for the first and second quarters of 2026

• Digital Mechanical Royalties, mainly for the third and fourth quarters of 2025

• Digital Performance Royalties, mainly for the third and fourth quarters of 2025

• Live Performance Royalties, mainly for the third and fourth quarters of 2025

The total distributable amount stands at GHS1,433,571.43, comprising:

• Background Music: GHS500,000.00

• Digital Mechanical: GHS706,149.55

• Digital Performance: GHS160,641.88

• Live Performance: GHS66,780.00

One standout figure deserves special attention. The single highest royalty recipient in this distribution will receive GHS121,000, a powerful reminder that when music usage is properly tracked and collections improve, meaningful royalty payments are possible.

The organisation has also recorded its strongest digital collections and its highest international royalty collections since GHAMRO was established in 2011. In an industry where streaming increasingly drives revenue, that is a milestone worth celebrating.

Progress worth applauding

Ghana’s royalty system has travelled a long and sometimes bumpy road. Before GHAMRO, the Copyright Society of Ghana (COSGA) managed music royalties. Earlier still, Ghanaian musical works were largely administered through foreign collecting societies.

GHAMRO was created to build a more efficient, technology-driven organisation capable of protecting Ghanaian creators in a rapidly changing global music business. Today’s investment in digital monitoring, international data exchange and itemisedroyalty reporting shows that vision is steadily becoming reality.

The current leadership deserves credit for pushing transparency higher up the agenda and delivering on its commitment to distribute royalties twice a year despite significant operational challenges.

The elephant is still in the studio

Every success story has its unfinished chapter.

GHAMRO’s biggest hurdle remains the unresolved issue surrounding its operating licence. The prolonged licensing impasse continues to limit the organisation’s ability to maximiselocal collections, ultimately reducing the money available for musicians.

Every business that uses music without paying licence fees is effectively enjoying someone else’s creativity for free while the people behind the songs lose income they have rightfully earned.

This is no longer just a copyright issue. It is an economic issue affecting composers, performers, producers, publishers and the wider creative industry.

The Office of the Attorney General must bring certainty to the licensing process. The longer the delay, the greater the cost to Ghana’s music economy.

The work is not finished

GHAMRO has made impressive strides, but there is still room to grow. Creators need continuous education on royalty calculations, music registration and metadata. Broadcasters and commercial music users must also take licensing obligations more seriously. The organisation can further strengthen confidence through regular stakeholder engagements, enhanced digital self-service platforms and quicker resolution of royalty disputes.

Transparency should not be a twice-yearly event. It should become part of GHAMRO’s DNA.

A better future is within reach

No institution becomes world-class overnight. What matters is consistent progress.

This latest royalty distribution sends an encouraging signal. Better technology, record international collections, stronger digital revenue, personalised royalty statements and a top payout of GHS121,000 all point to an organisation moving in the right direction.

Now the baton passes to government, broadcasters, businesses and every user of music. A strong licensing regime is essential if creators are to receive the full value of their work.

After all, every unforgettable chorus, every wedding favourite, every street anthem and every global hit begins with one person and one idea.

When creators are fairly rewarded, the entire music industry wins. And so does Ghana.

Speaking in an interview, the gospel artiste expressed concern about what he described as the industry’s growing focus on commercial success at the expense of deep storytelling and meaningful artistry.

According to Perez Musik, many listeners now consume music based on trending songs rather than taking time to appreciate complete albums and the messages behind them.

He argued that if a legend like Bob Marley were emerging in this era, some of his most powerful works may have struggled to gain the recognition they deserved because audiences are increasingly drawn to instant hits.

Perez Musik also referenced Michael Jackson, suggesting that in today’s fast-paced music environment, many people might focus only on popular songs such as Billie Jean while overlooking other important works that shaped his legacy.

The gospel musician believes the evolution of music consumption has affected the appreciation of artistry, as musicians are now often judged by numbers, trends and chart positions rather than the depth of their work.

He stressed that music goes beyond entertainment, describing it as a powerful tool capable of healing, inspiring and transforming lives.

While acknowledging the role of technology in changing the music landscape, Perez Musik urged audiences to look beyond popular singles and appreciate the full creative works and messages artistes bring to the industry.

Watch video below:

Speaking in an interview, Perez Musik said AI has become an important part of his songwriting and production process, helping him develop ideas before heading into the recording studio.

According to him, he uses AI to create demos, experiment with melodies and organise musical ideas, but insists the technology should never replace an artiste’s originality.

“AI is helping. It’s technology. It’s a tool. We can’t demonise it. You must learn how to use it,” he said.

Perez Musik explained that AI has significantly reduced the time spent on pre-production, allowing him to refine concepts before recording.

However, he expressed concern that some musicians have gone beyond using AI as a creative assistant and are relying on it to produce entire projects.

He singled out Shatta Wale’s latest African King album as an example of how the technology can be be integrated into music without taking away an artiste’s identity.

According to him, the dancehall musician used AI creatively while ensuring his personality remained evident throughout the project.

“The way he incorporated AI was beautiful. He’s smart. His personality is still in it. He uses it where it’s necessary,” Perez Musik said.

He stressed that while AI is transforming music production, it should complement human creativity rather than replace it.

As artificial intelligence continues to reshape the global music industry, Perez Musik believes the future belongs to artistes who embrace technology while preserving the authenticity that makes their music unique.

Speaking in an interview, the musician disclosed that he put his promising music career on hold after joining the military, where he rose through the ranks to become a commissioned officer.

According to Sugar Ranking, his military career demanded his full attention, leaving little room to pursue music publicly.

He explained that regulations of the Ghana Armed Forces at the time did not permit serving military officers to perform publicly as musicians, forcing him to step away from the spotlight.

Despite already making a name for himself in the industry, Sugar Ranking said choosing the military over music was an easy decision.

The artiste, who rose to prominence at a young age alongside acts such as Castro, Yogi Dogi and Sonny Badu, said he has no regrets about exchanging the microphone for a military uniform.

Although fans rarely saw him on stage during that period, he insisted he never abandoned music entirely. Instead, he continued writing songs, refining his craft and preparing for the day he would return.

Having completed 13 years of service, Sugar Ranking said he has now exited the military and is fully focused on rebuilding his music career.

“I served for 13 years. I’m out now, and I went back for my microphone because that’s what I do best,” he said.

Beyond making music again, the reggae artiste said he is determined to use his experience to guide and mentor emerging talents while creating songs that inspire and positively impact society.

His revelation finally puts to rest years of speculation surrounding his disappearance from Ghana’s music scene and signals the beginning of what he hopes will be a successful new chapter in his career.

The court, as part of the new bail conditions, directed that one of the sureties must be a civil servant earning a monthly salary of at least GH¢2,500.

Aminat Mahama has also been ordered to surrender her Ghana Card to the police and report regularly to investigators until the conclusion of investigations into the matter.

The latest development comes after the social media personality was previously granted bail of GH¢1 million with two sureties following her arrest and subsequent appearance before Accra Circuit Court 2.

Under the earlier conditions, one of the sureties was required to be a civil servant earning not less than GH¢5,000, while she was also required to deposit her passport or Ghana Card with the police and make regular appearances before investigators.

