The actor took to social media to reflect on the painful reality of marking his son’s 39th birthday without him, revealing how deeply his absence continues to affect the family.

In the touching message, Jojo Mills-Robertson said he spent the day thinking about Francis and acknowledged the emptiness his passing has left in their home.

He described the house as quieter without his son but said his heart remains filled with love for him. He also recalled Francis’ smile, voice and the qualities that made him special to the family.

“Until we meet again, I love you always,” he wrote, ending the tribute with “Naab Dayie Dpfo pa.”

Francis, who was 38 years old, died on November 2, 2025, after a brief illness at the Dansoman Polyclinic.

His passing marked a painful loss for the Mills-Robertson family, and the tribute shows that the grief remains deeply personal for his father months after his death.

The 77-year-old singer underwent a procedure for atrial fibrillation (AFib), an irregular heartbeat, after being hospitalized recently.

According to his representative, the procedure went perfectly and Richie is doing well, but he has been advised to take some time away before returning to the stage.

The canceled performances include shows scheduled for San Francisco, Chicago and Columbus.

The latest development comes after Richie was also hospitalized as a precaution last month following his August 29 performance in St. Louis.

He underwent cardiac testing at the time before being released and returning to Los Angeles.

Richie’s representative said the singer is doing well as he takes the necessary time off from performing.

The cancellations mean fans in the three affected cities will have to wait for further arrangements regarding the tour.

The celebration, scheduled for September 26 to October 3, will be held under the theme, “Unlocking Opportunities for Sustainable Trade, Tourism and Investment.”

The programme is expected to bring together tourism operators, businesses, exhibitors, investors, policymakers and members of the public to showcase products and services, exchange ideas and explore opportunities for collaboration.

Activities will begin on Saturday, September 26, with a health walk aimed at promoting wellness and encouraging public participation in the celebrations.

On Sunday, September 27, which is observed globally as World Tourism Day, stakeholders will participate in a sensitisation workshop on the global theme, “Digital Agenda and Artificial Intelligence to Redesign Tourism.”

The workshop will provide a platform for discussions on the opportunities and challenges presented by digital technology and artificial intelligence in the tourism industry, as well as ways of promoting sustainable tourism practices and investment.

Seminars will also be held on the day, bringing together experts and industry players to discuss tourism promotion and practical opportunities that could contribute to local economic development.

The week-long programme will officially open on Monday, September 28, with the Minister for Tourism, Culture and Creative Arts, Abla Dzifa Gomashie, expected to lead the opening ceremony.

The event will also feature an exhibition where businesses and tourism operators will showcase various tourism products and services, creating opportunities for marketing, networking and potential partnerships.

According to the organisers, the celebration is intended to highlight the role of tourism in economic growth, job creation, enterprise development and community participation.

The programme will also align with the Black Star Experience and is expected to showcase the Eastern Region’s tourism and investment potential while creating opportunities for local businesses and communities.

The Ministry of Tourism, Culture and Creative Arts is encouraging stakeholders and the public to participate actively in the activities as Ghana seeks to promote a sustainable tourism sector capable of supporting livelihoods and national development.

His comments come after several players, including Antoine Semenyo and Mohammed Kudus, withdrew from the squad ahead of Ghana’s opening Group C fixtures against Côte d’Ivoire and The Gambia.

Reacting to the developments on social media, D-Black questioned the reason for their unavailable for national team duty.

“Inaki Williams, now Semenyo, Baba Rahman withdrawing from playing for Black Stars for AFCON…. Something must be very wrong up there,” he tweeted.

Semenyo was initially included in Carlos Queiroz’s 24-man squad for the qualifiers against Côte d’Ivoire and The Gambia, as well as the international friendly against Morocco. He has since withdrawn amid injury concerns.

Kudus has also pulled out of the squad as he continues his recovery after recently returning to competitive action. Queiroz explained that the decision was taken after discussions with the player to allow him to rest and continue his recovery.

Nathaniel Adjei and Prince Kwabena Adu are among the other players who have withdrawn because of injury concerns, while Inaki Williams’ absence is for a different reason, having announced his retirement from international football earlier this month.

The growing list of absentees has forced Queiroz to make several additions to his squad. The Ghana Football Association has confirmed the inclusion of nine players, including Jonas Adjetey, Alidu Seidu, Ebenezer Annan, Rockson Yeboah, Rahim Ibrahim, Brandon Thomas-Asante, Mohammed Fuseini, Benjamin Tetteh and Felix Afena-Gyan.

Queiroz himself has acknowledged that the withdrawals have complicated Ghana’s preparations, revealing that the team had lost eight players even before the start of camp.

The Black Stars are scheduled to open their 2027 AFCON qualifying campaign away against Côte d’Ivoire on September 24 before hosting The Gambia in Accra on September 29. They will then face Morocco in an international friendly on October 4.

The speculation about his health surfaced following his recent public appearance, with some social media users expressing concern about his physical appearance.

Some claimed he appeared bloated, particularly around his stomach, and questioned whether he was battling an illness.

Kwame Dzokoto, however, has moved to set the record straight, describing the reports as untrue and urging bloggers and other content creators to verify information before publishing it.

“I am perfectly healthy. I am very much full of life. Bloggers should try verifying news before putting them out there,” he said.

Dzokoto expressed concern about the personal impact of such reports, particularly because public figures have families and loved ones who are also exposed to what is published about them online.

He said it was unfair for people to be portrayed negatively or inaccurately without proper verification.

“It’s unfair because beyond the screens we have siblings and family, and seeing us in these lights always is not the best. Imagine a relative with high BP seeing those news, it’s not proper,” he said.

His clarification is expected to put to rest the recent speculation about his health.

In a video, the musician said he had resorted to buying sachet water for cooking because he was concerned about the quality of the tap water available to him.

He, however, said he became alarmed after some of the sachet water he had kept for a few weeks appeared discolored.

Holding up two sachets from the same bag, Kwabena Kwabena pointed out the difference in their appearance and questioned what could have caused the change.

“This is serious,” he said, while calling on the Ghana Standards Authority and the Food and Drugs Authority (FDA) to to investigate the quality of sachet water being sold to the public..

He expressed concern that continued consumption or use of contaminated water for cooking could have consequences that consumers may not immediately recognize.

In a video shared online, Moesha asked for what she described as a “nice miracle” that would help her become the person she used to be.

“It’s me again. I want You to heal me. I want my life back. I want to become the person I used to be,” she said.

She also spoke about her desire to travel around the world and fulfil the dreams and aspirations she has previously discussed.

Her emotional words has touched many social media users who have joined in her faith.

Moesha has in recent years been on a difficult health journey and recovering from stroke.

She has received support and encouragement from family and well-wishers.

A native of Yonso-Jamasi, Esther is a professionally trained teacher currently teaching at Obuasi Awurade Basa M/A JHS in the Obuasi Municipality. She is an alumna of Akrikerri College of Education, where she further developed her academic and professional skills.

Queen’s passion for music began at a very young age. Her talent was first noticed during her time at Atebubu Methodist School, where she actively participated in worship and used every opportunity to express her love for music. Her early involvement in worship laid the foundation for what has grown into a meaningful gospel music journey.

As a proud Seventh-day Adventist, Queen is deeply connected to gospel ministry and currently serves as a choir mistress, using her musical gift to inspire, encourage and draw people closer to God.

Before embarking on her current journey as a solo artiste, Queen was a member of the Messiah Pearls, an experience that contributed to her growth and development as a gospel musician.

Now signed to Zagazaa Empire, Queen Hadasa is ready to take her ministry and music to a wider audience. Her new single, “Me Ye Adansedie,” is a reflection of gratitude, faith and personal testimony, presenting her story through music while encouraging listeners to recognize the goodness of God in their own lives.

With her experience in gospel ministry, passion for worship and commitment to using music as a tool for inspiration, Queen Hadasa hopes “Me Ye Adansedie” will touch lives and become a source of encouragement to everyone who listens.

“Me Ye Adansedie” Queen Hadasa. A testimony in song.

https://distrokid.com/hyperfollow/queenhadasa/me-ye-adansedie-im-a-testimony

The musician, however, says his case was adjourned to later in October and no plea was entered because the matter was not heard.

In a video shared after the court session, Reggie said he has attended several types of court proceedings over the years, but described the latest experience as one of his most difficult.

According to him, he became so overwhelmed that he told his lawyer he was prepared to accept imprisonment if that would bring an end to the situation.

“I was ready to throw in the towel. I’m tired. Let them put me in jail for the next five years and hopefully it will make everybody happy,” he said.

Reggie said his legal representative intervened and reminded him that he had valid and solid points in his case, urging him not to give up in the manner he was contemplating.

He also became emotional while speaking about the effect the ongoing situation has had on his family, particularly older relatives who, he said, have been concerned about him.

