Chief Executive Officer of the National Film Authority (NFA), Kafui Danku, has provided an update on accusations by Nigerian actress Bimbo Ademoye regarding alleged piracy of her movie in Ghana.

Speaking on Hitz FM, Kafui Danku revealed that Bimbo Ademoye failed to provide concrete evidence to substantiate her claims. “We were ready to resolve the matter and even reached out to her for proof so the issue could be officially addressed. However, we were met with a ridiculous response that whoever sent her the message did so in disappearing mode,” she explained.

Without concrete evidence, the NFA was forced to stall the process. Kafui Danku also highlighted that the Film Authority works in collaboration with other bodies, including the National Communications Authority (NCA) and the Ministry of Communications, to tackle piracy, which often prolongs investigations.

“Some of the TV stations engaged in these breaches can’t even be located, and most are not mainstream,” she noted.

The piracy conversation resurfaced after Nigerian actor Nosa Rex went on a social media rant using unprintable words against Ghanaians and the entertainment industry over alleged piracy of his film.

Kafui Danku condemned the outburst, stating it was unfortunate for actors to attack an entire country without evidence.

“Other filmmakers follow due process by contacting the NFA directly with evidence. Nosa choosing to insult the country instead of using the right process makes some of us not even willing to act on their behalf,” she added, urging patience as the authority continues to clamp down on offenders.

]]> https://www.adomonline.com/adom-tv-debuts-girls-can-talk-show-for-unfiltered-dialogue-on-womens-issues/ Wed, 13 Aug 2025 12:03:28 +0000 https://www.adomonline.com/?p=2566615 Adom TV Launches Talk Show “Girls Can Talk” to Spark Bold Conversations

Ghana’s leading entertainment hub, Adom TV, has officially launched its latest talk show, Girls Can Talk (GCT), promising to drive meaningful conversations with style and confidence.

The premiere episode brought together a lively studio audience, nationwide TV viewers, and an engaged online community.

For its debut, the show tackled a thought-provoking question: Should a woman step back from her career if her partner prefers she focus on the home while he provides financially?

The panel, featuring media personality Priscywan, TikTok creator Yvonne Taina Martey, and event specialist Manuella Frimpong Ansong, delivered candid and relatable perspectives, challenging traditional stereotypes while addressing modern realities.

Midway through the show, Dr. Michael Boadi Nyamekye made a surprise Zoom appearance to commend the Multimedia Group for creating a platform that celebrates intelligent female voices. He praised the initiative for shifting the narrative around women in media from objectification to thought leadership.

The episode ended with a light celebration of the launch, but the core message was clear: Girls Can Talk is here to challenge norms, spark debate, and amplify the voices of women with power and poise.

Girls Can Talk airs every Tuesday and Thursday at 3:00 pm on Adom TV (DStv Channel 280, GOtv Channel 119) and streams live on YouTube via Adom TV Live.

Source: Kay Kwansah

Speaking to Kwame Dadzie on Hitz FM’s Daybreak Hitz, the multi-instrumentalist and producer said the genre, which originated in Ghana, no longer holds prominence in the country.

According to Yeboah, most younger artistes who claim to perform highlife rarely use live highlife instruments, relying heavily on computerized beats instead.

“Highlife music is dead in Ghana, right? Tell me, who is doing highlife in Ghana?” he asked.

He noted that bands such as Santrofi, which have remained true to the genre, rarely perform locally and are often on international tours, serving highlife to audiences abroad.

Explaining why he believes Kuami Eugene does not fully represent highlife, Yeboah said: “Well, Kuami Eugene is not a big expo because the music he does is computer-based, so it’s different. If you play Santrofi’s songs and you play Kuami Eugene’s songs you can hear what I mean. One of them is played with live instruments, one of them is played with computers.”

When asked whether a song ceases to be highlife once it involves technological simulations, Yeboah replied: “You can use computers to do highlife but then again is that AI music or what is that? What are we again? What do we have to show the world as Ghanaians? What do we have that the world will value? Computers are everywhere. What do we have? Is it our instruments that we have here?”

Yeboah, who grew up learning from highlife greats, stressed that regardless of fusions with other genres, an essential aspect of highlife that must be preserved is the live performance of its instruments.

The incident occurred while the actor and his entourage were travelling for the premiere of his latest movie, which focuses on the life of Ivorian footballer Ibrahim Touré, the late brother of Yaya and Kolo Touré.

