The event was attended by Austria’s State Secretary, Sepp Schellhorn, Ghana’s Deputy Minister for Tourism, Culture and Creative Arts, Yussif Issakah Jajah, and key stakeholders from the diplomatic and creative sectors.

Speaking at the opening, Deputy Minister Jajah described the Forum as “a bridge between continents,” emphasizing its potential to deepen collaboration in academia, science, and the creative arts.

He highlighted that the initiative would promote cultural exchange, sustainable tourism, heritage preservation, and joint creative ventures, further cementing Ghana’s reputation as a stable democracy and cultural hub in the region.

Austria’s State Secretary, Sepp Schellhorn, expressed optimism that the Forum would foster meaningful engagement between the two nations, encouraging innovation and shared prosperity.

He noted that this is Austria’s second cultural forum in Sub-Saharan Africa, underlining the country’s commitment to strengthening bilateral ties with Ghana.

Officials from both countries reaffirmed their dedication to using the Forum as a platform to nurture creativity, drive cultural diplomacy, and create sustainable opportunities for artists, researchers, and students.

The Austrian Cultural Forum is expected to host exhibitions, workshops, lectures, and exchange programmes that will enrich Ghana’s cultural and academic landscape while promoting mutual understanding and collaboration.

The establishment of the Forum marks a significant step in Ghana–Austria relations, signaling a long-term commitment to cultural diplomacy and partnership through shared knowledge, innovation, and creative expression.

Speaking on The LTS Show on Joy News, the group shared how their journey began in Kumasi.

“We are based in Kumasi. Rashad and Champagne grew up together. I joined them during work orientation, and we quickly developed a connection. Whenever the three of us are together, the energy is contagious. You cannot help but laugh and have fun,” Ishfaq recounted.

The group’s first experiments with content started on YouTube.

“Rashad and I had talked about creating videos just for fun. So we started creating content on YouTube. But it didn’t blow up the way we imagined,” Champagne revealed.

The breakthrough came when the group shifted focus to TikTok and experimented with food content.

“Ishfaq brought the idea of a food challenge. We saw what other people were doing and thought we could join the trend too, but make ours unique. That’s how the 3-2-1 eating challenge started,” Rashad narrated.

Despite the chemistry, creating content as a group was far from easy. All three have full-time jobs, which made scheduling almost impossible.

“Sometimes we had to meet at midnight, or even past one in the morning,” Rashad recalled. “Everyone is tired, hungry, or not in the mood, but we had to push through to make something worth watching,” he continued.

Equipment and logistics added to the struggle. Their very first tripod had a broken leg, forcing them to improvise.

“Our first tripod had a broken leg. We had to balance it on a stone and hope it wouldn’t fall. Every shoot became a test of patience and creativity. It taught us that content creation is as much about problem-solving as it is about ideas,” Champagne disclosed.

After months of experimenting and pushing through obstacles, the effort paid off.

“I think on our first video, it was just a bottle flip. It did better than most of our other videos, but it didn’t really blow up until our third eating challenge which was the 3-2-1. That’s when everything changed. Under 24 hours we hit a million views on TikTok,” Ishfaq shared.

“As Ishfaq said, on our third eating challenge, we reached a million views, then the numbers just kept climbing. Followers started growing, people began noticing us, and many even went to check out our YouTube channel once they realized we were there too,” Champagne added.

Speaking on their success, the team attributed much of their growth to collaboration and shared responsibility.

“Being a group has made it possible for us to handle the workload and stay consistent. Rashad is great at planning, Ishfaq brings fresh ideas, and I focus on execution. When one of us is low on energy, the other two lift them up. That balance and support system has been key to keeping our content original, timely, and engaging,” Champagne explained.

Rashad also added that their success wasn’t just about the ideas, but how they brought them to life.

“Honestly, it’s not the food challenge itself that makes our content stand out. It’s the energy, the vibe, and the authenticity we put into it. Anyone can copy a trend, but they can’t replicate the way we make it feel real and fun.

“That’s what keeps people watching and coming back. There is nothing wrong with copying; what matters is how uniquely you execute yours. Anyone can copy a trend; we’re not against that. Copying is allowed, but it has to be done strategically,” Rashad expanded.

As a group, comparisons and criticism are inevitable, but the trio has learned to handle them with focus and maturity.

“One thing my pastor always preaches is to be intentional about everything. In any group or even individually, you’ll face ego, pride, jealousy, and selfishness. People will compare you to others, make comments, or even try to pull you down. You have to accept that as part of the journey and stay focused on your goals,” Rashad highlighted.

“When criticism or comparisons come, it doesn’t overwhelm one person. We support each other, weigh feedback, and stay on course. Being a group means no one carries the burden alone; it’s teamwork, understanding, and conviction that keep us moving forward,” Champagne further emphasized.

Today, the journey that began with a broken tripod and late-night shoots has transformed into a full-fledged creative enterprise.

Though TikTok itself doesn’t pay them directly, the trio now works with brands and runs sponsored content, turning their passion into a sustainable business while still managing their 9-to-5 jobs.

Their story proves that group content creation is not only possible but can thrive with dedication, creativity, and teamwork.

According to the lawyer, the remission policy allows qualifying prisoners to serve only two-thirds of their sentence, with the remaining one-third remitted by the state.

He explained that Nana Agradaa, who was sentenced to 12 months, would therefore serve eight months under this provision.

“The sentence took effect retrospectively from July 3, 2025, the date of conviction and imprisonment. Serving eight months from that date sets her release for March 3, 2026,” he said.

He emphasised that the remission policy applies to all eligible prisoners and is not a special dispensation for any individual.

“There is no special treatment given to anyone. It applies to all prisoners, including Mama Pats,” he added.

Nana Agradaa, a former traditional priestess turned evangelist, was convicted on charges related to fraudulent religious practices, a case that attracted nationwide attention due to her controversial public profile.

Ghana’s Minister for Tourism, Culture and Creative Arts, Abla Dzifa Gomashie, attended the event as Special Guest of Honour alongside Ghana’s High Commissioner to Canada, Dora Francisca Edu-Buandoh.

The screenings celebrated Ghana’s independence journey and highlighted the enduring legacy of Kwame Nkrumah, whose vision continues to inspire Pan-African unity.

Addressing attendees, the minister reaffirmed Ghana’s commitment to using culture as a bridge to reconnect with its global diaspora. She encouraged people of African descent to visit Ghana and experience the country’s rich history, heritage, and creative identity firsthand.

The documentary, produced by Nana Adwoa Frimpong and directed by Ben Proudfoot, features rare archival footage captured by filmmaker Chris Hesse.

It is executive produced by former U.S. President Barack Obama and former First Lady Michelle Obama, adding global prominence to the project.

The film offers a powerful visual narrative of Ghana’s independence story and reinforces the country’s role as a symbol of African freedom and identity.

Officials say the documentary will also be screened in Ghana in April 2026, as part of ongoing efforts to preserve authentic African stories and deepen engagement between Ghana and its diaspora.

The Toronto screenings were part of broader Black History Month activities, using film and storytelling to strengthen cultural diplomacy and position Ghana as a cultural and heritage destination for Africans worldwide.

In a statement commemorating the milestone, he expressed gratitude for the opportunity to lead the office and contribute to national development by deepening engagement between Ghana and its citizens living abroad.

He acknowledged the leadership of the Presidency of Ghana for their continued support, noting that their guidance has enabled the office to advance its mandate with clarity and purpose.

Darko also extended appreciation to government institutions, development partners, and non-governmental organisations for their collaboration, which he said has been instrumental in strengthening partnerships and expanding opportunities for Ghanaians both at home and overseas.

Looking ahead, he announced plans to commission an expansion of the Diaspora Affairs Office next week, aimed at improving operational efficiency, boosting staff productivity, and creating a more welcoming environment for diaspora engagement.

He described the expansion as a symbol of growth and the office’s commitment to delivering excellence in service while positioning Ghana as a home for all its citizens, regardless of where they reside.

The Diaspora Affairs Office plays a key role in connecting Ghana with its global diaspora, promoting investment, cultural exchange, and national development initiatives. Darko’s appointment one year ago was seen as part of broader efforts to leverage diaspora engagement as a strategic pillar of Ghana’s development agenda.

He reaffirmed his commitment to strengthening these connections, emphasizing that building Ghana requires collective effort and shared vision across borders.

The initiative, led by the National Youth Authority (NYA), aims to intensify efforts to combat substance abuse among young people across the country.

According to the Minister, the appointment is intended to make the campaign more relatable and impactful by leveraging influential voices within youth culture.

Medikal’s large following among young Ghanaians, both through his music and social media presence, is expected to enhance the campaign’s reach and credibility.

As ambassador, Medikal will promote anti-drug messaging through his music, public appearances, and digital platforms. His role will include participating in school outreaches, engaging students on the dangers of substance abuse, incorporating campaign themes into music videos and performances, and supporting peer advocacy and youth mobilization initiatives.

Speaking on the floor of parliament, Minister George Opare Addo said the celebrity partnership builds on research aimed at understanding the growing substance abuse trend and identifying effective interventions.

In addition to the ambassadorial appointment, the NYA has outlined a comprehensive plan to scale up interventions nationwide. A key element is a high-visibility billboard campaign designed to reinforce the “Red Means Stop” message along major highways, transport corridors, city centres, market areas, school zones, and youth gathering points.

The campaign is intended to sustain public awareness and drive behavioural change, particularly among vulnerable youth populations.

The viral content creator made the revelation during an interactive session when asked which African country he would personally show Ronaldo. Without hesitation, he named Ghana, describing it as a special destination rich in culture, history, and football passion.

IShowSpeed expressed enthusiasm about personally guiding Ronaldo on a memorable tour across the country. His dream itinerary includes visits to Ghana’s historic castles, where he believes Ronaldo could experience the nation’s powerful heritage firsthand.

He also mentioned taking the Portuguese superstar to try the viral “Kuria Kuria” massage at Hamamat’s Shea Butter Museum.

Beyond history and culture, IShowSpeed said he would love to play football with Ronaldo on a local pitch, giving the five-time Ballon d’Or winner a taste of Ghana’s vibrant street football scene.

The statement has since thrilled Ghanaian fans on social media, with many expressing hope that the dream visit could one day become reality.

The confirmation came from Sammy Baah Flex, Public Relations Manager of the Shatta Movement, who disclosed that the document was initiated at the request of the Economic and Organised Crime Office (EOCO).

The request reportedly seeks the artiste’s consent to export the luxury vehicle back to the United States.

According to Baah Flex, the matter has been handed over to Shatta Wale’s legal team, which is currently addressing it through the appropriate legal channels. He emphasised that the artiste’s representatives are fully cooperating within the framework of the law.

While details surrounding the request remain limited, the development has sparked public interest, given Shatta Wale’s reputation for showcasing luxury vehicles as part of his brand image and success story.

Management has urged the public to remain calm and allow due process to take its course, assuring that the matter is being handled professionally.

In his response, Shatta Wale expressed frustration over losing a major investor for his Shaxi brand, attributing the setback to his yellow Lamborghini.

Posting on social media, he wrote: “Because of common Lambo I loose a big investor for Shaxi .. Hmmm .. Herrrhh .. Ghana erh but we move. #GODISHERE,” highlighting his determination to keep pushing forward despite the challenges.