The musician said his lawyer and the lawyer’s assistant supported him through the difficult moment and helped him regain perspective.

He explained that the case is now a matter between him and the Crown Prosecution, rather than a dispute with a private individual (his ex-wife).

Reggie stressed that he would continue to allow the legal process to take its course and intends to speak publicly about the allegations and his experience when the case is concluded.

He also appealed to those following the matter not to mention or target individuals in connection with the case, noting that it is now before the Crown.

Despite the emotional court experience, Reggie said he was back home and hopeful for his his next court appearance.

Abraham made the revelation while speaking at the Bestie Jesu Concert 2026 in Lagos, where she also recounted the support she received from Pastor Bolaji Idowu during the difficult period.

According to the actress, she was still filming when she lost the pregnancy, leaving her emotionally and physically affected.

“I was four months pregnant, but I lost it. But guess what, I was filming, so I was down,” she said.

Abraham said she initially struggled with the thought of informing her parents, particularly her mother, because of concerns about how she would react to the news.

She eventually informed her husband, actor Kola Ajeyemi, but he was away at the time.

With the situation requiring medical attention, Abraham said she reached out to Pastor Bolaji Idowu, who immediately began praying for her and asked where she was.

She told him she was on her way to the hospital for an evacuation procedure following the pregnancy loss.

The pastor, according to Abraham, subsequently sent her millions of naira to support her medical care.

The actress expressed her gratitude to him for standing by her during what she described as a difficult moment.

Abraham has previously spoken publicly about experiencing pregnancy loss. In 2022, she disclosed during an interview with Channels Television that she had lost a pregnancy and had been deeply affected by the experience, particularly because she hoped to have one or two more children.

Her latest revelation adds another deeply personal chapter to her experience with pregnancy loss, this time highlighting not only the pain of the experience but also the support she received while going through it.

Lamptey represented Ghana in the continental acting competition and impressed with his performances throughout the challenge, ultimately finishing ahead of contestants from Kenya and Côte d’Ivoire.

He faced tough competition from Kenya’s Douglas Mwenda Nyaga who emerged as the first runner-up, while Sara Loba, representing Côte d’Ivoire, placed second runner-up.

The achievement also gives Ghana another reason to celebrate, with the country securing the right to host Africa Monologue Challenge Season 4.

From participating in Season 3 to producing its eventual champion and now earning the hosting rights for the next edition, Ghana has played a significant role in the latest chapter of the competition.

For Lamptey, the $1,000 prize comes alongside the bigger recognition that comes with winning a continental platform dedicated to showcasing acting talent.

The victory further puts his name in the spotlight as he joins the growing number of Ghanaian performers making their mark on international and continental stages.

The media personality had previously revealed in an interview on Delay Show that she decided to marry her ex-husband partly to prove to a friend who had slept with her former partner that she was not affected by the betrayal.

She explained that she wanted them to see that the cheating had not broken her and that she had moved on.

But years after making that revelation, Tima has returned to the subject to provide context and correct the narrative surrounding the decision during her ‘Be Inspired by Tima’ Women’s Conference.

According to her, she was only about 20 years old when she met her first husband and was dealing with the pain of a broken relationship.

Looking back, she admits that she did not handle that pain well.

“I was young, naive and stupid,” she said, acknowledging that the decision was one she would approach very differently today.

Tima explained that she was not initially in love with the man she married. Although love eventually developed between them, she now recognises that the motivation behind entering the marriage was not the healthiest.

She wants women going through heartbreak to learn from her experience rather than make major life decisions simply to prove to anyone else that they are unaffected.

Tima believes a woman coming out of a painful relationship needs time to process what she has been through before opening another chapter of her life.

“When you are leaving a bad relationship, you don’t go to the other one because you want the other one to like you. Heal before you enter into another relationship,” she said.

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The gathering brought together influential women for a day of conversations, laughter, reflection and inspiration under the theme “Turning Pain into Purpose.”

Among the familiar faces spotted at the event were actresses Tracey Boakye, Vicky Zugah, Lady Harriet and veteran Christiana Awuni, who added a touch of star power to the gathering.

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Media personalities Akumaa Mama Zimbi, Afia Amankwaa Tamakloe, Yaa Lopez and Abena Kyei were also present.

The ministrations were led by gospel musician Abena Serwaa Ophelia alongside filmmaker Kobi Rana.

The event was more than just another appearance on the social calendar, it offered an opportunity to reconnect with colleagues and share in a space created specifically for women.

‘The conference brought together two things rarely seen in the same room; the glamour of showbiz and the raw, real-life experiences that women often keep behind closed doors.

Speaking at the maiden edition of the “Be Inspired by Tima” Women’s Conference, themed “Turning Pain into Purpose,” Vicky shared her story as part of a conversation on how women can recognise their worth and find the courage to walk away from abuse.

According to the actress, she was initially subjected to verbal abuse by her then-partner, but the situation became far more dangerous when he hit her for the first time.

What she initially hoped was an isolated incident soon became a pattern of abuse, leaving her increasingly afraid for her life.

Her pregnancy, she said, was not enough to save her from beatings so at eight months pregnant, she made the difficult decision to leave the relationship without knowing exactly what the future held.

She recalled being told by her former partner that she would amount to nothing without him and would not be able to properly care for their child on her own.

Years later, her story has taken a very different turn. Vicky has built a name for herself in the Ghanaian entertainment industry while raising her son, who is now 10 years old.

She brought him along to the conference as a testament of how far a woman can go when she loves herself enough to walk out of abuse.

Sharing her experience, she encouraged women facing abuse to understand that they have the power to make decisions about their own future.

“Divorce is not the end of the world,” she told the women, urging them not to remain in situations where their lives are at risk.

Vicky also had a message for mothers whose daughters confide in them about difficulties in their marriages. She urged them to believe and support their children rather than dismissing their experiences or encouraging them to remain in abusive homes.

For her, it is better for a woman to leave an abusive relationship and have the opportunity to rebuild her life than to remain until the situation becomes fatal.

This is exactly the story of wife of legendary gospel musician Joe Beecham whose wait stretched far beyond what she had imagined.

She had to wait for as many as 10 years before welcoming a child, a period she says tested her faith and emotional strength in many ways.

During those years, the pressure did not come only from the passage of time.

As the wife of a gospel musician and minister who regularly prayed for women seeking the fruit of the womb and celebrated their testimonies, some of those joyful moments became particularly difficult for her.

While she was genuinely happy to see other women receive answers to their prayers, their testimonies sometimes left her with painful questions of her own.

“I remember one time my husband prayed for a woman without fallopian tube. He came home one evening and informed me she had given birth. All I could say was ‘ok’, not because I was not happy for her, but that was the human in me. I had functioning fallopian tubes and yet no child. Why was my own prayer taking so long,” she recounted.

However, Mrs Joe-Beecham said the support she received from her husband and in-laws helped her cope with the pressure that often accompanies a prolonged wait for children.

Not once, she recalled, did her mother-in-law ever bring up the conversation or suggested same, rather she related with her like a biological mother would.

Faith also became an important part of her story.

“All I had to do what pray about it and trust everything into the hands of God. I cried for only one year and surrendered to God. Because why should I beat myself about something that is not in my control. If doctors say there is nothing wrong with you, you know at the point, the only person to take it up with is God, the giver of children, and that’s what I did”.

Mrs Joe-Beecham recounted how her husband also prayed and made a personal vow concerning their desire to have a child, specifically hoping that the blessing would come on his birthday.

In that waiting period, she ventured into entrepreneurism as distraction, eventually setting up a school and event business.

Her story eventually took a joyful turn when got the positive test result exactly on her husband’s birthday, right around their 10th wedding anniversary. The joy the couple felt is worth every year they waited.

She shared her story to motivate women who may be going through similar seasons of uncertainty.

Mrs Joe-Bechem’s message is that the pressure may be real, the wait may be long, but it is important not to put life on hold while waiting for one particular blessing.

With the right people by your side, a focused and busy mind can carry a person through even the most difficult seasons.

Some came from pain. Others came from relief. Some were shed while women told stories they had carried quietly for years, while others flowed as they listened and realised that someone else understood exactly what they had been through.

That was the emotional heart of the maiden ‘Be Inspired by Tima’ Women’s Conference.

Under the theme ‘Turning Pain into Purpose’, the gathering became a rare meeting of girlhood; a space where women could put down their guard, share their experiences and find comfort in the presence of others.

One woman’s story often became another woman’s reminder that she was not alone.

As experiences were shared, the room moved between tears, laughter, hugs, prayers and words of encouragement. There was no pressure to have all the answers. There was simply a willingness to listen.

Women spoke about difficult seasons navigating through grief and widowhood, the long waiting period for the fruit of the womb, domestic violence, lack of confidence, stigmatization, inequalities.

