Musicians lined up to perform include O’Kenneth, whose “Balenciaga” song has been one of the hottest tracks in the country, Oseikrom Sikani, known for hits such as “Bend Your Body,” “Ronaldinho,” and “Fine Girl,” with support from AJ Aroma.

The event forms part of Ashanti Festival, organised by MTN Ghana in conjunction with the Ashanti Regional Coordinating Council, highlighting Ashanti culture, tourism, and community development, with high-profile music performances aimed at uniting residents.

Already, several activities—including the Ashanti Regional U-17 football tournament, the Ashanti food fair, and the Ashanti street art festival—have been completed.

The street art initiative saw Visual Arts students from various senior high schools in Kumasi transform the Asokwa Interchange into a vibrant art gallery through creative painting.

Led by Ashanti Regional Minister Dr. Frank Amoakohene, the project features murals celebrating Ghanaian culture, local heroes, and landmarks, enhancing the city’s aesthetics and fostering community pride.

This year’s musical concert will climax the Ashantifest Trade Expo, which began earlier this week and is expected to end on Saturday.

The Irish native, who appeared in a season 6 episode of Game of Thrones, died while in hospice care, his wife Naomi Sheehan announced on Instagram on Wednesday, April 8.

Patrick had been battling Motor Neuron Disease, which rapidly “attacks the nerves that control movement so muscles no longer work” and is incurable, according to the MND Association. ALS is the most common form of the disease, though his family didn’t reveal his exact diagnosis.

“Last night, Mick sadly passed away in the Northern Ireland Hospice,” Sheehan began. “He was diagnosed with Motor Neuron Disease 1st February 2023. He was admitted 10 days ago and was cared for by the incredible team there. He passed peacefully surrounded by family and friends. Words can’t describe how broken-hearted we are.”

The MND Association states that the condition “leads the muscles to weaken, stiffen and waste,” potentially impacting a person’s capability to walk, talk, eat, drink and breathe. While symptoms vary among those affected, it is a “life-shortening” disease.

Sheehan went on to praise her husband for his strength and his impact on those around him. “It’s been said more than once that Mick was an inspiration to everyone who was privileged enough to come into contact with him, not just in the past few years during his illness but in every day of his life,” she wrote. “He lived a life as full as any human can live. Joy, abundance of spirit, infectious laughter. A titan of a ginger haired man.”

“We are so grateful for every person who supported us through the last few years,” she concluded. “Mick loved this quote from Brendan Behan and this feels appropriate now: ‘The most important things to do in the world are to get something to eat, something to drink and somebody to love you.’ So, don’t overthink it. Eat. Drink. Love. Naomi — Mick’s wife.”

Patrick’s final social media post was on Feb. 6, in which he revealed that his neurologist estimated he had one year left to live.

“still lots to live for and lots planned,” he wrote in part.

In addition to GoT, Patrick landed parts in Blue Lights, This Town and the BBC series My Left Nut, which he co-wrote based on his teen years, per his IMDb. He was also featured in six episodes of Blasts from the Past and four episodes of The Spectacular, among many others. 

His most recent role was in the German TV movie, Mordlichtern- Tod auf den Färöer Inseln, which premiered in 2025.

Patrick’s IMDb reveals that he began his pursuit of acting at the University of Cambridge, where he performed with the famous Cambridge Footlights comedy troupe. He later attended the Mountview Academy of Theatre Arts in London, England.

The exercise was led by Executive Secretary Kafui Danku-Pitcher and Deputy Executive Secretary James Gardiner, together with members of the Authority’s management team.

The delegation visited several former cinema houses, including the Roxy Cinema in Adabraka, Rex Cinema, and the Orion Cinema at Circle, all of which once played key roles as vibrant cultural and entertainment centres in Accra.

According to the Authority, the tour was aimed at assessing the current structural and operational condition of the facilities, as well as identifying practical pathways for their rehabilitation.

Officials explained that the broader objective is to restore and reimagine these spaces into modern, sustainable cinemas that can support the growth of Ghana’s creative industry while also generating viable revenue streams.

The NFA further indicated that the initiative forms part of a long-term strategic agenda to rebuild cinema culture in the country and create attractive investment opportunities within the sector.

It also called on private investors and industry stakeholders to collaborate in the redevelopment process, stressing that sustainable partnerships would be critical to transforming the facilities into functional and commercially viable entertainment hubs once again.

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Speaking on DayBreak Hitz on Hitz FM, he disclosed that although he is a talented musician, he has chosen not to pursue a music career publicly.

According to him, he has contributed significantly behind the scenes, writing songs for several top artistes in the country.

He specifically stated that he wrote “Kakai” for Shatta Wale because it was a concept people could easily relate to, which contributed to its popularity.

Dr. Likee added that he has written about three songs for Shatta Wale and many others for different musicians, even though he has largely stayed out of the spotlight as a songwriter.

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Speaking on DayBreak Hitz on Hitz FM, he revealed that whenever he is not on set shooting skits, he spends his time indoors learning and planning future scripts.

According to him, continuous learning and preparation are key to staying relevant and producing quality content.

Beyond his personal development, Dr. Likee said he actively supports young and talented skit makers who are performing well but lack visibility.

“Whenever I’m not shooting, I’m learning and planning, and I also reach out to young talents to encourage them because sometimes all they need is confidence,” he added.

He explained that he often reaches out to such individuals to affirm their talent, which he believes boosts their confidence. He noted that many talented individuals struggle with self-belief, and recognition from established figures can motivate them to push harder.

On his motivation for helping others, Dr. Likee said his generosity did not start after fame, revealing that even before entering the acting industry, he was already supporting between 30 and 50 people.

He emphasized that his passion for helping others comes naturally, especially when he identifies genuine talent. He added that he does not expect gratitude in return but is pleased that those he has supported continue to show him respect.

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Speaking on DayBreak Hitz on Hitz FM, he noted that in countries like Nigeria, comedians and skit makers often collaborate on projects, a practice that helps expand their reach and overall impact.

According to him, the situation in Ghana is quite different, as many creators prefer to work individually rather than as a collective.

He cited his own experience working with Kalybos, Bismark The Joke, and Prince David Osei, noting that their collaboration produced one of their best works.

Jeneral Ntatia encouraged both emerging and established skit makers to combine their talents and resources to create stronger, more impactful content.

He emphasized that increased collaboration has the potential to elevate Ghana’s skit-making industry and help creators reach wider audiences.

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Speaking on DayBreak Hitz on Hitz FM, he explained that his decision to align with the New Patriotic Party (NPP) stems from a genuine passion for helping people.

“I have always wanted to make a difference in people’s lives, and politics gives me a platform to do so,” he said.

Jeneral Ntatia noted that the NPP’s introduction of the Free SHS policy significantly influenced his political interest, as he believes it has positively impacted many young Ghanaians. Beyond admiring the policy, he highlighted his personal contribution, saying, “I have supported about 12 individuals in furthering their education, and I want to continue uplifting my community.”