The mediation, held in Kumasi, brought an end to months of legal tension between the two actors after Oboy Siki formally withdrew his earlier remarks and apologised to Yaw Dabo.

Oboy Siki admitted that his claims about Yaw Dabo were based on hearsay rather than verified facts. He rendered an unqualified apology and retracted all defamatory statements made against his colleague.

The case is expected to be formally closed at the Adum High Court.

The dispute stemmed from comments Oboy Siki made during an interview on GhPage TV, where he allegedly made several damaging claims about Yaw Dabo’s personal life and football management activities.

According to court documents, the allegations included claims that Dabo was incapable of impregnating a woman, lacked the capacity to marry, and did not own his football club. He was also described using other derogatory and demeaning language.

The remarks prompted Yaw Dabo to file a defamation suit at the Adum High Court in the Ashanti Region, seeking GH¢1million in damages for reputational harm.

The two actors made their initial court appearance in Kumasi after the suit was filed. Although Oboy Siki issued a public apology shortly after the controversy began and appealed for the matter to be dropped, legal proceedings continued amid concerns over his compliance with court processes.

His counsel later requested an out-of-court settlement, which the court granted, allowing both parties time to pursue an amicable resolution.

Neither party has disclosed whether any financial compensation formed part of the final settlement.

Abu Trica and his alleged accomplice, Daniel Yusif, appeared before the court on Wednesday, February 25, 2026, as proceedings continue to determine whether they should be extradited to the United States to face trial.

The court adjourned the case to March 18, 2026, for further hearings and related legal matters.

The case originates from an indictment by U.S. authorities, accusing Abu Trica of involvement in a large-scale online romance scam estimated at over $8 million. He was initially arrested on December 11, 2025, following the indictment.

On January 26, 2026, the Gbese District Court discharged him and his co-accused after the state withdrew the initial charges.

However, shortly after his discharge, Abu Trica was re-arrested by the Narcotics Control Commission (NACOC), and prosecutors filed fresh charges, including money laundering and conspiracy to defraud by false pretence.

The current proceedings before the Gbese District Court focus on assessing the legal basis for his possible extradition to the United States.

With the court’s decision to remand him in custody, Abu Trica will remain detained until his next appearance on March 18, when the extradition matter is expected to proceed.

As Spotify celebrates five years in Ghana, the numbers reveal that we are living in the Black Sherif era.

Since the platform launched in February 2021, no artist has commanded the attention of Ghanaian listeners quite like the young man from Konongo.

On the list, Black Sherif was Ghana’s most-streamed artistes over the last five years and also stands alone at the summit, outselling and outstreaming everyone else in the country.

But the statistics get even more staggering. When you look at Ghana’s most-streamed songs since Spotify’s arrival, Black Sherif doesn’t just feature, he dominates.

Six out of the top ten tracks belong to him, either as lead artist or featured act.

The list reads like a playlist of his greatest hits: Oil in My Head, Sacrifice, Konongo Zongo, So It Goes, Second Sermon, all sitting comfortably among the nation’s most replayed records.

His feature on ODUMODUBLVCK’s ‘WOTOWOTO SEASONING’ also claims a spot, alongside Lomo Lomo with KiDi.

What makes this dominance particularly significant is what it signals about the evolution of Ghanaian taste. Black Sherif’s rise represents a seismic shift from the pure dance-floor energy that traditionally defined Ghanaian pop.

His sound, melancholic, introspective, rooted in the drill tradition yet unmistakably Ghanaian, proved that lyricism and storytelling could achieve the same commercial heights as party anthems.

His ability to blend local languages, English, Pidgin, and street slang created a template that countless young artists are now trying to replicate.

More importantly, he demonstrated that you don’t need to be in Accra to conquer Accra.

Konongo Zongo, the world he so vividly painted in his music, became a destination for millions of listeners who had never set foot there.

Five years into Spotify’s Ghana journey, it is now obvious that when Ghanaians reach for their headphones, they’re reaching for Blacko.

The Ghana Embassy in China will host a series of events culminating on March 6, 2026, to mark the country’s 69th Independence Anniversary, with Ace Liam’s artwork featured prominently.

As part of the celebrations, an art exhibition will showcase creative works by top Ghanaian artists, including Ace Liam and renowned artist Ibrahim Mahama, highlighting Ghana’s vibrant cultural heritage and fostering stronger cultural ties with China.

At just three years old, Ace Liam has already earned global acclaim for his innovative artistic talents. His participation in the Independence Day events underscores the role of young Ghanaian artists in promoting the nation’s rich culture on the international stage.

Ambassador Kojo Bonsu, speaking at a press event on February 5, 2026, emphasized Ghana’s commitment to deepening its relationship with China through cultural exchange and economic collaboration. The planned activities will also feature a business forum and a fashion show by Nineteen57, blending traditional and modern Ghanaian styles.

Ace Liam’s international journey began with his debut at the GUBA Awards in Barbados. In 2025, he received recognition at the UK Parliament House of Commons as a Global Child Prodigy in Arts and was named Kid Creator of the Year at the Creators Awards Ghana 2025.

His latest accolade, being featured in the 2026 Guinness World Records Book as a Young Achiever, marks him as the youngest achiever in the organization’s history. This special edition celebrates seven decades of global excellence, placing Ace Liam alongside icons like Simone Biles, Usain Bolt, and Dolly Parton.

Reflecting on this achievement, his mother and manager, Chantelle Kuukua Eghan, said: “Ace Liam being featured in the 2026 Guinness World Records Book is a dream come true. This is not just a win for him, but a win for all kids around the world.”

Ace Liam’s artistic journey began at six months old when his mother, a Ghanaian visual artist, introduced him to paints and a canvas.

His first piece, titled The Crawl, revealed a natural talent for colour, movement, and intuitive creativity. By his second birthday, he held his first exhibition at Ghana’s Museum of Science and Technology, where nine of his ten paintings were sold within three days.

Recognized as the youngest male artist by Guinness World Records in 2024, Ace Liam is known for energetic abstract compositions and fearless experimentation with colour and texture. His growing international acclaim has attracted collectors worldwide, including the former First Lady of Ghana.

As he prepares for his second international exhibition, Ace Liam’s story continues to inspire, showcasing the extraordinary possibilities that emerge when young talent is nurtured and celebrated.

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Speaking on Channel One TV’s Face to Face, Madam Gomashie said elevating one language above others would compromise the identities and heritage of various ethnic groups across the country.

She noted that the African Union recognises cross-border, or “vehicular,” languages and has established commissions to promote widely spoken African languages such as Hausa, Ewe, and Swahili (Kiswahili).

Using Ewe as an example, she highlighted that the language is spoken not only in Ghana but also in Togo, Benin, and parts of Nigeria, and is even taught at a university in Germany. She warned that sidelining a language simply because it is not spoken by the majority could lead to the erosion of its associated culture and heritage.

“It’s not a policy that I will be championing anytime soon, and here’s my reason. The African Union, recognising vehicular cross-border languages, has created commissions for Hausa, Ewe, Kiswahili, and others. Take Ewe, for example. It’s spoken in Ghana, Togo, Benin, and some parts of Nigeria, and is taught at a German university. You cannot say that because it’s not spoken by the majority in Ghana, it should die. Its death would take with it everything within the cultural space. This is why UNESCO observes International Mother Language Day,” she said.

While acknowledging that some Ghanaian languages enjoy wider usage than others, Madam Gomashie urged tolerance and inclusivity in national language discussions.

“I think we’re trampling on the sensibilities of other people and their cultures and languages. As I said, it’s not something I’ll champion. While a language widely spoken by the majority should be recognised, we must also be tolerant and accommodating of other people’s languages and cultures,” she advised.

She further highlighted the social value of speaking local languages, noting that using someone’s mother tongue fosters an instant bond and sense of belonging.

“You go to even the ‘koko’ seller or the beans seller, and you speak Ewe to that person. They immediately know you’re not from there, and there’s an instant connection,” she added.

Okemesi passed away at a hospital on Tuesday, February 24, 2026, at about 11:50 a.m.

According to reports, he died after spending a few hours in a coma following complications related to medication administered at the hospital.

Announcing the news in a video shared on Instagram, fellow actor Tony Montana Jeff said the late actor had been pronounced dead by doctors.

“With a heavy heart, I’m announcing to the world that Okemesi is dead. The doctor pronounced him dead at exactly 11:50 a.m. this morning, February 24, 2026. Okemesi is gone.

“So, on behalf of the entire Bamidele family, I’m announcing to the world that Oluwatope Bamidele Saint, popularly known as Okemesi, is dead. We have taken the body to the morgue.

“I will communicate the rest of the arrangements to you guys. We appreciate everyone who turned up for him. May God forgive Okemesi and rest his soul,” he said.

Further details regarding funeral arrangements are expected to be announced in due course.

Watch the video below:

View this post on Instagram

A post shared by Jeff Owolewa (@tonymontana_jeff)

Speaking in an interview on Hitz FM, the “E Choke” hitmaker disclosed that some social media users even attempted to dissuade her boss, D-Black, from investing in her career.

“One thing that really broke me was one time when I went on Twitter. Somebody was like, ‘I feel like D-Black is wasting his money on S3fa. She’s talentless, a nice girl but just brainless,’” she recounted.

S3fa explained that the comment struck a nerve because it ignored the hard work, sacrifices, and personal investment she had made behind the scenes to build her music career.

“In my mind, I’m like, you don’t know what goes on behind the scenes. You don’t know how much work I put in or how much investment I’ve made. To sit on social media and say I am just beauty without brains, it was very disturbing,” she said.

She added that being judged solely on her appearance was particularly painful.

Despite the emotional setback, S3fa said the criticism ultimately became a turning point, motivating her to work harder and prove her worth.

The singer is currently regarded as one of the notable female voices in Ghana’s contemporary music scene, with several hit songs and collaborations to her credit.

Watch video now:

The controversy began after Simi made a strong statement calling for rapists to be “burnt and castrated” amid the ongoing sexual assault case involving TikToker Mirabel, who later retracted her claims.

Her comments generated mixed reactions online, prompting social media users to dig through Simi’s personal feed and uncover tweets from 2012.

In some of the old posts, Simi wrote about a four-year-old having a crush on her and “acting like he wana loc lip,” and in another, she joked about the child “trying to put hand inside my shet (sic)”.

Reacting to this, Simi took to her X page to clarify the tweets.

She said, “I haven’t been on Twitter today, but someone brought a few of my old tweets to my attention, and I can’t not address it. 14 years ago, I was 23, so I was definitely not a child. I’m not here to make excuses because I don’t have anything to make excuses for. What I can’t let anyone do is twist my story to fit false narratives.”

She further explained, “In 2012, I lived and helped out at my mom’s daycare while hustling my music. I tweeted everything that happened in my life, as we all did at the time. Kids can be mischievous. If a child did something I found funny, I tweeted about it. Kids are cute and lovable. I want to hug, kiss, and cuddle them. I tweet about it. Nothing I tweeted was from perversion.”