The panelists; suicide prevention advocate Gloria Boatemaa Andoh, a rep of entrepreneur Maame Joe and burns survivor and globally recognised advocate Judith Cato Addison, also shared their personal experiences and how they turned their pains into purposes.

But perhaps, the highlight of the moment wasn’t when guest speakers shared words of encouragement or offered supports, but the decision to become personal friends and coaches to some of the drained women.

By the end of the session, the heaviness that many had walked in with seemed to have given way to something lighter.

The hugs felt warmer and the smiles came more easily. The prayers carried a different kind of hope.

The conference reminded attendees that sometimes women do not necessarily need another lecture telling them how to be strong. Sometimes, they simply need a room where they can be vulnerable without being judged.

‘Be Inspired by Tima’ Women’s Conference provided exactly that.

And judging by the connections made and the impact felt in the room, the hope is that this meeting of girlhood will return next year, with even more women finding their way into the room.

In a post on X on September 18, Tiffany said watching people gloat over the losses suffered by the businesses affected was funny.

“And it’s funny watching people jump into comment sections to jubilate over someone else’s downfall.”

She added that “Me nim sɛ ɛkɔm yɛ ya, but being genuinely happy to see another person lose something they worked hard to build is a different level of bitterness. Witchcraft traits.”

She said her earlier comments on Hitz FM about the demolition were misinterpreted, and that some critics had flooded her timeline with insults.

She said the affected businesses never ignored the 21-day notice to vacate, and that they engaged the Assembly and were working towards a solution.

“If demolition was still the final decision, simply tell us to pack up and leave. That is the point. The 21 days passed and nothing happened. If the authorities later decided demolition was still going ahead, another simple communication telling businesses to vacate and remove their belongings could have prevented so much loss. That is my frustration.”

She also said her concerns were not against development.

“My rant was never about saying development shouldn’t happen. My point was simple: if businesses were ultimately going to be demolished, give people the opportunity to remove their property. And considering the circumstances and the losses suffered, I asked the government to consider compensation.”

The Post-Flood Mitigation Taskforce demolished several structures at Laboma Beach, including the Pink Flamingo Lounge, in the La Dade Kotopon Municipality.

The exercise is part of efforts to reclaim the protected buffer zone of the Kpeshie Lagoon and restore natural drainage channels in Greater Accra.

It followed an August 7 directive for the removal of structures allegedly encroaching on waterways and their buffer zones.

Okay, you have my attention now. Since comprehension seems to be fighting for its life in the comments, and some of you have chosen to flood my TL with insults, here you go. Let me explain it one last time. 🙂 pic.twitter.com/kuR9ZvauFn

— ITZ TIFFANY MUSIC (@itz_tiffany) September 18, 2026

Speaking in an interview on Joy Prime Time, the actress revealed that she was completely starstruck on set.

According to Aba, being a huge fan of the craft and having immense admiration for the cast made it impossible not to be in awe of every character in the movie.

“Everybody, because I’m a fan of the craft,” she said.

She also shared an emotional memory of her time with the late Black Panther star, Chadwick Boseman, whom she had the chance to meet outside the film industry.

Aba described Boseman as an exceptionally kind and generous person, adding that she felt privileged to have known him before his rise to global fame.

“A very kind soul, a very generous human and it’s interesting, I had the pleasure of knowing him before all the fame and success,” she stated.

The actress expressed her joy at having witnessed the late actor’s incredible rise in Hollywood.

Aba Arthur, who featured in Black Panther, continues to make Ghana proud on the international movie scene.

That connection got a special moment when Black Sherif and his team paid a visit to the German Residence, giving the ambassador the chance to meet the artiste whose music had been part of his family’s life for years.

For Landshöft, it all started in Berlin in 2022 when he first heard Kwaku the Traveller. The song immediately caught his attention and eventually became his personal song of the year.

After moving to Ghana with his family, songs such as Lomo Lomo and IRON BOY became part of their everyday soundtrack.

The family even had Black Sherif on their Christmas list in 2025, when they attended his live performance at Zaama Disco.

So when Blacko showed up at the German Residence, there was understandably plenty of excitement.

They also spoke about some of Black Sherif’s favourite songs, the stories behind his music and his latest EP, SUN SHERIF, which has been attracting attention since its release.

The rapper and the ambassador eventually swapped the diplomatic setting for a table tennis match, with Black Sherif narrowly taking the win.

For an ambassador who had spent years listening to Black Sherif from afar, the visit offered a chance to finally welcome the rapper in person.

Landshöft described Black Sherif as humble and reflective, while congratulating him on SUN SHERIF.

The conference, organised by the Tima Kumkum Foundation in collaboration with CLCD Ghana, comes off tomorrow, Saturday, September 19, 2026, under the theme “Turning Pain into Purpose.”

The event will be held at Faithway International Chapel, Kwabenya, from 9:00am.

Rather than simply celebrating women, the conference seeks to explore some of the experiences that shape them; the setbacks, struggles and difficult chapters that can often become the foundation for resilience and purpose.

The programme will feature accomplished women, advocates, entrepreneurs and faith leaders who have navigated their own challenges and gone on to make an impact in their respective fields.

Leading the conversations will be the General Overseer of Faithway International Chapel, Pastor Selina; Founder of Klicks Foundation, Mrs Mary Amoah Kuffour; and CEO of RJ’s Events & More and Proprietor of The Beechams Montessori, Mrs Naa Joe Bechem.

A major highlight of the conference will be a panel discussion featuring suicide prevention advocate Gloria Boatemaa Andoh, entrepreneur Maame Joe and burns survivor and globally recognised advocate Judith Cato Addison.

Through their experiences, the panellists are expected to explore the realities of navigating difficult seasons and how painful experiences can be transformed into meaningful impact.

The conversations will be moderated by media personality Asieduwaa Akumia, with Sister Sandy Bi Y3 Guy serving as the master of ceremonies.

Although the conference is free, attendance is strictly by prior registration.

And for women who cannot make it to Kwabenya, being physically absent does not mean missing out.

Organisers have made provision for virtual participation, allowing women to join the conference and follow the conversations from wherever they are. Interested participants can simply scan the QR code to access the livestream and take part in the experience online.

D. Smith made the announcement on Instagram on September 17, sharing a photo of himself dressed in masculine clothing and saying he had entered a new chapter of his life.

The producer said his 12 years living as a woman were an important part of his journey and should not be viewed as something he regrets or wants to erase.

“Those years weren’t a mistake. They were real,” he wrote, adding that the experience introduced him to extraordinary people, profound experiences and lessons he would carry with him.

According to D. Smith, he had spent the past several months reflecting on his life and had decided that going forward, he would live and present as a man and use he/him pronouns.

He stressed that the decision was not about rejecting his past, explaining that his experience of living as a woman had helped him understand the man he wanted to become.

D. Smith also reaffirmed his respect for the transgender community, saying he continues to believe that everyone deserves dignity, safety, compassion and the freedom to become themselves.

The announcement marks another significant chapter in the public life of the musician, who previously spoke openly about the difficulties he faced after coming out as transgender.

D. Smith had said that his transition affected his career, claiming that some collaborators distanced themselves from him, projects were pulled and friends stopped returning his calls.

Despite those experiences, he continued to work in music and film and remained open about his journey.

In his latest statement, D. Smith said there was more to his story than could be captured in the announcement and indicated that he would share more details when he felt the time was right.

“For now, thank you for allowing me space to continue growing,” he wrote.

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Barosky, who became homeless and stranded in Manchester, was repatriated to Ghana in September 2026 with government assistance.

Speaking on Hitz FM, Ofori Amponsah said the focus should now be on helping Barosky rather than revisiting disagreements or blaming individuals for his situation.

“What I think we need to do for Barosky is to show him closeness because I think he’s going through something and needs medical attention. He needs our prayer. He needs our support because probably he’s going through something,” he said.

According to Ofori Amponsah, Barosky may have been dealing with difficulties long before his recent experience in the UK, suggesting that the situation requires more than financial assistance.

The two musicians have a history dating back to the mid-2000s. Ofori Amponsah met Barosky in 2004 and recorded some hit songs before Barosky left his camp while pursuing plans to release his own album.

He explained that, at the time, he had advised Barosky to spend more time building his name through features before releasing a solo project, but the two eventually went their separate ways.

Ofori Amponsah, however, said the long separation means it would be unfair to place responsibility for Barosky’s current circumstances entirely on him.

He also dismissed the idea that simply giving Barosky money would resolve the situation, stressing that what the musician needs goes beyond a one-off financial intervention.

For Ofori Amponsah, the immediate priority should be getting Barosky professional help.

Watch video below:

In a video shared ahead of his court appearance, the musician said he was making the statement to document his side of the story, insisting that he is innocent and remains hopeful that the rule of law will prevail.