He also shared that his journey into politics has taught him valuable life lessons and shaped his perspective on leadership and service. “Politics should not be seen as a space for conflict but as a platform to serve and empower communities,” he added.

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Ghanaian musician, Nana Top Kay, is enjoying a surge in attention following the release of his latest single, Ne Mpena Dada, a collaboration with respected rapper, Strongman.

The track is quickly gaining traction across digital platforms, sparking buzz on social media and carving out space in the country’s vibrant Afrobeats landscape.

At its core, Ne Mpena Dada is a love song but not the slow, brooding kind.

Instead, it rides on a high-energy, rhythmic Afro-inspired beat, delivering its message with bounce and urgency.

The storyline is simple yet relatable: a lover pleads with his partner not to drift away, as suspicions grow that an old flame may be trying to rekindle what was lost.

It’s a familiar emotional tension, wrapped in a sound designed for movement rather than melancholy.

That balance, emotion without heaviness, is where the song finds its strength. Built on themes of love and desire, the track leans into: romantic attachment, admiration for a partner, emotional, and subtly sensual, affection.

But it never lingers too long in introspection. Instead, it keeps things light, catchy, and repeat-worthy.

This is music engineered for the streets, the clubs, and the everyday listener who wants to feel something without slowing down.

Strongman’s presence adds another layer. Known for his precise, lyrical delivery, he injects the song with a sharp rap verse that contrasts the melodic core.

His contribution brings edge, possibly shifting between storytelling, confidence, and commentary, giving the track a dynamic that stretches beyond a typical love record.

For Nana Top Kay, this moment marks a significant step in his musical journey.

Already known for songs like “Ewiase,” “A Letter to Dr Likee,” and “Emmaa Ebere,” he has often operated on the fringes of mainstream attention.

But with Ne Mpena Dada, he appears to have struck a chord that resonates more widely, transforming him into a growing internet sensation.

The song’s appeal lies in its simplicity and timing. It doesn’t try to overcomplicate its message. It delivers a clear emotional hook, wraps it in an infectious rhythm, and lets repetition do the rest.

Now available on major streaming platforms, Ne Mpena Dada is steadily building momentum and if current trends are anything to go by, Nana Top Kay may have just found his breakthrough sound.

The new ranking, published on April 7, marks a major milestone for the 61-year-old star, whose wealth was built through music, production and the sale of Beats by Dre.

The Forbes update also puts Dr Dre in rare company.

According to the publication’s latest celebrity billionaire rankings, he is now one of only six musicians on the list, alongside Jay-Z, Beyoncé, Rihanna, Taylor Swift and Bruce Springsteen.

Forbes also identifies Jay-Z as the world’s wealthiest musician, with an estimated net worth of $2.8 billion.

This makes Dr Dre the second-richest hip-hop artist behind Jay-Z.

The new status closes a long-running conversation around Dr. Dre’s fortune, which has been discussed for years since the sale of Beats and his continued influence in music and entertainment.

The recognition is another reminder of how far Dre’s career has travelled from Compton to the top of global music and business.

Forbes describes him as a self-made American with a fortune strong enough to place him among the world’s richest people and one of the very few musicians to cross the billion-dollar mark.

The meeting centred on exploring potential collaborations between the agency and the entertainment industry to enhance public awareness on disaster prevention and response efforts.

Discussions focused on leveraging the influence of celebrities to boost NADMO’s outreach and educate the public on safety measures, emergency preparedness, and the organisation’s ongoing activities.

The engagement forms part of efforts to strengthen public communication and ensure that critical information reaches a wider audience through relatable and impactful channels.

The government refused permission for West, now known as Ye, to travel to the UK after backlash to his planned set at the London festival this summer.

For the last several years, West has caused outrage for a string of antisemitic, racist and pro-Nazi comments.

In a statement, Wireless Festival said it was cancelled and refunds would be issued to all ticket holders. It added that “multiple stakeholders” had been consulted ahead of booking West, “and no concerns were highlighted at the time”.

It continued: “Antisemitism in all its forms is abhorrent, and we recognise the real and personal impact these issues have had.

“As Ye said today, he acknowledges that words alone are not enough, and in spite of this still hopes to be given the opportunity to begin a conversation with the Jewish community in the UK.”

Presale tickets for Wireless Festival were released at midday on Tuesday and are believed to have sold out, while the general sale was due to open at midday on Wednesday.

Earlier on Tuesday, the Home Office told the BBC the rapper had made an application on Monday to travel to the UK via an Electronic Travel Authorisation (ETA).

It said the decision to refuse permission was made on the grounds that his presence would not be conducive to the public good.

Visitors to the UK need an ETA if they do not need a visa for short stays of up to six months, or do not already have a UK immigration status.

West has faced criticism for his previous comments. In 2022, he posted on social media saying he would go “death con 3 On Jewish people”.

Later the same year, he appeared on a podcast hosted by conspiracy theorist Alex Jones and said: “I see good things about Hitler.”

In May 2025, West released a song called Heil Hitler and sold T-shirts featuring swastikas.

The rapper has been seeking a return to mainstream public view after apologising for his actions in a lengthy statement published in the Wall Street Journal in January.

Just last week, he played two sold-out concerts in Los Angeles, telling the crowd at the SoFi Stadium: “Tonight we’re going to put all this behind us, ain’t that right LA?”

West had said on Tuesday that he “would be grateful” to meet members of the Jewish community in the UK in person “to listen” after controversy over his booking.

“I know words aren’t enough,” added the star.

“I’ll have to show change through my actions. If you’re open, I’m here.”

Melvin Benn, the managing director of Festival Republic, the company behind Wireless, previously said attempts had been made to reach out to Jewish groups after the concerts were announced, but “they have refused a meeting”. He said that the approach had been made over the past couple of days.

In response, a Board of Deputies spokesperson told the BBC: “Neither the Board of Deputies nor, we understand, the Jewish Leadership Council has refused any request to meet with the Wireless festival organisers.

“When the Board of Deputies received a letter from Melvin Benn on 6 April, proposing to meet, in response to a letter we sent setting out our concerns, we responded positively.”

The board said that, regardless of any meeting, they had been clear that the invitation for West to perform “should be rescinded”.

That decision has now been taken out of West’s hands, and those of Festival Republic, which runs other major UK festivals including Reading and Leeds.

Benn had hinted that West’s appearance may be in jeopardy when speaking to BBC Radio 4 on Tuesday morning.

“It may be that the home secretary does rescind his visa… if she does, the issue is over,” he told the Today programme.

Benn, who is a major UK music industry figure and event promoter, agreed that West’s past behaviour was “abhorrent” and “disgusting”.

But the promoter highlighted the role that the star’s mental health may have played, and asked for understanding.

“Mental health is not something that disappears overnight,” Benn said.

“People suffer psychotic behaviour, suffer bipolar behaviour, for many, many years… And I think people are forgetting that.”

However, Jewish groups criticised Benn’s support for the star.