Simi added, “I was not famous then, so maybe if I was, I would have understood that anything is open to interpretation, including being used falsely by a faceless mob. I’ve never been depraved in my life. You can retweet all the tweets in the world about me loudly crushing on people I admired or being a cheeky young woman. I wasn’t trying to hide it, because I have nothing to hide.”

She also noted that some of her old tweets have been deleted for the sake of her family, but reaffirmed her stance against sexual violence

“I have always spoken against rape and sexual assault, even before you knew I existed. It’s not a costume I’m wearing, it’s who I am. I’ve never claimed to be perfect. I’ve never claimed to know everything. I said stop raping women. I stand by it.”

The case is expected to be heard on Tuesday, February 24, 2026.

In an interview with Kwame Dadzie on Joy FM’s Showbiz A-Z, Chiaky opened up about how her title was taken away even after she won the Miss Intercontinental Ghana pageant on November 8, 2025.

She narrated that her title was later given to another person for what was described by the organisers as “unforeseen circumstances”.

According to her, one evening the Vice President of Cloudz Entertainment called and asked her to attend an emergency meeting with her mother.

“They emphasised that when I am coming I should bring my crown and sash. That was when I got fully suspicious because they said it was an official meeting. Initially I was suspicious but then I felt there would be something fishy.”

Chiaky said at the meeting she was given a sheet of paper that had email correspondence between the organisers and their international partners.

“Apparently, the international organisation was saying that they had received some emails from some concerned people that I did not meet their standards for the international pageant. And based on this they had made a decision to disqualify me,” she said.

She said when she asked which standards she did not meet, they showed her a page from a document that mentioned poise, beauty, charm, intelligence and body.

“With all these things they were very subjective. The only objective ones were that they said one should be a natural born female which I am, you should also be fully a Ghanaian national. I am fully Ghanaian. I also met the body requirements,” she said.

According to her, prior to the said meeting, she had been trolled on social media after a video of her, which was taken by the event’s official blogger, had been posted.

She said these were comments that mocked her personal looks, with many commenters using brutish and unsavoury remarks about her.

Meanwhile, in an official press statement, the organisers announced that Chiaky would not be representing Ghana at the 53rd Miss Intercontinental pageant scheduled to take place from January 14 to 31, 2026 in Egypt. They stated that “due to unforeseen circumstances, as a result, we have made a difficult decision to appoint a new Queen as our representative to represent Ghana.”

The statement added that the new queen would be preparing “tirelessly to represent Ghana with pride and dignity” and expressed confidence that she would make the nation proud on the international stage. The organisers also said they appreciated the public’s understanding and support and would provide updates on the preparations and participation of the new queen in the competition.

The organisers are yet to respond directly to the allegations made by Chiaky on Showbiz A-Z.

Watch Chiaky’s interview with Kwame Dadzie here.

The British Botched star, a native of Dudley, England, who had reportedly spent over $150,000 on plastic surgery to look like Kim Kardashian, died on Wednesday, Feb. 18.

In a statement, The Metropolitan Police confirmed they were called by the London Ambulance Service regarding reports of an unconscious 34-year-old man on Lincoln Plaza, Canary Wharf. He was declared dead at the scene.

The police added that “his death is currently being treated as unexplained” and an investigation is underway. It is suggested that the victim may have underwent a cosmetic procedure prior to his death, the cause of which is unknown.

A 43-year-old man and a 52-year-old woman were arrested on Friday, February 20, on suspicion of manslaughter. They have since granted bail pending further investigation.

Parke previously made headlines when he was arrested in 2024 after Alice Webb, a mom of five, died at 33 after becoming unwell following a non-surgical Brazilian butt lift or “Liquid BBL” at a Gloucester clinic run by Parke and Jemma Pawlyszyn, per Daily Mail.

He was arrested on suspicion of manslaughter, but was not charged. As reported by ITV News, he was due to answer bail this March.

Since starting his plastic surgery journey at age 19, Parke underwent dozen of cosmetic procedures, including multiple nose jobs, filler in his neck, lips and jawline, a BBL and a chin implant.

In a 2016 interview on the British daytime show This Morning, Parke said he “never hated” himself, but over time, plastic surgery became a “hobby.” Before his death, he appeared on E!’s Botched twice to address his lip filler and later his liposuction and the appearance of his nose.

Parke’s sister Sharnelle wrote on Instagram that their family is “numb, shocked and heartbroken” over his death in a tribute on Instagram.

The agreement was signed on Monday, February 23, 2026, at the premises of the media company.

The short ceremony was attended by a delegation from the organisers of the event and some staff of The Multimedia Group.

Speaking at the ceremony, A Plus expressed excitement over the partnership and outlined activities for the carnival, scheduled from April 2 to April 5, 2026.

“With the strength and reach of The Multimedia Group, this carnival will not just happen. It will be seen, it will be heard, it will be felt across Ghana and beyond,” he noted.

He also said the partnership would go a long way to boost the socio-cultural growth of the Gomoa communities.

“Through television, radio and digital platforms this partnership will ensure that the young artistes in the Central Region will be seen nationwide, the food vendor will gain customers beyond Easter, the sponsor will gain visibility across the country, the community will gain confidence in its own greatness,” he said.

The four-day event will feature three days of musical performances from some of Ghana’s top artistes as well as emerging talents in the area.

It will also include a barbecue and bonfire session, painting, art exhibition, food bazaar, masquerades and a grand durbar.

The Chief Operations Officer of The Multimedia Group, Ken Ansah, assured the organisers of the company’s full commitment to the coverage of the event.

“We will give our support, we commit fully to supporting this initiative, it is huge, it has a strong and great future, it has a future in the Gomoa area, but it also goes into areas of jobs and employment, and the bigger part of entertainment where we know that a lot of value sits,” he said.

Also in attendance was Albert Kwabena Dwumfour, President of the Ghana Journalists Association and Chairman of the organising committee of the Gomoa Easter Carnival.

He promised top-notch programming and organisation for the carnival.

“We have been able to bring together the best minds in entertainment [for this event].”

Details of all activities for the Gomoa Easter Carnival will officially be announced at a press launch scheduled for February 28, 2026.

The two actors made their first court appearance in Kumasi today following comments Oboy Siki allegedly made during an interview on GhPage TV after a football match in Kumasi.

The remarks are said to have stemmed from a financial disagreement during the game.

According to court documents, Oboy Siki allegedly made several insulting statements about Yaw Dabo’s football management activities and personal life.

Among the claims cited in the suit are assertions that Dabo is “incapable of impregnating a woman, is selfish, and is not man enough” to marry. He was also allegedly subjected to other derogatory descriptions.

Although Oboy Siki reportedly rendered an apology days after the incident and appealed for the matter to be dropped, the case was formally filed at the Adum High Court.

During proceedings, the defendant was said to have failed to fully comply with the initial suit processes, prompting Yaw Dabo’s lawyer to file an application to continue with the case.

However, counsel for Oboy Siki appealed for an out-of-court settlement, a request the court granted.

Both parties have been given time to explore an amicable resolution and are expected to reappear before the court at a later date.

The case has since generated significant public interest within the Kumawood industry, as observers await its outcome.

She made the remarks in an interview with Kwame Dadzie on Joy FM’s Showbiz A-Z.

According to her, although it is still early days, the government is performing better than the previous administration did in the latter years of its tenure.

“I will give them 75% to 80% because I think that His Excellency John Dramani Mahama has stabilised the economy. And I think his Finance Minister is doing an excellent job. I think that the economy is doing very well now compared to the last three, four years,” she said.

The opinionated broadcaster also stated that many officials in the previous administration became arrogant. “There was too much arrogance as well.

You can listen from their utterances, on radio, the way they were so dismissive of journalists, their commentary was just arrogant,” she noted.

She indicated that although John Mahama had such arrogant elements during his first term in office, he appears to have learnt his lessons. “It’s just a year. Maybe too early in the day but the trajectory looks positive, and I am happy with the work they are doing so far,” she said.

She therefore praised the Gender Minister, Agnes Naa Momo Lartey, for her responsiveness to issues, and the Foreign Affairs Minister, Samuel Okudzeto Ablakwa, for being accessible.

The play, crafted by veteran actor and playwright Abeku Saigo, brought the classic story to life, leaving the young audience delighted.

“The best part was when Oliver asked for more food!” exclaimed one pupil. Another added, “I loved how Fagin taught the boys how to pick pockets.” Many students shared similar reactions, demonstrating their understanding of the story.

This collaborative production, organized by the National Drama Company, Ghana Education Service, and AIW, was made possible through the support of National Theatre Executive Director Mr. Henry Herbert Malm, who generously provided the venue free of charge.

As a prescribed text, Oliver Twist was brought off the page and onto the stage, helping students connect with the narrative in a fun and interactive way. Due to the large audience, the play was performed in four separate sessions.

The production received high praise from pupils, who lauded both the actors’ performances and the engaging storytelling. Comments such as “I understood everything!” and “It was so interesting!” were common.

The event was a resounding success, with Abeku Saigo and his team commended for making learning enjoyable.

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Speaking on Joy FM’s Showbiz A-Z on Saturday, 21st February 2026, Nana Aba confessed that her fascination with Doreen Andoh stems from a phone call she made as an average Joe fresh out of secondary school.

Nana Aba’s revelation highlights a rarely seen side of the formidable broadcaster, that of a wide-eyed fan inspired by the kindness of a veteran.

A soothing voice and a life-changing call

Recalling her early days of “trying to figure out this media thing”, Nana Aba shared an anecdote about calling Joy FM years ago to seek advice. At a time when she was “nobody”, she was shocked to be put directly through to the radio legend.

“She spoke to me on the phone. I said, ‘Oh, I want to be a media person, but I don’t know what to do,’ and she gave me some advice that I don’t even remember, but it was her voice. It was so soothing on the phone, and I thought, ‘Oh, this woman is adorable,’” Nana Aba recounted.

Despite running into Andoh frequently over her decades-long career, Nana Aba admitted she has never told Doreen about that pivotal phone call.

30 years of relevance: The Doreen Andoh mystery

For Nana Aba, the primary motivation for wanting to sit across from Doreen is to decode her unprecedented longevity. With Doreen Andoh surpassing the 30-year mark in broadcasting, Nana Aba expressed awe at how the midmorning show host has maintained her grip on the audience without ever becoming stale.

“I don’t know how Doreen has done it… 30 years,” she remarked. “There isn’t a single time you tune into the radio and say, ‘Oh, my bad, I’m tuning off.’ You will listen from the beginning to the end. And she [Doreen] still has that power.”

So profound is this admiration that Nana Aba publicly urged the radio goddess to document her journey: “Doreen should be writing a book… because I would love to read that book.”

Chasing the Founder of The Multimedia Group

While Doreen Andoh is her number one target, Nana Aba also named Mr. Kwasi Twum as her second dream interviewee. Despite scepticism from the host, Kwame Dadzie, regarding the likelihood of such an interview ever happening, Nana Aba remained defiant.

Referring to the interview as “feasible” rather than just “possible,” she vowed to secure the sit-down before her time on earth is done.

“I know that will never happen… but you see, in this life, never say never. I know that day will come. It will come before the Lord Almighty calls me. I will interview that one,” she insisted.

Legacy and the ‘Pioneer’ Spirit

Nana Aba’s comments come at a time of significant transition in the Ghanaian media landscape, where veterans are increasingly being looked to for mentorship.