Aminat Mahama was first arrested in May 2026 by the Police’s Cyber Vetting and Enforcement Team (CVET) after videos circulating on TikTok allegedly showed her making insulting comments against President John Dramani Mahama and making statements interpreted by authorities as threats against the President and his wife, Lordina Mahama.

The Police also alleged that some of her comments encouraged acts of violence, leading to investigations into possible offences linked to her online activities.

The case attracted public attention due to Aminat Mahama’s growing presence on TikTok, where she regularly shared political commentary and social media content. Her support for former Vice President Dr. Mahamudu Bawumia earned her the nickname “Bawumia Ba,” which became widely associated with her online identity.

Following her re-arrest after allegedly repeating similar comments, she was brought before the court again to answer to the allegations.

The court’s decision to grant her GH¢50,000 bail means she will remain at liberty while the police continue investigations. She is expected to comply with all bail conditions, including reporting to investigators as directed.

The substantive matter is yet to be determined by the court.

Recent claims circulating on social media suggested that attempts were being made to prevent some performers, particularly DopeNation, from appearing at the event scheduled for the OVO Arena Wembley on Saturday, August 15, 2026.

However, Vida Adutwumwaa Boateng has described the reports as baseless, assuring fans that all artistes officially billed for the festival remain committed to the show.

According to her, the engagements between the organisers and the artistes are strictly tied to the festival date, meaning any performances they may have before or after the event do not affect their appearance at BHIM Festival London.

“Our contract is solely for August 15. If that day comes and an artiste does not show up on stage, then we have a case against them,” she explained.

She added that the team is confident all announced performers will be present on the night, urging fans not to be distracted by unverified reports.

Vida further advised the public to rely only on official communication from Stonebwoy, his public relations team, or Burniton Music Group regarding matters concerning the festival.

“If the communication is not coming from Stonebwoy himself, me, or his team, take it as a rumour with no truth to it,” she said.

The 2026 edition of BHIM Festival London is expected to bring together some of Ghana’s biggest music acts and celebrate the global reach of Afrobeats and Ghanaian music.

Watch video below:

The family has announced the death of his mother, Abigail Mensah Agbozoh, exactly two years after his burial.

John Claude, who was known for his work in Ghana’s entertainment space, died on May 20, 2024, in a tragic accident on the Accra-Apam highway involving highlife musician K.K. Fosu.

He was laid to rest on July 19, 2024, with family, friends, colleagues and members of the creative community paying their final respects.

According to the statement, Abigail Mensah Agbozoh was preparing for the second anniversary commemoration of her son’s burial before her passing.

The family is currently grieving and has appealed to the public to respect their privacy during this difficult period.

Details regarding funeral arrangements for Abigail Mensah Agbozoh will be communicated when the family is ready.

The latest loss comes as a heavy blow to the family, who continue to remember John Claude’s contribution to Ghana’s entertainment and digital media space.

The musician, who previously shelved his political plans ahead of the 2024 elections following a motor accident, says he is now ready to make a return and compete for the seat.

Speaking on Asempa Showbiz with Adu Kumi, K.K. Fosu expressed confidence in his chances, insisting that neither the influence of incumbent MP Sammy Awuku nor the backing of a political party would stop him from winning the constituency.

“If Sammy Awuku likes, he should leave the NPP and come to meet me face-to-face. I am going as independent candidate,” he affirmed.

K.K. Fosu said he is prepared to face Sammy Awuku in the 2028 race, whether the MP contests on the ticket of the New Patriotic Party (NPP) or chooses to run independently.

He further argued that party affiliation alone would not determine the outcome of the election, claiming that voters would ultimately decide based on the candidate they trust.

On why he is so confident in his victory, the musician said the NPP cannot change the fortunes of the elections, as the “party is dead”.

With his latest declaration, K.K. Fosu appears set for another political showdown as he prepares to trade the microphone for the campaign trail ahead of the 2028 elections.

Watch video below:

His son, actor Jason Donovan, confirmed his father died peacefully in Melbourne, Australia on Saturday night.

“Our Dad was a huge character, larger than life. He was our best friend … our world! We will desperately miss him but we take comfort knowing we were all here by his side in his final days,” the post said.

The London-born actor was also popular for his role in Australian police dramas Division 4 and Cop Shop, which aired in the 1970s and 1980s.

Jason’s post, written alongside his brother Paul, said they will take comfort in “knowing that he lived life to the max. Knowing that in life it’s either a daring adventure or nothing at all!”

“How lucky are we to have a Dad like you,” they added.

After moving to Australia as a teenager, Donovan started his career as a singer before he made his screen debut in the early 1960s.

Ten years later, he secured two of his most well known roles as Detective Mick Peters in Division 4, followed by Detective Senior Sergeant Vic Cameron in Cop Shop.

Donovan joined the cast of Neighbours in the 90s as Doug Willis in Neighbours, shortly after his son Jason left the show. He also featured as Al Simpson on Home and Away.

Alongside his six-decade long career in television, his memorable film credits include his role in The Man from Snowy River and Breaker Morant, as well as appearing on stage for a number of performances.

In a tribute, Jason also said his father used his profile during the early 1970s to garner support for an Australian film and television industry after an influx of content from the US and UK.

“The result of that campaign was an obligation on commercial television broadcasters to broadcast Australian stories,” Jason wrote alongside a picture of Donovan marching through the streets of Melbourne under a banner which read ‘T.V. MAKE IT AUSTRALIA NOW’.

“Without people like my Dad we might not have seen the growth in the industry during the 70s and 80s and indirectly, Australian films such as The Man From Snowy River, Breaker Morant, Picnic at Hanging Rock, Priscilla, Muriel’s Wedding, Crocodile Dundee [and] Strictly Ballroom.”

Fricker won the Oscar for best supporting actress in 1990 for playing Daniel Day-Lewis’s on-screen mother in My Left Foot.

She played nurse Megan Roach in the BBC’s Casualty from 1986, making her final appearance in 2010; and was the Central Park pigeon lady in 1992’s Home Alone sequel.

In a statement, her agent Phil Belfield said: “We will never see her like again and the world is lesser for the lack of her.”

He added: “I was honoured to know, love and work with her and she will always have a place in my heart and in the heart of so many film and TV fans the world over.”

Fricker’s former Casualty co-star Derek Thompson, who played long-running character Charlie Fairhead, paid tribute to the actress, telling BBC News: “Truly the best I have ever worked with, and I’ve worked with a lot of actors”.

Cathy Shipton, who played Lisa ‘Duffy’ Duffin, added that Fricker as “one of the most authentic people I’ve ever met”.

“She lived her life courageously warts and all. I loved her for her wit, her intelligence and her brilliant sense of humour,” Shipton told BBC News.

“Life happened when you were around Brenda. We shared a love of dogs – collies and my girl Juno is named after her favourite collie.

“I love her and miss her and am so glad l knew her.”

Born in Dublin, Fricker began her acting career with parts and in TV and the theatre,including Ireland’s first soap opera Tolka Row in the 1960s,ITV soap Coronation Street in 1977, and Licking Hitler, a Play For Today written by David Hare, in 1978.