The Community Security Trust (CST), which aims to protect British Jews from antisemitism, described the government’s decision to stop West travelling to the UK as “a sensible outcome to what has been yet another bruising episode for British Jews”.

Its statement added: “Anti-Jewish hatred should have no place in society and cultural leaders have a role to play in ensuring that is the case.

“People who show genuine and meaningful remorse for previous antisemitic behaviour will always receive a sympathetic hearing from the Jewish community, but that process must come before this kind of public rehabilitation.”

Gideon Falter, chief executive of Campaign Against Antisemitism, has called for an apology from the organisers of Wireless.

He told the BBC that the booking of West represented a pursuit of “profit over principle” and that it was a pity that it took government intervention for “sense to finally prevail”.

“Nobody knows what would have come out of Kanye West’s mouth next if you would have given him the stage at Wireless Festival,” Falter said.

‘Mealy-mouthed’

After the cancellation was announced on Tuesday, Prime Minister Sir Keir Starmer said: “Kanye West should never have been invited to headline Wireless.

“This government stands firmly with the Jewish community, and we will not stop in our fight to confront and defeat the poison of antisemitism.

“We will always take the action necessary to protect the public and uphold our values.”

Reports indicate that Burna Boy and members of his entourage were involved in a physical altercation with DJ Tunez, born Michael Babatunde Adeyinka, following a disagreement that reportedly escalated out of control. Multiple individuals reportedly joined Burna Boy in the assault.

Following the incident, Burna Boy reportedly continued to troll DJ Tunez online, reposting videos showing the DJ knocked down.

Reacting to the events, Wizkid took to social media to condemn Burna Boy’s actions, accusing him of hiding behind a mob to display thuggery. He described Burna Boy as a “fool,” further stirring public speculation about his alleged connections with incarcerated Diddy.

Wizkid’s reaction is deeply rooted in his long-standing relationship with DJ Tunez. The pair have worked closely for over a decade, with Tunez serving not only as Wizkid’s official DJ since around 2015 but also as a key figure in his global performances and brand.

Wizkid’s reply adds to the growing conversation around the incident, as Nigerian DJ Association bans airplay of Burna Boy’s songs.

His comments come after Boomplay released its Q1 2026 chart highlighting the most streamed Ghanaian artistes from January to March. King Paluta ranked sixth on the list, which was topped by Black Sherif.

Reacting to the post, the rapper expressed frustration over the disconnect between streaming figures and actual earnings. While acknowledging the recognition of being on the chart, he questioned the value of such milestones without fair compensation.

“…Yes, but no money! You people are taking us for granted and it’s sooo wrong!” he wrote.

Currently, Boomplay pays artistes between $0.003 and $0.005 per stream, depending on user location (primarily Africa) and subscription tier.

King Paluta’s remarks have sparked broader conversations about artiste compensation in Ghana’s digital music space, with many industry stakeholders echoing concerns over low payouts despite high engagement.

The issue of streaming revenue continues to be a hot topic as artistes push for fairer monetisation structures from digital platforms.

The incident reportedly occurred at a private event in Lagos, where Burna Boy and members of his entourage were allegedly involved in a physical altercation with DJ Tunez. Eyewitnesses and videos circulating on social media show that DJ Tunez was slapped and stomped, allegedly after refusing to remove Wizkid’s playlist in favor of Burna Boy’s tracks.

In a statement shared on Instagram, the association condemned the incident and expressed full support for its member. It instructed DJs in Nigeria and abroad to immediately remove Burna Boy’s music from their playlists until further notice.

“The Nigerian DJ Association is fully against the discrimination of any of its members,” the statement read, urging DJs to remain vigilant, professional, and respectful in their engagements with artistes and industry stakeholders.

The group also noted that a thorough investigation into the circumstances surrounding the incident would be conducted, and the temporary ban will remain in place until further updates.

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Speaking on Channel One TV’s Face to Face , the musician said the initiative is a personal legacy project as he approaches his 50th birthday.

“I think that for all that Ghana has given me, it will be fair to build a pediatric emergency unit at the Manhyia Hospital because that was where I got my postnatal service. I got my killer shots and things like that. Now that I am 50, what can I do as a legacy project?” he said.

He noted that the project, estimated to cost about one million dollars, is expected to be completed within a year. According to him, the initiative goes beyond personal celebration and is aimed at making a lasting impact on children’s healthcare.

To raise funds, Channel One TV is hosting a birthday event at 233 Jazz Bar & Grill on April 18 for Okyeame Kwame, where proceeds from ticket sales will go towards the project. He also encouraged public support, urging individuals to contribute in cash or kind.

“If you feel you can support, we will appreciate it… You don’t even have to give me money—bring the stuff and let’s build it,” he added.

The paediatric emergency centre forms the centrepiece of his 50th birthday celebrations and reflects his broader commitment to national development beyond music.

Known for his catchy melodies and relatable themes, Muzic Mensah uses the song to express a positive outlook on life while emphasising confidence and steady progress.

“All Correct” is driven by upbeat Afrobeat production, featuring groovy percussion, rhythmic drum patterns, and bright melodic elements that create a lively, danceable sound. The instrumental provides the perfect backdrop for the artiste’s melodic flow, blending seamlessly with the rhythm.

Lyrically, the track centres on positivity, success, and enjoying life without unnecessary stress. Muzic Mensah promotes a mindset of self-assurance and growth, delivering catchy lines that listeners can easily connect with.

With its memorable hook and energetic production, “All Correct” strengthens Muzic Mensah’s growing catalogue as he continues to explore uplifting themes through Afrobeat music.

Listeners can stream the song here: https://music.apple.com/gh/album/all-correct/1886376455?i=1886376846

Speaking on DayBreak Hitz on Hitz FM, the “Sugarcane” hitmaker revealed that he has experienced several instances where people he considered friends betrayed his trust.

According to him, many individuals in the industry are not sincere and often present different personalities depending on the situation.

He explained that in some cases, private conversations shared with supposed friends end up being discussed with others, sometimes in ways that misrepresent him or make him look bad.

Camidoh noted that such experiences have occurred multiple times, making it difficult for him to fully trust people within the industry.

He advised that, in many situations, it is safer to keep personal matters private or confide in trusted family members rather than industry colleagues.

While acknowledging that there are still a few people he trusts, he stressed that genuine friendships are rare in the industry.

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From the opening day, Adom Park became a hub of excitement, setting the tone for a weekend filled with culture, competition and entertainment. One of the early highlights was the Lavonce Cooking Contest, which delivered both humour and creativity as an all-male lineup took over the kitchen.

Participants stepped out of their comfort zones in a lively showdown that saw teams battle for culinary supremacy. Kuami Eugene a Kwahu Bepong teacher alongside Jerry Justice to prepare plain rice with light soup, while presenter Maestro teamed up with Barrister Edmund for rice and vegetable stew.

Elsewhere, Eric Oware Agyapong, popularly known as Alonso, paired with Kegewa to serve waakye and stew, while Nana Kofi Onwona, the Nkawkaw Sanaahene, joined forces with presenter OPD to present assorted beef jollof rice with stew.