“If you all don’t hear from me or see me again online after tomorrow afternoon, then it means that I have been convicted to a maximum of five years prison sentence,” he said.

Reggie Zippy said the case is a criminal matter rather than a civil proceeding and that a conviction could result in a criminal record.

Under UK law, a non-molestation order is a protective order issued by a family court to prevent specified forms of behaviour, including harassment, intimidation, threats or unwanted contact. Breaching such an order is a criminal offence and can carry a maximum sentence of five years’ imprisonment on conviction on indictment.

However, the maximum penalty does not mean that a person convicted of breaching such an order will automatically receive a five-year prison sentence. The actual sentence depends on the circumstances of the offence and the court’s assessment.

Reggie Zippy, whose real name is Reginald Agyeman, said he has spent about four and a half years dealing with prolonged personal and legal difficulties after separation from his wife and custody issues.

He strongly denied the allegations against him, claiming that his accusers know he did not commit the offence. Those claims have not been established by a court.

The musician also spoke about the emotional toll of the situation, saying the prolonged ordeal had at one point left him struggling deeply.

While admitting he had been suicidal in the past, he said he remains strengthened by his faith, family and his belief that the difficult period will eventually pass.

Reggie Zippy said he was not presenting himself as a victim and expressed hope that the court process would provide an opportunity for the matter to be resolved.

He also urged his followers to continue praying for him as he prepares for the proceedings, saying he remains confident in God and the rule of law in the UK.

Watch video below:

The musician, speaking on Hitz FM, said his interest in farming was influenced by his upbringing, noting that his father was a businessman who owned farms while he was growing up.

“My dad was a businessman who had farms and everything. So while people were spending vacations in Accra, I was spending time on our farm. So I mean, I’m a farm boy,” Ofori Amponsah said.

According to him, the farming experience has remained part of his life over the years and also influenced how he invests his money today.

“When you come to my house right now, every house that I have, there’s a farm. I use to spend heavily on luxury cars and houses, but not anymore,” he said.

He said he once had about seven cars including an Audi S5, BMW 8 Series and 7 Series at home but eventually began questioning the wisdom of putting so much money into vehicles that depreciate over time.

This experience, he added, made him realize that the money could have been channeled into investments that generate longer-term value.

One of such investments is agriculture, and now every house he owns has a farm for both domestic and commercial purposes.

Watch video below:

In a heartfelt message, Fuse ODG expressed gratitude for the years they spent together as he reflected on their journey from friendship to becoming family.

He described him as a dear friend, brother, inspiration and legend.

He also highlighted Sway’s dedication to his four children, particularly during periods when he was unwell.

According to Fuse ODG, Sway remained actively involved in his children’s lives, taking them to different places, exposing them to new experiences and ensuring they received the education and guidance needed to become future leaders.

Fuse ODG further pledged to remain present in the lives of Sway’s children and support them following their father’s death.

“Thank you for emptying yourself and pouring your all into us, into the world, and most importantly, into your children,” he wrote.

Remembering Sway as his adviser, friend and brother, Fuse ODG said he would continue to honour his legacy.

He described the late rapper as “the greatest rapper” and signed off his tribute with a message of peace for his departed friend.

Sway Dasafo, born Derek Andrew Safo, was a British-Ghanaian rapper and producer who made a significant mark on the UK hip-hop scene and remained closely connected to Ghana and its creative community.

His death at the age of 44 has since sparked tributes from friends and members of the music industry.

The museum, located within the precincts of Parliament, is expected to offer visitors an opportunity to explore the history and evolution of Ghana’s parliamentary institution.

According to Parliament, the museum is a legacy project of the Speaker, Rt. Hon. Alban S. K. Bagbin, aimed at deepening public understanding of Ghana’s parliamentary history and strengthening public engagement with the institution.

The museum will be open to visitors from Mondays to Fridays, between 9:00am and 4:30pm.

Its collection features historical photographs, parliamentary documents, records of past proceedings, artefacts and memorabilia belonging to former Speakers, as well as archival materials relating to the Legislative Council and Ghana’s constitutional milestones.

Visitors will also have access to ceremonial and symbolic items associated with Parliament, alongside interactive multimedia exhibits explaining the law-making process and the history of governance in Ghana.

Parliament said the facility is designed to serve a wide range of visitors, including students, researchers, tourists, cultural enthusiasts, Members of Parliament and parliamentary staff.

For students and researchers, the museum is expected to provide access to historical materials relevant to the study of Ghana’s parliamentary and constitutional development.

Tourists and cultural visitors, meanwhile, will have another heritage attraction through which to explore Ghana’s democratic history.

Parliament said the museum will also help preserve institutional memory and provide international partners and other legislatures with an insight into Ghana’s democratic heritage.

Members of the public who wish to visit the museum are required to book through Parliament’s official website by selecting “Visit,” followed by “Museum,” and completing the booking form.

Applicants will receive a notification once their requests have been approved.

The opening of the museum forms part of Parliament’s broader commitment to public education, openness and the preservation of Ghana’s legislative history for future generations.

Among them were Finneas, the brother of pop star Billie Eilish, who said in a statement: “Artists must not be silenced when they speak up for the oppressed.”

Irish singer-songwriter Aaron Rowe and Danish band Lukas Graham also announced their departure. Irish folk band Beoga, who perform with Sheeran on stage every night, dropped out too.

The announcements came hours after Sheeran said he would not be drawn into a public debate over Gaza, and stressed he was not responsible for Macklemore being removed from the tour.

“Macklemore coming off tour was the promoter’s decision, it was not mine,” Sheeran said on Instagram.

“I would never let down the fans who had made plans, nor would I abandon the touring crew and the other support acts and musicians who rely on me for work and to make a living.”

Earlier this month, Macklemore – real name Benjamin Haggerty – called for a “free Palestine” and showed images of devastation in Gaza during two concerts in New Jersey.

His comments drew criticism from Jewish groups, after which some venues put pressure on the tour promoters to drop him from the tour.

In his statement, Sheeran said he had spoken with the venues “at length all week to try and build a bridge” – but the promoters, Messina Touring Group, had ultimately pulled the plug.

While the star said he was “appalled by the conflict between Israel and Palestine” and that the “suffering and pain caused on both sides is a human tragedy”, he also attempted to explain his decision to keep political issues at arm’s length.

“I am not complicit,” he wrote. “I have my personal views on this devastating conflict. Just because I choose not to speak publicly, it doesn’t mean I don’t have them, and it doesn’t mean I don’t care.

“Nor does it mean I don’t support causes in my own, personal way.”

He continued: “There is a reason I do not use my professional platform for politics – my audience includes young people, often children, of all backgrounds.

“Those who come to my shows do not expect a political forum. I respect Macklemore’s strength of purpose to stand up and shout for what he believes.

“However, there is room for multiple approaches to the same end: Peace.

“I choose to use my fame and platform to be a place of safety and sanctuary, to maintain diplomacy and keep conversations open, not closed. If we only focus on shouting the loudest, nothing will ever change. There are different approaches to being an advocate for change.”

Sheeran added that, “as with all my support acts”, Macklemore had been allowed to choose his own setlist.

If the statement was meant to placate his fans and other artists on the line-up, it has seemingly had the opposite effect.

Writing on Instagram, Lukas Graham said: “We should be able to speak about war, about civilians being killed, about children who deserve to grow up. Wherever they live. Whatever flag flies over them.”

Rowe, who opened on the Australian leg of the tour earlier this year and resumed as a support act for the US in June, said that he did not “take the decision [to quit] lightly,” adding: “Ed has been a friend to me and has changed my life, I could never thank him enough for this.”

In their post, Beoga said: “As musicians, playing to those crowds every night is the stuff of dreams but to play in venues that silence anyone advocating for a Free Palestine is simply not an option for us.”

Hind’s Hall performance

The controversy began on 4 September, when Macklemore performed at Ed Sheeran’s concert at the MetLife Stadium in New Jersey.

He told the audience: “A big part of the reason why I wanted to do this tour in the first place is so that I could stand up in stadiums like this and say two words that are very, very dear to my heart: Free Palestine.”

He then performed his song Hind’s Hall, which is dedicated to pro-Palestinian protestors at Columbia University and condemns Israel’s military action in Gaza, while video footage of the devastation in Gaza was shown on the big screen.

Some of the audience cheered – but there was almost immediate criticism online.

The Israeli American Council launched a petition demanding his removal from the tour; while the campaign group StopAntisemitism said the musician had ambushed fans with propaganda – a claim that was amplified by the pop star Pink, who reposted it on Instagram.

The next night, Macklemore returned to the same stage and directly addressed his “Jewish brothers and sisters” in the audience.

“Criticism of Israel, criticism of apartheid, being against genocide, is in no way a criticism of you,” he said, adding that he wanted people in Gaza and the West Bank to know they had not been forgotten.

