The President of the Ogun State chapter of the Theatre Arts and Motion Pictures Practitioners Association of Nigeria (TAMPAN), Owolabi Ajasa, announced Atinuke’s death in a statement shared on Instagram on Tuesday, September 1.

In the emotional statement, Ajasa expressed gratitude to individuals who contributed financially, offered prayers and supported the actress during her treatment.

Despite the collective efforts to support her recovery, Atinuke eventually lost her battle.

Her death comes only weeks after Nollywood mourned Temitope Osoba, another actress who had publicly battled breast cancer. Osoba, 40, had spoken about her cancer journey in 2024, underwent surgery and later returned to acting, before her death in August 2026.

The industry also suffered the loss of popular actor Alexx Ekubo, who died in May 2026 at the age of 40 after complications arising from advanced metastatic kidney cancer. His family said he had endured the illness privately and described his final battle as brief but courageous.

These successive deaths have once again brought attention to the devastating toll of cancer on Nigeria’s entertainment community, where colleagues often turn to public appeals and fundraising to support members facing serious illnesses.

As tributes continue to pour in, her colleagues and loved ones are remembering her life, career and the strength with which she faced her illness.

Ibrahim Adam, who also served as the Member of Parliament for Choggu/Tishigu and was the Nanton Kanshennaa, died in the early hours of today at the University of Ghana Medical Centre (UGMC), where he was receiving medical treatment.

Confirming the heartbreaking news, Selassie Ibrahim took to Instagram to pay tribute to her late husband, sharing a series of photographs capturing moments they spent together.

The tribute included intimate family moments and photographs of the couple, including one from his recent birthday celebration.

View this post on Instagram

A post shared by Selassie Ibrahim (@selassie_ibrahim)

“Rest well🙏🏼😭 our hearts are broken beyond words. Your legacy lives on,” she wrote.

Selassie Ibrahim and Ibrahim Adam were married and had two children together, a son and a daughter.

His family has announced that his remains are being airlifted from Accra to Tamale, where he will be buried according to Islamic rites.

This time, however, the controversy has little to do with the allegations against him.

Instead, attention has shifted to his girlfriend, Queenie, after a video circulating on social media captured her in the company of Detse, a close friend of Abu Trica.

In the video, Detse is seen planting a peck on Queenie’s cheek, a seemingly familiar gesture that quickly became fodder for speculation among social media users.

Given Abu Trica’s current situation, the footage triggered a wave of reactions, with some netizens questioning the nature of Queenie’s relationship with his friend and describing the encounter as a possible betrayal.

Amid the backlash, Queenie has responded, insisting that her friendship with Detse did not begin because of Abu Trica. According to her, Detse was already part of her circle long before she began dating the socialite.

She dismissed the claims of betrayal, explaining that the two were mutual friends and that she had known them since 2015.

“I’ve known them since 2015, and Detse was already one of my closest people even before I started dating Abu. The funny part is, Detse didn’t even know about it at the time,” she posted.

The debate has since produced a string of reactions, opinions and think pieces across social media.

The controversy has nevertheless pushed Abu Trica’s name back into Ghana’s social media spotlight, trending number 1 on X (formerly Twitter).

The event, scheduled for October 16, 2026, to coincide with World Food Day, is expected to feed more than 50,000 people across the two cities.

Announcing the initiative, Chef Abby called for support from individuals, organisations and other stakeholders to help make the second edition a success.

She said the scale of this year’s event means she cannot undertake the project alone and urged the public to contribute towards the initiative.

“The Big Street Feast 2.0 is here. On World Food Day, October 16th, we are feeding OVER 50,000 people on the streets of ACCRA & KUMASI.”

THE BIG STREET FEAST 2.0 IS HERE🥹❤️

On World Food Day October 16th, we are feeding OVER 50,000 people on the street of ACCRA & KUMASI. But I can’t do this alone. We need all the support we can get 🥹❤️! Let's do this pic.twitter.com/ZqgEgFDJfA

— Chefabbys (@chefabbys) August 31, 2026

“But I can’t do this alone. We need all the support we can get.”

The initiative is expected to bring together volunteers and supporters to provide food to people who may otherwise struggle to afford regular meals.

Also read:

• Chef Abbys to celebrate World Food Day with ‘Big Street Feast’ in Accra

• Office of Diaspora Affairs partners with Chef Abbys to showcase Ghanaian cuisine globally

The award-winning musician has been lined up to perform at the highly anticipated fixture, adding to the excitement as the Yellow and Mauves begin their campaign on the continental stage.

Medeama have also announced ticket prices for the crucial encounter, with fans able to gain entry for as little as GH₵100.

Tickets for the Yellow Stand, White/Blue Stand and Pitch are priced at GH₵100, while the Gold Stand goes for GH₵150.

Fans seeking a premium experience will have to pay GH₵500 for the VIP/Red Stand.

Tickets are available for purchase online through Medeama’s official website.

King Promise’s appearance is expected to provide an added attraction for supporters, with the club hoping to fill the TNA Stadium as they take on one of Africa’s most decorated clubs.

On the field, Medeama will be determined to make home advantage count by securing a favourable result against the Congolese giants.

The Tarkwa-based side will be looking to build a strong first-leg advantage before travelling to Lubumbashi for the return fixture on September 12.

The achievement marks a significant boost for the emerging artiste as he continues to establish himself in Ghana’s competitive music industry.

The song, which features the acclaimed vocalist Kurl Songx, has attracted attention from music lovers and placed Stylen Boy ahead of several Ghanaian and international releases on the chart.

Kurl Songx brings his experience and distinctive vocals to the collaboration, giving ‘Adole’ an added appeal.

The chart success comes as Stylen Boy continues to pursue his ambition of reaching a wider audience with his music.

With ‘Adole’ now generating attention, fans will be watching to see whether the emerging artiste can build on the momentum and establish himself as one of Ghana’s promising new musical talents.

Also read:

• Leaving Kaywa’s label too quickly thought me a lesson – Kurl Songx [Video]

• TikTok influencer I dated broke my heart after becoming popular – Kurl Songx spills

The partnership, which began in 2019, saw the MP serve as the group’s investor, manager and executive producer.

In a statement issued on Monday, August 31, 2026, through GEM Multimedia Ghana Ltd, Ms Gyan Cudjoe said the agreement had expired and she had decided not to renew or extend it.

She said Keche Global would now operate independently without her financial, managerial or business support.

According to the MP, the decision was made purely on professional grounds and reached “with peace, humility, kindness, love and respect.”

She stressed that the separation was not the result of any disagreement, hatred or controversy.

Reflecting on their seven-year partnership, Ms Gyan Cudjoe said she made significant investments in the duo’s career, supporting music production, video projects, marketing, branding, artist development, travel, performances and other creative ventures.

She also disclosed that she rebranded the group from Keche to Keche Global as part of efforts to expand its presence and appeal beyond Ghana.

Despite the end of their professional relationship, the MP said her personal and family ties with the duo remain unchanged.

Keche Andrew, whose real name is Andrew Kofi Cudjoe, is her husband, while Joshua Kojo Ampah is the second member of the duo.

“KECHE WILL ALWAYS BE FAMILY,” the statement said, as Ms Gyan Cudjoe wished the group success in its new chapter.

She said her attention would now shift towards nurturing emerging talents and pursuing new music projects, investments and other creative opportunities through GEM Multimedia Ghana Ltd.

Also read:

• ‘Even with DopeNation, we’d still have won’ – Keche on Best Group win

• No artiste in Ghana has a fanbase – Keche

The development follows public concern over the veteran musician’s condition after a distressing video of him circulated widely on social media, prompting an outpouring of concern from Ghanaians at home and abroad.

Ghana’s High Commissioner to the UK, Mrs Sabah Zita Benson, subsequently travelled to Manchester to meet Barosky and members of the Ghanaian community as part of efforts to determine how best to assist him.

Mrs Benson said the intervention was initiated after the High Commission received several messages drawing attention to the video.

“When the video came out, a lot of people forwarded it to us. So immediately, I instructed our consular office to reach out and see how we can resolve it,” she said.

According to the High Commissioner, her decision to personally meet Barosky was informed by his contribution to Ghanaian music and the need for the Ghanaian community to rally around him.

“Barosky has contributed immensely to Ghanaian music, and we all need to come together as a community to help him get back on his feet,” she said.

Mrs Benson said the High Commission was prepared to facilitate Barosky’s return to Ghana should he choose to come home.

“So, I decided to make this move to hear from him and see how to help him settle, and, if he is willing to go home, we will assist him to do that,” she said.