She was in the cast of the first episode of long-running BBC medical drama Casualty in 1986, remaining a fixture until 1990 and returning regularly in the subsequent years.

She made history in 1990 when she became the first Irish actress to win an Academy Award, beating Hollywood stars including Julia Roberts and Anjelica Huston.

My Left Foot told the true story of an Irish man named Christy Brown, played by Day-Lewis, who was born with cerebral palsy and could control only his left foot. The actor also won an Oscar for his starring role.

Another memorable role came two years later when Fricker was cast as the homeless bird lady befriended by Macaulay Culkin’s Kevin in Home Alone 2.

Her other film credits included 1993’s So I Married An Axe Murderer, 1994’s Angels In The Outfield, 1996’s A Time To Kill and 2003’s Veronica Guerin.

However, she later claimed she would have gone on to have a better career if it hadn’t been for her success at the Oscars.

“What did happen was the old curse of the Oscars, as they call it,” she told the Times in 2024.

The accolade led to her being typecast and overlooked for a lot of roles, including in theatre, she said.

“So there’s a lot that’s not great about an Oscar. And you don’t get any money. They could give you a few bob with it, at least,” she joked.

‘Warmth and toughness in the same breath’

Ireland’s Tánaiste (deputy prime minister) Simon Harris said he was “deeply saddened” by the death of “a national treasure”.

“She was a consummate performer who graced our screens and stages with remarkable talent and authenticity. Brenda brought depth and humanity to every role she undertook,” he said.

“She truly was among the greatest exports this country has ever produced and an ambassador for Irish talent on the world stage. Quite simply, we will never see the like of her ever again.”

The US ambassador to Ireland, Edward Walsh, paid tribute to Fricker as “a giant of Irish film” and praised her “unforgettable” performance in My Left Foot.

Writing on X, he said: “From Dublin to Hollywood, her work brought Ireland’s stories to the world and inspired generations on both sides of the Atlantic.

“She leaves a remarkable legacy, and I extend my deepest condolences to her family, friends, and all who loved her.”

Teenage trauma

Fricker told her life story in her memoir last year, revealing an unstable upbringing in which she was beaten by her mother and groomed at the age of eight by a man who gave her elocution lessons and was sexually fixated with her, but who “never touched me”.

She spent two years in hospital after a bicycle accident at the age of 14, but was truly left “broken” after being raped at 17 at a party, then raped again later by an English actor.

Despite her traumas, she also had fond memories of that era. “When I was growing up, you could be wild and God bless the wild days.”

In that spirit, the path her life took was not calculated, she told The Times. “It’s all been luck… happy accidents.”

The singer made the revelation while arriving in Ghana with members of his team during a live stream with Nigerian streamer Davrel on June 15, 2026.

In a video from the stream, Davido was seen making a phone call to his wife, asking her to send $4,000 to his longtime aide, Lati, after he was unable to access his account.

“Good morning, my love. Please help me send Lati $4,000. I can’t log in and I don’t know why. I love you,” he said during the call.

After the conversation, the award-winning musician explained to a friend why he had relied on his wife to complete the transaction.

Davido said Chioma has taken responsibility for managing his finances because he does not trust himself to handle money due to his spending habits.

“My wife manages my money. I’m a reckless spender, so she’s the one who arranges everything. She’s my life coordinator and I don’t play when it comes to her,” he said.

Watch the video elow:

Davido and the rest of the team walking to the jet and he randomly calls his wife, Chioma to send Lati 4k dollars. Davrel asked if Chioma manages his money, Davido said yes that Chioma handles all his finances cos he’s a very reckless spender 😭😂💔 pic.twitter.com/AYeLVMqdl4

— Oyindamola🙄 (@dammiedammie35) July 15, 2026

READ ALSO:

Kwesi Arthur postpones North American Redemption Valley tour dates over health concerns

Stonebwoy pays emotional tribute to Fantan Mojah after reggae star’s death

In a heartfelt message shared with fans, the award-winning musician said the decision came on the advice of his doctors, who warned that continuing with the tour at this time would be “reckless and dangerous” to his health.

“For a while now I’ve been dealing with a health issue, and despite my best efforts, my doctors have told me that moving forward with the tour right now would be reckless and dangerous to my health,” he wrote.

As a result, the North American shows scheduled for Boston, New York City, Washington, D.C., and Atlanta have been postponed.

However, Kwesi Arthur assured fans that his London performance will go ahead as planned, adding that he is looking forward to meeting them there.

The rapper expressed gratitude to supporters for making Redemption Valley a memorable project and acknowledged that postponing the tour was a difficult decision.

“This wasn’t easy, but I owe it to you, and to myself, to come back and give you the show you deserve, at full strength,” he stated.

Kwesi Arthur also disclosed that new dates for the North American shows are already being arranged. He confirmed that all existing tickets will remain valid once the rescheduled dates are announced, while refund details will be communicated for patrons who may require them.

He ended his message by thanking fans for their patience and unwavering support during the challenging period, promising to return stronger and see them soon.

In a message to his fans, the rapper said he had been dealing with a health issue for some time and had made the difficult decision to put his recovery first.

He explained that the decision affects his upcoming performances in Boston, New York, Washington DC and Atlanta, which will be rescheduled.

Kwesi Arthur, however, confirmed that his London show will proceed as planned, as he expressed excitement about performing for his fans there.

The rapper apologised to fans who were looking forward to the North American dates, assuring them that new dates are already being arranged and existing tickets will remain valid once the new schedule is announced.

He thanked his supporters for their patience and encouragement, promising to return with a full-strength performance worthy of their support.

The announcement comes after a major year for the rapper, who said his fans made his “Redemption Valley” journey one to remember.

View this post on Instagram

A post shared by Kwesi Arthur (@kwesiarthur_)

The commercial court in Accra had ordered CAF to pay damages equivalent to $250,000, alongside GH¢40,000 in legal costs, after finding the football governing body liable for copyright infringement.

The dispute began after CAF used portions of Spiky’s instrumental track “Okomfo Anokye” in promotional videos for the 2018 CAF Awards without obtaining his authorisation.

After raising concerns publicly in 2019, CAF reportedly acknowledged using the work and apologised, but subsequent requests for compensation were unsuccessful, leading to the legal action.

In a post marking two years since the judgment, Spiky expressed frustration over the challenges of enforcing a court decision, explaining that winning a case does not always mean immediate relief.

He said the legal battle has continued through various applications and court appearances, resulting in additional expenses and emotional strain.

According to him, the enforcement stage of legal disputes can often be as challenging as the original case, particularly when the successful party must identify assets or accounts belonging to the losing party before recovering awarded damages.

Spiky noted that while many people encouraged him to fight initially, the long process has tested his resolve, with some advising him to abandon the matter.

However, he said he remains committed to pursuing all lawful avenues available to ensure the judgment is enforced.

He maintained that the courts remain an important avenue for seeking redress but stressed that judgments must translate into actual outcomes for successful parties.

Spiky said he would continue the fight until the matter is resolved.

Camilla appeared before the court on Thursday, July 16, where she admitted to the charges before the sentence was handed down.

The prosecution told the court that the TikToker published several videos on social media containing false and offensive allegations against the President, including an unsubstantiated claim that he buried 32 cows to secure victory in the 2024 general elections.