According to LilWin’s account, the heavy-duty truck overtook his convoy at high speed, allegedly forcing their vehicle towards the edge of the road. Despite repeated signals to stop, the driver reportedly ignored them and continued driving.

The tense situation escalated when the actor’s team caught up with the truck at a police patrol checkpoint along the route. They immediately lodged a complaint with officers, leading to a confrontation between the parties.

Passersby gathered as the exchange grew heated, but police intervened to prevent the situation from spiralling further.

No injuries or vehicle damage were reported, but the incident left LilWin visibly frustrated over what he described to close associates as “dangerous and unnecessary driving” that could have ended in tragedy.

]]> https://www.adomonline.com/throwback-video-of-daddy-lumba-and-pat-thomas-in-studio-sparks-nostalgia/ Wed, 13 Aug 2025 09:45:58 +0000 https://www.adomonline.com/?p=2566420 A rare throwback video of highlife legends Daddy Lumba and Pat Thomas in the studio has resurfaced online, taking fans straight back to the golden era of Ghanaian music.

The clip, believed to be from 2004, captures the two icons in creative flow, recording vocals for Ahenfo Kyiniye over a beat mastered by producer Kweku Mensah.

Released on July 28, 2004, the track became an instant classic, blending Lumba’s smooth delivery with Pat Thomas’s rich, soulful tone in a way only legends could.

Now, 21 years later, Ahenfo Kyiniye continues to enjoy massive airplay on radio, at events, and even in the background of Saturday morning chores across Ghana.

The throwback clip has fans reminiscing about the golden days of Ghanaian highlife, proving that great music truly defies time. More than just a behind-the-scenes moment, it’s a reminder of an era when live instrumentation and musical camaraderie defined the industry.

Watch video below:

 

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In an upcoming episode of The Career Trail, airing on Joy Learning TV and Joy News, Uncle Ebo shares the painful experience of how what seemed like a promising career took an unexpected turn.

“After working with that company for 4 to 5 years, they fired me. I ended up staying home for one and a half years,” he disclosed.

More startlingly, he revealed that the company presented eight serious charges against him—allegations that painted a damaging and harsh picture.

“If you knew the charges, you wouldn’t want to talk to me. It portrayed me as the worst rogue ever,” he said somberly.

Uncle Ebo’s career began on a hopeful note. After graduating from the University of Ghana, Legon, he completed his National Service at Asempa Publishers under the leadership of Rev. Peter Parker, a retired British soldier turned Presbyterian minister.

“For my National Service, I worked with a wonderful company and a wonderful boss, Rev. Peter Parker… That is where I did my National Service, and I was retained. My working career began from there,” he fondly recalled.

He spent six years at Asempa Publishers before moving to another publishing company—an opportunity that ended in his unexpected dismissal.

The 18 months following his firing were filled with the challenges of rejection, loss of identity, and fear of an uncertain future.

What were the eight charges leveled against him? How did he cope with the emotional and professional fallout? And what did his journey back to stability look like?

All these questions and more will be answered in the 12th episode of The Career Trail, premiering Saturday, August 9, first on Joy Learning TV at 4:00 PM, then on Joy News at 6:30 PM.

The Career Trail offers insightful conversations with accomplished Ghanaian entrepreneurs, aiming to inspire and guide young learners as they navigate critical life and career decisions.

Don’t miss this rare glimpse into the life of a man who has inspired many but once struggled to hold onto his own dreams.

Source: Irene Adubea Aning

ALSO READ:

• Stop bragging about sex, you are always losers – Ebo Whyte to men

• Don’t always ask for money when seeking sponsorship – Uncle Ebo Whyte to creatives 

This development comes as public concern grows over the inadequate recognition and documentation of Ghana’s music pioneers, particularly those who helped shape Highlife, a genre deeply rooted in our cultural heritage.

Speaking to Graphic Showbiz on August 5, MUSIGA President Bessa Simons revealed that MUSIGA is actively collaborating with the Ghana Museums and Monuments Board (GMMB) to establish an essential national music archive.

According to him, the proposed museum will serve as a permanent record of Ghana’s rich musical history, including various genres, landmark moments and key personalities who have defined the country’s music.