She stressed that restoring the musician’s wellbeing would require a collective effort from the Ghanaian community.

“Getting him back on his feet again means we must come together as a community and help him.”

‘Such a great talent’

The High Commissioner also paid tribute to Barosky’s musical talent, expressing concern about his current circumstances.

“Your talent was what shocked people. You are such a great talent, and how are we allowing it to go to waste?” she said.

Mrs Benson noted that the Ghana High Commission continues to use the country’s creative and cultural industries to promote Ghana internationally.

“We at the High Commission are promoting Ghana through arts, culture, music and food,” she added.

Following the intervention, Barosky has indicated that he would be willing to return to Ghana if the necessary arrangements are made.

He expressed appreciation to Mrs Benson and members of the Ghanaian community for their concern and support.

The development has renewed calls for greater recognition and support for veteran Ghanaian musicians whose contributions helped shape the country’s highlife tradition.

Sultex, the first to leave, struggled to make sense of the result, admitting that he was shocked and unsure of what may have gone wrong. For Goddessa, the exit also came with some reflection on the relationships and experiences that shaped her time in the House.

Her relationship with Araga was one of them. Looking back on their time together, Goddessa made it clear that she never wanted the relationship to become the story of their time on the show. She admitted that Araga could be demanding and a lot to handle, giving a glimpse into some of the challenges that came with their relationship.

Operation Release the Gambit

With Sultex and Goddessa now out of the competition, Biggie left viewers with another decision that could change the course of the game.

Under Operation Release the Gambit, viewers now have the chance to change the fate of Aikou and Flora, the two Gambits who have so far been unable to compete for the grand prize.

The question now is whether either of them will get the chance to leave the Gambit status behind and become eligible to compete for the prize. Voting is now open and will close before the next nominations, putting the decision in the hands of the viewers.

Sheba Takes the MIPOW Advantage

There was also good news for Sheba, who emerged as the Most Influential Player of the Week (MIPOW). Her win comes with immunity from the next eviction and a betPawa Elite reward of AirPods, giving her some much-needed protection as the competition gets tougher.

With Sultex and Goddessa now out of the competition, the fate of the Gambits hanging in the balance and Sheba safe from the next eviction, the House is heading into another week with plenty still to play for. Voting lines are now open, giving viewers a say in whether Aikou or Flora gets the chance to compete for the grand prize, with voting closing before the next nominations.

Viewers can follow the unfolding stories in Biggie’s House on DStv Channel 198 and GOtv Channel 49, or stream the show live on DStv Stream.

For more information, please visit www.africamagic.dstv.com/BigBrotherNaija.  You can also follow the Big Brother Naija social media fan pages for news and updates with the hashtag #BBNaija on X @bbnaija, Instagram @bigbronaija and Facebook www.facebook.com/bigbrothernaija

The Ghanaian capital earned its place on the list for its established nightlife districts, growing variety of bars and clubs, live music venues and alternative entertainment spaces.

The ranking was compiled from responses from more than 24,000 locals, alongside assessments by Time Out’s city editors, culture experts and nightlife specialists.

Cities were assessed based on the quality and affordability of nightlife, clubbing and cocktail-bar scenes, community, safety, excitement, diversity and how welcoming each destination is.

Accra scored particularly well in areas relating to affordability, community and hospitality. According to the survey, 62 per cent of residents rated going out in the city as affordable, while 75 per cent said it was easy to find a sense of community. Another 65 per cent described Accra as welcoming and friendly.

Time Out highlighted the city’s expanding nightlife landscape, with Osu remaining one of Accra’s major entertainment hubs and East Legon increasingly emerging as another key destination.

The city’s after-dark culture also extends beyond mainstream Afrobeats, with electronic music, alté, R&B and other music subcultures contributing to Accra’s growing nightlife identity.

Only the highest-scoring city from each country was included in the ranking to ensure broader global representation.

Johannesburg leads Africa

Johannesburg was Africa’s highest-ranked city on the list, placing seventh globally and ahead of established nightlife destinations including Amsterdam, Madrid and Seoul.

The South African city was recognised for its ability to continually reinvent its nightlife, from its historic warehouse-party culture to contemporary venues centred around house, techno, Afro-house, gqom, drum and bass and experimental sounds.

Johannesburg also performed strongly in affordability and community, with 66 per cent of locals rating the city positively for affordability and 80 per cent saying it was easy to find connection and community.

Clubbing, casual pubs and cocktail bars were identified as the city’s strongest after-dark offerings.

Accra and Johannesburg were the only two African cities to make the global top 20, which was led by Bangkok in first place, followed by Berlin and Melbourne.

The recognition places Accra among an increasingly competitive group of global nightlife destinations and highlights the growing influence of Ghana’s capital as a centre for music, culture and entertainment.

According to Bulldog, Stonebwoy’s commitment to expanding the Ghanaian music brand globally is unmatched, describing his efforts as one of the most significant contributions by a Ghanaian artiste in recent times.

Speaking in an interview shared on social media, Bulldog said Stonebwoy’s international exploits reminded him of the pioneering impact of legendary Ghanaian music group Osibisa.

He specifically highlighted Stonebwoy’s recent concert at the OVO Arena Wembley in London, describing it as a major milestone for the artiste and Ghanaian music.

Bulldog said the significance of the performance went beyond the size of the audience, arguing that the decision to secure such a prestigious venue and successfully stage a concert there deserved recognition.

“Since the inception of Ghanaian music, no artist has worked harder than Stonebwoy in promoting and pushing the Ghanaian brand. You see what Stonebwoy did in the UK, very few artistes have done. Stonebwoy had a show at OVO Wembley Arena. Even if no one came, I would salute him,” he said.

He praised Stonebwoy for taking the bold step of booking the venue, travelling with a full team and delivering a major production.

According to him, such a move demonstrated ambition, courage and leadership, qualities he believes are important in taking Ghanaian music to new international markets.

Bulldog, however, acknowledged the contributions of other leading Ghanaian artistes and stressed that praising Stonebwoy should not be seen as an attempt to undermine their achievements.

Addressing comparisons with Shatta Wale, he said the accomplishments of both artistes should be assessed on their individual merits.

“I will not diminish Shatta Wale’s impact; if I do, I would diminish my own impact… But this is not about Shatta. His mandate was to host a show at that arena to prove that he could do it,” he said.

Bulldog maintained that Stonebwoy’s performance at the OVO Arena Wembley should be recognised as a significant achievement in his career and part of his wider contribution to projecting Ghanaian music internationally.

Watch the video below:

“Since the inception of Ghanaian music, no artist has worked harder than Stonebwoy in promoting and pushing the Ghanaian brand.”

—Entertainment analyst and artist manager, Bulldog, has commended Stonebwoy for his recent show in London and his continued efforts to promote… pic.twitter.com/8kmQvOVypJ

— SIKAOFFICIAL🦍 (@SIKAOFFICIAL1) August 29, 2026

In a social media post on August 28, 2026, the musician described her advice as potentially controversial but said it was necessary for artistes to take their health seriously.

“I’m going to say something controversial, but my fellow artists need to hear this. PLEASE DISINFECT THE MIC BEFORE YOU PUT YOUR MOUTH ON IT!” she wrote.

Sista Afia noted that artistes often move from one show to another, using the same microphones that have been shared by several performers.

According to her, microphones can come into contact with the mouths of different people, with artistes singing, talking and breathing into the equipment during performances.

She said she believed artistes should consider carrying microphone-safe disinfectant sprays or wipes in their bags to clean shared microphones before performing.

She also suggested that artistes who can afford it could consider carrying their own microphones to performances as an additional precaution.

While acknowledging that not every illness experienced after a show can be attributed to microphone use, Sista Afia said taking preventive measures could help reduce potential health risks associated with sharing performance equipment.

“I’m not saying every sickness after a show comes from a microphone, but with so many people sharing the same equipment, why not take precautions?” she said.

She urged her colleagues to take the issue seriously and prioritise their health by disinfecting microphones before performances.

See the post below:

I’m going to say something controversial, but my fellow artists need to hear this
PLEASE DISINFECT THE MIC BEFORE YOU PUT YOUR MOUTH ON IT!
We go from show to show sharing microphones with God knows how many people. Everyone is singing, talking, breathing and sometimes literally…

— QUEENSOLOMON (@sista_afia) August 28, 2026

The actress believes women already wield significant influence in society and should recognise their capabilities and use them to take up more prominent roles.

In an interview on Joy Prime, Ahoufe Patri, real name Priscilla Opoku Agyeman, said women can match and even surpass men in various fields if they are willing to embrace their strengths.