Israel rejects allegations of genocide. It says its troops conduct self-defence operations in Gaza and the occupied West Bank in accordance with international law.

The Israeli military launched a campaign in Gaza in response to an unprecedented Hamas-led attack on southern Israel on 7 October 2023, in which about 1,200 people were killed, and 251 were taken hostage.

During Israel’s military campaign in Gaza, more than 73,780 people have been killed, according to the territory’s Hamas-run health ministry, whose figures are considered reliable by the UN.

‘Most successful tour’

After days of press coverage, Macklemore announced on Monday that he had been dropped from the line-up.

In a statement on Instagram, he said the boycott had been organised by Robert Kraft – the billionaire owner of Gillette Stadium in Massachusetts.

Kraft – who once hired Ed Sheeran to play at his wedding – confirmed he’d made the decision to bar Macklemore, saying his venue would not “provide a platform for hate speech,” accusing the rapper of “a broader history of antisemitic rhetoric”.

“I agree with Macklemore, too many lives have been lost, and there has been too much suffering, but only sharing selective information and ignoring the actions of Hamas is not honest and only advances more divisiveness and hate,” Kraft said.

However, he did not address the claim that he’d asked other venues to put pressure on the tour.

Tour promoter Messina Touring Group told Rolling Stone magazine that it had been told by venues that they would not allow Macklemore to perform, “which would result in the cancellation of the tour and impact hundreds of thousands of fans.”

Many of the acts who withdrew on Tuesday night said Kraft’s involvement had influenced their decision.

“Money doesn’t give you the right to own the conversation,” said Lukas Graham.

“Nobody’s bank balance should decide who gets to speak or which suffering we’re allowed to acknowledge.”

In his statement, Macklemore said he empathised with the difficult position Sheeran had been put in, but criticised the English singer for not taking a stance.

“Taking a side can cost you. Money, brand deals, sponsorships, festivals, private shows, relationships and access. I’ve lost all of those things. But there is no neutral position between the oppressor and the oppressed,” he wrote.

He also emphasised that, although he was only able to complete two shows on the tour, if his words succeeded in “turning the conversation back to Palestine, then it was the most successful tour I’ve ever been on.”

The Grammy-winning singer made the remark during a TikTok livestream, suggesting that she is no longer interested in navigating the dating scene.

Although Tems did not provide details about what prompted the announcement, she explained that one of her frustrations with relationships has been dealing with men who she feels waste her time.

She said she had reached a point where she no longer wanted to entertain such experiences.

“I don’t like it when guys waste my time. But for me, never again. I don’t have that problem anymore. I have left the streets; I wouldn’t even say I was ever on the streets,” she said.

Her comment has since stirred curiosity among fans, particularly because she stopped short of explaining whether the statement signals a new relationship or simply a decision to step away from dating.

Tems has previously spoken about the kind of attention she receives from men.

In an interview with YouTuber Korty EO last year, the singer said some men who approached her appeared more interested in her physical appearance than in forming a genuine relationship.

She explained that she would rather have meaningful and deeper connections than relationships driven primarily by physical attraction.

For now, Tems has offered no further explanation about what she meant by leaving the streets, leaving fans to interpret the cryptic announcement.

She made the call at a Creative Industry Reception, where key stakeholders discussed ways to strengthen the sector and create an environment that allows creative businesses and professionals to thrive.

According to the Minister, Ghana’s creative industry must move beyond calls for recognition and support and build the systems and evidence needed to demonstrate its contribution to job creation, incomes and national economic growth.

She also stressed the need for greater integration of tourism, culture and the creative arts, noting that the three areas could work together to unlock new opportunities for Ghana.

Managing Director of the International Finance Corporation (IFC), Makhtar Diop, also highlighted the importance of intellectual property protection in creating a sustainable creative economy.

He called for creatives to have a stronger voice in the management of their rights and royalties, while pointing to Ghana’s music, film, fashion, festivals and cultural heritage as valuable assets that can support tourism and economic development.

The reception brought together stakeholders from the creative industry, government and development sector to deliberate on policy, investment, intellectual property, industry data and stronger collaboration.

The discussions underscored the need for Ghana to complement its creative talent with systems and institutions capable of supporting sustainable growth, protecting creators and turning creative output into greater economic opportunities.

While an official cause of death has not been widely publicized, the incident happened on Thursday, September 17, 2026.

Peers in the industry noted that Sway had been privately dealing with health issues.

He had also previously shared his diagnosis and experience with Hodgkin lymphoma through Lymphoma Action.

Born Derek Andrew Safo in 1982 to Ghanaian parents in North London, Sway rose to prominence in the mid-2000s and became one of the notable figures in the growth of UK hip-hop.

He made history at the 2005 MOBO Awards when he won Best Hip-Hop Act as an unsigned artist, beating international heavyweights including 50 Cent and The Game.

His breakthrough continued with the 2006 hit “Little Derek”, which showcased his witty lyricism and distinctive style. He later earned a Mercury Prize nomination and went on to establish his own production company while continuing to champion independent music.

Sway also maintained strong connections to his Ghanaian heritage. His 2008 song “Black Stars” celebrated prominent Ghanaians in the diaspora, while his collaborations with Ghanaian artistes helped strengthen the musical link between the UK and Ghana.

One of his notable Ghanaian collaborations was “Lay Away” with Sarkodie and Jayso, a song featured on Sarkodie’s 2009 debut album, Makye.

News of his death has triggered an outpouring of tributes from fans, musicians and colleagues, with many remembering him as a pioneer who helped open doors for UK rap and Ghanaian-British voices.

The MOBO Awards also paid tribute to the rapper, celebrating his contribution to UK music.

Friends and associates have also reflected on his recent health struggles, while tributes have highlighted the influence of his independent mixtapes, international collaborations and production work.

Sway is survived by his two sons and two daughters.

According to the musician, one of the signs of spiritual setbacks can be seen when situations do not go according to plan and individuals begin to feel helpless or overwhelmed by circumstances.

In his view, such moments can also serve as a reminder of God’s supremacy and omnipotence, calling on people to reflect on their spiritual lives rather than allowing difficult situations to completely derail them.

However, Ofori Amponsah believes that people who are not spiritually grounded may struggle to navigate such periods and can resort to substances such as alcohol and cigarettes as a way of coping.

He noted that, in some cases, substance use may not necessarily be the root problem, but rather a symptom of deeper issues such as depression, disappointment or frustration.

Ofori Amponsah, who spoke about the subject while discussing the spiritual side of musicians, said artists need to recognise that they have a calling and should understand the purpose behind their work.

He also disagreed with the tendency to divide music into “secular” and religious categories, insisting that “music is music” and that musicians can still maintain a strong spiritual foundation regardless of the type of music they perform.

For him, having a spiritual foundation is particularly important for musicians because of the pressures and uncertainties that come with the profession.

Ofori Amponsah therefore encouraged musicians to pay greater attention to their spiritual lives and remain grounded in their faith as they navigate the challenges that come with their careers.

The entrepreneur, who owns Itz BOX BAR, said she supports the government’s redevelopment efforts but believes affected business owners should be compensated for their losses.

According to Tiffany, she had arranged about seven trucks to move her belongings from the premises but was prevented from entering the area by security personnel before the demolition.

In an interview on Daybreak Hitz on Hitz FM, she said several items, including an air conditioner, safe with cash and other properties, remained inside the facility when it was pulled down.

Tiffany also disputed claims that business owners were given enough opportunity to retrieve their belongings before the demolition, saying she and others who went to the site were stopped at the gate by heavily armed security personnel.

She further raised concerns about the impact of the demolition on workers and business owners, claiming that more than 300 jobs had been affected and many operators had borrowed money to establish their businesses.

The entrepreneur said her business alone had about 28 workers, while other facilities within the area employed significantly more people.

“We are in support of what the government is doing, but they have to look into compensating us,” she said, questioning how affected businesses and workers would recover from their losses.

Tiffany also claimed that drinks and other items worth hundreds of thousands of dollars were left at her premises when the demolition took place.

She called on the government to consider the losses suffered by business owners and find a way to address their concerns.

In a Facebook post, the actress expressed gratitude for the opportunity to have worked alongside the celebrated actor and to have learned from him.

“My dear, iconic and legendary Uncle Olu.

“You were truly a great gift to our film industry. An exceptional talent who inspired generations and played a remarkable role in building and shaping the industry we know today,” she wrote.

Rita Dominic said she considered it a privilege to have worked with Olu Jacobs and experienced his talent and character firsthand.

“I feel deeply grateful and privileged to have had the opportunity to work alongside you, learn from you, and experience your greatness firsthand. Your kindness, wisdom, and remarkable legacy will forever remain with me and with everyone whose life you touched,” she added.