“We are embarking on documenting our artists. There is no data about them anywhere,” Simons stated, noting that “for instance, when you mention a great musician like CK Mann, there is no proper documentation on him. We will include Lumba in the list. That is the reason why we want a national music archive to honour such icons.

“In addition to the music museum where the history and contributors to Highlife will be preserved, we will make sure that all other genres done in Ghana are also there. And we will fuse it with a Hall of Fame, so that if you go to this place, you will see that everything that has to do with music in Ghana is there.”

Beyond these facilities, MUSIGA is also set to launch a series of activities in honour of Daddy Lumba and other fallen stars. These will include nationwide tribute concerts and educational workshops to highlight Highlife’s evolution and its continued relevance.

“There will be a special tribute concert and workshops for people to know what Lumba did with Highlife, because he brought a different kind of contribution to the genre.

“A special seminar on Highlife music will be organised at the end of the year by stakeholders, including the Ministry of Tourism, Creative Arts Agency, Ghana Tourism Authority, Commission on Culture and Folklore Board.

Mr Simons emphasised that MUSIGA has been in talks with relevant parties to push for formal recognition of Highlife as part of Ghana’s intangible cultural heritage. They hope this move will be finalised by November.

“We started efforts even before Daddy Lumba passed away,” Simons stated. “We want UNESCO to list Highlife as one of the intangible cultural heritage, making it a cornerstone in discussions around music globally. Just like how Jamaica readily comes to mind at the mention of Reggae, we want it to be the same for Ghana whenever Highlife is mentioned,” he stated.

Finally, the MUSIGA President stressed the need to reconnect younger generations with Highlife music. He lamented that many youth have drifted away from the genre, partly due to a lack of national support and positive storytelling around its value.

“We must work hard to inspire young people to embrace Highlife. Too often, the genre is overlooked or dismissed, but it remains the foundation of much of the music we enjoy today. Every modern sound in Ghana carries echoes of Highlife,” Simons concluded.

Source: graphic.com.gh

This has been described as a “multi-year, first look deal”, which would give Netflix a first option on proposals from Prince Harry and Meghan’s Archewell production company.

It’s a looser arrangement than their previous deal, but it disproves claims that the Sussexes and Netflix are going to completely part company.

Meghan said that she and Harry were inspired by the partnership with Netflix to “create thoughtful content across genres that resonates globally, and celebrates our shared vision”.

It’s not known how many years the deal is set to last or what financial arrangement is attached. The previous deal, launched in 2020, was believed to be worth about $100m (£75m).

The announcement comes ahead of the second series of the cookery show, With Love, Meghan, being screened later this month.

Audience figures from Netflix showed the first series was not even in the streaming service’s top 300 most popular shows in the first half of 2025.

With Love, Meghan, a lifestyle series which showed Meghan cooking with celebrity friends, had 5.3 million views. In comparison, the most-watched programme on Netflix during that time was the drama Adolescence with 145 million views.

A previous Netflix documentary, Harry & Meghan, recounting the couple’s departure from their lives as “working royals”, had a bigger audience, with 23.4 million views following its launch in December 2022.

Archewell has also announced a special Christmas season edition of With Love, Meghan, which invites viewers to “join Meghan in Montecito for a magical holiday celebration”.

With Love, Meghan has been accompanied by a food and drink range, called As Ever, which includes rosé wine and jams.

And there will be a show on Netflix later this year, with Harry and Meghan as producers, called Masaka Kids, A Rhythm Within, about an orphanage in Uganda being a beacon of hope in a situation “where the shadows of the HIV/Aids crisis linger”.

Bela Bajaria, Netflix’s chief content officer, said: “Harry and Meghan are influential voices whose stories resonate with audiences everywhere.

“The response to their work speaks for itself – Harry & Meghan gave viewers an intimate look into their lives and quickly became one of our most-watched documentary series.”

Source: BBC

The couple was spotted in Miami, arriving in Davido’s latest luxury acquisition, a ₦1.1 billion Lamborghini Revuelto. The singer revealed he bought the exotic supercar as a wedding gift to himself — and a ride worthy of his queen.

“I needed a new car to take my wife to church,” Davido joked, adding that a friend, Mr. Jay, had connected him to the perfect deal for the high-end machine.

In true gentlemanly style, Davido opened the car door for Chioma, helping her into the passenger seat before sliding behind the wheel himself.