Court documents also outlined a series of other allegations she made online. These included claims that President Mahama had committed sexual offences, fathered a child as a result of excessive alcohol consumption, was responsible for the deaths of former Presidents John Evans Atta Mills and Paa Kwesi Amissah-Arthur, and used abusive language against the President.

Prosecutors said the allegations were published without evidence and were capable of causing harm to the reputations of the individuals involved.

Following her guilty plea to all the charges, the Accra Circuit Court sentenced Camilla Alhassan to 12 months’ imprisonment.

The case has drawn significant public attention and reignited discussions about responsible use of social media, misinformation and the legal consequences of publishing defamatory or false content online.

Speaking after the proceedings, the lawyer confirmed that the Accra Circuit Court sentenced Camilla to one year in prison after convicting her of offensive conduct.

According to him, the court first struck out the charge of electronic abuse, ruling that it lacked the jurisdiction to hear the matter because the offence falls outside the mandate of a District Court.

The lawyer said the conviction was therefore based solely on the charge of offensive conduct.

He explained that under the law, the offence is a misdemeanour, which carries a maximum sentence of three years’ imprisonment. However, after the defence pleaded in mitigation, the court imposed a one-year custodial sentence instead.

He added that in delivering its ruling, the court indicated that offences involving offensive and false publications have become increasingly common and that the sentence was intended to serve as a deterrent to others who may engage in similar conduct.

Camilla Alhassan was sentenced after pleading guilty to charges arising from a series of social media videos containing false and offensive allegations against President John Dramani Mahama.

The emotional moment reflected the deep personal bond she shared with the revered Dagbon King, as she joined many others to pay tribute following his passing.

In a heartfelt message, Chef Faila described the death of the Yaa Naa as a painful loss, saying she has struggled to come to terms with the reality that her King and grandfather figure is no longer alive.

She recalled first meeting the late Dagbon Overlord about 12 years ago when she visited his palace in Savelugu seeking his blessings and support for her talent and ambitions.

According to Chef Faila, the late King believed in her abilities and encouraged her journey even when success was still far away.

She said his support became even more meaningful during her Cookathon journey, where he, together with his sub-chiefs, the palace, his sons and the people of Dagbon, rallied behind her and gave her strength.

“The throne has lost a remarkable King, and I have lost a father figure whose wisdom, kindness and unwavering belief in me shaped my journey,” she wrote.

Chef Faila prayed for Allah’s mercy upon the late Yaa Naa and asked for his soul to be granted the highest ranks of paradise.

In a post shared on X, formerly Twitter, Stonebwoy reflected on Fantan Mojah’s recent visit to Ghana for the 2025 Bhim Festival, saying it was an honour to welcome the reggae star to the Motherland and celebrate his enduring legacy.

“The Macka Tree Goes Home. It was an honor to welcome you to the Motherland and to celebrate your legacy at BHIMFESTIVAL 25,” Stonebwoy wrote.

Referencing Fantan Mojah’s iconic song Macka Tree, Stonebwoy described the late musician as a figure who remained committed to culture, truth and the promotion of positive messages through music.

“You stood tall like the Macka Tree – rooted in culture, unshaken in truth, and sheltering generations with your sound. Rest well, Jah Warrior,” he said.

Stonebwoy added that although Fantan Mojah had “returned to the ancestors,” his voice and influence would continue to live on through the music, prayers and movements inspired by his work.

He praised the late reggae artiste’s contribution to music, noting that his songs went beyond entertainment to provide inspiration and encouragement to millions.

“Your songs were more than music – they were medicine, they were fire, they were faith. You uplifted my spirit, and you continue to uplift millions worldwide,” Stonebwoy said.

He concluded the tribute with the words: “Fantan Mojah Forever in our hearts.”

Fantan Mojah was widely known for his spiritually conscious reggae music and messages centred on faith, justice and African identity, earning him a strong following across the world.

The launch show will air from 6pm on Africa Magic Showcase and Africa Magic Family channels with the 24-hour show on DStv channel 198 and GOtv channel 149. BBNaija fans can also watch the show live via DStv and GOtv Stream.

This season’s winner will walk away with a record GHS1.3 million grand prize, which includes a cash sum of over GHS 800,000 and a brand-new SUV. The prize is the highest in the show’s history, raising the stakes for what is expected to be another landmark season.

Speaking on the new season, Atinuke Babatunde, Executive Head, Content and Channels, West Africa, MultiChoice, said:

“Big Brother Naija has consistently redefined entertainment in Africa by bringing together authentic storytelling, compelling personalities and moments that resonate with millions of viewers. Season 11 builds on that legacy with even bigger stakes, fresh twists and an exciting mix of housemates that will keep audiences engaged from premiere night through to the finale”.

The new season also ushers in an exciting lineup of brand partners, with betPawa, the home of Africa’s biggest winners, joining the Big Brother Naija family as the Headline Sponsor. 

Commenting on the partnership, Borah Omary Ndanyungu, Head of Local Marketing & CSR, betPawa, said: “At betPawa, we believe in creating unforgettable experiences that bring people together through the things they are passionate about. Big Brother Naija is one of Africa’s most celebrated entertainment properties, and we are proud to come on board as Headline Sponsor for Season 11. We look forward to rewarding fans, deepening engagement throughout the season and delivering exciting experiences that complement the energy and excitement of the show.”

Guinness returns as the Gold Sponsor, while Minimie comes onboard as an Associate Sponsor, reinforcing continued confidence from leading brands in one of Africa’s most influential entertainment platforms.

On the season’s partnerships, Babatunde commented: “We are delighted to welcome betPawa as our Headline Sponsor alongside Guinness and Minimie, whose partnership reflects the enduring value and impact of the Big Brother Naija platform.”

Since its return in 2017, Big Brother Naija has evolved beyond a reality TV show into a cultural phenomenon, creating household names, creating jobs across the creative economy, and shaping popular culture. 

With Ebuka Obi-Uchendu returning as the show’s host, viewers can expect a season filled with unexpected twists, dynamic tasks, strategic gameplay, entertaining challenges and the authentic interactions that have made Big Brother Naija one of Africa’s most-watched reality TV show franchises.

Season 11 premieres on Sunday, 26 July 2026, with viewers able to follow every moment of the action throughout the season on DStv, GOtv, DStv Stream and GOtv Stream. Eligible subscribers can vote through the MyDStv and MyGOtv self-service apps, upgrade their packages for additional voting benefits, and enjoy uninterrupted access throughout the season by subscribing or renewing for multiple months.

The outspoken prophet, who has consistently expressed support for the Mahama administration, posted images of the meeting on social media alongside a brief but optimistic message.

“With the President of the Republic of Ghana, H.E. John Dramani Mahama (KwameDramani). Thanks, sir, for this great privilege. The end will be BEAUTIFUL,” he wrote.

Although he did not disclose details of their discussions, the post quickly attracted reactions from followers, many of whom welcomed the meeting and commented on the prophet’s message.

Nigel Gaisie has, over the years, been one of the most vocal religious figures backing President Mahama.

He has frequently defended the government, offered public prayers for the administration and shared prophetic messages relating to the country’s leadership.