“Women run the world. Nothing would exist without women. Men can’t live alone. We can survive on our own, but men can’t. I think we are still realizing it.”

She said women must move beyond recognising their influence and actively use it to create opportunities and shape society.

According to her, women should have confidence in their abilities and be willing to occupy spaces traditionally dominated by men.

“Hopefully, we will be able to step into our power, own it, and realize that we can do what men can do, and even more and better.”

Responding to questions about whether Ghana’s judicial and governmental structures are prepared for increased female leadership, the actress expressed optimism.

She pointed to the growing presence of women in senior positions within the judiciary and other state institutions as evidence that the country is gradually making room for female leadership.

However, Ahoufe Patricia said women themselves must take greater responsibility for advancing their participation in leadership rather than waiting for systemic changes.

She particularly called for more women to move into influential positions within Ghana’s entertainment industry, including roles as producers and directors.

“I just feel like it’s up to us to step up more. Hopefully, there will be more female producers and directors. We are ready, just that a lot more of us need to push instead of surrender.”

She urged women to remain determined and take advantage of opportunities to influence decisions and shape the future of their respective industries.

Watch the video below:

Eeii! Ahuofe Patri says women can SURVIVE on their own, men can,t.
Do you agree with her?#Changes #Hitz1039Fm pic.twitter.com/xVROaWeBoc

— Hitz 103.9 FM (@Hitz1039FM) August 27, 2026

The musician made the call in a post on X, formerly known as Twitter, raising concerns about the practice of artistes using the same microphone at events without sanitising it between performances.

According to Sista Afia, performers often move from one event to another and share microphones with several people who sing, speak and breathe into the same equipment.

She believes artistes should take precautions to reduce their exposure to germs by disinfecting microphones before using them.

“I’m going to say something controversial, but my fellow artists need to hear this. PLEASE DISINFECT THE MIC BEFORE YOU PUT YOUR MOUTH ON IT!” she wrote.

She noted that artistes may use shared microphones at several shows and sometimes fall ill after performances, although she acknowledged that illnesses cannot necessarily be attributed to the equipment.

“I’m not saying every sickness after a show comes from a microphone, but with so many people sharing the same equipment, why not take precautions?” she added.

Sista Afia suggested that artistes carry microphone-safe disinfectant sprays or sanitising wipes with them and clean shared microphones before performing.

She also encouraged performers who can afford it to consider taking their own microphones to events.

The singer’s comments have drawn attention to hygiene practices in the live entertainment industry, where microphones are often passed between performers at concerts, festivals, corporate events and other public gatherings.

She also called for greater attention from event organisers, sound engineers and production teams to ensure shared equipment is properly cleaned between users.

Sista Afia said her message was ultimately about encouraging artistes to take their health seriously while navigating the demands of the entertainment industry.

“Your health first,” she concluded.

South Africa has been hit by a wave of protests demanding that undocumented migrants leave the country – the latest unofficial deadline set is 30 September.

Tens of thousands of Africans have been voluntarily repatriated in recent months, some saying they have been the targets of intimidation and attacks.

While cracking down on illegal immigration, the South African government has said that those who have taken the law into their own hands have been arrested.

South Africa is Africa’s wealthiest nation and has long attracted migrants searching for better economic opportunities.

But illegal immigration has become a highly contentious political issue, with protesters accusing undocumented migrants of placing pressure on South Africa’s public services, as well as being involved in crime.

In a message explaining why he would not be performing at the Macufe festival in Free State province next month, Keïta said he could not “ignore the reports of xenophobic violence against our African brothers and sisters.

“When I see migrants attacked, I do not see ‘politics’. I see people looking for work, safety, and dignity.”

The 77-year-old star added that this did not reflect the country that he knew and that cancelling the appearance was “a rejection of hate” rather than a rejection of South Africans, leaving the door open for a return at some point.

In its response, the Free State’s culture department said it “regrets the decision taken by the renowned musician”.

It emphasised that the Macufe festival was a celebration of African unity.

Keïta, known to some as the “Golden Voice of Africa”, was a pioneer who helped put African music on the global map and after 50 years in the music business remains influential.

News of the cancellation of his concert came as the first group of 173 Tanzanians returned from South Africa as part of a voluntary repatriation programme.

For some of them the flight home from Durban, which has seen some of the biggest protests, marks the end of decades spent in South Africa.

Abdul Idi, who went there in 2006 hoping to build a better life, said he was grateful to have returned safely after what he described as difficult and dangerous circumstances in South Africa.

“Foreigners are not wanted there,” he said on arrival at Dar es Salaam’s international airport on Wednesday night.

Another returnee, Rashid Ramadhan, said he had spent 30 years in South Africa.

The 53-year-old explained how he and others had been forced out of their accommodation in Durban and had been living outside for the past two months, with their jobs gone and life becoming increasingly difficult.

More than 160,000 people have left the country on similar repatriation schemes since May, according to a count by the AFP news agency. Malawians, Zimbabweans, Zambians, Ghanaians and Nigerians are among those who have returned.

The anti-migrant group March and March has announced a second wave of nationwide protests set for 30 September.

Earlier this month, the group called on leaders attending the Southern African Development Community (Sadc) summit in Durban to “fetch your people”.

March and March says its September action will be bigger and better organised than the demonstrations on 30 June, which were accompanied by violence in some areas.

Those returning to their home countries from South Africa often need support, having abandoned their livelihoods and many of their possessions.

But Ghana’s government has rejected a donation of about $1.7m (£1.25m) from MTN Ghana, a subsidiary of South African telecoms giant MTN Group, offered to support Ghanaians repatriated from South Africa.

Ghana’s foreign ministry said that the government was committed to funding the evacuation and reintegration of its repatriated citizens.

READ ALSO:

Veteran actress Grace Nortey dies at 89

Country music legend Dolly Parton dies at 80

Dr Bawumia said the late actress had a remarkable career spanning more than five decades, entertaining generations of Ghanaians while inspiring young women pursuing careers in the creative arts.

In a tribute shared on Facebook, Dr Bawumia and his wife, Hajia Samira Bawumia, extended their condolences to the family, friends and colleagues of the late actress.

“Hajia Samira and I extend our heartfelt condolences to her family, loved ones, and the entire creative arts fraternity. May her soul rest in perfect peace,” he wrote.

Grace Nortey passed away at the age of 89 in the early hours of Wednesday, August 26, 2026.

She was born on February 1, 1937, and built a distinguished career in Ghana’s film and theatre industry, leaving a lasting mark on the country’s creative arts landscape.

Her death marks the end of a distinguished career spanning more than five decades, during which she became one of the most recognisable faces in Ghanaian theatre, television and film.

She was particularly known for her commanding performances, often portraying outspoken, strong-willed and determined women.

Among the notable productions in which she featured were Obra, Osofo Dadzie, Nana Akoto, Escape to Love, Ties That Bind and Sinking Sands, in which she played the role of Grandma.

Nortey also featured in the internationally acclaimed 2015 film Beasts of No Nation, directed by Cary Joji Fukunaga and starring Idris Elba and Abraham Attah. In the Ghana-shot film, she portrayed the Old Witch Woman.

Her contribution to Ghana’s entertainment industry has earned her a lasting place among the country’s celebrated veteran actors.

Also read:

• Veteran actress Grace Nortey dies at 89

• Mahama visits veteran actress Grace Nortey [Photos]

Nortey reportedly passed away in the early hours of Wednesday, August 26, 2026, at the University of Ghana Medical Centre (UGMC).

Born on February 1, 1937, the celebrated actress had a career spanning more than five decades, becoming one of the most recognisable faces of Ghanaian entertainment.

She was particularly known for portraying strong-willed, outspoken and commanding female characters, earning her the popular nickname “Maame Gyata,” meaning Lion Woman or Lion Lady.

Nortey was active in some of Ghana’s most popular television and theatre productions, including Obra, Osofo Dadzie, Key Soap Concert Party, Cantata, Taxi Driver and Thursday Theatre.

Her major screen debut came in the 1986 comic film Juju, produced by King Ampaw and Peter Wohlgemuth-Reinery, where she played the wife of veteran actor Joe Eyison.

She went on to feature in several Ghanaian productions, including Nana Akoto, The Other Side of the Rich, Escape to Love, Matters of the Heart, Expectations, Jewels, The Ties That Bind and Sinking Sands.

Her career also extended to international productions. She appeared in the 2015 Netflix film Beasts of No Nation, directed by Cary Joji Fukunaga and starring Idris Elba and Abraham Attah. She played the role of the Old Witch Woman in the film, which was shot in Ghana.