Her praise for Doreen Andoh serves as a reminder of the power of responsive and accessible leadership, a theme she also touched upon when grading the current Mahama administration’s performance.

As Nana Aba continues to dominate her own sphere, her quest to interview the woman who unknowingly inspired her as a teenager remains one of the most anticipated potential clashes of the titans in Ghanaian media history.

Scores of children flocked to the audition venue, hoping to impress the judges and advance to the next stage of the contest. Participants traveled from across the region to showcase their singing abilities, making the event both competitive and exciting.

Organisers described the turnout as impressive, noting several standout performances that lit up the audition stage.

The next audition is scheduled to take place in Accra at the Mikaddo Conference Centre on Saturday, February 28, starting at 8:00 a.m.

https://www.adomonline.com/gyakie-appreciates-media-houses-for-continued-support/ Sat, 21 Feb 2026 18:47:39 +0000 https://www.adomonline.com/?p=2633503 Ghanaian songstress Gyakie has shown heartfelt appreciation to key media houses across the country as part of her ongoing media tour, presenting them with special citations and gifts in recognition of their consistent support throughout her career.

During her visits to several television and radio stations, the award-winning artiste took time to personally acknowledge the pivotal role the media has played in amplifying her music, promoting her projects and connecting her to a broader audience.

It was a two-day visit, during which the team toured several media houses. Notable stops included Channel One TV, Media General, Ghana Broadcasting Corporation (GTV), GHOne TV, and Metro TV.

The team also visited Despite Media, Multimedia Group, Y FM, MX24, Influencer Africa, and the New Media Association.

At each stop, Gyakie expressed gratitude not only to the individual stations but also to the broader media fraternity, recognising presenters, producers and content teams who have consistently supported her work through interviews, airplay and feature coverage.

She emphasised that behind every successful music release is a strong network of media professionals who help shape public engagement and ensure the music reaches diverse audiences.

By presenting citations and tokens of appreciation, she sought to formally honour their contribution to her journey.

The gesture underscores the symbiotic relationship between artistes and media institutions within Ghana’s creative ecosystem.

In an industry where visibility, narrative framing and audience engagement are critical to growth, collaboration and mutual respect remain essential pillars of sustained success.

Gyakie’s thoughtful move has been widely applauded as a reminder of the power of partnership in the entertainment industry, highlighting that success is often built on collective effort and enduring professional relationships.

]]> https://www.adomonline.com/actor-harold-amenyah-bags-masters-from-ug/ Sat, 21 Feb 2026 12:10:03 +0000 https://www.adomonline.com/?p=2633406 Ghanaian actor Harold Amenyah has earned a Master’s degree in Marketing Strategy from the University of Ghana today, February 20 — and he is already setting his sights on a PhD.

Sharing the news on social media, he posted: “PhD next 👨🏾‍🎓 #ThankYouGod|,” signalling his ambition to continue his academic journey.

The announcement was met with an outpouring of congratulatory messages from colleagues, fellow celebrities and fans, many of whom praised him for balancing higher education with a successful career in the entertainment industry.

Harold Amenyah now joins a growing number of Ghanaian celebrities who have pursued advanced degrees alongside their professional achievements.

Among them is dancehall artiste Stonebwoy, who earned a Master of International Relations and Diplomacy (MIRD) from Ghana Institute of Management and Public Administration in 2025.

Actor and politician John Dumelo obtained a Master’s in Law (Natural Resources) from the University of Ghana in 2024, while actress Jackie Appiah completed a Master of Arts (MA) in Communication Studies at the University of Ghana in 2025.

Their achievements reflect a broader trend of public figures investing in higher education while maintaining active careers in the spotlight.

Watch video below:

]]> https://www.adomonline.com/samini-urges-ghanaian-musicians-to-learn-from-nigerias-global-success/ Fri, 20 Feb 2026 14:51:27 +0000 https://www.adomonline.com/?p=2633246 Ghanaian musician Samini has responded to complaints by some Ghanaians over the growing influence of foreign music in the local market.

According to him, the trend should rather inspire artistes to work harder and expand beyond their borders.

Speaking to Doreen Andoh on the Cosmopolitan Mix on Joy FM, Samini said he believes crossing borders with music is not a bad thing but an opportunity for growth and global exposure.

“I look at Africa as a united group of people. So Nigerian music or Ghanaian music is African music to me. Music from North America and music from South America is music from in that case if I want my music to blow in certain territories I shouldn’t have a problem when someone else’s music is blowing in other territories.

“What I have to do is to look at the blueprint they are using that is helping them to go beyond their borders and be heard everywhere, so that I can apply that to what I am doing,” he said.

In the meantime, Samini has released his eighth studio album titled ORIGIN8A, which features musicians such as Stonebwoy, Kofi Kinaata, Kuami Eugene, Kaakie, Soweto Gospel Choir and M.anifest.

The award-winning musician said he is hopeful the album will earn him recognition at the Telecel Ghana Music Awards.

]]> https://www.adomonline.com/i-was-put-in-prison-cells-for-5-days-because-of-akufo-addo-bullgod/ Fri, 20 Feb 2026 07:07:44 +0000 https://www.adomonline.com/?p=2633085 Ghanaian artiste manager, entertainment pundit, and graphic artist Lawrence Nana Asiamah Hanson, popularly known as Bullgod, has shared how former President Nana Addo Danquah Akufo-Addo spearheaded his arrest and had him placed in a prison cell.

According to him, speaking on Changes on Joy Prime, he addressed the Menzgold saga during a television interview, stating that the former president would not complete his term because of the pain caused to victims whose investments were locked up.

He said he was arrested immediately by a police convoy right after the interview and put behind bars, which he believes was done under Akufo-Addo’s instructions.

“I said he needed to pay the money before he finished his term if eno be so he no go finish his term; he go run away and boom they said I had threatened him. I went to one of the channels, I reach house and wanted to go buy some fufu. So, I was speaking to my PA and then I saw four wheel drives and boys are jumping out with bullet proofs with guns,” he told Roselyn Felli.

‘I spent three days at the BNI Cells and was moved because they cannot prosecute me and handed me over to the police. When I was done with my interrogation with the police. They made sure I was put in the hardest cells you can ever find in Accra. Like where they put armed robbers, rapists, killers, etc. I was put in the SWAT cells for two days,” he added.

Bullgod continued by saying that the BNI cells were very large and that he was the only one there. As a result, he was afraid to sleep because he believed his detention was politically motivated and that anything could happen at night, so he stayed awake for three days.

He also revealed that the police are not responsible for feeding prisoners, so if no one brings you food, you remain hungry. He added that whenever food was brought in, he and the others shared it among themselves.

Fortunately for Bullgod, he said he was spared the prison cell leader’s routine because of his popularity.

]]> Bullgod Opens Up About His 'Adopt a Prison' Initiative & Time Managing Shatta Wale! nonadult https://www.adomonline.com/im-a-traditionalist-and-herbalist-kwaw-kese/ Fri, 20 Feb 2026 07:03:16 +0000 https://www.adomonline.com/?p=2633061 Emmanuel Kofi Botwe, known in showbiz as Kwaw Kese, has opened up in an interview with George Quaye on Prime Time on Joy Prime, offering insight into his life, beliefs, struggles and aspirations beyond music.

Born a Christian, Kwaw Kese explained that his spiritual journey has evolved over time. He now identifies as a traditionalist and herbalist, stressing that faith, for him, goes beyond rigid labels.

“I was born into a Christian home so in Ghana you identify as a Christian but growing up I went through some transformations. Ata point I started practicing Islam, and they gave me the name Kamal. And later I delved into traditional religion because I believe that is for us. There is a saying that the Bible was brought by the white man. Before they came we were worshipping God,” he said.

Asked where he stands at present as in terms of religion, he said “I am a traditionalist, herbalist.”

Kwaw Kese spoke with pride about fatherhood, revealing that he is blessed with three children, two girls and a boy. He shared his excitement over his daughters’ growing talents, noting that they already play the piano and sing. For him, legacy is everything. He believes that at least one of his children must follow his path and take their talent global, carrying the family’s name beyond Ghana’s borders.

Before music defined his life, Kwaw Kese dreamed of becoming a lawyer. While attending Winneba Senior High School, he consistently ranked among the top five students. His only academic hurdle was French, which he struggled with due to what he described as an uninspiring teaching approach.

Despite everything, the dream of law has not faded. He says that if the opportunity arises, he would still love to pursue it. With humour, he added that he would gladly defend artistes such as Shatta Wale, Kwesi Arthur, Black Sherif, Stonebwoy and Wendy Shay, joking added that if Shatta Wale is stubborn, then he would be an equally stubborn lawyer.

Shedding more light on his music career, Kwaw revealed that his first nickname in school was Montaking. The name “Kwaw Kese” later emerged from his family history, inspired by a relative who was a warrior. Kese, meaning “big”, was added to symbolise strength and presence.

His journey into music was far from glamorous. By his own admission, his first single, “Eye Nonsense” in 2004, was raw and experimental, inspired by heartbreak from his girlfriend, who allowed another man to “peregrinate” her. The track appeared on The Execution Diary, a compilation album by Hammer of the Last Two, and it became an instant hit, putting Kwaw Kese on the national radar.

He later released his debut solo album, Na Ya Tal, in 2005, firmly establishing himself as a bold, street-rooted voice in Ghanaian hiplife and hip-hop. He credited Dogo for introducing him to Hammer, whom he described not just as a producer but as a director who values quality over speed. According to Kwaw, no matter how much you pay Hammer, if you do not sound good on the beat, you simply will not record.

On politics, Kwaw Kese was clear: he belongs to no political party but any political party that wants him, he is ready for business. However, he is open to serving Ghana. When he gains enough financial strength, he plans to enter politics, starting as a Member of Parliament. He believes the country’s future depends on young people actively participating in governance, pointing out that many creatives are already making meaningful contributions in politics.

One of the most painful moments of his life remains the murder of his close friend and manager, Fennec Okyere. Kwaw recalled being in the shower when Fennec’s houseboy called with the devastating news. He rushed to the scene and found his friend lying in a pool of blood.

They had been together just a day earlier, planning future projects. The shock and trauma, he said, deeply affected both his career and personality. He does not believe the murder was a robbery, insisting it was a contract killing since nothing was stolen from the house. Although he was detained for questioning, he remains disturbed by the lack of closure and official communication from the police.

Addressing his controversial arrest in Kumasi, Kwaw clarified that it had nothing to do with public smoking, contrary to popular belief. He later learned that the arresting officer was allegedly acting out of jealousy, as his wife was a die-hard fan of the musician. What began as a joke quickly escalated into an arrest.

Looking ahead, Kwaw Kese revealed that he has released a single from his upcoming album From Far, which he hopes to officially drop in May.

Despite fame, controversy, loss and personal evolution, Kwaw Kese remains grounded in one enduring truth: purpose outlives pain. And for him, the journey from far is far from over.

]]> https://www.adomonline.com/greys-anatomy-star-eric-dane-dies-at-53/ Fri, 20 Feb 2026 06:47:17 +0000 https://www.adomonline.com/?p=2633065 Eric Dane, the actor best known for his roles on Grey’s Anatomy and Euphoria, has died less than a year after revealing he had amyotrophic lateral sclerosis (ALS). He was 53.