In the end, it was a standout performance featuring a spicy, aromatic light soup made with Lavonce tomato mix, dried tilapia and mushrooms, served with well-cooked plain rice, that clinched the top prize. Judges praised the dish for its bold flavours, creativity and presentation.

The Akwaaba Bash further amplified the festive mood, earning widespread praise from patrons who described it as one of the most memorable experiences of the celebration.

Attention then shifted to Kwahu Tafo on Saturday , where the Tafo Games brought together eight communities in a competitive football gala. The tournament saw intense clashes across two groups, culminating in a dramatic knockout stage.

Group A: Bepong, Mpraeso, Pitiku, Kwahu Tafo
Group B: Nkawkaw, Nteso, Nkwatia, Atibie

Pitiku secured their place in the final after edging past Atibie on penalties, while Mpraeso eliminated defending champions Nteso in another tense shootout. In the final showdown, Mpraeso emerged victorious, narrowly defeating Pitiku to be crowned champions of the 2026 Adom Kwahu Easter football gala.

Mpraeso walked away with GHS 3,000 and sponsor packages, while Pitiku received GHS 1,000 alongside additional prizes. Sponsors added a unique touch to the rewards, presenting items including Ebony condoms, Franko phones, branded bags and t-shirts.

As night fell on Saturday, Obomeng witnessed its biggest spectacle — the Mega Bash. Thousands flooded the venue in anticipation of electrifying performances, turning the area into a sea of music and energy.

Music maestro Ball J made a surprise return to the Kwahu stage, delighting fans who had missed his presence. He set the tone for a night that would only grow more intense.

Rap Fada followed with a commanding performance, thrilling the crowd with hits like “Wo Case” and “Butterfly Love.” His performance peaked when he delivered “Odo Bi Ye Bad,” his collaboration with King Paluta, sending the audience into a frenzy.

However, the climax of the night came with the grand entrance of dancehall heavyweight Stonebwoy. His arrival ignited an explosive reaction, as waves of excitement swept through the crowd. Fans erupted into cheers, marking a fitting high point for a weekend that had steadily built in intensity.

Below are some photos

Speaking on DayBreak Hitz on Hitz FM, Camidoh acknowledged the strength of the nominees, which include Sarkodie, Stonebwoy, Medikal, Diana Hamilton, Black Sherif, and Wendy Shay.

He described the category as both “tough and exciting,” given the calibre of artistes nominated.

However, he noted that he would have loved to see Kweku Smoke included, citing the rapper’s hard work and strong performances during the year under review.

“I would have loved to see Kweku Smoke in there because he worked hard and performed really well,” he added

Camidoh emphasized that Kweku Smoke has proven himself as a dedicated and talented artiste who delivered impressive shows and music, making him deserving of recognition at that level.

He added that he is rooting for Kweku Smoke’s continued success in the industry.

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Speaking on DayBreak Hitz on Hitz FM, the “Sugarcane” hitmaker revealed that he and his team followed all required procedures during the submission period.

According to him, they submitted their entries through the online portal despite encountering some technical challenges. He added that his team even went the extra mile by visiting Charterhouse Ghana to complete a hardcopy submission while continuing with the digital process.

“We submitted our songs through all the required processes, but I ended up with zero nominations” he added

Camidoh said he was particularly surprised that his song “Your Ghost” failed to receive any nomination, insisting that the track performed well and was widely appreciated.

He suggested that perhaps the organisers may not have listened to the song, given its popularity.

Despite his disappointment, the singer congratulated all nominees and expressed happiness for those who made the list.

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The former member of the Atlanta hip-hop trio Migos, whose real name is Kiari Kendrell Cephus, was shot in a valet area outside the Seminole Hard Rock hotel and casino, Offset’s spokesperson confirmed to media.

He is being treated at a hospital and “being closely monitored”, the spokesperson said in a statement.

Offset was formerly married to the rapper Cardi B, with whom he has three children.

Details of the lead-up to the shooting weren’t immediately available.

The Seminole police department said two people were detained by police and officials are investigating the incident.

“The site is secure and there is no threat to the public,” a police statement said. “Operations continue as normal.”

Offset’s fellow Migos member Takeoff died aged 28 in 2022 after he was shot outside a Houston bowling alley where he and his uncle, fellow Migos member Quavo, were playing dice. The accused, Patrick Clark, has maintained his innocence and will go to trial in November, according to the Houston Chronicle.

Famed for their signature rapid-fire triplet flow, Migos broke out with the 2013 hit Versace and later earned Grammy nominations for best rap album with 2017’s Culture and best rap performance. They are best known for their 2016 Lil Uzi Vert collaboration Bad and Boujee, which peaked at No 1 in the US, as well as Top 10 hits MotorSport, with Nicki Minaj and Cardi B, and Walk It Talk It, with Drake.

Offset and Cardi B were secretly wed in September 2017 in Atlanta. In 2024, Cardi B announced that she had filed for divorce.

Associated Press contributed to this report.

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The festival, spearheaded by the Member of Parliament for Gomoa Central, Kwame Asare Obeng, popularly known as A Plus, ran from April 2 to April 5, attracting revellers, tourists, artists, industry players, etc., from across the region.

Attendees were treated to a lively celebration of music, dance, and heritage, fully immersing themselves in the rich traditions of the Gomoa community.

The grand finale radiated energy, joy, and colour, creating unforgettable memories and cementing the 2026 edition as one of the most spectacular yet.

According to event organisers, patrons are queuing in high spirits, ready to enjoy the day’s activities. “We are thrilled to welcome families from across the region. Today is all about laughter, fun, and creating memorable moments together,” a spokesperson for Luv FM said on Sunday, April 5.

The family-oriented event features live music performances from popular local artists, playful activities for children, and a variety of food and refreshments. Attendees also have the chance to participate in community games and interactive sessions designed to foster unity and togetherness.

Luv FM’s Family Party in the Park has become a key feature of Easter celebrations in Kumasi, offering residents an opportunity to reconnect with loved ones outside the usual hustle of the city. The event also serves as a platform for promoting community cohesion and celebrating Ghanaian family values.

With the festival atmosphere in full swing, parents and children alike are enjoying the blend of entertainment, culture, and community spirit that the party promises each year.

Organisers expect thousands to attend throughout the day, marking another successful edition of the annual Easter gathering.

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In a formal statement released after earlier hints in widely circulated TikTok videos, she disclosed that her separation from her husband, Kofi Owusu Aduonum, was a private decision taken after careful consideration. She appealed to the public and media to handle the matter with sensitivity.

“I wish to formally confirm that my husband and I are no longer together. This decision was reached privately and with careful consideration, and I kindly request that this transition be treated with the sensitivity it deserves,” she stated.

Clarifying circulating claims

Her confirmation comes amid widespread rumours and narratives she described as false and misleading. Without going into details, she firmly dismissed several claims about her personal life.