The glamorous outing not only marked their debut as Mr. and Mrs. Adeleke but also showcased Davido’s effortless blend of romance, opulence, and charm.

Watch video below:

 

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The artiste’s communications manager, Sammy Flex, confirmed that the fallout from the publicised car saga directly affected ongoing negotiations.

“Damn! Now these reports circulating online are disturbing business. After this $2 million distribution deal for the Voice of the Crown EP fell out, I am getting worried, chale,” he lamented.

Shatta Wale also expressed his disappointment, admitting the setback was painful but vowing not to give up.

“Say no more, boss. E pain we all, but God deh… Stay strong. #GODISHERE. #VOTCEP will still fly no matter what man go do,” he posted, urging fans to keep faith in the project.

The Voice of the Crown EP, touted as one of Shatta Wale’s most ambitious projects this year, was expected to gain significant global reach through the now-abandoned distribution deal. The agreement would have offered major international exposure, potentially opening new markets for the dancehall star.

Despite the financial and promotional blow, Shatta Wale says he is determined to release the EP and ensure its success.

Source: Adomonline.com

Speaking on Joy FM’s Showbiz A-Z, Appietus said many up-and-coming producers lack the fundamental skills needed to achieve high-quality sound in their work.

“My feeling is that we, the professionals, have to come together and help these guys. Maybe we can all decide to put together a masterclass to help these younger producers. People keep asking me, ‘Appiah, the song you did 20 years ago — whenever I hear it, the sound quality is good. Why isn’t mine like that?’ They keep buying equipment and software that doesn’t help them,” he said.

He stressed that without understanding the basics, younger producers will continue facing challenges.

“They need to understand what they’re doing first, but they don’t. So if we don’t help them… help means organising masterclasses. Of course, we will get paid. If the government steps in, the Kwame Yeboahs, Zapp Mallets, JMJ, Ubeatz — everyone — can share ideas and mentor these guys; they will get better.”

Appietus noted that while such training might be costly, collaboration among musicians’ unions could make it feasible.

Appietus is an award-winning Ghanaian music producer and sound engineer who has worked with some of Africa’s biggest music stars. Known for his signature “Appietus in the mix” tag, he has produced numerous hit songs across genres including hiplife, highlife, and gospel.

His career spans over two decades, earning him a reputation for exceptional sound quality and innovation in music production.

The Hague African Festival 2025 transformed the Dutch city into a vibrant hub of African music, fashion, and culture, celebrating creativity and social impact under the theme ‘Changemakers.’

Now in its 14th year, the festival—led by curator and director Augustina ‘MS ABA’ Austin—brought together artists from Africa and the diaspora for concerts, exhibitions, films, and community events over several weeks. The celebrations culminated in a colourful weekend finale at Zuiderpark Theater.

Ghanaian music star Epixode delivered one of the standout performances, teaming up with the all-female Infinity Band for a high-energy set filled with heartfelt tributes. His appearance followed his recent win at the 2025 Ghana Music Awards, where he received the Music for Good Award for using music to inspire positive change.

Senegalese singer Omar Ka had crowds dancing to his infectious rhythms, while Tanzania’s Yacyn Wastara, a graduate of the festival’s talent programme, impressed with his contemporary Afro sound.

Fashion took centre stage with Ghanaian designer Dzogbefa’s sustainable showcase featuring naturally dyed fabrics and bold silhouettes. Off the runway, she leads a project creating reusable menstrual products for girls, tackling period poverty and promoting eco-friendly practices.

The Elevate Talent Programme, headed by Renato Saeroon, highlighted emerging acts including 12-year-old prodigy Jayce, whose stage presence won admiration from audiences.

THAF 2025 also featured the intimate “Africa Living Room Sessions,” the moving film Nawi, and the “Female Icons” exhibition, celebrating women who have made significant cultural contributions.

Organised by Stichting Nteasee, the festival was supported by the Municipality of The Hague, Fonds 1818, Amare Den Haag, VSB Fonds, Mercure, Filmhuis Den Haag, ACE Medical Insurance, Stichting Topaz, and Badabing Visuals7.

Speaking on Joy FM’s Showbiz A-Z with Kwame Dadzie, Yeboah described the rumours as exaggerated, emphasizing the good relationship he shares with Sarkodie.

“Sarkodie is like a good friend. We still message, we still chat. I have heard people talk about Sarkodie and all that; I never sacked him,” he said.