Dane starred as family patriarch Cal Jacobs on hit HBO teen drama show Euphoria. Before that, he was perhaps best known as Dr Mark Sloan, or ‘Dr McSteamy’, on medical drama Grey’s Anatomy.

The California-born actor was diagnosed last year with ALS and spent the last few months raising awareness for the most common form of motor neurone disease (MND).

“With heavy hearts, we share that Eric Dane passed on Thursday afternoon following a courageous battle with ALS,” reads a statement from his family.

He was married to fellow actress and model Rebecca Gayheart, with whom he had two children.

The written statement said he spent his final days surrounded by friends and his devoted wife, and his two daughters, Billie and Georgia, “who were the center of his world”.

“He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received,” it said.

Dane also played Jason Dean in fantasy drama series Charmed, and Captain Tom Chandler in action drama show The Last Ship, while appearing in films such as Marley & Me, Valentine’s Day and Burlesque.

ALS, also known as Lou Gehrig’s disease, is a rare degenerative disease that causes progressive paralysis of the muscles.

It affects the nerve cells in the brain and spine that control muscle movement, causing patients to slowly lose their ability to speak, eat, walk and breathe independently.

Last summer, Dane told ABC network’s Good Morning America that his diagnosis made him “angry”.

“Because, you know, my father was taken from me when I was young,” he told the programme.

“And now, you know, there’s a very good chance I’m going to be taken from my girls while they’re very young”.

His father died by suicide when Dane was seven years old.

The actor was born in San Francisco in 1972 and made his television debut in the Wonder Years in 1993.

Dane’s Grey’s Anatomy co-stars are leading tributes to the late actor.

Kim Raver, who played his on-screen wife, said: “During filming he’d get this twinkle in his eye and with a mischievous look, he would deliver with perfect comedic timing, a line of dialogue that would floor you.”

Kevin McKidd, who plays trauma surgeon Owen Hunt in the series, posted “rest in peace buddy” on Instagram.

Euphoria creator Sam Levinson told Variety “I’m heartbroken by the loss of our dear friend.”

“Working with him was an honor. Being his friend was a gift,” he said.

]]> https://www.adomonline.com/musiga-donates-gh500-to-support-yaw-sarpongs-funeral/ Thu, 19 Feb 2026 19:36:00 +0000 https://www.adomonline.com/?p=2632956 The Musicians Union of Ghana (MUSIGA) has donated GHS500 to the family of the late gospel musician Yaw Sarpong to support preparations for his final funeral rites.

The donation was announced during the musician’s one-week observation in Kumasi, where MUSIGA officials joined family members and industry stakeholders to mourn and celebrate his life.

Presenting the amount on behalf of the union, MUSIGA representatives expressed their condolences to the bereaved family and acknowledged Yaw Sarpong’s immense contribution to the growth of gospel music in Ghana.

They noted that while the initial donation was symbolic, the union remains committed to providing further support during the funeral.

Yaw Sarpong was widely revered for his powerful gospel messages and timeless songs that resonated deeply with audiences across Ghana and beyond, earning him admiration and a lasting place in the country’s gospel music history.

Details of his final funeral rites are expected to be announced in the coming weeks.

]]> https://www.adomonline.com/takoradi-sets-pace-as-nsoromma-season-8-auditions-begin/ Thu, 19 Feb 2026 13:49:41 +0000 https://www.adomonline.com/?p=2632839 The Takoradi edition of auditions for Nsoromma Season 8 has seen an impressive turnout, with over 60 children showcasing their musical talents as the nationwide search for Ghana’s next young singing star officially kicked off.

Held over the weekend at Akroma Plaza, the auditions brought together children aged four to 14, who performed a variety of songs ranging from original compositions to highlife classics and contemporary Afrobeats hits.

Organisers described the Takoradi auditions as inspiring, noting that many contestants demonstrated confidence, vocal strength, and musical maturity beyond their years.

The strong participation followed an intensive community engagement campaign led by Nsoromma co-host Sister Sandy, who toured schools and media houses across Takoradi and surrounding areas to encourage young talents to audition.

Her outreach efforts helped generate excitement ahead of the auditions, drawing enthusiastic participation from both children and their families.

Beyond the performances, contestants and parents took part in an interactive session where Sister Sandy engaged the children in discussions about music and entertainment, reinforcing the show’s mission of nurturing young talent while creating memorable experiences for all participants.

Nsoromma, which airs on Adom TV, has become one of Ghana’s leading platforms for discovering and developing young musical talents, with several past contestants going on to build promising careers in music and entertainment.

Following the successful Takoradi auditions, attention now shifts to Kumasi, where the next round is scheduled for Friday, February 21, at the True Vine Hotel.

Organisers are urging children with a passion for music to participate as the nationwide search for Ghana’s next generation of music stars continues.

Nsoromma Season 8 is powered by La Vonce Tomato Mix and supported by several partner brands.

]]> https://www.adomonline.com/kwaw-kese-to-refund-170-raised-for-kwesi-arthur-to-donors-after-backlash/ Wed, 18 Feb 2026 11:40:49 +0000 https://www.adomonline.com/?p=2632357 Ghanaian rapper Kwaw Kese has disclosed that he plans to refund donations made by the public for Kwesi Arthur.

A few weeks ago, Kwaw Kese created a GoFundMe account for Kwesi Arthur after the latter posted on social media that his former management was taking $150,000 from him for using his own images.

Unhappy with the gesture, Kwesi made a post asking people to disregard Kwaw’s move, indicating that he knew nothing about it.

Speaking to Kwame Dadzie and Doreen Avio on Hitz FM’s morning show Daybreak Hitz, he said he was disappointed in Kwesi’s reaction to his campaign.

Kwaw said, considering the huge following he and Kwesi have, he thought he could use that to raise money for him to pay off his debt to his former management company Ground Up Chale.

“I set up the gofundme account and if it was a bad thing I wouldn’t even talk about it. I came online and posted the gofundme account and said people should support our brother, pay the money so that Kwesi Arthur can have his freedom,” he said.

He also noted that there was no way he would open the account and use the money without giving it to Kwesi.

“I was doing it strictly for Kwesi Arthur and was I was pained that someone could own his images and they want you to pay $150,000 dollars. You are bigger than that amount of money. Let’s do this, pay the guy off so you can be free,” he said.

He added that the amount raised was $170 and that he had decided to ask GoFundMe to refund the monies to those who contributed.

“The $170 dollars is still in the account. They have given me a deadline to withdraw it or they refund to the donors,” he said adding that considering the backlash he received from creating that account, he would allow gofundMe to refund the monies to those who contributed.

]]> https://www.adomonline.com/one-week-observance-in-honour-of-yaw-sarpong-slated-for-february-19/ Wed, 18 Feb 2026 11:23:34 +0000 https://www.adomonline.com/?p=2632334 A one-week observance ceremony to mark the life and legacy of gospel legend Yaw Sarpong has been scheduled for February 19, 2026, at Asuofua Park in Kumasi.

The event follows his death on January 20, 2026, at age 66 after a prolonged illness.

His passing was confirmed by his manager, Nana Poku Ashis, and has since drawn tributes from across Ghana’s gospel fraternity and beyond.

Yaw Sarpong’s death has left the Asomafo family and the wider gospel community in mourning.

The loss came only weeks after the passing of Maame Tiwaa, a long-serving member of the group, deepening the grief within the Asomafo and gospel industry circles.

The February 19 observance is expected to bring together family members, fellow musicians, clergy, and fans to celebrate a career that shaped Akan gospel music for more than four decades.

Sarpong founded the Asomafo Band in 1986 while in Liberia and later relocated to Ghana, where the group grew into a respected national gospel institution.

Over the course of his ministry, he released more than 25 albums and over 100 songs, including enduring worship favourites such as Wo Haw Ne Sɛn, Oko Yi, Wo Haw Ne Hwan, Tie Obiaa, Aduro Yesu, and Awurade Kasa.

The songs remain widely performed in churches and featured on gospel radio playlists across the country.

Together with Asomafo, Sarpong became known for blending traditional Ghanaian rhythms with disciplined vocal delivery, structured choral harmonies, and strong theological themes.

His work influenced church choirs nationwide and helped define the direction of contemporary Akan gospel music.

In 2025, he received the Lifetime Achievement Award at the Telecel Ghana Music Awards in recognition of his lasting contribution to the gospel genre.

The one-week observance will feature worship sessions, musical tributes, and reflections on his influence as a songwriter, mentor, and leader.

The ceremony will serve as both a celebration of his ministry and a moment of collective remembrance for a figure whose music shaped generations of Ghanaian worshippers.

]]> https://www.adomonline.com/countryman-songo-returns-to-adom-fm-with-burning-street/ Tue, 17 Feb 2026 15:37:37 +0000 https://www.adomonline.com/?p=2632030 Award-winning sports broadcaster Patrick Osei Agyemang, widely known as Countryman Songo, is set to showcase his versatility on Ghana’s leading radio station, Adom 106.3 FM.

He will take the helm of a new reggae program, Burning Street, airing every Saturday, with co-host details yet to be announced.

The show promises to celebrate classic roots reggae, featuring icons such as Bob Marley, Culture, Alpha Blondy, and Rocky Dawuni, blending music with education and entertainment.

Countryman Songo has promised an electrifying experience on the re-launched program.

“Expect roots music from your favourite reggae legends every Friday night from the Fireman; Ogya!” he said.

You can also watch and listen to Patrick Osei Agyemang on Asempa FM and Adom TV with Fire-for-Fire from Monday to Friday.

]]> https://www.adomonline.com/emotional-scenes-as-patapaa-mourns-mother-at-one-week-celebration/ Tue, 17 Feb 2026 14:30:40 +0000 https://www.adomonline.com/?p=2631953 Musician Patapaa was visibly overwhelmed with grief as he mourned his late mother, Madam Ekua Boatema, during her one-week observation ceremony on Tuesday, February 17, 2026, at Assisim near Duke’s Filling Station in Agona Swedru.

The “One Corner” hitmaker shed uncontrollable tears while family members and close associates gathered around him to offer comfort. At several moments, he bowed his head and leaned on relatives for support, as sympathisers watched the emotional scenes unfold.

The ceremony drew a large crowd of mourners, including family, friends, and community members, who came to pay their respects and honour the memory of Madam Boatema, affectionately known as “Boat.”

Her passing has dealt a heavy emotional blow to Patapaa, who has often spoken about the pivotal role his mother played in his life and music career.

The family is expected to announce funeral arrangements for Madam Ekua Boatema in the coming weeks.

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]]> https://www.adomonline.com/government-assures-public-on-stable-fugu-prices-amid-wednesday-wearing-policy/ Tue, 17 Feb 2026 12:10:30 +0000 https://www.adomonline.com/?p=2631936 The government has moved to ease concerns over a potential rise in the price of fugu following the decision to dedicate Wednesdays to wearing the traditional fabric — a policy expected to boost demand.

The assurance came from the Minister for Trade, Agribusiness and Industry, Elizabeth Ofosu-Adjare, during a meeting with the Smock Weavers’ Association at the ministry, where discussions focused on scaling up production to meet anticipated demand.