“It has come to my attention that certain false claims and misleading interpretations have been circulated. I would like to categorically state that many of these assertions are inaccurate and do not reflect the truth of the situation,” she said.

Responding To Claims Of Ingratitude

Asantewaa also addressed suggestions that she had been ungrateful to individuals and institutions that supported her rise. She strongly rejected such perceptions.

“I also wish to address the perception that I have been ungrateful. Let me be clear: I am, and have always been, deeply appreciative of every individual, opportunity, and experience that has contributed to my journey. Any portrayal suggesting otherwise does not represent who I am,” she emphasised.

Dismisses Reconciliation Reports

Her statement also contradicts earlier reports that businessman and philanthropist Kennedy Agyapong, popularly known as Kenpong, had intervened to reconcile the couple.

Those reports claimed the pair—who married in 2017 and have three children—had resolved their differences following mediation efforts. However, her clear confirmation that the marriage has ended effectively dismisses those claims.

Focused On Growth And Purpose

Despite the personal setback, Asantewaa reaffirmed her commitment to her career and advocacy work, stressing her focus on growth and impact.

“As a woman committed to growth, purpose, and impact, I remain focused on my path. I will continue to pursue my dreams, break barriers, and contribute meaningfully to society through my work and advocacy,” she noted.

She also apologised for any concern caused by her recent public expressions.

“If any of my expressions or utterances during this period have been misunderstood or have caused unintended concern, I sincerely apologize for any inconvenience or distress caused. That was never my intention,” she added.

Asantewaa concluded by expressing gratitude for the continued support from her community, partners, and the public as she navigates this new phase with strength and grace.

The development marks a significant moment in the public life of the woman who gained national recognition through her marathon sing-a-thon attempt, positioning her as a cultural ambassador for Ghana, while drawing a firm line around her private life.

Nigerian artistes no longer put effort into making music – Omah…

‘I’m now skeptical about going into politics’ – Davido

In a recent interview with ViewsFrance, the Soso hitmaker accused his colleagues of not putting effort into music-making anymore.

He alleged that many artists are after quick money and fame and don’t care about musical depth or lyrical substance.

He explained that the trend is negatively affecting Afrobeats and African culture, especially overseas.

The singer urged his colleagues to improve their craft and give the new generation quality music.

Omah Lay said, “Nigerian Music is drifting towards a place where artists are not putting so much effort into the art anymore.

“And that is also hurting my culture. Most artists are just playing with music these days and really aren’t trying to improve the sound or the whole creative process around it.

“It is just quick money, and it is really dipping the audience and the new generation, that level of music is what they are growing to, and they are even doing worse.

“I don’t want to blame the globalisation of Afrobeats for that, but that could also be one of the reasons. Generally, it is a good thing that Afrobeats is happening in the world, and people are getting to know us from our music. But I just wish we could strive to raise the bar a little more with the craft.”

He stressed that his observation about other celebrities who joined politics was making him weigh his political ambition.

Speaking during a recent Twitch livestream with streamer Davrel, the singer claimed that most celebrities who transitioned from entertainment to politics haven’t been successful.

Davido explained that he was previously interested in partisan politics, but his legacy in the entertainment industry and the reality on the ground have made him sceptical.

“Before, I wanted to go into politics, but honestly, now, I see it two ways. All my years of goodwill, my name and my career, all the hard work and the fan base we have built, it is tricky because the way people look at things; the superstars that have gone into politics, the transition hasn’t really been successful,” he said.

“I feel like if you are a politician, you are a politician. It is like it is their business,” Davido added.

Buy wrong gold, face prosecution – Gold Board CEO cracks down…

In an interview with host Kafui Dey, the award-winning rapper expressed concern over what he described as inadequate recognition for the singer. “I don’t like how people are not mentioning Wendy Shay’s name for the ‘Artist of the Year’,” he said, urging the industry to give women more visibility in high-stakes categories.

His comments have sparked fresh conversation on social media, with many praising the gesture as a show of fairness, while others suggest he may be deflecting attention as the race tightens.

Wendy Shay, however, has had what many industry watchers describe as one of her strongest years yet. She is currently on a three-day tour in Sierra Leone following the release of a string of successful singles and her fourth studio album, Ready, which has surpassed 50 million streams across platforms.

The project features collaborations with Mavado, Olivetheboy, Phina, Bedjine, and others.

Beyond the charts, the Rufftown Records act drew an estimated 100,000 fans to her annual Shay Concert at the West Hills Mall last November. She later won the Best Female Artist in West Africa award at the 9th AFRIMA 2026 in January, strengthening her continental profile.

With the Telecel Ghana Music Awards approaching, conversations around gender representation and industry recognition have become increasingly prominent.

Black Sherif’s remarks have added a new layer to the debate: is he highlighting a systemic blind spot in the industry or merely easing the pressure ahead of the awards?

The die-hard supporter made several attempts to catch the artiste’s attention from the crowd, refusing to give up until he was finally noticed.

His determination did not go unrewarded, as Stonebwoy invited him onto the stage to the delight of patrons.

Once on stage, the young fan seized the moment, challenging the dancehall star to a friendly dance-off.

The spontaneous exchange drew loud cheers from the crowd and visibly warmed Stonebwoy’s heart.

When the impromptu battle came to its end, Stonebwoy reached into his pocket and handed the young fan a reward in cedi notes.

It was a brief moment inside a long and celebrated night, but it captured something essential; the unshakeable bond between Stonebwoy and his fans.

Watch video below:

Every Easter, the hills above Obomeng fill with music and movement and the particular joy of a people who know how to celebrate. It is tradition. It is ritual. It is the kind of thing that gets written into family calendars months in advance and talked about for weeks after.

But the 2026 Adom Kwahu Easter Mega Bash is not arriving as tradition. It is arriving as an event unto itself, a night so loaded with promise that the anticipation alone has become its own form of entertainment.

All roads, quite literally, led to Obomeng.

Stonebwoy headlines. That single fact has been enough to send excitement levels into territory that normal thermometers cannot measure.

The dancehall heavyweight needs no introduction in Ghana and needs even less of one in Kwahu, where a crowd that knows every lyric and came ready to use them will be waiting.

When he took the stage, Obomeng felt it in its foundations.

But the Mega Bash has never been a one-man show, and this year is no different.

The lineup stretched across the landscape of Ghanaian music, from artists who have long owned the national conversation to emerging voices stepping onto one of the biggest stages of their young careers.

Young prodigy LV had the opportunity to show his craft while mastro Ball J also had a surprise performance.

Rap Fada also held the momentum long enough for the man of the night, Stonebwoy.

Then there are the DJs, the MCs, the moments between moments that keep a crowd alive and hungry. Interactive segments, singalongs, back-to-back hits dropped at exactly the right time.

For those who made the journey to Obomeng, the full sensory experience was nothing short of extraordinary. For those watching from elsewhere, a livestream ensured that the night belongs to everyone.

But there is something about being there. Something about the mountain air and the crowd pressing around you and the bass moving through the ground beneath your feet.

The people who make it to Obomeng tonight will know something that the rest of the country can only approximate.