She said the actor’s death had left a significant void in the hearts of those who knew and admired him, but expressed faith in God’s will.

“You have left a huge void in our hearts, but we trust that God knows best. Rest peacefully uncle until we meet again, never to part.

“Adieu, Uncle Olu,” she concluded.

Rather than marking the occasion with a typical birthday celebration, the ‘Nothing I Get’ hitmaker chose to share the day with children whose experiences resonated deeply with his own story.

Fameye, who lost his parents while growing up, said spending time with the children was particularly meaningful because he understands what it feels like to grow up without a parent’s embrace.

“I didn’t celebrate my birthday by asking for more. I celebrated by giving love to children who, like me, know what it means to grow up without a parent’s embrace,” he said.

The musician said he saw a part of his own journey in the children and was grateful for how far he had come despite the loss he experienced growing up.

“My story started with loss, but God gave me the strength to keep going, and today I’m grateful for how far He has brought me,” he added.

During the visit, Fameye shared moments of love, smiles and companionship with the children, using his birthday as an opportunity to remind them that they are valued and remembered.

He said his wish was for children who feel alone to find love, hope and reasons to smile.

Fameye also expressed gratitude to Pizza Man Chicken Man and Creme Russian Bakery for supporting the birthday initiative and helping make the visit possible.

For the musician, the celebration was less about receiving gifts and more about giving back, turning a personal milestone into a moment of connection with children whose stories share a painful thread with his own.

She passed away in the early hours of Wednesday, September 16, 2026, as announced by producer Fred Kyei Mensah (Fredyma) who broke the news.

Her last public sighting was a week ago when she attended the funeral of colleague vocalist SHE’s mother at the State House.

Adez gained recognition as a contestant on TV3’s Mentor 2 reality show about 19 years ago.

She later built a career as a backing vocalist, working with several Ghanaian musicians on live performances and studio recordings.

Adez was also well known for lending her voice to several jingles for brands, artistes and other commercial projects.

The news of her passing has since triggered an outpouring of grief among colleagues and fans who appreciate her contribution to Ghana’s entertainment industry.

The surprise pledge came at the UPSA 1000 & Ghana Entrepreneurship Conference after the SRC President, Isaac Osafo Junior, made a passionate appeal to the dancehall star.

The SRC President told Shatta Wale that the student body was looking forward to an unprecedented SRC Week celebration and believed his presence could help make it happen.

“We want to have an unprecedented SRC Week celebration, and we believe that can only be possible if we have you on it,” Isaac Osafo Junior said.

Shatta Wale responded by making a two-year commitment, assuring the students that money would not be a concern.

“For the next two years, I’ll give you a hot SRC Week for free. Don’t worry about the money,” he said.

The ‘On God’ hitmaker explained that he had been looking for a university to affiliate himself with, and the SRC President’s invitation presented the perfect opportunity.

The pledge immediately became one of the standout moments of the conference, with the musician moving beyond his role as a guest speaker to establish a direct connection with the student community.

Shatta Wale was also honoured with a citation of honour by the university in appreciation of his contribution to the conference and his engagement with the students.

He traded his usual musical performance for a conversation about success and the mindset behind his journey.

Known for his flamboyant persona, Shatta Wale urged the students to look beyond the visible rewards of his success and pay attention to the ideas and vision that have shaped his career.

He encouraged them to picture the future they want and work deliberately towards it, noting that every major achievement begins with an idea.

The artiste also advised the students not to make money the sole target of their ambitions.

“Don’t copy my lifestyle, copy my thinking. Attract success with success. Don’t waste money chasing money. Most importantly, be versatile; evolve as the world does. Believe in what you envision, because turning dreams into reality begins in the mind.”

Shatta Wale also advised students to be mindful of their brands and continually assess their relevance and make the necessary adjustments to remain competitive.

Shatta Wale’s appearance was part of lineup for UPSA 1000 & Entrepreneurship Conference, following an invitation from Vice Chancellor Professor John Kwaku Mensah Mawutor.

The Vice Chancellor had specifically sought the musician’s perspective on entrepreneurship, branding and his experience of using the internet to market his music and build a successful career.

For Shatta Wale, the session offered an opportunity to turn his years in the entertainment industry into practical lessons for a younger generation.

According to the entertainer, his outspoken activism came at a personal cost, with his family becoming increasingly worried about their safety.

Mr Macaroni said his mother would frequently call him in tears after noticing what she described as strange movements around the family home.

“The threats here and there were serious threats. My family, no time. They were every time calling me, crying,” he said in a viral video.

He revealed that the situation became so worrying that members of his family wanted him to leave the country for his own safety.

“They wanted to fly me out of the country. I said, for what? I’m not running anywhere,” he recalled.

Mr Macaroni said the threats intensified around the period leading up to Nigeria’s 2023 general election, when he continued to speak publicly about the need for citizens to vote wisely.

He stressed that when he publicly expressed his preferred presidential candidate at the time, he was exercising his personal right to vote and was not ordering Nigerians to support the same candidate.

However, he said the backlash that followed was intense, with people insulting and attacking him over his political position.

The comedian said his decision to speak out had always been driven by his desire for a better Nigeria, but the experience eventually made him question how much more he could say publicly.

He also recalled that people continued to tag him on social media asking why he was no longer speaking about issues affecting the country.

“What will I say? We said it, but it looked as if we were the ones that didn’t know what we were saying,” he said.

Mr Macaroni has previously spoken about receiving threats over his activism and political views. In 2022, he publicly alleged that threats had been made against him and his family over his refusal to endorse a particular presidential candidate.

His latest comments offer further insight into the personal pressure behind his reduced political commentary, even as he maintains that his concerns about Nigeria and its leadership have not disappeared.

The entertainer has also previously said he has little interest in entering Nigerian politics himself, arguing that the political environment can negatively affect people who were once widely respected.

During a recent sermon to his congregation, the founder of Lighthouse Chapel International paused his message to speak about Bernice, who passed away at the age of 63.

Heward-Mills revealed that his relationship with the gospel singer went back several decades, as they knew each other from their school days.

He also recalled that Bernice lived close to his home at the time and was already known for her singing.

“She was my personal friend,” he said while reflecting on their long-standing relationship.

Back in the 70s, Bernice had lived out her passion for singing and led ministrations.

Heward-Mills adds to a list of gospel ministers who have honored the veteran gospel musician, whose career spanned several decades.

Bernice Offei had reportedly battled dementia, including Alzheimer’s disease, for about four to five years before her death.

Her health reportedly deteriorated in the days leading up to her death on Saturday, September 12, 2026.

In a post on X, the award-winning musician said vendors could make a significant difference to their businesses by adopting basic hygiene practices such as wearing gloves, nose masks and hair caps.

“Only if roadside food vendors knew how much of a difference it would make in their sales if they took hygiene a bit more seriously. Simple things like gloves, nose masks, hair caps, etc would go a long way and boost sales significantly” he said.

Sarkodie’s comments highlight the importance of maintaining good hygiene when preparing and serving food, particularly for vendors who operate along busy roads and public spaces.

The couple’s joint appearance appears to signal a possible change in the situation between them, particularly after Gifty had earlier moved out of their matrimonial home amid the controversy.

During the latest live session, Gifty openly professed her love for Oteele and indicated that she had forgiven him and willing to work through the difficulties that had placed their relationship under intense public scrutiny.

Their marital troubles became a major talking point after an alleged private adult video involving Oteele surfaced online.

In the early days of the controversy, Gifty stood by her family and appealed to the public to pray for them.

Oteele later broke his silence on the matter, expressing regret over the situation and indicating that he intended to approach his wife with respected individuals to apologise and ask for her forgiveness.

At one point, she publicly sought opinions on whether she should remain in the marriage or consider divorce, admitting that the controversy had taken an emotional toll on her.

After series of counselling, she has agreed to move forward and return to her matrimonial home.

Jacobs died on Wednesday, September 16, 2026, his family announced. His wife, veteran actress Joke Silva, and their son shared the news, describing him as the “Lion of Lufodo” and asking the public to respect the family’s privacy as they mourn.

The actor, who turned 84 on July 11, leaves behind a career spanning more than five decades across theatre, television and film.

Here are 10 things to know about the late Nollywood icon.

1. His real name was Oludotun Baiyewu Jacobs

Olu Jacobs was born Oludotun Baiyewu Jacobs on July 11, 1942. He was born in Kano and grew up to become one of Nigeria’s most recognised actors. His family announcement confirmed that he died on September 16, 2026, aged 84.

2. He trained at the Royal Academy of Dramatic Art

Jacobs received formal acting training at the Royal Academy of Dramatic Art (RADA) in London, one of the UK’s prominent drama schools.

His professional career began long before the emergence of Nollywood as it is known today, with his early work taking place in Britain.