“Everybody knows that I am averse to price increments. So if I am facilitating it for you, anything I facilitate already is tantamount to a price reduction. There is nothing like a price increase at all because I am going to assist them and I want to see that at the end of the day the prices are good,” the minister said.

She expressed support for the Wednesday fugu-wearing policy and encouraged Ghanaians to patronise the fabric, highlighting measures being implemented to strengthen the industry.

“As the Ministry of Trade, Agribusiness and Industry, it is our responsibility to support made-in-Ghana production. We must ensure trade is thriving and industry grows. The fugu industry needs to thrive. As we are going to wear fugu every Wednesday, we need to make it available on the market. Today, we invited weavers from across the country, especially from the northern region, to discuss how we can help upscale production so that fugu will be readily available,” she added.

The ministry’s initiative aims to boost local production while keeping prices stable for consumers as demand rises.

]]> https://www.adomonline.com/alabaster-box-provides-update-on-lawsuit-against-medikal/ Tue, 17 Feb 2026 11:59:14 +0000 https://www.adomonline.com/?p=2631898 Gospel music group Alabaster Box has confirmed that its legal dispute with rapper Medikal remains before the courts, following unsuccessful attempts to resolve the matter privately.

In an interview on Hitz FM, the group stated that its legal team is actively pursuing the case after all efforts to reach an amicable settlement outside the courtroom failed.

The group explained that initial attempts involved dialogue through intermediaries in hopes of resolving the dispute professionally. Both parties had agreed to involve neutral representatives, but the process collapsed once legal counsel was introduced.

“Our intention was never to escalate tensions but to reach a fair resolution through mutual understanding,” they said. “The first thing we did was call his people, and they brought in a middle person. We also brought our middle person, who happened to be a lawyer, and they ran away from that prospect. Even when we brought in the lawyer, it wasn’t like we were going to squeeze them. We were hoping to settle this properly.”

Alabaster Box further revealed that the court granted permission for substitute service after attempts to formally serve Medikal with legal documents proved unsuccessful. This allowed the legal notice to be served through alternative channels, including public postings and digital platforms, in accordance with court procedures.

The group said the matter is now entirely in the hands of the judiciary, with any potential out-of-court settlement requiring court supervision.

Alabaster Box expressed disappointment that early efforts at dialogue did not yield results, despite approaching the situation with maturity and professionalism. They remain confident that justice will ultimately be served.

At the time of filing this report, neither Medikal nor his representatives had publicly responded to the group’s latest comments.

Watch video below:

]]> https://www.adomonline.com/efyas-management-sets-records-straight-on-viral-marriage-report/ Tue, 17 Feb 2026 11:35:00 +0000 https://www.adomonline.com/?p=2631861 The management team of Ghanaian singer Efya has clarified viral reports regarding her alleged marriage to Nigerian singer Tomi Thomas in a private ceremony held in Accra on Valentine’s Day.

The event reportedly took place on February 14, 2026, at a residence in Trassaco Phase II.

However, speaking exclusively to Adom FM, the management team explained that it was a private knocking ceremony attended by close friends and family, not a wedding.

According to them, a party was held afterwards, and videos from that session later went viral on social media.

“The whole thing was not supposed to come out. So, I am wondering why someone would share the videos. Do you know how many people do knocking and nothing happens after? So why would people call it marriage? Because the family is not done, there will even be pressure,” they stated.

ALSO READ:

• Efya speaks on KNUST SHS viral video

• Nana Adwoa Awindor breaks down in tears talking about her life, Efya

]]> https://www.adomonline.com/hollywood-legend-robert-duvall-dies-at-95/ Tue, 17 Feb 2026 11:20:46 +0000 https://www.adomonline.com/?p=2631495 The Godfather and Apocalypse Now star Robert Duvall has been hailed as “a giant” and “one of the greatest actors we ever had” following his death at the age of 95.

Tributes have been paid by Hollywood figures including The Godfather co-star Al Pacino, who said his “phenomenal gift will always be remembered”.

Adam Sandler posted photographs from their time shooting 2022 film Hustle, writing: “Funny as hell. Strong as hell. One of the greatest actors we ever had. Such a great man to talk to and laugh with.”

Viola Davis recalled filming Widows with Duvall. “I was in awe,” she said. “I’ve always been in awe of your towering portrayals of men who were both quiet and dominating in their humanness. You were a giant… an icon.”

The Oscar winner added: “Greatness never dies. It stays… as a gift. Rest well, sir. Your name will be spoken… May flights of angels sing thee to thy rest.”

The Godfather Part II star Robert De Niro said: “God bless Bobby. I hope I can live till I’m 95. May he rest in peace.”

In his tribute, Pacino wrote: “He was a born actor as they say, his connection with it, his understanding and his phenomenal gift will always be remembered. I will miss him.”

How Robert Duvall became a Hollywood great

During his impressive six-decade career, Duvall was nominated for seven Oscars and played roles includingthe mafia consigliere in Francis Ford Coppola‘s The Godfather and The Godfather Part II, and a forceful army officer in Coppola’s Vietnam epic Apocalypse Now.

He only had a few minutes of screen time but his famous line in the 1979 classic, “I love the smell of napalm in the morning”, became legendary.

Coppola called his loss “a blow”.

“Such a great actor and such an essential part of American Zoetrope from its beginning,” the director said in a statement on Instagram, referring to his production company.

His Apocalypse Now character was originally meant to be even more over the top but Duvall toned it down and the name was changed from Captain Carnage to Lieutenant Colonel William Kilgore.

“I did my homework,” Duvall told veteran talk show host Larry King in 2015. “I did my research.”

Others paying tribute included Fallout actor Walton Goggins, who appeared in 1997’s The Apostle, which Duvall directed, wrote and starred in.

“The celestial light just lost its glow. It certainly did for me,” Goggins wrote. “Bobby Duvall, the greatest storyteller of all time just left us.

“He was my friend. My mentor… The privilege of getting to work with this man, to know this man is still the most important experience of my life. He was my North Star, my hero. He knew it.”

The pair “maintained a deep friendship for years after” making the film, he said.

“He didn’t have to do that. But he did. He had that effect on a lot of people… but this was my story. I love you Bobby. Thank you for changing my life.”

‘Greatness personified’

Michael Keaton, who starred with Duvall in 1994 drama The Paper, said: “Another friend goes down. Acted with and became friends.

“Shared a great afternoon on my front porch talking about horses. He was greatness personified as an actor. RIP RD.”

Josh Gad posted: “Another day. Another iconic and irreplaceable loss. Duvall was simply one of the greatest to ever do it.

“From the Godfather films to Apocalypse Now, from The Apostle to To Kill a Mocking Bird, he wasn’t just in film, he defines it through the ages. RIP.”

Oscar winner Jamie Lee Curtis also posted a tribute on Instagram with a picture of Duvall as Tom Hagen in The Godfather.

“The greatest consigliere the screen has ever seen. Bravo, Robert Duvall.”

Duvall died “peacefully” at his home in Middleburg, Virginia, on Sunday, according to a statement sent by his PR agency on behalf of his wife, Luciana.

“To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything,” she said. “His passion for his craft was matched only by his deep love for characters, a great meal, and holding court.

“For each of his many roles, Bob gave everything to his characters and to the truth of the human spirit they represented. In doing so, he leaves something lasting and unforgettable to us all.

“Thank you for the years of support you showed Bob and for giving us this time and privacy to celebrate the memories he leaves behind.”

Duvall won the Oscar for best actor in 1983 for playing a washed-up country singer in Tender Mercies.

His other roles included a bullying corporate executive in 1976’s Network, and a Marine officer in 1979’s The Great Santini, as well as parts in 1990’s The Handmaid’s Tale and 2014’s The Judge alongside Robert Downey Jr.

Duvall often said his favourite role was as the Texas Ranger-turned-cowboy Augustus McCrae in Lonesome Dove in the 1989 TV mini-series, based on the novel by Larry McMurtry.

He made his screen debut in the 1963 film adaptation of Harper Lee’s To Kill A Mockingbird, playing the reclusive Boo Radley.

“When he did To Kill A Mockingbird he just destroyed you with his performance of Boo Radley, he used not a single word of dialogue, not a single word, and he just shatters you,” US actor Alec Baldwin said in a short video tribute to Duvall.

The screenplay was written by Horton Foote, who also wrote several other films Duvall starred in, including Tender Mercies, Tomorrow and The Chase.

In 1997’s The Apostle, which he wrote and directed, Duvall played an evangelical preacher who begins a new life in Louisiana after committing a crime.

British actress Jane Seymour, who worked with Duvall on the 1995 film The Stars Fell on Henrietta, shared a heartfelt tribute on Instagram.

“We were able to share in his love of barbecue and even a little tango,” Seymour wrote alongside a photo of herself with Duvall. “Those moments off camera were just as memorable as the work itself.”

Robert Patrick, who played the son of Duvall’s character in 2013 film Jayne Mansfield’s Car, said he was “gutted”.

“Over the years I would call Bobby and we’d talk movies and barbecue. He loved barbecue and I’d always let him know when I was having it in Lockhart, Texas.”

“I will miss Bobby. I will always be proud that I got to play his son. Rest in peace my friend.”

]]> https://www.adomonline.com/fugu-kente-are-national-symbols-not-tribal-dzifa-gomashie/ Tue, 17 Feb 2026 09:37:14 +0000 https://www.adomonline.com/?p=2631837 The Minister for Tourism, Culture and Creative Arts, Abla Dzifa Gomashie, has urged Ghanaians to embrace fugu and kente as unifying national symbols, rather than viewing them through a tribal lens.

Her call comes as the government steps up efforts to promote wearing fugu on Wednesdays — an initiative aimed at boosting patronage and strengthening the local textile value chain. The campaign follows renewed public interest in the traditional attire after President John Dramani Mahama’s recent visit to Zambia.

Speaking during a media engagement after a visit by the Smock Weavers’ Association to the Ministry of Trade, Agribusiness and Industry, the Minister explained that the “Fugu Wednesday” campaign is intended to sustain growing enthusiasm for the fabric, which has garnered strong support from parliamentarians and other prominent figures.

Ms. Gomashie emphasised that both fugu and kente, recognised by UNESCO as heritage products, reflect Ghana’s collective identity.

“It is not about tribe. It is not about a language. It is about Ghana. For this fugu and kente that has been listed on UNESCO sites as a heritage product that we are offering the world, it should be a rallying round of the red, gold, green, and the black star.

“It is not about any particular tribe. It is about what identifies us as Ghanaians. I am using your platform to thank all the people who bought into the idea and wore fugu on Wednesday. Come Wednesday, let’s be even bigger,” she said.

]]> https://www.adomonline.com/afia-adepa-kwarteng-thanks-god-with-oguama-mogya-mini-album-after-surviving-life-threatening-surgery/ Tue, 17 Feb 2026 08:30:26 +0000 https://www.adomonline.com/?p=2631813 Ghanaian media personality Afia Adepa Kwarteng has released a three-track mini album titled Oguama Mogya, a deeply personal thanksgiving project inspired by her recovery from a life-threatening thyroid surgery in 2025.