Beyond acting, Nortey worked as a Senior Administrative Assistant with the Ghana Education Service and was an advocate for the welfare of veteran actors.

Her contribution to Ghana’s creative industry earned her several honours. She won Best Cameo Actress at the Ghana Movie Awards in 2011 for Adams Apple and received the Excellence in Arts award at the Glitz Women of the Year Honours in 2016.

In 2018, she received a Lifetime Achievement Award at the Black Star International Film Festival. She was also honoured with a Legendary Award for Outstanding Contributions at the Ghana Actors Entertainment Award in 2020.

In 2021, she received an Outstanding Contribution to Women’s Excellence in the Performing Arts honour at the 3Music Awards Women’s Brunch, while she was honoured again in April 2025 during the Ashanti Festival for her contribution to Ghanaian entertainment.

Nortey was married to the late Daniel Nortey, and the couple had five children, including actress Sheila Nortey.

In her later years, she reduced the number of demanding acting roles she accepted due to mobility and eyesight challenges. She had previously explained that reading lengthy scripts had become difficult, although she remained open to smaller roles that allowed her to work from scenarios and improvise.

Details of the cause of her death have not been publicly disclosed.

Grace Nortey’s reported passing marks the loss of a veteran performer whose career connected Ghana’s early radio, theatre and television era with the modern film industry.

READ ALSO:

Country music legend Dolly Parton dies at 80

Adom FM to host Y2K Jam at La Palm Dome on October 2

The announcement of her death was made by her nephew, Bryan Seaver, on her official social media accounts on Tuesday.

“I’m representing the Parton and Owens family today announcing the passing of my aunt, Dolly Rebecca Parton Dean, Sister, Sis and Granny to one generation and Gigi to the next,” he said in a video announcement on the legend’s social media pages.

She died in Nashville, Tennessee but no cause of death has been given yet.

Parton had spoken publicly for over a year about health struggles, first revealing in September 2025 that she needed “a few procedures,” which forced her to postpone a planned Las Vegas residency before it was ultimately cancelled in May.

At Dollywood’s 2026 season opening in March, she told fans she had been “worn down and worn out,” pointing to both her health setbacks and the grief of losing her husband of nearly 60 years, Carl Dean, who died in March 2025 at age 82.

Beyond music, Parton built an entertainment and hospitality empire anchored by her Dollywood theme park, alongside a long career as an actress, producer and playwright.

She was also known for her extensive philanthropy through the Dollywood Foundation, most notably her Imagination Library, which has given away nearly 308 million free books to children across the US, UK, Ireland, Canada and Australia since it began in 1995.

She is survived by the legacy of a seven-decade career and a reputation, in the words of her fans, as “Saint Dolly.”

View this post on Instagram

A post shared by Dolly Parton (@dollyparton)

The event will take place at the La Palm Dome, inside the La Palm Royal Hotel in La, Accra, and is scheduled to run from 8pm to 4am.

Powered by Ecobank, the Y2K Jam is expected to recreate the music, fashion and atmosphere that defined the early 2000s, giving patrons an opportunity to relive the era through music and style.

As part of the experience, organisers have introduced a Y2K-themed dress code. Patrons are encouraged to embrace the fashion trends of the period by wearing bandanas, cropped tops, oversized T-shirts and baggy jeans.

The event is expected to attract music enthusiasts and fans of the distinctive sounds and fashion associated with the 2000s.

Tickets are priced at GH¢150 for a single ticket and GH¢250 for a double ticket. Tickets can also be purchased through the advertised short code *725*3404#.

The Y2K Jam is being supported by sponsors and partners including Vallex Lease-Equip Ltd, Doormaster, Lawson Herbal Centre and Fru Telli, among others.

With the event running late into the night, Adom FM is promising patrons an extended celebration of one of the most influential eras in contemporary music and pop culture.

The Y2K Jam will be held at the La Palm Dome on October 2, 2026, from 8pm to 4am.

READ ALSO:

Sarkodie returns to Kumasi for second edition of Rapperholic

Veteran Nollywood actor passes on at 65

Sarkodie made the announcement on social media, confirming that Rapperholic26 will take place on Saturday, October 24, 2026, at the Baba Yara Sports Stadium in Kumasi.

The announcement comes a year after the rapper made history by hosting Rapperholic at the iconic Kumasi stadium for the first time.

The 2025 edition, dubbed “Rapperholic: The Homecoming,” carried special significance as it marked Sarkodie’s symbolic return to his roots in Kumasi, the city where he grew up.

Following the success of the maiden Kumasi edition, Sarkodie is now bringing the concert back to the Ashanti Regional capital, making Rapperholic26 the second consecutive edition to be held at the Baba Yara Sports Stadium.

The concert is expected to attract thousands of music fans from across the country as Sarkodie once again brings his celebrated Rapperholic brand to his hometown.

With the October 24 date now confirmed, anticipation is expected to build around what Sarkodie has planned for the second Kumasi edition of the annual music spectacle.

The actor’s daughter, Kira Taiwo, announced his death on Sunday evening during a live session on her Instagram page.

The development comes days after Kira disclosed that her father was battling stage four cancer.

Taiwo Hassan was a prominent figure in the Nigerian film industry, particularly known for his roles in Yoruba-language movies and his contributions to the growth of Nollywood.

Before his death, efforts were reportedly made to secure medical treatment for the actor. Among those said to have offered financial assistance was the All Progressives Congress (APC) governorship candidate in Ogun State, Adeola Olamilekan, popularly known as Yayi.

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Public voting for the Best Comedy Creator of the Year category is already open, with Sam Qweeku, Genesis and Putogo shortlisted for the title.

Fans can vote at www.quodarkieawards.com/vote, with organisers describing the contest as one where “every vote counts.”

The QCA is an international awards initiative created to recognise African digital creators, influencers, entertainers, entrepreneurs and media personalities whose work shapes conversations and connects audiences across borders.

Organisers say the platform responds to the growing influence of African talent on TikTok, Instagram and YouTube, spanning comedy, education, fashion, dance, lifestyle and social impact content.

Beyond the trophies, organisers say the initiative is designed to give creators greater visibility, expand their professional networks and build relationships with brands, media organisations and other industry stakeholders on an international stage.

The 2026 edition will honour creators across categories including Creator of the Year, Rising Star, Most Influential Creator, Best Educational Creator, Best Original Concept, Best Video Production Quality, Social Impact, Positive Influence, Best Event Organiser and Best Diaspora Creator – Europe, among others.

As with the comedy category, the public will have a say in several categories through open voting.

By staging the ceremony in Germany, organisers say QCA aims to strengthen ties between creators on the African continent and those building careers across Europe and the wider diaspora, underlining that African creativity “has no geographical boundaries.”

Rather than ranking creators purely on follower counts, the awards say they will weigh creativity, consistency, originality, influence, production quality and positive social contribution, with organisers positioning Quodarkie as a long-term annual platform for African digital excellence.

Organisers are also inviting corporate organisations, brands, media houses and community groups interested in partnering with the initiative, as engagement around the November ceremony continues to build.

Event Information
Date: November 7, 2026
Venue: Kristall Event Palast, Waller Heerstraße 165, 28219 Bremen, Germany
Website: quodarkieawards.com
Social media: @quodarkieawards (TikTok, Facebook, Instagram)

The song is built around themes of unity, kindness, identity and national pride, encouraging Ghanaians to look beyond differences in tribe, background, social status and beliefs.

Through its uplifting message, We Are Nice People calls on listeners to choose love over division, compassion over hatred and togetherness over conflict.

The song also celebrates values of kindness and respect while reminding Ghanaians of the importance of preserving the bonds that unite the country.

For Onyansapow Bowaanopow, the release is more than just another musical project. We Are Nice People serves as a reminder of Ghana’s shared identity and the potential of citizens to build a more united and compassionate society.

The artiste believes that differences should never be allowed to outweigh the humanity that connects everyone.

With its positive message and celebration of Ghanaian identity, “We Are Nice People” adds another socially conscious piece to Onyansapow Bowaanopow’s growing body of work.

Speaking with Ebuka Obi-Uchendu after his eviction, Cassi reflected on his time in the House, noting that he had taken his time to find his footing while adjusting to the fast pace of the competition.

For Abi, the night brought a different kind of milestone as she emerged as the Most Influential Player of the Week (MIPOW), becoming the first female housemate to hold the title this season. The recognition earned her immunity from the next eviction and a smartwatch.