3. He appeared in British television productions

Before becoming a household name in Nigeria, Jacobs featured in several British television productions during the 1970s.

His credits included The Goodies, Barlow at Large, The Venturers, Angels, The Tomorrow People and The Professionals. He also appeared in stage productions in Britain.

4. He acted in international films

Jacobs’ acting career extended beyond Nigeria and British television.

He appeared in international productions including Ashanti (1979), The Dogs of War (1980), Baby: Secret of the Lost Legend (1985) and Pirates (1986).

5. He became one of the pioneers of Nollywood

After building a career in Britain, Jacobs returned to Nigeria and became one of the actors associated with the development of the Nigerian film industry.

The Open University notes that he became one of the pioneers of Nollywood and acted in more than 120 films, frequently portraying fathers, elders, traditional rulers and political figures.

6. He starred in more than 120 Nigerian films

Over the course of his career, Jacobs appeared in more than 120 Nigerian films.

Among his notable credits were Oloibiri, Dry, The Royal Hibiscus Hotel, Adesuwa and Heroes & Zeros. His roles often placed him in positions of authority, reflecting the commanding screen presence for which he became known.

7. He won the AMAA Best Actor award in 2007

In 2007, Jacobs won the Africa Movie Academy Award (AMAA) for Best Actor in a Leading Role for his performance in Dancing Heart.

The award became one of the major competitive honours of a career that would later earn him several other industry recognitions.

8. He received a Lifetime Achievement Award

In 2016, Jacobs and his wife, Joke Silva, were jointly honoured with the AMAA Lifetime Achievement Award for their contributions to African cinema.

The award was presented at the 12th edition of the Africa Movie Academy Awards in Port Harcourt.

9. He was married to actress Joke Silva

Jacobs and Joke Silva were one of Nollywood’s best-known celebrity couples.

The pair worked together in the entertainment industry and co-founded the Lufodo Group, which includes film production and distribution interests as well as the Lufodo Academy of Performing Arts.

Their marriage lasted for decades, with Silva frequently speaking publicly about their relationship and shared professional journey.

10. He was a recipient of a Nigerian national honour

Jacobs was honoured by the Nigerian government with the national honour of Member of the Order of the Federal Republic (MFR) in 2011.

He was also recognised with the Industry Merit Award for outstanding achievement in acting at the 2013 Africa Magic Viewers’ Choice Awards.

The veteran actor’s family announced his death in a statement on Wednesday, September 16, 2026, describing him as a beloved husband, father, grandfather and uncle.

The family said his death marked the end of a life that was well lived and dedicated to his craft.

“It is with gratitude to God for a life well lived and fought, that we announce the passing of our dear husband, father, grandfather, and uncle. The Lion of Lufodo.

The family also appealed to the public, particularly bloggers and social media influencers, to respect their privacy as they mourn their loss.

“We call on all bloggers and social media influencers to respect our family’s privacy at this time.”

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A post shared by Olusoji_Jacobs (@mrjacobs_jnr)

Olu Jacobs was widely celebrated for his contributions to African cinema and television, having built an illustrious career through numerous roles in Nigerian and international productions.

His passing marks the loss of one of Nollywood’s most recognisable veteran actors, whose career spanned generations of audiences.

Also read:

• Joke Silva pens emotional message to Olu Jacobs as he turns 82

• The husband I knew is no more there – Olu Jacobs’ wife

The organisation says the trend is increasingly affecting girls in mining communities, with some victims below the age of 16 reportedly being recruited and sexually exploited.

The warning follows an operation by Challenging Heights and the Ghana Police Service that led to the rescue of 47 victims of sexual exploitation from six communities around Goaso in the Ahafo Region.

Of the 47 victims, 26 were handed over to Challenging Heights for rehabilitation and recovery. Sixteen of those rescued were identified as being under 18 years old.

Although many of the victims were foreign nationals, particularly from Nigeria, Challenging Heights says Ghanaian girls are increasingly being targeted for recruitment into the sex trade.

Founder of Challenging Heights, James Kofi Annan, told Accra-based Citi News that the development points to an emerging pattern of child exploitation in mining communities.

“We are now seeing an active recruitment of Ghanaians, Ghanaian girls, into the sex trade in the mining communities,” he said.

He further raised concern about the impact of sexual exploitation on children and infants in these communities.

“We are also seeing a worrying trend of babies being affected by this sexual exploitation and forced prostitution in the mining [communities],” he stated.

Mr Annan called on the Ghana Police Service to intensify operations against human trafficking and sexual exploitation, particularly in communities identified as hotspots.

He also urged the Ghana Immigration Service to strengthen surveillance and border controls to prevent traffickers from moving victims across Ghana’s borders.

Also read:

• Secret filming exposes the ‘madams’ involved in Kenya’s child-sex trade

• Two women jailed for trafficking, forcing 4 girls into sex trade 

Iyanna “Yaya” Mayweather has been ordered to pay more than $50 million to Lapattra Jacobs over the 2020 stabbing that followed a confrontation involving rapper NBA YoungBoy.

A Harris County, Texas, judge awarded Jacobs a total of $50,105,000 in damages, bringing a years-long legal dispute tied to the incident back into the spotlight.

TMZ reported Sept. 14 that the judgment includes $40,105,000 in compensatory damages and another $10 million in exemplary damages. The compensatory award covers both past and projected future losses connected to medical expenses, pain and suffering, physical impairment, lost earning capacity and disfigurement.

Court findings cited in the reporting state that Mayweather’s conduct involved an “extreme degree of risk” and constituted aggravated assault involving a deadly weapon. The court also found Mayweather responsible for the full amount of the damages.

The civil judgment stems from an April 2020 confrontation at a home in the Houston area where NBA YoungBoy was present. Police said Mayweather and Jacobs became involved in an argument that escalated, with Mayweather using two knives and stabbing Jacobs in the arm. Jacobs was taken to a hospital and underwent surgery.

Mayweather, the daughter of boxing champion Floyd Mayweather Jr., was arrested and charged with aggravated assault with a deadly weapon. She later pleaded guilty in 2022 and received six years of probation through deferred adjudication. That criminal proceeding is separate from the newly reported civil judgment.

Jacobs’ civil lawsuit focused on the long-term consequences of the injuries. She alleged that the attack left her with permanent impairment and loss of function in her arm, along with medical expenses and other physical and financial damages.

NBA YoungBoy was initially named in the civil litigation, but claims against him did not proceed to trial, according to TMZ’s report. The latest judgment places the financial responsibility on Mayweather.

The size of the award is particularly striking because the underlying criminal case had already been resolved years earlier. The civil proceeding allowed Jacobs to pursue compensation for the lasting effects of the injuries independently of Mayweather’s criminal sentence.

The ruling also closes another chapter in a case that has remained connected to the rapper’s personal life long after the original confrontation. Mayweather and NBA YoungBoy share a son, Kentrell Gaulden Jr., who was born in 2021.

The $50.1 million judgment now shifts the focus from the criminal case to the financial consequences of the attack, with the court’s findings establishing the basis for the substantial damages awarded to Jacobs.

The 57-year-old made the revelation during an appearance on The Jennifer Hudson Show, where he was asked whether marriage was something he could see himself pursuing.

His response was direct: “Nope.”

Perry, however, explained that his position was shaped by what he has witnessed happen to people who built significant wealth only to lose much of it following divorce.

“It’s not the marriage that bothers me. It’s the divorce,” he said, explaining that several financially successful people he knows ended up losing their fortunes after their marriages broke down.

“For me, I’m good just being free,” he added.

His comments are particularly striking given that marriage and romantic relationships have featured prominently throughout his career. Perry wrote and directed the popular Why Did I Get Married? in 2007, followed by Why Did I Get Married Too? in 2010, with the latest instalment, Why Did I Get Married Again?, now streaming on Netflix.

Perry has also built a vast entertainment empire around his creative work, with much of his wealth linked to ownership of his intellectual property and production ventures.

He owns Tyler Perry Studios in Atlanta and has maintained ownership of a significant portion of his film, television and stage catalogue. Forbes has estimated his fortune at about $1.4 billion.

For Perry, that financial independence appears to be one of the reasons he is choosing to remain unmarried, despite the irony of having built a career telling stories about love, marriage, family and relationships.

Stars walked a blue version of the traditional red carpet ahead of the Emmy Awards ceremony, which is being broadcast live from the Peacock Theatre.

In a message shared with her followers, the singer urged women not to allow changing social expectations to make them feel ashamed of wanting genuine love, family and a meaningful future.

“My advice to every girl in her early 30s: be intentional with your womb and be intentional with your future,” she said.

Sista Afia also encouraged women to remain confident in their values, particularly when it comes to relationships and the kind of family they hope to build.

“There is absolutely nothing to be ashamed of in having good morals, being raised with love. Don’t let this generation make you feel foolish for wanting something genuine,” she added.