The project, now available on major digital streaming platforms including YouTube, captures a defining period in her life shaped by faith, resilience, and gratitude.

According to Afia, the mini album was born out of her desire to thank God after surviving a medical procedure that posed significant risks to her health and, notably, her voice.

She describes the surgery as a life-altering experience that strengthened her spiritual conviction and inspired her to channel her journey into music.

Rather than positioning it as a commercial venture, she explains that the project stands as a testimony of survival and thanksgiving.

Oguama Mogya, which translates as “The Lamb’s Blood,” revolves around themes of healing, divine protection, and renewed hope.

The three songs trace her emotional journey from fear and uncertainty to restoration and purpose, offering encouragement to individuals navigating their own challenges.

Afia says the release also marks a broader calling to use her voice beyond broadcasting, embracing music as a medium for inspiration and spiritual reflection.

The mini album is available for streaming on major digital platforms, with the songs accessible to audiences in Ghana and beyond.

The project underscores that her story did not end in the hospital ward but has evolved into a message of faith, gratitude, and perseverance.

From overcoming a life-threatening health ordeal to producing a spiritually uplifting body of work, Afia Adepa Kwarteng’s journey serves as a reminder that profound testimonies often emerge from life’s most difficult trials.

]]> https://www.adomonline.com/americas-next-top-model-shaped-reality-tv-but-should-it-ever-have-been-made/ Mon, 16 Feb 2026 07:15:57 +0000 https://www.adomonline.com/?p=2631364 “I was rooting for you! We were all rooting for you! How dare you?”

Tyra Banks’ rant – angry and disappointed – at America’s Next Top Model (ANTM) contestant Tiffany Richardson is the stuff of reality TV legend.

Watching the former supermodel lay into the young hopeful in front of millions of viewers still ranks as one of the show’s most shocking moments, 20 years later.

But it is far from the only one.

Body-shaming, race-swapping, dangerous stunts and “humiliating” challenges were all ingredients of the show’s huge success, keeping viewers hooked.

Even at its peak, ANTM ignited “how far is too far” conversations about reality TV.

But during the Covid-19 pandemic, when a new audience discovered it for the first time, they had one question.

“How did this ever get made?”

ANTM – which pitted a group of aspiring cover girls against each other in weekly photo shoot challenges – was a phenomenon.

It ran for 24 seasons – known as cycles – from 2003 to 2018, always attracting a new batch of hopefuls looking to win a 12-month contract with a top agency.

According to Tyra’s website, it has been shown in 170 countries and regions, with many of them launching local spin-off versions.

Someone who experienced both was Sophie Sumner, who first appeared on Britain’s Next Top Model when she was 18-years-old.

Three years later, aged 21, she appeared on – and won – cycle 18 of ANTM – which saw UK models go up against US rivals in a “British Invasion” gimmick.

Sophie tells BBC Newsbeat the American edition of the show made the British version look like a “fluffy little competition” in comparison.

She recalls the judges picking apart her appearance – something she says did “mirror” the cutting modelling culture of the time, when colleagues were told to get boob jobs and expected to be “Kate Moss skinny”.

But other challenges, notably making contestants “switch ethnicities”, were just “trash on their end,” she says.

“Everyone knew better.”

As a contestant on the show, Sophie says the experience felt designed to push her buttons.

She says the production team persuaded her into doing a photoshoot on top of the 338 m (1,100ft) tall Macau Tower during a rainstorm – even after learning she had a fear of heights.

When asked whether she feels the show considered its duty of care to the models, she simply laughs.

“We didn’t have any help on the show,” she says.

“It was to get the drama. It was to get the ratings.”

Sophie says she was “aware” of what producers wanted – and while the show did not propel her to stardom, she says she’s “definitely grateful” for the platform it gave her.

It also gave her access to the US, where she’s now based.

However, Sophie feels that many young girls plucked from small towns in America to appear on ANTM thought a “huge career” would follow.

But, more often than not, this was not the case.

ANTM’s producers didn’t have to contend with social media in the same way today’s reality show makers do – at least in its early days.

But modern content creators such as Oliver Twixt have built a career on hyper-analysing every moment.

The YouTuber has interviewed more than 100 contestants on his channel, and tells Newsbeat he feels that by today’s standards, there could be questions over how some contestants were treated and portrayed.

However, he doesn’t feel it is fair to judge ANTM by modern standards, and says that “hindsight is always 20/20”.

“I do believe it is best to give it some grace and compassion because the show was created during the time where reality TV was very new,” Oliver says.

“America’s Next Top Model is one of the shows that pioneered the entire genre, on top of having a black woman be the face of the show.

“It was a new thing, and they were going to make mistakes.”

Others aren’t convinced that it’s so clear-cut.

Ebony Haith, who starred in the first cycle of ANTM in 2003, is one of the stories explored in an upcoming Netflix documentary which delves into some of the show’s most standout controversies.

The model from New York, who was 23 at the time, was told by the judges that her skin texture looked “ashy” and she was described as “too harsh”.

Ebony tells Newsbeat that she is “still healing” from the experience 23 years later.

“It seemed as though my race, my skin complexion, my hairstyle became so loud that I couldn’t be this innocent girl having this fun experience,” she says.

Over the years, viewers have argued the views and comments shared on the show were a product of their time.

But Ebony disagrees, and says plenty of people at the time were shocked by her treatment.

“The fact that an American show decided to take a black girl from New York named Ebony and to tell the world her skin texture was too rough,” she says.

“It was amazing at how many people were embarrassed at the way I was treated on the show.”

Ebony says those conversations have never stopped.

“I literally today will go on a bus. People will see me either put their heads down or they will start the conversation,” she says.

She says that no one from production has called her to discuss or apologise for what happened, and she has not seen Tyra since the series was broadcast.

The new Netflix documentary, Reality Check: Inside America’s Next Top Model, will finally see Tyra and her fellow judges – Jay Manuel, J Alexander and Nigel Barker – address some of these shocking moments.

In it, Tyra says she created ANTM after facing adversity in the industry as a black woman.

She says she set out to make a show which reflected the diversity she felt that could, and should, be seen in modelling.

Former contestant Sophie does believe that “deep down”, the host did want to champion that cause.

But she feels Tyra “didn’t know how to do it” and “getting ratings and making money probably became the overall goal”.

“I’m sure that Tyra says that she got swept up in a machine and she had to get the ratings and she had so much pressure,” she says.

“Like, I can hear it.”

Sophie, who now works as a presenter and producer, believes the fashion industry has changed for the better, hailing the #MeToo movement as the “biggest defining thing”, rather than Tyra.

“Could she have been the person to make the change? Of course, but other people then did that instead,” she says.

In the three-part docuseries, Tyra admits that certain moments, such as her face-off with Tiffany in cycle four, “went too far”.

Documentary directors Daniel Sivan and Mor Loushy tell Newsbeat the interview segments with the ANTM’s creator were taken from a four-hour recording session.

They say neither Tyra nor any of the show’s producers had any say in the documentary’s final edit or its editorial direction.

“I think once she decided to participate, she came to speak up,” Mor says.

“After Covid, so much about the show was on TikTok, media.

“She also wanted to speak up and give her side of the story.”

Not everyone agrees that ANTM needs to be reassessed through a 2026 lens, but Daniel believes viewers have a “responsibility” to critique the past from a new perspective.

But he’s a bit less certain about which side of the argument he’d land on.

“I think this show did a lot of good to open up the fashion world to different ethnicities, different body types, but it also did a lot of wrong,” he says.

“And I think looking at both sides of this coin through our lens is the only way to critique it.”

BBC has approached Tyra Banks, the show’s developers and The CW Network for comment.

]]> https://www.adomonline.com/mahama-gives-me-money-every-month-bullgod/ Mon, 16 Feb 2026 07:14:21 +0000 https://www.adomonline.com/?p=2631356 Artist manager Lawrence Nan Asiama Hanson, popularly known as BullGod, has opened up about how comfortable his life has been since the National Democratic Congress returned to power a year ago.

Speaking to Kwame Dadzie on Joy FM’s Showbiz A-Z, he said President John Dramani Mahama is managing the affairs of the country well and that he even gives him stipends every month.

“I am on a payroll with His Excellency John Dramani Mahama, since he started working, every month I go for money from his salary. So when they pay him, then he pays me, he said.

He added that during the period the President dedicated his salary to the Mahama Care project, he didn’t get the stipends but now it has been regularised for him.

BullGod, who campaigned for the National Democratic Congress during the 2024 elections, noted that President Mahama and his government appointees are doing well to put the nation on track.

In the meantime, he has launched a project called ‘Bright Walls, Better Minds’, which seeks to beautify police holding cells in the country with murals.

So far, he has finished work at the Adabraka Police Station.

]]> Entertainment News - Adomonline.com nonadult https://www.adomonline.com/adom-fm-thrills-couples-with-kyere-wo-d%c9%94-%c9%94d%c9%94-contract-valentines-celebration-photos/ Sun, 15 Feb 2026 13:35:28 +0000 https://www.adomonline.com/?p=2631215 Ghana’s number one radio station, Adom 106.3 FM, on Saturday, February 14, spread love and laughter as it treated selected couples to a special Valentine’s Day experience.

Weeks ahead of the celebration, the station announced its much-anticipated “Kyere Wo Dɔ, Ɔdɔ Contract” promotion, inviting listeners to send 30 to 60-second WhatsApp voice notes outlining playful “relationship clauses” they would want their partners to sign onto.

From humorous demands such as “No phone after 10pm” and “No bestie interference” to practical requests like “Weekly chop money,” the entries poured in, sparking excitement among audiences.

After a thorough review of hundreds of submissions, five couples were selected for the grand event held at the elegant Le Pavillon Restaurant.

The atmosphere was filled with love, banter and heartfelt testimonies as couples shared secrets behind their long-lasting relationships.

One couple, married for 20 years, revealed that prayer has been the anchor of their union.
“We are addicted to prayer,” they said with smiles. “We fight sometimes, but we never let it go far. We don’t sleep over misunderstandings.”

Another couple, celebrating 32 years of marriage, shared a lesson in humility.
“It’s my husband who usually accepts his fault when there is a misunderstanding,” the wife disclosed, drawing applause from the audience.

Couples were presented with parcels from the programme’s sponsors as part of the celebration.

Below are some photos

]]> https://www.adomonline.com/best-massage-10-10-jamaican-star-popcaan-praises-viral-kuria-kuria-therapy/ Sun, 15 Feb 2026 09:06:39 +0000 https://www.adomonline.com/?p=2631181 Jamaican dancehall star Popcaan has joined the growing list of global celebrities embracing Ghana’s viral “Kuria kuria” shea butter massage.

The award-winning artiste visited the popular Hamamat Village, where he was warmly received by the Hamamat Village girls, who treated him to the now world-famous traditional massage that has captured international attention.

Clearly impressed by the experience, Popcaan did not hold back his admiration, rating the massage a perfect score and immersing himself fully in the cultural wellness session.

He describing the experience as the “best massage 10/10” as the service combines traditional shea butter therapy with rhythmic body techniques rooted in Northern Ghanaian heritage.

The experience has become a major attraction following the viral visit by American streamer IShowSpeed, whose enthusiastic reaction to the massage introduced millions of global viewers to Ghana’s shea butter traditions and Hamamat Village.