The latest meeting further highlights the cordial relationship between the prophet and the President, with the photos drawing widespread attention across social media.

The “Friday Night” hitmaker, accompanied by his team, visited the legendary artiste to express his appreciation for the mark he has made on the music industry.

Lasmid revealed that Okomfour Kwadee’s lyrical depth and distinctive style have been a major inspiration to him, as he described the veteran’s contribution to the industry as unforgettable.

During the visit, Okomfour Kwadee looked healthy and full of energy as he welcomed Lasmid, creating a special moment between two artistes from different generations of Ghana’s music scene.

The meeting also provided an opportunity for Lasmid to share his latest song, “Biggest Nathaniel,” with the music icon during a session at his home.

The interaction highlighted the strong influence of Ghana’s music pioneers on today’s rising stars, with Lasmid showing appreciation for an artiste whose creativity helped shape the sound and identity of a generation.

Watch video below:

According to court documents filed in the U.S. District Court for the Northern District of Ohio, the laundering operation formed a key part of an alleged fraud scheme that targeted more than 80 elderly Americans and defrauded them of over US$8 million between April 2023 and November 2025.

Prosecutors allege that Kumi and co-defendant Daniel Yussif, also known as Denteni or Slab, led a criminal network that first identified vulnerable victims; mostly widows and divorcees, through online dating sites and social media platforms.

The victims were allegedly deceived into believing they were in genuine romantic relationships with fictitious women. Investigators say Kumi used AI-driven video technology to make the fake identities appear more convincing, while other members of the network communicated with victims through encrypted messaging apps and phone calls to sustain the deception.

Once victims were persuaded by fabricated stories involving gold or diamond inheritances, they were instructed to wire money into financial accounts controlled by members of the conspiracy.

It is at this stage, prosecutors say, that the alleged money laundering network became crucial.

According to the indictment, portions of the money received from victims were transferred to co-conspirators in Ghana and other countries, where the funds were allegedly moved through a network of money mules based in Ghana.

Investigators allege that these money mules received, transferred and concealed the proceeds of the fraud, helping distance the money from its original source.

The court documents further state that Kumi and his associates also relied on contacts within the Ghanaian immigrant community in the United States to move the proceeds through fake businesses and multiple bank accounts.

Prosecutors allege that the use of these businesses and accounts helped disguise the origin of the money, making it appear as though the transactions were legitimate while allowing millions of dollars to be circulated without immediately attracting the attention of investigators.

Authorities say the sophisticated network enabled the alleged fraud proceeds to be distributed among members of the conspiracy while concealing the money trail.

The indictment also alleges that Kumi used part of the proceeds to acquire luxury assets, including a mansion in Ghana and high-end vehicles such as a Lamborghini, Tesla Cybertruck, Mercedes-Benz and BMW, all of which have since been seized by international law enforcement authorities.

Kumi was arrested in Ghana on December 11, 2025, and extradited to the United States on July 9, 2026, to face charges of conspiracy to commit wire fraud and money laundering conspiracy.

If convicted, he faces up to 20 years in prison, although prosecutors stressed that the charges are allegations and that Kumi is presumed innocent unless proven guilty in court.

Speaking after his death was announced on Tuesday, July 14, she said Akobila first complained of feeling feverish and was given medication at home.

According to her, the former Ghana’s Strongest champion refused to visit the hospital as he believed rest and first-aid medications would help improve his condition.

She explained that by the following morning, he appeared to be doing well and even indicated that he was feeling better. However, his condition reportedly deteriorated later in the evening as he began experiencing severe pain.

As the pain intensified, she said he started groaning and became increasingly weak.

In the early hours of the following day, Akobila reportedly told his wife that he could no longer endure the pain and asked to be rushed to the hospital. Before they could leave, he reportedly collapsed.

His wife said family members immediately poured water on him and attempted cardiopulmonary resuscitation (CPR), after which he briefly regained consciousness.

He was subsequently transported to the hospital, but doctors pronounced him dead on arrival at about 3:00 a.m.

Prior to his demise, she indicated that the strength athlete had not been battling any known chronic illness and only experienced what appeared to be a sudden, short-lived sickness.

She described him as someone who rarely fell ill, and attributed his good health to his active lifestyle and years of physical training.

In view of this, Akobila’s sudden passing has left Ghana’s sporting fraternity in shock, with tributes continuing to pour in for the former champion.

He is survived by his wife of 13 years and three children, aged 12, 7 and 4.

The singer reportedly died on Tuesday, July 14, 2026 evening at the University Hospital of the West Indies (UHWI) in Kingston after suffering heart-related complications.

According to his booking agent, Vertex, the artiste’s condition worsened shortly after returning to Jamaica from the United States.

“Since he came back from the United States, he was hearty, but over the past week he started to ‘tek down’ and he was admitted to the UHWI,” booking agent Vertex said. “Last night, he was vomiting blood, and that was it. He passed away.”

Fantan Mojah, born Owen Moncrieffe, built a reputation for spiritually uplifting and socially conscious music rooted in Rastafarian beliefs. He rose to prominence with songs such as Hail the King, Corruption, Hungry, Stronger, Thanks & Praise, Nuh Build Great Man featuring Jah Cure, Most High Jah and Rasta Got Soul. His music resonated with reggae audiences across the Caribbean, Europe and Africa.

In 2025, he made his maiden performance in Ghana as a special guest of reggae and dancehall artiste Stonebwoy at the 10th BHIM Festival held at the Accra Sports Stadium. His appearance was one of the highlights of the event, where he thrilled patrons with some of his best-known songs.

Before his death, Fantan Mojah had been preparing to perform at this year’s Reggae Jam Festival in Germany. Reports indicated that his Schengen visa had already been approved ahead of the event.

The reggae musician had battled serious health challenges in recent years. Friends said his condition deteriorated rapidly in the days leading to his death while he was staying in Portmore, and he was unable to engage in strenuous activities.

In July 2024, he was admitted to hospital in Martinique after experiencing breathing difficulties and chest tightness. Reports at the time indicated that his heart was functioning at only about 15 per cent capacity.

Despite the health scare, his condition improved significantly by early 2025, allowing him to resume touring across Europe.

Fantan Mojah is survived by at least five children. His death has sparked an outpouring of tributes from reggae lovers and fellow musicians, who have celebrated his contribution to conscious reggae and his unwavering commitment to messages of faith, justice and African consciousness.

Speaking to JoyNews on the E Vibes Musical Band Series, members of the award-winning live band appealed to organisers of music awards schemes and industry players to create dedicated categories that celebrate the work of backing musicians.

Backing vocalist SK said many talented singers are denied opportunities to showcase their abilities despite playing a vital role in live performances and studio recordings.

“We need the opportunity to explore what we have with other artistes. I also want to make a special plea, because in Ghana, background vocalists are underrated. So I will use this opportunity to plead with industry players watching to focus more on us as background vocalists,” SK said.

Another member of the band, Ayeyi, argued that the lack of recognition is not because backing vocalists have failed to make themselves visible.

“I don’t think it’s about how we position ourselves because we’ve always been in their faces. A notable mention will be Aunty Nana Ama, the lady who did some of the old songs.