Yeboah explained that while he has asked some artists to leave the studio, it was only when they came unprepared. “A lot of people come to the studio and say they want to learn a piece of music, but they haven’t practiced it beforehand. In such cases, I tell them to go back and learn it,” he said.

His insistence on professionalism has earned him a reputation for being strict, but he stands by his approach. “I got a bad name for that. I love it and don’t care. If we don’t practice properly, where would we be right now?” he added.

Kwame Yeboah, who began playing instruments at age five, has worked with notable musicians including Kojo Antwi, Tagoe Sisters, Pat Thomas, Craig David, Hugh Masekela, Cat Stevens, Shaggy, and Stevie Wonder.

Source: Joy Entertainment

From a chic bridal shower to a dreamy Havana-themed night, each event featured its own head-turning look.

She radiated elegance in stunning bridal robes and dazzled guests in multiple custom-made wedding gowns.

Her style lineup showcased luxury creations from top designers including Emagine by Bukola, Alonuko Bridals, and XtraBrides Lagos, perfectly capturing the glamour and opulence of the $3.7 million celebration.

The result was a fashion story as unforgettable as the wedding itself — pure elegance, no misses.

Check out her bridal looks below:

Pre-wedding look by Emagine by Bukola

 

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Pre-wedding party look by Jennifer Rowland

 

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A post shared by Stanlo Photography (@stanlophotography)

Bridal robe by Ann Usman

 

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A post shared by Ann Usman (@ann.usman)

First bridal gown by Xtrabrides Lagos

 

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A post shared by Xtrabrideslagos XBL (@xtrabrideslagos)

Wedding Gown by Alonuko bridal

 

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First reception gown (second look)  

 

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Second look 

 

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The two music heavyweights had guests on their feet with a fiery performance of their hit collaboration Activate, before Stonebwoy thrilled the crowd with Betta Bin from his latest EP.

In a touching moment, Davido’s newlywed wife, Chioma, was captured on camera passionately singing along to Go Higher, proving the music had reached every heart in the room.

The star-studded, invite-only celebration attracted a select list of VVIP personalities, including Nigerian billionaire Aliko Dangote. Guests were treated to days of festivities filled with live music, fine dining, and opulent décor befitting two of Africa’s biggest entertainment figures.

This white wedding comes a year after the couple’s traditional marriage, marking another milestone in their love story. Proud parents of twins, Davido and Chioma radiated joy as friends and family from across the globe gathered to celebrate their union.

Watch video below:

Davido and Chioma vibe out as Stonebwoy (@stonebwoy) shuts down the place with a performance of “Go Higher” at Davido and Chioma’s wedding in Miami. #GhanaMusic #chivido #chividoinmiami2025 pic.twitter.com/F71IrwzXl9

— Ghana Music (@GhanaMusic) August 11, 2025

The electrifying final featured some of the region’s top comedic talents, with OB edging out runner-up Seth Payne and third-place Jay Stadler to claim the coveted title.

Sharing his excitement on social media, OB wrote: “Holy smokes! We won gold! God is good! I am the Ultimate Comic. Can you believe that? Damnnn!”

He expressed gratitude to the organizers, fellow contestants, and the Greensboro comedy community, describing the win as “surreal” and “beyond ecstatic.” He also gave a special shoutout to comedy club owner Jennie Stencel for her support, adding that it was an honor to share the stage with fellow finalists Seth, Troy, Artsy, Ethan, and Jay Stadler.

The win cements OB Amponsah’s growing reputation as one of Africa’s most versatile comedians, with a rising profile on the international comedy scene.

Organised by Apex Africa Concept, the prestigious awards scheme seeks to recognise and celebrate individuals and organisations making outstanding contributions to social, economic, and community transformation across Ghana.

The Ghana Change Makers Awards was created to spotlight those whose dedication, innovation, and leadership are creating meaningful impact in various sectors, from education, health, and technology to arts, entrepreneurship, and humanitarian work.

By honouring these exemplary figures, the awards aims to inspire others to take action in shaping a better Ghana.

Speaking about the 2025 edition, the organisers emphasised that the awards go beyond recognition; they serve as a platform to amplify the voices and initiatives of those driving sustainable change.