The live show also brought some long-awaited answers, as Yusuf finally admitted that he and Bells had been intimate after denying it several times to his fellow housemates. The admission came after Ebuka put the pair on the hot seat, bringing the subject back into the spotlight.

Barry also addressed his decision to share the loft with Goddessa, despite knowing about her relationship with Araga. He explained that he wanted to know where her head was at.

With Cassi’s time in the House now over and Abi holding immunity for the next eviction, the relationships, conversations and shifting dynamics continue to shape the competition.

With another eviction behind them and a new week ahead, viewers can keep up with the unfolding stories and drama in Biggie’s House on DStv Channel 198 and GOtv Channel 49, or stream the show live on DStv Stream.

The record-breaking jump, undertaken ahead of Russia’s National Flag Day, surpassed the previous mark of 10,060 metres set by Polish extreme athletes.

Boytcov, a multiple Russian and world record holder, completed the feat under the Stratum Jump 11–12 project, an initiative by Russian company Created by the Heavens aimed at reaching an altitude above 11,000 metres.

During the jump, his free-fall speed exceeded 500 kilometres per hour, with the entire descent lasting seven minutes and 19 seconds.

His parachute was successfully deployed at an altitude of 1,565 metres before he landed safely in the Ust-Kalmanka District of Russia’s Altai Territory.

The hot-air balloon was piloted by Ivan Menyaylo, President of the Balloon Federation of Russia and a world champion, with flight engineer Denis Efremov also on board. The balloon remained airborne for more than three hours before the crew landed safely.

The balloon itself reached a maximum altitude of 11,610 metres, setting a new Russian national record and surpassing the previous mark of 10,678 metres established in 2025 by Russian explorer Fyodor Konyukhov and Menyaylo in the same region.

Boytcov, who celebrated his birthday on August 15, described the achievement as the most memorable experience of his life.

“We achieved something that not long ago seemed impossible,” he said.

He attributed the feat to the collective efforts of engineers, pilots and other members of the project team, adding that he was particularly proud that the record was achieved in Russia using domestically manufactured equipment.

Boytcov dedicated the achievement to his country ahead of National Flag Day and to the International Festival of Youth – 2026.

“I hope our example shows young people all over the world that even the boldest goals become reality when they are backed by knowledge, hard work, a team, and belief in the outcome,” he said.

Preparations for the attempt involved navigating extreme conditions at more than 11 kilometres above the ground, where temperatures dropped to minus 59 degrees Celsius.

With support from Russia’s Roscosmos State Corporation, Boytcov underwent a test ascent in a pressure chamber at the Cosmonaut Training Centre, simulating conditions at an altitude of 12 kilometres.

Equipment was also tested at temperatures as low as minus 60 degrees Celsius, while the athlete rehearsed aspects of the jump in a wind tunnel.

Boytcov, from Klin in the Moscow Region, has more than 25 years of experience in the sport and has completed over 2,000 jumps. He is also chief executive of Created by the Heavens and holds a USPA Category D licence.

The project received support from several Russian institutions, including the Ministry of Sport, Russian Olympic Committee, State Duma Committee on Physical Culture and Sport, Roscosmos and the Federal Air Transport Agency.

The record attempt was held in support of the International Festival of Youth, scheduled to take place in Ekaterinburg from September 11 to 17, 2026.

The festival, being organised under Russia’s Youth and Children national project, is expected to bring together 10,000 young leaders from 191 countries.

Organisers say participants will comprise 5,000 Russians and 5,000 foreign nationals, including 1,000 teenagers aged between 14 and 17.

Russian President Vladimir Putin signed a decree establishing the international youth event on December 29, 2025.

The 2026 festival will be held under the theme, “Follow Your Dream”.

The highly competitive culinary contest brought together representatives from five West African countries — Ghana, Senegal, Côte d’Ivoire, Nigeria and Sierra Leone — to showcase their skills and compete for the coveted regional jollof title.

Chef Gigi, as Gina Abbam-Baidoo is popularly known, won the regional battle after emerging victorious in Ghana’s national selection competition, where she defeated nine other finalists to earn the opportunity to represent the country.

Her victory means Ghana takes home the competition’s cash prize of US$5,000, with Chef Gigi being crowned the winner of the Onga West African Jollof Battle – West African Edition 2.

The participating contestants were also presented with Onga products as part of the competition.

The event, organised by Onga, sought to celebrate the rich culinary traditions of West Africa by bringing together talented chefs to put their unique interpretations of the region’s beloved jollof rice to the test.

Chef Gigi’s victory adds another notable achievement to her growing culinary profile and further places Gigi’s Kitchen on the regional stage for its promotion of Ghanaian cuisine.

Following her win, Chef Gigi expressed her pride in representing Ghana, with the winning message on the official competition artwork stating: “We may be quiet but we’re fearless.”

The victory also marks a strong showing for Ghana in the regional jollof rivalry, as Chef Gigi successfully cooked her way past representatives from Senegal, Côte d’Ivoire, Nigeria and Sierra Leone to claim the ultimate prize.

The Onga West African Jollof Battle is designed to celebrate food, culture and culinary creativity across the sub-region, while giving chefs an opportunity to showcase the distinctive flavours and cooking traditions of their respective countries.

READ:

Gigi’s Kitchen to represent Ghana at Onga West African Jollof Battle after national triumph

Winner of Frytol ‘Enriching Lives’ distributes hot meals at Korle Bu, others [photos]

She admitted that she was so nervous ahead of the ceremony that she initially struggled to believe the honour was meant for her.

Speaking during an interview with George Quaye on Joy Prime, the singer recalled being invited to the Castle sometime around 2009, following the release of her third album, Wobeye Kesi.

For Ohemaa Mercy, the invitation alone was enough to make her nervous. She said she could not immediately understand why she had been invited and even feared that something might have gone wrong.

“When I was going, I was shivering. I didn’t even know why I had been invited to the Castle,” she recalled.

Her uncertainty deepened when her mother called her during the event and revealed that then-President Kufuor had recognised her among some of the country’s outstanding musicians.

According to the musician, she initially dismissed the news, convinced that her name may have been mentioned by mistake.

She said she deliberately waited until almost everyone had collected their awards before going for hers because she still could not believe the recognition was real.

It was only when broadcaster Kwame Sefa mentioned her name that the reality finally sank in. That moment, she said, left her in tears.

“I cried the whole day. It was tears of joy. Honestly, I can’t tell you how I was feeling,” she said.

The experience became even more memorable when she found herself being saluted by soldiers and standing before President Kufuor, who personally presented the award to her.

“Seeing President Kufuor holding my hands and giving me the award… Jesus Christ is something else,” she said.

Looking back, Ohemaa Mercy described the experience as one of the moments in her career that gave her renewed encouragement and reminded her that her work was being seen and appreciated beyond the gospel music community.

Watch video below:

The musician shared her views during an interview with George Quaye on Joy Prime, drawing from her own experience as a teacher to explain why she believes the removal of caning has contributed to growing indiscipline among students.

According to Ohemaa Mercy, students were more likely to pay attention and take their studies seriously when they knew there were consequences for misbehaviour or poor performance.

She said her position was informed largely by what she witnessed while teaching, insisting that the presence of the cane served as a deterrent for some students.

“For me, it’s a big problem because students will be attentive when they see that there is a cane. For me, that’s my experience. But when there is no cane, it means there is no discipline,” she said.

Ohemaa Mercy therefore disagreed with the decision to stop corporal punishment in schools, arguing that it should be reconsidered.

“Stopping caning in school, some way, somehow, is not the best. So for me, it should be reintroduced,” she said.

Reflecting on her own days as a student, she recalled how the fear of punishment pushed her and her classmates to take certain subjects more seriously.

She mentioned English and Mathematics among the subjects where students were expected to work hard because they knew failure to meet their teachers’ expectations could attract punishment.

“We have to force ourselves to learn by force because we know that our English teacher will cane us when we are unable to get the right word. Math teacher will cane us,” she recalled.

The gospel musician also spoke about her own approach to discipline when she was teaching, admitting that she was particularly strict with students she considered stubborn or unwilling to follow instructions.

She said some of her former students may remember her most for the disciplinary measures she used in the classroom.

“I think the only thing that they will remember me, I was really caning. Caning very well,” she said.

Her comments have reignited the broader debate over how schools should deal with indiscipline, with questions continuing over whether corporal punishment remains an effective disciplinary tool or whether schools should rely on alternative approaches to student behaviour.

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The Nigerian singer took to social media to share the joyful news, introducing their daughter, Hailey, to the world with a heart full of gratitude.