Beyond the massage, Popcaan also explored other attractions at the village, including its scenic waterfalls.

During his stay, the Jamaican star paid an emotional visit to Cape Coast Castle, where he honoured his ancestors and reflected on the shared history between Africa and the Caribbean.

Popcaan also engaged in cultural dialogue with Jamaican Honorary Consul to Ghana, Oktatakyie Boakye Danquah Abaabio, discussing ways to strengthen ties between African and Caribbean communities and promote deeper awareness of their shared roots.

View this post on Instagram

A post shared by 876GUD (@popcaanmusic)

]]> https://www.adomonline.com/diana-hamilton-reveals-how-nursing-school-shaped-her-destiny/ Sun, 15 Feb 2026 08:45:57 +0000 https://www.adomonline.com/?p=2631182 Multi-award-winning Ghanaian gospel musician Diana Hamilton has opened up about her formative years in the health profession, describing her time in nursing school as the pivotal era where her personal and professional lives converged.

Speaking in an interview on JoyNews Personality Profile, the ‘Adom’ hitmaker revealed that her nursing journey was not just a career choice but the foundation of her entire support system.

For Hamilton, the decision to enrol in nursing training was the catalyst for every major relationship in her life today. She affectionately referred to this period as the moment “everything turned” for her.

The ‘Nursing School Trinity’: Love, management, and friendship

While many know her for her soul-stirring vocals and chart-topping hits, few realise that the key pillars of her career were established in the classrooms and wards of her training college.

Hamilton disclosed that she met the three most influential groups of people in her life during her studies.

“That’s where everything turned for me. That’s where I met my Joseph. That’s why I met my manager… I met my husband in nursing school. I met my manager in nursing school. I made my friends in nursing school,” she said.

Memories of Korle-Bu: The gross reality of ward work

Reflecting on her practical experience in Ghana, Hamilton confirmed that she practised at two notable institutions.

However, her time at Korle-Bu Teaching Hospital, Ghana’s premier healthcare facility, was filled with both challenges and humorous realisations.

She admitted that as young students, she and her peers were initially repulsed by the more graphic aspects of the job.

“We didn’t like the wound dressing. We didn’t like all the things that made good nurses… You would see the biggest size and the smallest size all the time. It made me wonder whether I had chosen the right job,” she recalled with a laugh.

Despite the initial hesitation and the manic nature of the work, Hamilton noted that she eventually grew to love the profession and developed deep-seated resilience through it.

The Dual Identity: Nurse and Psalmist

Even at the height of her global music success, she has often maintained her dual identity as a Registered Nurse in the United Kingdom. This background in healthcare is frequently credited for the compassion and depth found in her songwriting, particularly her 2024 and 2025 releases, which focus on healing and divine intervention.

Diana Hamilton’s Career by the Numbers:

• 2021: Became the first female gospel artiste to win VGMA Artiste of the Year.
• 2+ Decades: Time spent balancing her medical career with her ministry.
• Millions: Global streams for her anthem ‘Adom (Grace)’, which remains a staple in Ghanaian worship.

As she prepares for her upcoming ‘Awake Experience’ concerts in 2026, Hamilton continues to bridge the gap between the physical healing of the wards and the spiritual healing of her music.

The ‘Awake Experience’ with Diana Hamilton 2026, themed ‘Dwell’, is coming to Accra on the 15th February at the ICGC Christ Temple East in Teshie and Kumasi on the 22nd February at the Church of Pentecost in Bantama.

]]> Exclusive: I met both my husband and manager in nursing school - Diana Hamilton, Gospel Musician. nonadult https://www.adomonline.com/russian-visitors-alleged-sexcapades-in-accra-what-really-happened/ Fri, 13 Feb 2026 14:07:17 +0000 https://www.adomonline.com/?p=2630879 A storm is brewing in Ghana’s digital space following the exposé of an alleged Russian national and his ‘sexcapades’ with multiple women, including Ghanaians.

Yaytseslav, at the centre of the viral scandal, faces allegations of secretly recording intimate encounters with Ghanaian women and sharing the content on social media without their consent.

What began as scattered whispers online has escalated into a national debate, touching on morality and the vulnerability of young women.

The Modus Operandi

According to multiple accounts, Yaytseslav frequented public spaces such as the Accra Mall, where he struck up casual conversations with female patrons. After brief interactions, he requested their contact details and invited them to his residence or hotel apartment.

Circulating clips suggest the interactions were brief, sometimes lasting mere minutes. He would approach, exchange contact details, and immediately extend an invitation: “Follow me, let’s go to my place.”

Per the circulating videos, some women followed him immediately, while a few visited later. Hardly any declined promptly.

What they allegedly did not know was that he was wearing Meta smart glasses, a device capable of discreetly recording audio and video. The recordings captured not only conversations but intimate moments, which have now surfaced online.

Discovery and Digital Shock

The issue reportedly came to light after Ghanaian users discovered a Telegram account believed to be linked to Yaytseslav, where he shared explicit content of his victims, many of whom are of African descent.

Further checks uncovered a TikTok account where excerpts of his conversations and intimate encounters were posted.

In some clips, he is heard boasting about the number of Ghanaian women he had slept with—allegedly over 30—though the exact number remains unconfirmed.

Public Reaction: Anger, Blame, and Division

Since the discovery on the night of Thursday, February 12, social media has been abuzz. The situation has triggered widespread outrage, with many condemning what they describe as exploitation, invasion of privacy, and the non-consensual distribution of intimate content.

Others remain focused on questioning the morality and intent of the victims rather than legalities.

Legal experts and digital rights advocates have also weighed in, pointing to Ghana’s laws on cybercrime and privacy. As of now, it remains unclear whether any formal complaint has been lodged with law enforcement or whether investigations have commenced.

Aftermath of Backlash

Following public backlash, the Russian national reportedly deleted all content involving Ghanaian women from his Telegram and TikTok accounts.

However, despite the removals, screenshots and screen recordings continue to circulate online, keeping the controversy alive and intensifying calls for accountability.

For now, his last social media post suggests he is in Kenya, where the cycle allegedly continues. He has since temporarily restricted his accounts from public viewing.

]]> https://www.adomonline.com/i-will-feature-patapaa-if-i-get-the-chance-yaw-darling/ Fri, 13 Feb 2026 13:20:35 +0000 https://www.adomonline.com/?p=2630865 Ghanaian musician Yaw Darling has extended an olive branch to Patapaa, stating that he holds no ill feelings toward the “One Corner” hitmaker and would gladly collaborate with him if the opportunity arises.

Speaking in an interview on Hitz FM, Yaw Darling clarified that a previous comment widely perceived as disrespectful was never intended to undermine Patapaa.

In that earlier interview, he had declined to be likened to an artiste like Patapaa, saying he would rather be compared to the likes of Kuami Eugene.

“I am a singer; Patapaa is not a singer, and we all know that. I meant I’d like to be likened to Kuami Eugene, who is one of the greatest singers in Ghana, and I’d be happy to be compared to a singer and not an artiste doing another genre,” he explained.

Making a U-turn on Hitz FM, Yaw Darling described his earlier comment as a “slip of the tongue.”

“We all make mistakes in this showbiz game sometimes; slip of tongue. The last time, I didn’t mean to disrespect him. After all, we are from the same region,” he said.

Yaw Darling stressed that he has long admired Patapaa’s craft and impact on the music scene. He noted that his creative process often involves drawing inspiration from different musicians and sampling elements from songs that resonate with him, and Patapaa’s style is no exception.

“I respect him because I’ve danced to his music. I’ve listened to him. So there’s no way I could disrespect Patapaa. If I see that there’s an element in a Patapaa song that I could use, I will sample it,” he said.

Beyond clearing the air, the 2025 TGMA Unsung Artiste expressed genuine interest in working with Patapaa in the future.

“If I get the chance, I will do a song with him because Patapaa too has a huge audience. He has the energy audience. I’m interested,” he stated.

Watch video below:

]]> https://www.adomonline.com/i-was-raised-as-a-jehovahs-witness-a-plus/ Fri, 13 Feb 2026 12:45:53 +0000 https://www.adomonline.com/?p=2630861 The Member of Parliament for Gomoa Central Constituency Kwame Asare Obeng, popularly known as A-Plus, has revealed that he was raised as a Jehovah’s Witness, describing his life story as raw, contradictory and deeply shaped by his religious upbringing.

Speaking in an interview with George Quaye on Prime Time on Joy Prime, the musician, activist and political figure said his journey to prominence has been far from polished. He credits much of his worldview to his early years preaching and distributing Awake pamphlets as a Jehovah’s Witness.

Before the fame and headlines, he said, he was a “nobody”. Born into a relatively comfortable home, A-Plus explained that while survival was not a daily struggle, his position as the second of five children shaped his independence and desire to assert himself.

Determined to stand out, he often chose a different path. In a household of Asante Kotoko supporters, he aligned himself with Hearts of Oak simply to be distinct.

His move to Accra in the late 1990s marked a turning point. He was brought to the capital by a man he identified as Chico. On arrival, he said he sometimes told people his parents were not around, not out of deceit, but to create a psychological boundary and avoid certain influences. Chico later died from drug abuse, an experience A-Plus said reinforced his complex views on life, destiny and consequence.

Recounting the beginnings of his music career, A-Plus said his first demo was produced by Mensah Ansah of FOKN Bois. His breakthrough, however, came with “Mesuro Mpo Na Merekeka Yi O”, produced by Big Ben. According to him, the song was driven by hunger for success and a desire to stand apart, even at the risk of controversy.

He recorded at Slim Buster’s studio between 1998 and 1999, where he sometimes slept, while many members of his family did not know his whereabouts. He also witnessed defining moments in the industry, including when Slim Buster produced “Philomena” for Tic Tac.

From those experiences, he developed a belief that breaking into the mainstream required confrontation, what he famously describes as “holding someone’s throat”.

That approach, he admitted, came at a cost. His rise sparked backlash to the extent that his father reportedly visited radio stations to plead with DJs to stop playing his music. Court cases followed. In one instance, journalist Kojo Danquah invited him for a meal, only to inform him afterwards that people were searching for him to serve a court order.

In distress, A-Plus contacted his uncle, veteran journalist Kwesi Pratt, who advised him not to flee and assured him of legal support. Still unconvinced, he said he chose to settle some matters quietly behind closed doors, exposing a vulnerability rarely seen in his public persona.

On faith, A-Plus described himself as deeply reflective. He said he believes God is real and accessible to all, claiming to have encountered God one on one. Yet, he admitted he is uncertain about attaining paradise after death.

Politically, he said he admires Nana Addo Dankwa Akufo-Addo as a person but disagrees with his style of politics, arguing that the former president lost direction at some point. Through The People’s Project, he ventured into politics, describing his campaign as smooth and asserting that the day his presidential posters appear will be the day he wins. He also clarified that he has never called on John Mahama to seek a third term.

In his closing remarks, A-Plus unapologetically described himself as a professional and experienced attention seeker, joking that anyone in Ghana who dislikes him must be a witch.

Love him or loathe him, A-Plus remains difficult to ignore: a man shaped by faith, driven by difference and fully conscious of the attention he commands

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