“When these songs came out, we always recognised and appreciated the significant voices behind them, but when it’s time to award, it mostly either goes to the engineers, video directors, and musicians. Not once do the backing vocalists get recognised,” Ayeyi said.

The band believes introducing award categories specifically for backing vocalists and bands would not only honour their contributions but also inspire more musicians to pursue careers in the field.

The BHIM Band has become one of Ghana’s most respected live bands, best known as the official band for dancehall artiste Stonebwoy.

Renowned for its energetic live performances and musical versatility, the band has accompanied Stonebwoy on numerous local and international stages while also collaborating with several other Ghanaian artistes. Beyond performance, the band has earned praise for its musicianship and has become a symbol of the growing importance of live music in Ghana’s entertainment industry.

Their appeal comes amid ongoing conversations about expanding recognition across Ghana’s music ecosystem to include the many professionals who contribute behind the scenes to the creation and performance of music.

The launch event, hosted by Eden Gardens Hotel, will unveil the vision for the 2026 edition, introduce this year’s theme, and outline the calendar of activities leading up to the awards ceremony. It also signals the beginning of months of exciting industry engagements, activations, educational initiatives, performances, and competitive events designed to celebrate the DJs and creatives who continue to shape Ghana’s music and entertainment landscape.

This year’s launch comes with an exciting milestone as Guinness Ghana renews its partnership with the Ghana DJ Awards, reaffirming its commitment to championing DJ culture and supporting one of Ghana’s most influential music platforms. The renewed partnership underscores a shared vision of celebrating creativity, inspiring excellence, and deepening the impact of DJ culture across the country.

Over the years, the Guinness Ghana DJ Awards has grown into more than an awards scheme. It has become a highly respected platform that recognizes excellence, inspires innovation, and elevates the role of DJs within Ghana’s creative economy. Produced by Merqury Republic, the awards continue to provide a powerful platform for recognizing the talent, dedication, and influence of DJs who shape Ghana’s sound and entertainment culture.

The 2026 season follows an exciting previous edition that celebrated outstanding achievements across the DJ community, including DJ Sly King being crowned DJ of the Year 2025, a recognition that highlighted his consistency, creativity, reach, and contribution to Ghana’s vibrant music scene. As the new season begins, the Guinness Ghana DJ Awards continues its mission of discovering, celebrating, and elevating the next generation of DJ excellence.

The official launch on August 1 marks the first chapter of another exciting journey, one that will culminate in the crowning of Ghana’s finest DJs while showcasing the creativity, influence, and impact of the nation’s DJ community.

Industry stakeholders, partners, media representatives, and members of the public are invited to follow the season as the Guinness Ghana DJ Awards rolls out a series of nationwide activities and experiences that will once again place DJs at the heart of Ghana’s entertainment conversation.

Further details, including this year’s theme, nomination process, event calendar, and key announcements, will be revealed during the official launch.

His comments come amid growing concerns over piracy, following complaints from Nigerian filmmaker Uchenna Mbunabo, who accused some Ghanaian television stations of downloading films from YouTube and airing them without authorisation or payment.

Gardiner acknowledged that the practice has become a major challenge for the film industry, describing it as unacceptable and detrimental to filmmakers who invest heavily in producing quality content.

He disclosed that the NFA is working with the Ministry of Communication, the National Media Commission (NMC) and the National Communications Authority (NCA) to introduce a new regulatory framework that will make it easier to identify and sanction offending broadcasters.

As part of the proposed reforms, all television stations could be required to reapply for their operating licences. According to Gardiner, the move is intended to streamline regulation, particularly in the digital television space where some stations operate without clearly identifiable physical offices.

He explained that the new system would strengthen oversight and enable regulators to deal more effectively with stations that violate copyright laws.

Gardiner also revealed that the planned measures include stricter penalties for copyright infringement. Broadcasters found illegally airing movies could face hefty fines, suspension of their operating licences for repeated offences and, ultimately, revocation of their licences for persistent violations.

He expressed optimism that the reforms would be completed by next year, describing them as a significant step toward protecting the intellectual property rights of filmmakers.

The renewed push follows concerns from producers, including Mbunabo, who said unauthorised broadcasts continue to deprive filmmakers of legitimate revenue and discourage investment in the industry.

The Nigerian producer, whose productions frequently feature Ghanaian actors, said the practice has made it increasingly difficult for filmmakers to earn returns from their work.

View this post on Instagram

A post shared by Ben Cassie (@officialbencassie)

The news of Akobila’s passing was announced on Tuesday, July 14, 2026, sending shockwaves among fans.

He reportedly passed on after a brief health battle.

Akobila, who rose to prominence through his impressive displays of power and endurance, achieved a long-awaited dream when he was crowned Ghana’s Strongest champion in 2023 after years of competing in the contest.

His journey to the top was marked by persistence and resilience. He first entered the competition in 2015, but his initial attempt ended without qualification.

He returned stronger the following year, making it to the quarter-finals in 2016, and continued competing in subsequent editions before finally claiming the coveted title.

Tributes have since poured in from fans, colleagues and followers of the competition, who have described him as a symbol of hard work and determination.

Details surrounding his death are yet to be confirmed.

She recounted in an interview on Joy Prime how she was offered hard substances to boost her morale for her performance.

Akosua Agyapong recalled that her first major show at the Arts Centre attracted more than 1,000 people, making it one of the biggest moments of her early career.

However, just before she went on stage, she said the leader of the instrumental band allegedly offered members of the group a substance from a container, claiming it would help them perform better.

But as a singer who always believed in her talent and was determined to prove herself, Akosua said she politely declined when it was her turn.

“I told him that, listen, there was a curtain. I said, have you seen the woman sitting there? That’s my mum. I cannot disappoint her. Coming out to perform knowing I’ve had something in me. I didn’t accept it.”

On why she was so confident of ‘killing’ her performance, Akosua explained that she had previously performed before thousands of students and therefore did not need any substance to boost her confidence.

Reflecting on the experience, Akosua Agyapong urged young musicians, actors and other entertainers not to succumb to pressure from industry players who encourage them to rely on drugs, rituals or other practices to succeed.

She stressed that talent is a gift from God and encouraged young creatives to trust in their abilities, remain disciplined and allow God to guide their careers.

Watch video below:

The filmmaker made the remarks during a discussion with the Deputy Executive Secretary of the National Film Authority (NFA), James Gardiner, in the presence of Ghanaian actress Jackie Appiah.

The conversation, which was shared on Instagram by movie director Ben Cassie, centred on copyright infringement and its impact on the African film industry.

Uchenna Mbunabo alleged that some television stations in Ghana download newly released Nigerian movies from online platforms such as YouTube and air them without obtaining permission or acquiring the necessary broadcast rights from the producers.

“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalized in your country for TV stations to go on YouTube, download people’s sweat and show it for free?” he asked.

Responding to the concerns, James Gardiner acknowledged that the unauthorised airing of films remains a challenge within Ghana’s broadcasting industry and admitted that he is equally disappointed whenever he encounters such practices.

According to him, the National Film Authority has begun engaging key stakeholders and regulatory institutions to address copyright violations and strengthen enforcement.