“We believe that changemakers deserve to be celebrated for their hard work, sacrifices, and vision. This year’s edition will be even bigger and more inclusive, showcasing the diversity and resilience of Ghanaian excellence,” Osman Nuhu, Apex Africa Concept C.E.O stated.

How to Nominate

Ghanaians from all walks of life are encouraged to put forward deserving individuals or organisations for consideration. Nominations can be filed through the official website: www.apexafricaconcept.com.

Nomination Timeline:

• Opens: 6th August 2025
• Closes: 19th September 2025

For further inquiries, interested parties can contact 059 822 5556 or visit the Ghana Change Makers Awards’ official social media pages (Facebook/Instagram: @GhanaChangeMakersAwards).

The Ghana Change Makers Awards 2025 promises to be a night of inspiration, recognition, and celebration, bringing together visionaries and leaders who are changing the narrative for Ghana’s future.

Source: AdomOnline

Initially scheduled for Saturday, August 16, 2025, the state-assisted burial will now take place on Saturday, September 6, 2025, at the Forecourt of the State House in Accra.

According to the family, the burial and final thanksgiving service will follow on Sunday, September 7, at Agona Asamang in the Ashanti Region, the late musician’s hometown.

The funeral is expected to attract dignitaries, fellow musicians, key industry figures, and fans, in honour of Dada K.D.’s immense contributions to Ghanaian music over the past three decades.

The rescheduling is believed to be in response to the national mourning period declared after the tragic military helicopter crash in the Adansi District, which claimed eight lives.

Dada K.D. passed away on May 17, 2025, after a brief illness, leaving behind a rich musical legacy.

Source: Adomonline.com

The Creative Arts Agency, the organisers, announced in a press statement dated on Thursday, August 7, 2025, signed by the acting Executive Secretary of the Agency, Gideon Aryeequaye.

The planned vigil has been postponed indefinitely as a mark of respect for the eight individuals who lost their lives in a recent helicopter crash.

The decision comes after President John Dramani Mahama declared three days of national mourning, from August 7 to 9, 2025, in honour of the victims.

The planned Kumasi vigil followed a successful edition held at the Independence Square in Accra on Saturday, August 2, 2025.

The event in the capital drew hundreds of fans, fellow musicians, and dignitaries who gathered to pay tribute to one of Ghana’s most influential musicians.

Daddy Lumba, born Charles Kwadwo Fosu, died on Saturday, July 26, 2025, after a short illness, aged 60.

The Creative Arts Agency has offered its condolences to the families of the victims and to the nation, expressing sympathy and solidarity during this difficult time

Source: Graphic.com.gh

ALSO READ:

• King Charles was a fan of Daddy Lumba – British envoy reveals during condolence…

• Why late Daddy Lumba was named Kwadwo despite being a Tuesday born

In a heartfelt statement posted on her social media, Ms Forson stressed that the nation is united in grief, saying the losses suffered were collective and the pain shared.

She extended her prayers to the families of the deceased and urged the media to exercise restraint and empathy.

“This is not content. Allow people to grieve. How many more times must we say this?” she wrote.

Forson also appealed to the Ghana Journalists Association (GJA) to take a stronger stance on ethical media practices.

“I call on the GJA to step up and lead by holding its members accountable. Enough is enough,” she added.

Echoing similar sentiments, rapper Sarkodie condemned the rush for exclusive content at the expense of decency.

“Wanting to be the first to get exclusives all in the name of content can make you inhumane … Be human first,” he wrote.

Source: AdomOnline

READ ALSO:

• Helicopter crash: Sadly, we must use this painful experience to end galamsey – Franklin Cudjoe
• King Promise mourns victims of tragic helicopter crash

In a post shared on his social media page, Kinaata described it as “a tragic day for Ghana,” noting that the nation had lost “some of our finest.”

“We honour their service and mourn with their families. May their souls rest in peace,” he wrote.

The crash in the Adansi Akrofuom District has plunged the country into mourning, with tributes continuing to pour in from public figures and citizens across Ghana.

A tragic day for Ghana.
The helicopter crash of Wednesday, 6th August 2025, has taken some of our nation’s finest.
We honour their service and mourn with their families. May their souls rest in peace.

— Kofi Kinaata (@KinaataGh) August 6, 2025

Source: Adomonline.com

ALSO READ:

• GNFS joins probe into military helicopter crash that claimed eight lives 

• Kufuor mourns helicopter crash victims, calls for national unity

In a brief but heartfelt message shared on his social media page, the award-winning artist expressed his sympathy for the families affected by the disaster.