Kwahu Easter is always special. The Mega Bash is always a highlight. But 2026 feels different. It feels like the kind of night that becomes a reference point, the night people mention when they are trying to explain to someone who was not there what Kwahu Easter actually means at its very best.

The stage will be set again next year, the crowd will definitely come and a night would be had again, sometime next year.

See some photos below:

The night kicked off with a surge of power from Ghana’s brightest rising stars, backed by seamless transitions from top-tier DJs and MCs that kept the crowd on their feet. 

Young prodigy LV had the opportunity to show his craft while mastro Ball J also had a surprise performance.

Rap Fada stole the early spotlight, leading a massive singalong to “Bebia Ewu” and “Butterfly Love” that could be heard across the mountains.

Then came the moment everyone was waiting for: Stonebwoy. His entrance was nothing short of cinematic.

More than just a performance, it was a masterclass in fan engagement; vlogging live from the stage, grabbing selfies, and bridging the gap between the superstar and the streets.

With world-class stage production and a sound system that shook the valley, the Mega Bash proved to be a historic cultural spectacle.

If you weren’t at Obomeng last night, you missed the heartbeat of Kwahu 2026.

The Kwahu crowd broke him, in the best possible way.

From the moment his set began, the 2026 Adom Kwahu Easter Mega Bash crowd made it abundantly clear that they had not simply come to watch. They had come to participate, and they did so with a ferocity and a warmth that visibly moved the dancehall heavyweight in real time.

Every lyric was thrown back at him and every vibe was quickly reciprocated.

Stonebwoy felt it. And he could not hide it.

At one point, overcome by what was unfolding around him, he grabbed a camera and turned it on himself, vlogging his own performance from the stage.

At other moments, he leaned into the crowd for photos, selfies, and spontaneous interactions that had the fans roaring with delight.

Stonebwoy captured the sea of people stretched out before him as if he needed evidence that what he was experiencing was real.

He did not stop there, he stepped into the crowd and broke the barriers that normally exist between performer and crowd.

Stonebwoy has fans in every corner of the earth, but the particular charged ‘fanmily’ he entertained is one only Adom FM can assemble

Watch video below:

As the crowd caught sight of the dancehall heavyweight, a wave of screams tore through the venue with the force of something that had been building for hours, even for days.

. People who had been dancing stopped. People who had been talking stopped. Every eye in Obomeng turned in one direction.

Clad in…., every step he took towards the stage oozed of moving with confidence, intense aura levels skyrocketing.

The cheering that greeted him was not the polite appreciation of an audience acknowledging a performer. It was something more primal than that. It was recognition.

It was thousands of people responding to the arrival of someone whose music had soundtracked their commutes and now standing before them in the flesh on a hill in Kwahu.

Adom FM knew exactly what they were doing when they handed him the headline slot. The unprecedented reactions that rose from Obomeng in that moment confirmed it beyond any argument.

Watch video below:

The artiste delivered a set at the 2026 Adom Kwahu Easter Mega Bash that cut through the night with precision and swagger.

The talented rapper opened his set with Bebia Ewu immediately capturing the audience’s attention and setting a high-energy tone.

He followed up with fan favourites “Wo Case” and “Butterfly Love”, each track drawing waves of chants and non-stop dancing.

But it was “Odo Bi Ye Bad”, his collaboration with King Paluta that truly set the stage on fire.

The lyrics comforted broken hearts and allowed patrons to forget their worries, if only for a few hours, as they surrendered to the music and the moment.

When the beat of his energetic hot, shakara dropped, he had four dance queens join him on stage to give the audiences a feast for their eyes.

Watch video below:

His unexpected entry sparked excitement among patrons, many of whom welcomed him back with loud cheers and renewed energy.

Known for his distinct stage presence, Ball J quickly settled into his rhythm, delivering his signature vibe and polished performance style that kept the crowd fully engaged.

From his delivery to his interaction with fans, it was clear the rapper had not lost his touch.

Beyond the music, his presence also cemented the growing appeal and endorsement of the Kwahu Easter festivities, with top acts continuing to show up and support the platform.

Watch video below:

The reigning 2025 champion proved his dominance on the mic, going head-to-head with rising contender Danito in a thrilling lyrical showdown that kept patrons fully engaged.

Both rappers traded punchlines while commanding the stage with energy.

Danito showed strong competition with his precise delivery and crowd connection, but Kweku Wina’s experience and well-timed bars ultimately gave him the edge.

With precise delivery, crowd connection and well-timed bars, Kweku Wina maintained his grip on the contest.

He earned the nod from the crowd to retain his title as Kwahu’s rap maestro.

His victory also came with a cash prize of GH₵1,000 and goodies from sponsors.

Not one to ignore efforts, the Adom FM organizers rewarded Danito with some cash.

Headlined by Stonebwoy, the event has attracted a diverse crowd, all eager to experience the climax of the multi-day festivities.

DJs and MCs have kept patrons engaged, building momentum ahead of the main performances.

With excitement building and the crowd growing by the minute, the stage is set for a memorable night at this year’s Adom Kwahu Easter.

Watch video below:

From the early hours of the evening, the venue began to swell with an unprecedented crowd, all eager to be part of the biggest night of the festival.

What started as a steady flow quickly turned into a sea of excited patrons who filled the grounds with energy, anticipation and a shared sense of celebration.

The Mega Bash, headlined by dancehall heavyweight Stonebwoy, has already kicked off on a high note, with music and hype, es setting the stage for what promises to be an unforgettable night.

DJs and MCs have kept the momentum alive, warming up the crowd as cheers and singalongs echo across the venue.

With the atmosphere already charged and expectations soaring, the stage is set for a night that could go down as one of the most memorable in the event’s history.

Champions Mpraeso were handsomely rewarded for their stellar run to the title, taking home GHS 3,000 alongside attractive packages from event sponsors.

Runners-up Pitiku also pocketed GHS 1,000 with additional packages, proving that their spirited performance did not go unnoticed.

Adding a fun and practical twist to the prizes, sponsors contributed items including condoms from Ebony, Frankco phones, and branded bags and t-shirts, ensuring winners not only left with cash but also with gifts that express their style.

The much-anticipated clash lived up to expectations, with both sides displaying resilience and a strong desire to lift the trophy.

Mpraeso announced their intent in the semi-finals, where they knocked out defending champions Nteso in a dramatic penalty shootout, winning 3-2 after a pulsating game.

So from the first whistle, it was a cagey affair, as neither team was willing to concede ground, resulting in a highly tactical and evenly balanced game.

Chances were few and far between, with both defences standing firm and goalkeepers called into action at crucial moments to keep the scoreline intact.

Tension built in the stands when the match remained deadlocked, which forced the contest into a penalty shootout.

With everything on the line, Mpraeso held their nerve.

Showing composure and precision from the spot, Mpraeso converted their chances while keeping Pitiku under pressure, eventually sealing victory to claim the title.

The final whistle sparked wild celebrations among players and their supporters, then, the bragging began.