The gospel star described Hailey as a “precious gift from God”, expressing gratitude for the privilege of welcoming her into the world.

Drawing from his faith, Steve Crown referenced the biblical assurance that every good and perfect gift comes from above, saying the family was grateful for their new blessing.

He further invited fans and followers to join the family in celebrating the moment and giving thanks to God.

The announcement has since attracted congratulatory messages from fans and well-wishers celebrating the gospel star and his family on the arrival of their little princess.

Speaking during an engagement with the Centre for National Culture (CNC) in the Bono East Region, the Minister urged Ghanaians to actively speak, teach and promote indigenous languages, particularly among children and young people.

She said preserving Ghana’s cultural identity must go beyond festivals and traditional ceremonies, stressing the need to make indigenous languages and cultural practices part of everyday life.

The Minister also called for a reset of the Centre for National Culture through improved working conditions, better facilities and stronger institutional support for creative practitioners.

She said the Ministry would engage relevant stakeholders on the regularisation of long-serving voluntary workers at the CNC, while exploring ways to support the development of untapped tourism attractions across the region.

Ms Gomashie further advocated greater recognition of dance, drama and other creative disciplines as professional careers, noting their potential to create employment and generate sustainable income for practitioners.

Her engagement formed part of a three-day familiarisation tour of tourism, cultural and creative arts sites and institutions in the Bono and Bono East regions.

Earlier in the tour, the Minister paid a courtesy call on the Bono Regional Minister, Joseph Addae Akwaboa, at the Regional Coordinating Council, where discussions focused on challenges and opportunities within the sector.

Among the issues raised were concerns over the encroachment and alleged disposal of portions of Centre for National Culture lands.

Ms Gomashie called for improved management of public cultural assets and urged authorities to pursue the completion of the theatre project and development of the craft village to create jobs and empower young creatives.

She also stressed the need for stronger digital marketing strategies and collaboration among stakeholders to increase the visibility and economic value of Ghana’s cultural and tourism assets.

The familiarisation tour is expected to help the Ministry assess selected tourism, cultural and creative assets and identify practical interventions to unlock their potential.

Wiyaala did not hold back in a video shared on social media, describing the Funsi Road as one of the worst roads in Ghana and questioning whether residents of the area are receiving their fair share of the country’s development.

Her frustration was particularly directed at the conditions residents are forced to endure, including having to walk through active stretches of water because of the poor state of the road.

The musician’s latest comments come after she previously raised concerns about the road on social media, a post she later deleted because she tagged her MP as a ‘stomach politician’, a reference she said she was uncomfortable with.

She, however, made it clear that deleting the post did not mean she had backed down from the issue.

According to Wiyaala, the Member of Parliament for the area subsequently contacted her and explained that quantities had been prepared and surveys conducted for the proposed road project, with the project now awaiting approval.

The information, she said, only reinforced the need to push the matter further and get the attention of the authorities responsible for approving the project.

Wiyaala therefore turned her attention to the Roads Minister and President John Dramani Mahama, using her platform to put the condition of the Funsi Road firmly back on the national conversation.

She acknowledged the President’s ongoing work but insisted that Funsi must not be forgotten.

“I didn’t make any U-turn,” Wiyaala stressed, dismissing suggestions that she had softened her position after deleting her earlier post.

She maintained that she was simply doing her part by using her influence to draw attention to the concerns of her community.

She warned that she would continue speaking out and pushing for action until the road is actually fixed.

“Until the work is done and the road is fixed, we will keep pushing and will not stop until it’s done,” she said.

Savage was seen dancing energetically at the reception, dressed in an off-shoulder kente gown for the occasion, footage that quickly went viral on social media.

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Members of the cast of Real Housewives of Beverly Hills (RHOBH), the reality show on which Saint John currently stars, also travelled to Ghana for the wedding.

Cast members including Dorit Kemsley, Kyle Richards, Sutton Stracke and Kathy Hilton were spotted in Accra in the days leading up to the ceremony, taking part in pre-wedding festivities that were filmed for the show’s upcoming season.

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The wedding drew hundreds of guests and featured elaborate traditional Ghanaian fashion, with the bride turning heads in a custom kente gown.

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Former President Nana Akufo-Addo and his wife, Rebecca Akufo-Addo, whose residence hosted the ceremony, were also in attendance, as was former second lady Samira Bawumia.

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Ghanaian musician, Efya Nokturnal, serenaded the couple as they made their entrance into the reception

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Kidi and Gyakie were also in attendance and served some good performances.

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Other notable faces that were seen at the event are businessman Nana Kwame Bediako, popularly known as Cheddar, Actor Majid Michel and his wife, Actress Joselyn Dumas and musician King Promise.

Saint John, who was born to Ghanaian parents and became a Ghanaian citizen in 2022, has said the ceremony was deeply personal, describing herself as “all butterflies” ahead of the big day.

The ceremony, held at the residence of former President Nana Addo Dankwah Akufo-Addo, brought together hundreds of guests for a celebration steeped in Ghanaian culture, from Kente-inspired décor to traditional customs. It formed the first of two wedding celebrations for the couple, with a second ceremony planned for Los Angeles in November.

Saint John, who was born to Ghanaian parents and became a citizen of Ghana in 2022, has spoken about the deep personal significance the country holds for her, while Watson became a Ghanaian citizen in 2024.

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The 46-year-old preacher will be laid to rest on Saturday, September 19, 2026, with the family announcing that there will be no wake-keeping.

The funeral will begin with a lying-in-state at the Central Band, Police Depot, Tesano, Accra, on Saturday, followed by a burial service from 9:00am to 12:00pm at the same venue.

He will subsequently be interred in a private burial.

A thanksgiving service will be held on Sunday, September 20, at Grace Family Church International, Pigfarm, near Ebony Hotel, from 9:00am to 12:00pm.

The family will then return to the Police Depot, Tesano, for the continuation of the final funeral rites.

The late Prophet Elisha Kofi Osei is survived by his widow, Mrs Joyleen Osei, and his mother, Grace Osei Essel.

He passed away in February 2026 following a cardiac arrest, his family officially announced.

The one-week observance, held on Friday, August 21, 2026, at the New Gbawe Cluster of Schools AstroTurf, brought together relatives, friends, football legends and other sympathisers to commiserate with the Gyan family.

Abedi Pele arrived with his sons, Dede Ayew, Jordan Ayew and Rahim Ayew, to offer their condolences to Asamoah Gyan and his brother, Baffour Gyan.

In an emotional moment, Dede Ayew warmly embraced Asamoah Gyan as he consoled his former Black Stars teammate and friend.

Former Black Stars captain Stephen Appiah also joined the gathering to mourn with the Gyan family.

Ghana Football Association President Kurt Okraku was also present and signed the book of condolences in honour of the late George Gyan Mensah.

The presence of several leading figures from Ghana’s football fraternity is testament to the close bonds within the football community.

The Minister, Kofi Adams, joined the family and sympathizers at the one-week observance of the late George Gyan Baffour Mensah on Friday, August 21, 2026.

The Minister said it was important for the Ministry and the wider sporting fraternity to stand with the Gyan family during the difficult period, particularly given the family’s immense contribution to Ghanaian football.

He acknowledged the role the late George Gyan Baffour Mensah played as a father whose guidance and sacrifices helped shape the football journeys of his sons.

Kofi Adams, on behalf of the Ministry and the sporting community, signed the book of condolence in honour of the late father of the former Black Stars captain.

He also prayed for strength and comfort for Asamoah Gyan, Baffour Gyan and the entire family as they mourn their loss.

The Minister wished the soul of George Gyan Baffour Mensah eternal rest.

The one-week observance was held on Friday, August 21, 2026, at the New Gbawe Cluster of Schools AstroTurf, bringing together relatives, friends and sympathisers to honour his memory.

Baffour Gyan was present at the ceremony, while Asamoah Gyan also joined the family and mourners as they observed the traditional rites marking a week since their father’s passing.

Former Ghana Football Association (GFA) President Kwesi Nyantakyi was among the personalities who arrived at the venue to mourn with the Gyan family.

The gathering provided an opportunity for loved ones and members of the football community to offer their condolences and support to the family during the difficult period.

George Gyan Mensah’s one-week observance attracted a steady stream of mourners throughout the day, with family members receiving guests and sympathisers who came to pay their respects.

The late George Gyan Mensah was 82 years old.

The celebration was led by the Chief of Gomoa Otapirow and Nsafoahene of the Gomoa Assin Traditional Area, Nana Osompa Nyamekye II, alongside traditional leaders and members of the community.