She further suggested egg freezing as an option for women who are in a position to pursue it, saying it could provide more time and flexibility as they make decisions about relationships and starting a family.

“And if you’re in a position to, consider freezing your eggs. Give yourself the gift of time and options while you figure out life, love, and the kind of family you want,” she wrote.

Sista Afia stressed that taking steps to preserve future reproductive options should not be viewed as something shameful.

“There is no shame in protecting your future. Freeze your eggs,” she added.

The event, which was themed “The Altar of Fire,” generated conversations about various aspects of the night, particularly the elaborate costume worn by Ohemaa Mercy as she made her entrance to lead worshippers.

In a Facebook post, the gospel musician described her appearance as more than a stage entrance, saying she made an “altar entry” and that her attire was designed to communicate a spiritual message.

“At this year’s Tehillah Experience, Ohemaa Mercy did not simply mount the stage she made an altar entry. Long before she lifted the microphone, her attire had already delivered a sermon,” she said.

She explained that each element of the costume was carefully chosen to reflect biblical themes of priesthood, sacrifice, consecration and divine presence.

The cap – the priestly mitre

According to Ohemaa Mercy, the most distinct feature of her outfit was the cap, which mirrors the Mitre (Miznefet) worn by the High Priest.

She referenced Exodus 28:36-38, which speaks of a plate of pure gold engraved with the words:

“You shall make a plate of pure gold and engrave on it, like the engraving of a signet: HOLINESS TO THE LORD.”

The symbolism, she explained, was intended to represent priesthood and holiness rather than fashion.

“This was not a fashion statement. It was priesthood.”

Ohemaa Mercy also cited Leviticus 6:13, which states:

“The fire shall ever be burning upon the altar; it shall never go out.”

She said the mitre represented her spiritual office for the night, portraying her not simply as an artiste performing on stage but as a priestess tending the altar and consecrated for holy service.

She added that the cap also symbolised covering and submission to divine authority, referencing 1 Corinthians 11:5.

The Cross

Ohemaa Mercy also explained the significance of the cross that was carried ahead of her during the entrance and covered with white linen.

“The Cross carried ahead with white linen is the heart of our faith.”

She said the cross represented Christ going ahead of believers, while the white linen symbolised His righteousness and resurrection.

“We do not approach the altar by our own strength, but by the finished work of Calvary.”

She referenced John 19:17, which recounts how Jesus carried His cross to the place of His crucifixion.

The cross was also linked to the believer’s death to self, drawing from Galatians 2:20:

“I am crucified with Christ.”

Ohemaa Mercy further cited Colossians 1:20, which speaks of God making peace through the blood of Christ’s cross.

She explained that the positioning of the cross ahead of her was deliberate.

“So the cross had to go first that night to make peace, so that God’s presence could enter the room.”

The garment – fire and royal priesthood

The final major element of the costume was her flowing robe, which featured shades of white, gold and crimson.

Ohemaa Mercy said the garment was designed to reflect themes associated with fire and royal priesthood, complementing the symbolism of the mitre and the cross.

The white, gold and crimson hues formed part of the visual representation of holiness, glory, sacrifice and the fire of God, in keeping with the overall theme of the night.

Through the outfit, Ohemaa Mercy sought to communicate that her entrance at Tehillah Experience 2026 was not merely a ceremonial or artistic presentation.

Rather, she described it as a visual sermon intended to direct worshippers’ attention to God, the cross, holiness, sacrifice and the altar of fire.

Many of this year’s trophies were handed out at the Creative Arts Emmys earlier this month, leaving only the most high-profile categories for the main ceremony.

The Emmys recognise the best TV of the last year. Here is the full list of winners from Monday’s event.

Drama series

• WINNER: The Pitt
• The Diplomat
• The Gilded Age
• A Knight Of The Seven Kingdoms
• Paradise
• Pluribus
• Slow Horses
• Your Friends & Neighbors

Comedy series

• WINNER: Widow’s Bay
• Abbott Elementary
• The Bear
• Hacks
• Margo’s Got Money Troubles
• Nobody Wants This
• Only Murders In The Building
• Shrinking

Limited or anthology series

• WINNER: DTF St Louis
• All Her Fault
• The Beast In Me
• Beef
• Love Story: John F Kennedy Jr & Carolyn Bessette

Lead actor in a drama series

• WINNER: Noah Wyle – The Pitt
• Sterling K Brown – Paradise
• Gary Oldman – Slow Horses
• Mark Ruffalo – Task
• Rufus Sewell – The Diplomat

Lead actress in a drama series

• WINNER: Rhea Seehorn – Pluribus
• Carrie Coon – The Gilded Age
• Chase Infiniti – The Testaments
• Keri Russell – The Diplomat
• Zendaya – Euphoria

Lead actor in a comedy series

• WINNER: Matthew Rhys – Widow’s Bay
• Yahya Abdul-Mateen II – Wonder Man
• Steve Carell – Rooster
• Jason Segel – Shrinking
• Martin Short – Only Murders In The Building

Lead actress in a comedy series

• WINNER: Jean Smart – Hacks
• Quinta Brunson – Abbott Elementary
• Ayo Edebiri – The Bear
• Elle Fanning – Margo’s Got Money Troubles
• Lisa Kudrow – The Comeback

Lead actor in a limited or anthology series or movie

• WINNER: Matthew Rhys – The Beast In Me
• Riz Ahmed – Bait
• Jason Bateman – Black Rabbit
• Charlie Hunnam – Monster: The Ed Gein Story
• Oscar Isaac – Beef

Lead actress in a limited or anthology series or movie

• WINNER: Sally Field – Remarkably Bright Creatures
• Claire Danes – The Beast In Me
• Carey Mulligan – Beef
• Sarah Pidgeon – Love Story: John F Kennedy Jr & Carolyn Bessette
• Sarah Snook – All Her Fault

Supporting actor in a drama series

• WINNER: Tom Pelphrey – Task
• Patrick Ball – The Pitt
• Billy Crudup – The Morning Show
• Shawn Hatosy – The Pitt
• Gerran Howell – The Pitt
• Jack Lowden – Slow Horses
• Carlos-Manuel Vesga – Pluribus

Supporting actress in a drama series

• WINNER: Allison Janney – The Diplomat
• Taylor Dearden – The Pitt
• Fiona Dourif – The Pitt
• Katherine LaNasa – The Pitt
• Sepideh Moafi – The Pitt
• Julianne Nicholson – Paradise
• Karolina Wydra – Pluribus

Supporting actor in a comedy series

• WINNER: Stephen Root – Widow’s Bay
• Colman Domingo – The Four Seasons
• Paul W Downs – Hacks
• Harrison Ford – Shrinking
• Nick Offerman – Margo’s Got Money Troubles
• Michael Urie – Shrinking
• Tyler James Williams – Abbott Elementary

Supporting actress in a comedy series

• WINNER: Kate O’Flynn – Widow’s Bay
• Dale Dickey – Widow’s Bay
• Hannah Einbinder – Hacks
• Janelle James – Abbott Elementary
• Michelle Pfeiffer – Margo’s Got Money Troubles
• Megan Stalter – Hacks
• Jessica Williams – Shrinking

Reality competition programme

• WINNER: The Traitors
• Dancing With the Stars
• RuPaul’s Drag Race
• Survivor
• Top Chef

Variety series

• WINNER: The Late Show with Stephen Colbert
• The Daily Show
• Jimmy Kimmel Live
• Last Week Tonight With John Oliver
• Saturday Night Live

Outstanding writing for a drama series

• WINNER: Vince Gilligan – Pluribus
• Debora Cahn – The Diplomat
• Kirsten Pierre-Geyfman, R. Scott Gemmill – The Pitt
• Valerie Chu – The Pitt
• Will Smith – Slow Horses
• Brad Ingelsby – Task

Outstanding writing for a comedy series

• WINNER: Katie Dippold – Widow’s Bay
• Quinta Brunson – Abbott Elementary
• Tim Robinson – The Chair Company
• Michael Patrick King – The Comeback
• Lucia Aniello – Hacks
• Anthony King – Jury Duty Presents: Company Retreat

Outstanding directing for a drama series

• WINNER: Saul Metzstein – Slow Horses
• Salli Richardson Whitfield – The Gilded Age
• Hanelle M. Culpepper – Paradise
• Noah Wyle – The Pitt
• Vince Gilligan – Pluribus
• Salli Richardson Whitfield – Task

Outstanding directing for a comedy series

• WINNER: Hiro Murai – Widow’s Bay
• Randall Einhorn – Abbott Elementary
• Christopher Storer – The Bear
• Andrew DeYoung – The Chair Company
• Lucia Aniello – Hacks
• Mary Lou Belli – The Ms. Pat Show