For Pitiku, it was a spirited performance that fell just short, and probably will trigger their determination for a win next season.

But for now, Mpraeso have gained the bragging right, gold medals and a trophy that is evidence of their skills.

In their fixture against Nkwatia, Atibie displayed control and attacking efficiency, sealing a convincing 2-0 victory without the need for penalties.

Their composed performance set them apart in a round largely dominated by drawn games and shootout deciders.

Elsewhere, Pitiku were pushed to the limit by hosts Kwahu Tafo in another tightly contested encounter.

Both sides approached the game with urgency, driven by strong home support and the desire to make an early statement in the competition.

Kwahu Tafo, backed by a lively crowd, showed flashes of attacking promise, but Pitiku matched them with resilience and tactical discipline. The game swung from end to end, with both teams creating chances but failing to find the decisive finish.

With both sides unable to find a winner in regulation time, the game was decided on penalties, where Pitiku held their nerve to secure a 3-1 victory.

The trend of penalty shootouts has defined the opening phase of the tournament, with Bepong and Nteso also advancing in similar fashion after edging out Mpraeso and Nkawkaw respectively from the spot.

Amid the fine margins and evenly matched contests, Atibie’s 2-0 win stands out as the most decisive result so far, sending a strong signal to the rest of the competition.

The clash carried high stakes, with Nteso aiming to defend their title and Mpraeso determined to overturn expectations.

Both sides delivered a balanced and disciplined performance, with moments of attacking threat but no breakthrough in regulation time.

As tension built, the game was pushed into a penalty shootout, where Mpraeso held their composure under pressure.

They converted crucial kicks to secure a 3-2 victory, ending Nteso’s title defence and sending their supporters into celebration.

The result marks a significant statement from Mpraeso, who rise from earlier setbacks in the competition to secure a place in the final.

They will now face Pitiku in what promises to be a thrilling finale, as both teams battle for ultimate bragging rights in the 2026 Tafo Games hosted by Adom FM.

The encounter lived up to expectations, with both sides delivering a tightly contested performance marked by discipline and cautious attacking play.

Atibie, who had impressed earlier as the only team with a clear win in the opening quarter of the tournament, looked determined to carry that momentum into the final.

However, Pitiku matched their intensity, holding firm at the back while creating moments of pressure going forward.

Despite efforts from both teams, neither side could find the breakthrough in regulation time, pushing the game into a decisive penalty shootout.

From the spot, Pitiku held their nerve, converting key kicks to secure a 3-2 victory over Atibie.

The win sparked celebrations among their supporters, as the team booked the first spot in the final of the community gala.

The result ends Atibie’s impressive run, while Pitiku now look ahead with confidence as they prepare to battle for ultimate bragging rights in the final.

After two days of electrifying music and vibrant festivities, the third day’s focus shifts to heritage and community identity.

The day began with a masquerade procession from Gomoa Obuasi to Gomoa Ekwamkrom, alongside live street painting from Gomoa Jukwa to Gomoa Ekwamkrom, turning the streets into a vibrant moving canvas.

Traditional leaders, clad in colourful kente and regal adornments, are arriving in procession, carried in palanquins and accompanied by drumming, dancing, and displays of heritage, setting a festive and regal tone for the day.

The cultutal displays reflect the deep-rooted customs of the Gomoa area.

The durbar is drawing large crowds, with residents and visitors gathering to witness the symbolic gathering of chiefs—an event that underscores unity, leadership, and cultural continuity.

The atmosphere is filled with the rhythmic sounds of talking drums and traditional ensembles, as cultural groups take turns to perform.

At he Community Park, festival-goers will be treated to a high-energy street anthem & afrobeat concert featuring top Ghanaian artistes Bisa, Tinny, Kwaw Kese, Keche, Obrafour, and Sista Afia, filling the air with pulsating beats and drawing crowds of excited fans.

As part of the festival’s commitment to community wellness and engagement, a tennis tournament, health screening, and fashion show are also taking place, highlighting both sports and emerging local designers blending contemporary and traditional Ghanaian motifs.

Organisers emphasise that today’s combination of heritage, art, music, and wellness is part of the effort to make the maiden carnival a holistic celebration of Ghanaian culture and community.

Social media is alive with updates under #GomoaEasterCarnival, capturing live performances, street art, and the energy of the crowds.

The Gomoa Easter Carnival is spearheaded by the Gomoa Central MP, Kwame Asare Obeng (A Plus) and powered by the Multimedia Group Limited.

The opening match between Bepong and Mpraeso was a tightly contested affair, with both sides creating numerous chances but failing to convert in regular time. The high-pressure encounter ultimately highlighted the intensity and determination expected throughout the competition.

Bepong showed attacking intent, while Mpraeso remained disciplined at the back, cutting off dangerous plays and keeping the game within reach.

Despite the effort from both teams, neither could find the breakthrough, forcing the match into a penalty shootout.

From the spot, Bepong held their composure, converting crucial kicks to edge Mpraeso 4-3 in a dramatic finish.

The victory sparked celebrations among their supporters, who had remained vocal throughout the contest, backing their side until the final kick.

The second game between defending champions Nteso and Nkawkaw carried just as much intensity, with both teams approaching the match cautiously but with moments of attacking brilliance.

Nkawkaw pressed forward in spells, while Nteso relied on their experience to control key moments of the game.

Like the opener, the match ended in a stalemate, pushing both sides into another penalty shootout.

This time, Nteso asserted their dominance, showing precision and confidence from the spot to secure a 3-1 win over Nkawkaw. Their goalkeeper proved decisive, pulling off key saves that tilted the game in their favour.

The back-to-back penalty finishes drew loud reactions from the crowd at Tafo Park, with fans fully engaged in the unfolding drama.

The teams have been drawn into two groups:

Group A: Bepong, Mpraeso, Pitiku, Kwahu Tafo
Group B: Nkawkaw, Nteso, Nkwatia, Atibie

The action-packed fixture list will see each side battle for dominance in a series of high-energy encounters:

• Game 1: Bepong vs Mpraeso
• Game 2: Nkawkaw vs Nteso
• Game 3: Pitiku vs Kwahu Tafo
• Game 4: Nkwatia vs Atibie
• Game 5: Bepong vs Pitiku
• Game 6: Nkawkaw vs Nkwatia
• Game 7: Mpraeso vs Kwahu Tafo
• Game 8: Nteso vs Atibie
• Game 9: Bepong vs Kwahu Tafo
• Game 10: Nkawkaw vs Atibie
• Game 11: Pitiku vs Mpraeso
• Game 12: Nteso vs Nkwatia

Held as an annual initiative, the games go beyond competition, as it creates a platform for strengthening bonds among the people of Kwahu while celebrating their shared identity through sport.

This year’s edition has drawn strong participation and support, with traditional leaders, chiefs and community stakeholders present to lend their backing to the event.

There is already a strong sense of anticipation among fans, with teams stepping onto the field determined to secure bragging rights for their communities.