Eguatodo is traditionally celebrated in the third week of August and serves two important purposes: the purification of the Black Stool, the sacred symbol of traditional authority, and the commemoration of the courage and sacrifice of Osofo Egya Ahor, whose story remains deeply rooted in the history of the Gomoa people.

Purifying the Black Stool

One of the most important rituals of the festival is performed before traditional authorities can eat the new yam of the season.

According to tradition, freshly prepared eto (mashed yam) must first be sprinkled on the Black Stool. The ritual is regarded as a way of purifying and preparing the stool and, symbolically, paving the way for the occupant of the stool to partake in the new yam.

Only after the traditional rite has been performed can the chief eat the new harvest.

Remembering Osofo Egya Ahor

Beyond celebrating the new yam, Eguatodo provides an opportunity for the people to remember the historic bravery of Osofo Egya Ahor, who, according to oral tradition, sacrificed his life in an effort to save the Borbor Fante people from a devastating disease outbreak that claimed many lives.

His courage and sacrifice have become an important part of the community’s cultural memory. During the festival, the people symbolically draw inspiration from his bravery, strength and selflessness.

A Dramatic Display of Courage

One of the striking aspects of the celebration is a traditional demonstration of bravery involving yam and meat, particularly sheep meat.

After the ritual sprinkling of mashed yam on the Black Stool, yam and meat are placed on fire. Men from the community then participate in a dramatic display in which they take the cooked food from the hot cooking vessel with their bare hands.

The act is not simply about eating food but serves as a symbolic demonstration of courage and strength, reflecting the bravery traditionally associated with Osofo Egya Ahor.

For the people of Gomoa Otapirow, the ritual reinforces the belief that the spirit of courage and resilience associated with their ancestor continues to live on in the community.

Preserving Gomoa Heritage

Eguatodo therefore goes beyond a harvest celebration. It is a festival that connects the present generation with the history, traditions and spiritual heritage of the Gomoa people.

Through the purification of the Black Stool, the ceremonial eating of the new yam and the dramatic display of courage, the people of Gomoa Otapirow continue to preserve traditions handed down through generations.

As drums sound and the community gathers to celebrate, Eguatodo serves as both a thanksgiving for the new harvest and a reminder of the sacrifices of those who came before them.

Hawa Koomson declares bid for NPP National Women’s Organiser position

The veteran politician shared a photo of himself with his wife on Facebook, captioning it simply: “Woman Crush Everyday.”

The affectionate message offered a departure from the usually political side of Mr Asiedu Nketia, who is more accustomed to making headlines over party affairs and national politics.

In the photograph, the couple are seen smiling warmly for the camera, with Mrs Nketia standing behind her husband and resting her hands gently on his shoulders.

Dressed in a vibrant Ghanaian print outfit, she beams beside her husband, who appears equally cheerful in the intimate portrait.

The post has also offered followers a rare glimpse of the personal side of the veteran politician, whose public image is often dominated by his political commentary and party responsibilities.

For a man whose political career has spanned decades, Asiedu Nketia’s “Woman Crush Everyday” message offers a refreshing glimpse of the man behind the politics — a husband proudly celebrating the woman by his side.

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• Dafeamekpor explains why he keeps family life private despite wife’s political career

“KPop Demon Hunters” infringes its trademarks.

The band ‌said in the lawsuit, filed on Tuesday that the recent announcement of a tour based on Netflix’s hit movie has created consumer confusion and threatens to “eclipse” its brand.

“Simply put, Netflix is no more entitled to use the ​mark KPOP DEMON HUNTERS than it would be to launch a recording artist, live ​touring show and merchandise under the marks KPOP METALLICA, KPOP U2 or KPOP ⁠BLACK SABBATH,” the lawsuit said.

Spokespeople for Netflix and AEG did not immediately respond to requests ​for comment on the complaint on Wednesday. Demon Hunter’s attorney John Tehranian of One LLP declined to ​comment.

Demon Hunter was formed in Seattle in 2000. The band released its most recent album last year and is set to embark on a U.S. tour in October.

Netflix released “KPop Demon Hunters,” an animated movie about a Korean ​K-Pop group that secretly fights demons, in June 2025. It became the streaming platform’s most-watched ​film ever, according to Netflix, and won Academy Awards for best animated feature and best song.

Netflix announced a ‌partnership with ⁠AEG in May for a tour based on the movie.

Demon Hunter’s lawsuit said Netflix’s ventures were likely to cause confusion and drown it out of the marketplace. The band said it had already received a refund request from a parent who accidentally bought tickets to one of its ​concerts instead of the “KPop ​Demon Hunters” tour ⁠and had gotten an email from an Inside Edition producer seeking an interview with one of the movie’s songwriters.

“As a result of Defendants’ willful ​misconduct,” the band “now faces an existential crisis, thereby necessitating the filing of ​this action,” ⁠it said in the complaint.

Demon Hunter asked the court for an order blocking the use of “KPop Demon Hunters” on music or merchandise or to promote live concerts, as well as an unspecified amount of ⁠monetary ​damages.

The donation exercise brought together members of the community, family representatives and the Police as Nana Kwadwo Safo Akofena led the team to the birthplace of the late Apostle Kwadwo Safo Kantanka.

More than 500 pieces of clothing were donated to residents, with elderly women among those who received the items.

The presentation was marked by music, dancing and warm interactions between the Kristo Asafo Mission delegation and community members, creating a lively atmosphere around what was intended as a gesture of care and support.

Nana Kwadwo Safo Akofena personally presented pieces of cloth to some of the elderly women, who expressed appreciation for the gesture.

The visit to Asumaja also carried a strong sense of connection to the legacy of the late Apostle Kwadwo Safo Kantanka, whose roots are traced to the community.

In a birthday message shared on social media, the founder of Prophetic Hill Chapel recalled how Samira was there for him following the death of his father, saying the gesture was one he would always remember.

“When my father passed away, you were there for me. I will extend my sincerest gratitude to you always,” he wrote.

The tribute comes against the backdrop of Gaisie’s previously expressed political stance during Ghana’s 2024 general elections.

He openly backed the National Democratic Congress (NDC) and its presidential candidate, John Dramani Mahama, while Samira’s husband, Dr Mahamudu Bawumia, was the presidential candidate of the New Patriotic Party (NPP).

Despite the political divide, Gaisie’s birthday message focused on the personal bond and support he says existed between them.

He described Samira as a true friend, suggesting that difficult moments often reveal the people who genuinely stand by others when it matters most.

“True friends are indeed revealed during life’s most challenging moments,” he said.

At an age when many would simply look back at the years gone by, Pat Thomas is choosing to celebrate the music and people who helped make the journey worthwhile.

The veteran musician described his fans and their love and unwavering support as the “wind beneath his wings”.

For decades, Pat Thomas has been one of the distinctive voices of Ghanaian highlife, carrying the genre across generations and introducing its rich melodies to audiences beyond Ghana.

Reflecting on the milestone, he expressed appreciation to his fellow musicians, producers, promoters, media practitioners and members of his team for helping make his journey memorable.

For Pat Thomas, highlife is more than a genre. It is heritage and pride that continues to connect generations.

He dedicated every note he has sung, as well as those still to come, to the fans who have kept listening.

With eight decades behind him and a musical legacy that continues to inspire, Pat Thomas has pledged to continue living through music.

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The exhibition, organised with the support of the Director-General of Prisons, provided inmates with an opportunity to display their artistic works and demonstrate skills acquired through various rehabilitation programmes.

The artworks featured mosaic, collage and batik, reflecting the creativity, dedication and potential of the inmates.

The initiative forms part of broader efforts by the Ghana Prisons Service to equip inmates with practical skills and create opportunities for their rehabilitation and reintegration into society.

The initiative forms part of broader efforts by the Ghana Prisons Service to promote rehabilitation and skills development, create public awareness of the positive transformation taking place among inmates, and equip them with productive skills for successful reintegration into society.

The quality and creativity of the artworks demonstrated that, with the right support and opportunities, inmates can develop valuable skills, build confidence and prepare themselves to make positive contributions to society after their release.

The exhibition reflects the Service’s commitment to rehabilitation, skills development and the transformation of inmates, in line with the Think Prisons 360° agenda of building a modern, progressive and people-centred correctional service.

The controversy erupted after screenshots purportedly showing a private conversation between Davido and a woman identified as Lethabo surfaced on social media.

The alleged exchange appeared to show the singer complimenting her looks and engaging in a flirtatious conversation.