He disclosed that the Authority has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC), which oversee and regulate television broadcasting in Ghana.

Mr. Gardiner explained that although Ghana has copyright laws, enforcing them has become increasingly difficult because many television stations now operate digitally without fixed physical offices.

“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital,” he said.

He noted that the emergence of digital broadcasting has created new enforcement challenges, with some operators running television stations remotely from outside Ghana, making it more difficult for regulators to monitor and prosecute copyright offenders.

Sharing the video of the discussion on Instagram, filmmaker Ben Cassie said the conversation was necessary because Nollywood producers have for years complained about the unauthorised broadcast of their films by some Ghanaian television stations.

According to him, every movie represents years of work, financial investment and sacrifice, and broadcasting films without permission deprives producers of revenue needed to pay cast and crew, finance future productions and sustain the industry.

He also noted that Uchenna Mbunabo has consistently supported Ghana’s film industry by working with Ghanaian actors and investing in collaborations between Nollywood and Ghallywood, stressing that the concerns were aimed at promoting fairness rather than creating division.

Ben Cassie urged stakeholders to protect filmmakers’ intellectual property, saying collaboration rather than piracy should define the future of the African film industry.

View this post on Instagram

A post shared by Ben Cassie (@officialbencassie)

READ ALSO:

Osebo apologises to Obinim over video with Florence Obinim

Stonebwoy mourns Ya-Naa Abukari II, describes him as ‘a leader of peace and vision’

The donation forms part of efforts to help the ailing actor raise the more than GH¢700,000 required for the life-saving procedure.

Presenting the donation, Mercy Asiedu appealed to colleagues in the entertainment industry, corporate organisations and benevolent individuals to support the fundraising campaign to give Kwadwo Kwekyre a chance at recovery.

She stressed that the actor has brought joy to many Ghanaians through his performances over the years and now deserves the collective support of the industry and the public in his time of need.

Kwadwo Kwekyre has been battling kidney failure and has publicly appealed for financial assistance to undergo a transplant.

The latest donation adds to growing efforts by industry players and well-wishers to help him secure the funds needed for the procedure as calls continue for more support to save his life.

Speaking on Hitz FM’s Daybreak Hitz with Doreen Avio and Kwame Dadzie, Osebo said he never intended to disrespect Bishop Obinim or create any misunderstanding through the video.

“If my friend Daniel Obinim feels it was wrong for me to do a video with his wife, I’m sorry. Whatever I did for her was from a clean heart,” he said.

According to Osebo, the video was not meant to stir controversy or offend anyone. He described Bishop Obinim as a friend and said he values their relationship, stressing that his apology was intended to clear the air if his actions had been misunderstood.

He also explained that Florence Obinim was not the first gospel artiste he had supported with a promotional video.

“I have done videos for Piesie Esther and Grace Ashly. I did it out of love; it was not meant to bring confusion between them,” he said.

His comments follow remarks by Bishop Obinim during a church service, where the preacher expressed disappointment that his wife had featured in a promotional video with Osebo despite knowing they were not on good terms.

Florence Obinim later explained that she had no ill intention in seeking Osebo’s support for the promotional video.

Despite the controversy, Osebo said he has great admiration for Florence Obinim and praised the lyrical depth of her songs.

In a post on X following the announcement of the King’s passing, the award-winning musician expressed sadness over the loss and extended his condolences to the people of Dagbon.

“I mourn the passing of Ya-Naa Abukari II, Overlord of Dagbon. His loss is felt across Dagbon and all of Ghana.”

Stonebwoy praised the late monarch for his leadership during a difficult period in Dagbon’s history.

“He was a leader of peace and vision. At Dagbon’s most fragile moment, he restored unity, healed divisions, and gave the Kingdom new hope and stability.”

The musician also reflected on the honour bestowed on him by the Kingdom, saying he would always cherish the warmth and recognition he received from the people of Dagbon.

“I will never forget the love Dagbon showed me, welcoming me as family and honouring me with the title Dancehall Sapashini – The Warrior. For that, I am forever grateful.”

Stonebwoy concluded his message by extending his sympathies to the traditional leadership and the people of Dagbon.

“My condolences to the Chiefs, the royal family, and the people of Dagbon. God grant you strength during this difficult time. Rest well, Ya-Naa. #Dagbon”

The actor, who has been undergoing treatment, recently received a GH¢20,000 donation from the Member of Parliament for Juaben, Francis Owusu-Akyaw, to help cater for his growing medical expenses.

The donation was presented on behalf of the MP by Kumawood actress Matilda Asare, who visited the ailing actor to offer words of encouragement and support.

The financial assistance is expected to help ease the burden of Kwadwo Kwekyre’s treatment as he continues his fight against the illness.

Receiving the donation, the actor expressed gratitude to the Juaben MP for the timely intervention, describing it as a huge relief at a time when the cost of treatment has become overwhelming.

Despite the support, Kwadwo Kwekyre appealed to colleagues, fans and the general public to continue supporting him financially, noting that he still requires additional funds to cover his medical bills.

His plight has sparked renewed calls for greater support for veteran actors facing health challenges, with many industry players urging Ghanaians to rally behind the actor during his recovery.

Speaking in an interview with media personality Joey Akan, the actor claimed that many people in the industry focus on elevating themselves rather than serving God, a practice he described as a form of self-worship.

According to Iyke, he once believed he was extraordinary because of the overwhelming reactions he received from fans, including people crying and fainting whenever he appeared in public.

However, he said his perspective changed after finding a deeper connection with God, leading him to recognise that such admiration could become a form of misplaced worship.

“There is no bigger enabler than the entertainment industry. This is where demons live. Entertainment is totally created and orchestrated to extol the virtues of Satanism,” he said.

The actor argued that while creativity itself reflects God’s ability to create, the structure of the entertainment industry often encourages people to glorify themselves and seek god-like status.

“As a creative, to create is to mimic God. But in the entertainment structure, many serve self. You can’t serve God and serve self. Serving self is satanism itself,” he added.

Jim Iyke stressed that it requires conscious effort for entertainers to remain connected to their faith and avoid being consumed by fame, influence and public admiration.

He noted that finding God helped him understand that true significance comes from spirituality rather than the attention and praise that come with celebrity status.

The outreach, which took place on Friday, brought together celebrities, volunteers and supporters who joined forces to provide much-needed educational resources for both pupils and staff of the school.

The donations included laptops, an Apple desktop computer, books, pens, pencils, ceiling fans, drinks, snacks, and several other learning materials aimed at improving the school’s educational environment.

This is the second major intervention by the Bigg Save Project at Makye Israel School. During the first visit, Big Ghun and a team of young volunteers completely repainted the school, giving the facility a fresh new look.

Videos and photos of the filmmaker and the volunteers painting classrooms themselves quickly went viral on social media, earning widespread admiration and inspiring many young people to participate in community service.

This year’s event also attracted notable personalities from Ghana’s entertainment industry. Renowned media personality Doreen Avio, actor Aaron Adatsi and Monica Awinbono Azitariga were among those who joined Big Ghun to support the initiative and interact with the pupils.

Unlike previous editions, this year’s project was powered largely by public support. Big Ghun made an open appeal to his followers across his social media platforms, encouraging them to contribute to the cause.