“Prayers & strength to the families of the souls lost in the helicopter crash. So tragic & heartbreaking,” he wrote.

The accident, which claimed the lives of two cabinet ministers, senior military officers, and other government officials, has sparked a wave of national grief, with tributes pouring in from political leaders, international allies and celebrities across the country.

💔
Prayers & Strength to the families of the souls lost in the helicopter crush. So tragic & heartbreaking 😞😞😞

— King Promise (@IamKingPromise) August 6, 2025

Source: Adomonline.com

ALSO READ:

• GNFS joins probe into military helicopter crash that claimed eight lives 

• Kufuor mourns helicopter crash victims, calls for national unity

It also includes playwright Latif Batalima Abubakar, as well as former radio host and singer Korkui Selormey.

The full composition of the board, as released by the Agency, is as follows:

1. Chairperson – Appointed by the President (name not specified in list)
2. Gideon Cyril Aryeequaye – Executive Secretary
3. William Akwetey Bonsu – Copyright Office representative
4. Divine Owusu Ansah – Ministry of Tourism, Culture and Creative Arts
5. Yaw Lorlorwu Sekyi – Ministry of Trade, Industry and Agribusiness
6. Brenda Abankwah – Ministry of Finance
7. Divina Dornuki Nkwatabisa – Attorney General’s Department
8. Clement Amponfi Bonney (Mr Beautiful) – Creative Arts Industry representative
9. Akofa Edjeani – Creative Arts Industry representative
10. Leonora Buckman – Creative Arts Industry representative
11. Korkui Selormey – Creative Arts Industry representative
12. Latif Batalima Abubakar – Creative Arts Industry representative
13. Benjamin Anabila – Creative Arts Industry representative
14. [Vacant] – One seat remains unfilled

The newly constituted board brings together government officials and seasoned creative professionals to steer policy for Ghana’s arts sector.

Their mandate includes addressing critical industry issues such as copyright protection, funding mechanisms, and infrastructure development.

The board is expected to commence work immediately following its inauguration.

Source: Graphic Showbiz

ALSO READ:

• Gideon Aryeequaye appointed Acting Executive Secretary of Creative Arts Agency

• Rex Omar claims Creative Arts Agency operating without legal framework [Video]

Speaking on Hitz FM’s Daybreak Hitz with Kwame Dadzie, Okraku-Mantey said that while preserving the legacies of Ghanaian celebrities is important, direct government involvement in building museums for individuals could spark public backlash.

“Government should not even show interest in any museum of any celebrity. Yes, let me tell you why. I’ve been there, done that. Knowing my people, they will come and say.

“They did it for Lumba, but they didn’t do it for Dada KD. A government can become unpopular out of this. By just taking a step to do it for one person and not doing for the other person, it can bring problems. So government can create the enabling environment like the land we offered,” he said.

He suggested that government’s role should be to provide the enabling environment for private sector and community-driven investments, rather than fully funding such projects.

To illustrate his point, Okraku-Mantey referenced the ongoing efforts by Kwahu traditional leaders to establish a museum in honour of the late ‘King of Highlife’, Nana Kwame Ampadu, in his hometown.

“So for government to be safe, not to worry you for your votes, just play safe, create the enabling environment so that the private sector people come on board. They are the ones who can maintain these infrastructure. The government infrastructure itself is struggling,” he added.

Okraku-Mantey made these remarks during a discussion on how to preserve the legacies of Ghanaian creatives.

Source: Joy Entertainment 

ALSO READ:

• We need to build a national museum to honour Daddy Lumba – Manager
• Uncertain future for National Theatre – Okraku Mantey blames frequent Chinese envoy changes

• Respect DJs, they can make and unmake you – Mark Okraku Mantey to musicians

Speaking during a condolence visit to the family of the late highlife star, Mr. McMahon shared a touching personal detail that underscored the global reach of Daddy Lumba’s music.

“As many of you may know, King Charles—my King—was such a fan of Daddy Lumba,” he said. “He told me he has a playlist on his iPhone, and one of his favourites is Daddy Lumba.”

Mr. McMahon said this admiration from King Charles reflected the extraordinary influence of Daddy Lumba beyond Ghana’s borders.