The screenshots quickly sparked debate online, with social media users questioning the nature of the alleged interaction, particularly following Davido’s marriage to his longtime partner, Chioma.

Davido has, however, dismissed the claims and challenged those sharing the screenshots to examine the details more closely.

In a post addressing the controversy, he questioned why adults were believing the screenshots were authentic and shared what he described as an example of how Instagram’s messaging interface should appear.

He pointed to differences between the alleged screenshots and the actual Instagram message layout, using the discrepancies to support his claim that the conversation had been fabricated.

Davido also accused the woman of seeking attention online, describing her as “just a teenager fishing for attention” and criticising social media users for readily accepting the screenshots as genuine.

The four-time Grammy Award winner was honoured with the 2,854th star on the famed Hollywood Boulevard in Los Angeles, marking another major milestone in a career spanning more than four decades.

Kidjo arrived at the ceremony in a striking red boubou, reflecting the vibrant style that has become part of her signature image.

The emotional moment came when her star was unveiled. Overwhelmed with joy, the celebrated musician knelt beside the star in appreciation before shedding tears as she took in the significance of the honour.

She later received her official citation and posed for photographs beside her newly unveiled star, proudly celebrating the achievement.

The ceremony brought together notable figures from the global entertainment industry, including Oscar-nominated actor Willem Dafoe and Grammy- and Primetime Emmy-nominated songwriter and producer Harvey Mason Jr., who is also CEO of the Recording Academy and MusiCares.

Kidjo’s recognition on the Hollywood Walk of Fame adds her name to an exclusive list of entertainers whose work has made a lasting impact on global popular culture.

For more than 40 years, the Beninese singer, songwriter and activist has used her music to connect African sounds with audiences around the world, becoming one of the continent’s most celebrated musical ambassadors.

Her latest honour represents not only a personal achievement but also a landmark moment for African music and Black African representation on one of Hollywood’s most iconic landmarks.

The carrier says it will restore seatback displays across its domestic fleet, reversing a years-long strategy of removing them from most US routes.

The company is also adding more premium seats, saying the changes are aimed at improving the travel experience and boosting revenue. American Airlines says the upgrades form part of a wider cabin investment announced this week.

Its move follows years of complaints from passengers, who said that relying on personal devices left them with drained batteries, awkward viewing angles, and patchy Wi-Fi.

It also comes as US carriers try to steady demand in a cooling market.

American Airlines spent much of the past decade phasing out seatback screens from its Boeing 737s and Airbus A320-family jets, arguing that most travellers preferred to stream entertainment on their own devices.

The airline also said removing built-in displays reduced weight and maintenance costs at a time when carriers were focused on efficiency.

But the strategy left the carrier out of step with competitors like Delta and United, which have invested heavily in onboard entertainment to support a more premium cabin experience.

JetBlue, meanwhile, has kept seatback TVs. Analysts say those choices have helped shift passenger expectations, making screens feel less like a luxury and more like a standard feature on many US flights.

“The long pull in the tent is technology,” Raymond James analyst Savanthi Syth told the BBC, noting that Delta was the first major US carrier to introduce a basic economy fare and has continued adding new products since.

Syth said those early moves put Delta further along in its “commercial journey”, and the pace at which an airline introduces new offerings often depends on how developed its strategy already is.

As technology improves – with lighter hardware, lower power use, and cheaper installation – screens have become easier for airlines to justify. American Airlines says it will roll out the new displays as quickly as possible, with full installation expected by early next decade.

Its reversal suggests the carrier is trying to stay competitive and consistent, betting that more reliable onboard amenities will help it win customers while still appealing to budget-conscious travellers.

Speaking at his concert over the weekend, Rema boldly stated that he makes music that he likes and doesn’t necessarily consider the fans’ preferences.

He declared that he is the “Prince of Afrobeats”, with a mandate to move the genre forward, but argued that if he and others stick to making music that only Afrobeats fans like, the genre won’t progress.

“I don’t care what you say about me. I don’t care if you like what I like. But I make music that I like before you like it. If I stick to what you like, Afrobeats is not going to move forward. And I will say it one more time, I am the f**king Prince of Afrobeats,” he said.

Rema’s comment comes against the backdrop of recent social media protests over Afrobeats artistes infusing other sounds into their music and embracing other genres in a desperate bid to appeal to foreign audiences.

African and traditional Afrobeats fans have been expressing disappointment over the trend.

Despite the complaints, more and more Afrobeats artistes have continued to churn out songs and albums that are heavily influenced by foreign sounds and genres.

“It is with great sadness we have to announce that Phyllida Law died supremely peacefully at home, surrounded by all of her family, on Monday 27th July,” her manager Jacky Leggo said in a statement to BBC News.

“We had worked together for over fifty years and she was a beautiful person inside and out.”

Law appeared on screen alongside her daughters several times throughout a long and varied career, including in the 1996 adaptation of Jane Austen’s Emma, starring Gwyneth Paltrow. Law played Mrs Bates while Sophie played her daughter Miss Bates.

She also acted with Dame Emma in 1992’s Peter’s Friends, directed by her then-son-in-law Sir Kenneth Branagh.

They combined on screen again the following year in Sir Kenneth’s adaptation of William Shakespeare’s Much Ado About Nothing.

And they played a mother and daughter in Alan Rickman’s directorial debut, The Winter Guest, in 1997.

Later in life, Law provided the voice of Mrs Partridge in Dame Emma’s 2005 film Nanny McPhee, which her eldest daughter wrote and starred in.

‘They didn’t follow in our footsteps, they rushed past us’

Born in Glasgow in 1932, Law attended the Bristol Old Vic Theatre School, initially to become a stage designer but ended up studying acting instead “by happy accident”.

She married fellow actor Eric Thompson – best known for The Magic Roundabout – in 1957.

The couple were together until he died of a heart attack aged 53, in 1982.

Throughout a career spanning eight decades, Law would go on to appear in numerous TV shows including Dickson of Dock Green and Rumpole of the Bailey before Midsomer Murders, Foyle’s War, Doc Martin and New Tricks.

She was also known for her work on the big screen in films such as Anna Karenina, Saving Grace and Miss Potter.

On stage, Law appeared alongside Alec Guinness in John Mortimer’s A Voyage Round My Father in London’s West End in 1971, and in Alan Bennett’s Habeas Corpus at the Oxford Playhouse in 1973, which then transferred to the capital.

She also played Jacqueline in the original London cast of La Cage Aux Folles at the London Palladium in 1986.

The actress starred alongside John Hurt in a short film entitled Love at First Sight which was shortlisted for an Oscar in 2012.

Law received an OBE in 2014 for services to drama and for charitable services.

Her daughters have both gone on to enjoy success on screen.

Emma was born in 1959 and has won two Oscars – one for acting in Howard’s End and another for writing the screenplay for Sense and Sensibility – and is also known for featuring in Love Actually and the Harry Potter film series.

Sophie was born in 1964 and has appeared in films including Gosford Park and Four Weddings and a Funeral, and been nominated for seven Olivier Awards on stage.

Speaking about her daughters to the Telegraph in 2017, Law said: “They are both my colleagues in a way. They didn’t follow in our footsteps, they rushed past us, trampling on us.”

The family acting dynasty has continued with Dame Emma’s daughter Gaia, who posted on Instagram about her grandmother: “Rest well my queen.”

Speaking of her love of the arts to the same newspaper, Law joked: “I’ve got to have my funeral in the afternoon, curtain up 2.30pm, so people can get to the theatre afterwards.”

The event is scheduled for Sunday, September 20, 2026, at the ICGC Jesus Temple in Koforidua, starting at 4:00 p.m.

Organisers expect worshippers from Koforidua, other parts of the Eastern Region and beyond to attend the gathering.

This year’s edition is themed “Jesus Be the Name – Yeshua Hu Ha-Shem,” a declaration of the supremacy and power of the name of Jesus Christ.

The theme seeks to remind believers that regardless of their circumstances, Jesus remains their hope, strength and salvation.

The programme will also feature acclaimed gospel ministers Alexandrah and Sandra Harley, alongside other worship leaders who will lead participants in praise, prayer and intimate worship.

Ransomed Ministries Ghana is a non-denominational Christian ministry committed to discovering, nurturing and bringing together talents in music, choreography, drama, literature and other creative arts for the advancement of God’s Kingdom.

According to the organisers, Total Worship goes beyond music to create an atmosphere for spiritual renewal and transformation while bringing together people from different backgrounds and Christian communities to exalt the name of Jesus Christ.

The 2026 edition is expected to provide worshippers with an opportunity to reconnect with God through music, prayer and fellowship.