The response was overwhelming, with fans, friends and well-wishers donating generously to make the outreach a success.

Expressing his appreciation, Big Ghun thanked everyone who contributed to the project, describing the initiative as proof that collective effort can create meaningful change in communities.

“This project belongs to everyone who believed in it. Every donation, every share, and every helping hand made it possible to put smiles on these children’s faces. Together, we’ve shown that when a community comes together, real impact happens.”

Over the years, the Bigg Save Project has grown beyond a charitable exercise into a movement that encourages volunteerism, youth empowerment and improved access to education. Through the initiative, Big Ghun continues to use his influence not only as an award-winning filmmaker but also as a passionate advocate for social impact.

Many have praised the consistency of the project and are already looking forward to its next edition, as the Bigg Save Project continues to make a lasting difference in schools and communities across Ghana.

READ ALSO:

Benjamin Asare receives hero’s welcome after impressive World Cup run

I don’t listen to music that doesn’t make sense – Osebo

The Ga Monarch, accompanied by a distinguished entourage, was warmly received by Nana Kodwo Conduah VI, Edinamanhene, and the people of Edina as they celebrated the historic festival, which marks the symbolic opening of the lagoon and the beginning of a new fishing season.

As part of the royal welcome ceremony led by the Central Regional House of Chiefs, traditional rites were performed, including the pouring of libation to invoke blessings and seek a peaceful and fruitful visit.

The visit also highlighted the longstanding cultural ties between the Ga State and the people of the Central Region, with both traditional areas celebrating unity, friendship and shared heritage.

To commemorate the occasion, a ceremonial tree was planted as a symbol of the strengthened relationship between the two traditional areas and their commitment to preserving Ghana’s cultural and natural heritage.

The Edina Bakatue Festival continues to serve as a major cultural celebration, bringing together chiefs, dignitaries and visitors to honour the traditions, history and identity of the people of Elmina.

The shot-stopper touched down at the airport on Sunday afternoon, where he was greeted by excited Ghanaians who gathered to celebrate his exploits on the international stage.

Despite arriving alone, Asare received loud cheers and warm shoutouts from fans who praised his performances and contribution during Ghana’s World Cup journey.

The celebrations continued after he left the airport, as the goalkeeper headed to Tema to enjoy a bowl of fufu, only to be mobbed by enthusiastic fans who wanted to catch a glimpse of the national team star.

In a beautiful coincidence, Asare’s return to Ghana coincided with his birthday, giving supporters another reason to celebrate him.

Messages of goodwill poured in from Ghanaians, with his club Hearts of Oak also joining in to wish him well.

The goalkeeper’s impressive run at the World Cup earned him admiration from football fans, who have continued to applaud his confidence, composure and performances between the posts.

The actors, filmmakers and creative industry stakeholders joined the Mayor of Accra, Michael Kpakpo Allotey, on Saturday, July 11, 2026, to clean parts of the Central Business District as part of efforts to restore communities affected by the recent floods.

The exercise, organised in collaboration with the National Film Authority (NFA) and the Regal Film Festival and Awards (REFFA), brought together some of the country’s celebrated film personalities, who swept streets, collected refuse and cleared drains around the Agbogbloshie Market.

Among those who participated were Executive Secretary of the National Film Authority, Kafui Danku-Pitcher, REFFA Chief Executive Officer, Selassie Ibrahim, veteran actor Adjetey Anang, actresses Roselyn Ngissah and Irene Opare (Clean Mama), alongside other stakeholders from the creative industry.

Their involvement drew commendation from the Mayor, who described the participation of the creative industry as a significant boost to the national sanitation campaign.

He noted that public figures play an influential role in shaping public attitudes and said their willingness to lead by example would encourage more Ghanaians to embrace environmental cleanliness.

The Mayor also reiterated the need for strict enforcement of sanitation and decongestion regulations to ensure that areas cleared during the exercise remain clean.

He stressed that the Assembly would continue to enforce sanitation by-laws and sanction individuals who dump refuse indiscriminately or return to unauthorised trading spaces.

Also commending the participants, Selassie Ibrahim said the exercise demonstrated that the creative industry remains committed to national development and is ready to support initiatives that improve the lives of Ghanaians.

Kafui Danku-Pitcher encouraged creatives to continue lending their voices and influence to national causes, noting that sanitation is a shared responsibility that requires the support of every Ghanaian.

The participation of the film personalities formed part of the nationwide two-day clean-up campaign organised by government following the June 29 floods, which left several communities inundated and heightened concerns over sanitation and public health.

Speaking on Hitz FM’s Daybreak Hitz, Osebo explained that the lyrics of a song determine whether he continues listening or skips it.

“I’m saying this because it’s my point of view. Every piece of music I listen to teaches me something, so I don’t listen to music that doesn’t make sense,” he said.

According to him, music is more than entertainment, as he believes every song should offer wisdom, inspiration or a valuable lesson.

“That’s why I say there’s wisdom in gospel music, there’s wisdom in funeral songs, and many highlife songs carry gospel-like messages. It’s the words in a song that make me eager to listen to it,” he added.

The fashion entrepreneur said he is particularly drawn to gospel, funeral and traditional highlife songs because of their rich lyrical content.

“If I’m playing a song I’ve never heard before and I don’t hear any sensible advice in it, I skip it,” he said.

Osebo noted that meaningful lyrics, rather than just catchy melodies, are what make songs memorable to him.

“I even dance to funeral songs. I can listen to them while crying and still be nodding my head. I love Awoyo songs,” he added.

He revealed his admiration for Awoyo funeral songs, explaining that although they evoke sadness and deep emotions, their powerful messages make them enjoyable.

“Sometimes the music gets deep inside me—it’s almost like a spirit. That’s just who I am. I can play one particular song for an entire month,” he said.

Comparing older and contemporary music, Osebo argued that songs from the past carried stronger moral lessons and practical advice than many modern tracks.

“The wisdom and advice in the songs from the olden days are different from the kind of music many people make today,” he said.

He believes many current songs place more emphasis on entertainment and rhythm than meaningful storytelling.

Speaking in a recent interview with media personality Joey Akan, Iyke argued that many former students, including himself, are now doing far better than their tutors. 

He added that many successful and wealthy people in society don’t have formal education or aren’t academically accomplished. 

He said the true path to success is learning from one’s parents’ or mentors’ experiences, as well as survival and economic skills.

Iyke said, “There is some truth to ‘school na scam.’ I am doing better than all my lecturers. I once met one of my lecturers, who is now late, on a plane, and we both knew who was doing better. If I had taken everything he taught me verbatim and applied it in my pursuit, I wouldn’t have been successful. 

“I will tell you what worked. It is what the uncles, the traders who barely went to school, told me. They told me to go left at all times and never right. The father who told me to forget theories, know when to be ruthless, conform, or stand my ground, and which books to read.

“Some of the wealthiest men in the world did not get it from the classroom. How many of them have PhD? I have a PhD holder who works for me. We can argue all we want, but school is partly a scam.”

Also read:

• Single mothers can’t raise men – Jim Iyke sparks debate

• Jim Iyke in search of stranger who helped him survive during homelessness