The defending champions, Nteso, return with confidence, aiming to retain their title after an impressive run in the previous edition.

Last year’s final remains fresh in memory, as Nteso locked horns with hosts Kwahu Tafo in a gripping contest. Kwahu Tafo had fought their way into the final after a dramatic semi-final clash against Atibie, edging them out 8-7 in a tense penalty shootout.

Despite their spirited run, it was Nteso who emerged champions, setting the stage for a highly competitive title defence this year.

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Thousands of residents and tourists alike descended on the venue for an evening of high-octane musical excellence that cemented the festival’s status as a premier holiday destination in the Central Region.

The Gomoa Easter Carnival is spearheaded by the Gomoa Central MP, Kwame Asare Obeng (A Plus) and powered by the Multimedia Group Limited.

A Night of Musical Legends

The atmosphere was electric as some of Ghana’s most iconic performers took to the stage. Reggae-dancehall titan Samini delivered a high-energy set that bridged generations, while the “King of Highlife” Ofori Amponsah and the ever-soulful Kwabena Kwabena serenaded the crowd with back-to-back classics.

The lineup didn’t stop there.

The night featured a masterclass in contemporary and traditional Highlife with performances from Kofi Nti, Dada Hafco, Bless, and the legendary K.K. Fosu.

Adding a unique folk twist to the evening, the Kwan Pa Band thrilled the audience with their signature palm-wine music and indigenous instrumentation, ensuring that the cultural roots of the Gomoa people remained at the heart of the celebration.

Beyond the Music: A Holistic Celebration

While the concert was the focal point, Day 2 was a vibrant showcase of community development and culture. Throughout the day, several key activities drew large crowds:

• Health and Wellness: A massive health screening exercise provided free medical checks to hundreds of residents, ensuring the festival contributed to the physical well-being of the community.
• The Food Bazaar: Revellers were treated to a gastronomic journey featuring traditional Gomoa delicacies and contemporary Ghanaian street food.
• Fashion and Culture: A dazzling fashion show highlighted local textiles and designs, while traditional cultural displays offered a deep dive into the heritage of the Gomoa state.
• Sports: Competitive sports activities earlier in the day fostered a spirit of healthy rivalry and community bonding among the youth.

The Road to Day 3: Masquerades, Palanquins, Street Anthem & Afrobeat Concert

As the curtain fell on Day 2, the excitement shifted toward what many consider the festival’s most visually stunning phase.

Day 3 promises a seamless blend of traditional royalty and modern street culture.

The highlight of the upcoming activities will be the Masquerade Procession, a colourful and energetic parade moving from Gomoa Obuasi to Gomoa Ekwamkrom.

Simultaneously, the streets will become a canvas for creativity, with live street painting stretching from Gomoa Jukwa to Ekwamkrom.

The traditional authority will also take centre stage, with chiefs carried in palanquins through the principal streets, accompanied by the thunderous sounds of traditional drumming and dancing.

Day 3 will conclude with a high-energy ‘Street Anthem’ and Afrobeat concert at the Ekwamkrom Community Park that will usher in Day 4.

The final hours of Day 3 will be a lineup of the “Who’s Who” of Ghanaian music, featuring:

• Sarkodie
• Obrafour
• Kwaw Kese
• Bisa Kdei
• Tinny
• Keche
• Sista Afia

Day 3 will also continue the sports spirit with a dedicated tennis tournament, alongside further fashion showcases and health screenings.

Organisers say the Gomoa Easter Carnival is fast becoming one of the most important cultural tourism events in the Central Region, driving local economic activity and creating opportunities for vendors, artists and small businesses.

From hospitality services to transportation and retail, the ripple effect of the festival is being felt across surrounding communities, reinforcing its value as both a cultural celebration and an economic driver.

With two successful days already behind it, expectations are high that Day 3 will deliver an even bigger spectacle, cementing the Gomoa Easter Carnival as a must-attend event on Ghana’s festive calendar.

The couple who have been in the public spotlight in recent weeks are now back together following mediation efforts led by Mr Agyapong, who is regarded by the family as a mentor and father figure.

The development comes after weeks of intense public attention surrounding the state of their marriage, fuelled by social media discussions and differing accounts about whether the pair had separated.

While the media personality had earlier indicated that she was living apart from her husband following her relocation abroad, her husband maintained that their relationship remained intact.

Observers say the situation reflected the pressures that often accompany public life, particularly for couples navigating career growth, international travel and family responsibilities.

Kenpong confided in Myjoyonline.com that the intervention focused on reconciliation and preserving the family unit, especially given the couple’s long-standing relationship and shared responsibilities as parents.

The pair, who married in 2017 and have three children, have previously drawn public admiration for their partnership, particularly during Afua Asantewaa’s high-profile sing-a-thon attempt, which brought her international recognition and positioned her as a cultural ambassador for Ghana.

The latest development is expected to calm public speculation, with Kenpong indicating that both parties are committed to resolving their differences privately going forward.

As the night settled in at Obomeng, the music took control; DJs rolled out back-to-back hits, met by instant reactions from a crowd that knew every word, every beat.

There was no waiting to be entertained as patrons created their own rhythm, dancing in clusters and owning the space in their own way.

Central to the night’s energy was MC Kofi Darlington, whose command of the stage and well-timed hype kept the crowd fully engaged.

For hours, he sustained the tempo and guided transitions while lifting the mood and ensuring there was never a dull moment.

Even as the music faded at the final hour, the energy did not immediately settle. Patrons lingered, still calling for more, a reflection of how deeply they had been drawn into the experience.

Held as part of the festival’s lineup of activities, the bash delivered an evening of music and vibrant social interaction, attracting a diverse crowd of revelers who filled the venue and stayed engaged throughout the night.

Patrons commended the seamless organisation, quality sound, and carefully curated mix of DJ sets and live performances, which kept the atmosphere lively from start to finish.

Many noted that the event lived up to expectations and offered a refreshing blend of entertainment that appealed to both young and older audiences.

Beyond the music, attendees highlighted the welcoming atmosphere and sense of community that defined the night, with many reconnecting with friends and meeting new people in a setting that celebrated the spirit of Kwahu Easter.

The Akwaaba bash is just a snippet of the fun that awaits patrons on Saturday for the mega bash featuring Stonebwoy.

The dance crew opened this year’s Adom Kwahu Easter Akwaaba bash with a performance that stopped the evening in its tracks.

They drew audiences in from corridors and outside the building as word spread that something extraordinary was happening at the Adom Park in Obomeng.

Choreographed to a medley that included Stonebwoy featuring Spice’s Jiggle & Whine, the set moved seamlessly across multiple genres.

The Stonebwoy segment opened proceedings with grounded, fluid movement that drew the crowd to its feet early.

When the music shifted into dancehall territory with Spice on the speakers, the auditorium reacted with the kind of noise that makes walls vibrate.

The transitions and formations were tight, and the energy relentless from the first rhythm to the final drumbeat.

Though Tear Tear Nation were the opening act, they performed as though they had everything to prove.