“I think that shows the breadth and the reach that Daddy Lumba had across the world. He was very influential to so many people.”

The diplomat, who visited the family on behalf of Britain and what he called “the world,” described Lumba as “a cultural pop icon” whose legacy continues to resonate globally.

“It was important to come here today and say that to his family, and remind them that although he could not live longer with us, his influence lives for a long time. God bless Daddy Lumba,” he said.

Mr. McMahon’s visit adds to the long list of dignitaries and public figures who have paid tribute since the highlife icon’s passing.

Among them are former President Nana Akufo-Addo and former Vice President Dr. Mahamudu Bawumia.

The revelation about King Charles’ admiration for Daddy Lumba adds a deeply personal and international dimension to the outpouring of grief and celebration of his life.

The highlife legend’s unique sound, lyrical mastery, and cultural resonance continue to inspire music lovers across generations and continents.

Source: Myjoyonline.com

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The vehicle was seized as part of a joint operation between EOCO and United States authorities. Here are ten important things to know about the incident:

1. Seizure linked to US financial crimes case

The 2019 Lamborghini Urus was seized in connection with financial crimes committed by Nana Kwabena Amuah, a Ghanaian currently serving an 86-month prison sentence in the United States.

The FBI and US Department of Justice requested Ghanaian authorities to locate assets connected to the case.

2. Shatta Wale was in possession of the vehicle

EOCO confirmed in its statement that the luxury car was in the possession of Shatta Wale at the time of the search. However, the agency did not directly accuse the artiste of committing any crime.

3. FBI and US Justice Department requested EOCO’s assistance

The operation was carried out at the request of the US FBI and Justice Department in 2023 as part of efforts to recover assets for Amuah’s court-ordered restitution of $4.7 million.

4. Search conducted by EOCO’s Asset Recovery Unit

EOCO’s Surveillance and Asset Recovery Unit (SARU) led the search at Shatta Wale’s residence in Trassaco Valley Phase 1, one of Accra’s high-end neighbourhoods, on August 5, 2025.

5. Shatta Wale voluntarily surrendered the Lamborghini

The musician was reportedly cooperative during the operation and pleaded with officers not to publicise the seizure due to the vehicle’s association with his public image. EOCO allowed him to voluntarily hand over the car, which is now in their custody.

6 EOCO officers were armed – standard protocol

In response to concerns raised by Shatta Wale about armed officials entering his home, EOCO clarified that officers were armed strictly as part of standard safety procedures during such high-profile seizures.

7. Shatta Wale accused EOCO of intimidation

Following the incident, Shatta Wale took to Facebook to accuse EOCO of intimidating him. He claimed EOCO officials stormed his residence with guns and singled out Executive Director Raymond Archer as having led the operation.

8. Political undertones in Shatta Wale’s allegations

Shatta Wale warned that the EOCO’s actions could have political consequences for the ruling party. “Raymond Archer, EOCO boss, I Ibe you go make NDC go out of power next 4 years,” he wrote in his Facebook post.

9. Shatta Wale named a ‘Person of Interest’

Although no formal charges have been brought against him, EOCO has listed Shatta Wale as a person of interest in the ongoing investigation. A former senior officer of the National Signals Bureau is also under scrutiny.

10. US to file Mutual Legal Assistance Request

EOCO stated that the FBI and US Justice Department will formally request the repatriation of the Lamborghini through a Mutual Legal Assistance (MLA) process, which would allow the vehicle to be returned to the US as part of asset recovery.

The seizure marks a significant development in international cooperation between Ghanaian authorities and US law enforcement in tackling cross-border financial crimes. EOCO has indicated that further investigations are underway.

Source: Graphic.com

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The operation, carried out in June 2025 by EOCO’s Surveillance and Asset Recovery Unit (SARU), followed a 2023 request from the United States Federal Bureau of Investigation (FBI) and Department of Justice (DOJ).

The request was part of an ongoing international investigation into financial crimes.

During the operation, EOCO seized a 2019 Lamborghini Urus linked to criminal proceeds belonging to Nana Kwabena Amuah, a Ghanaian currently serving an 86-month sentence in the U.S. for multiple financial offences.

According to both Ghanaian and U.S. authorities, the luxury vehicle was acquired with funds from Amuah’s criminal activities and had been traced to Shatta Wale.

EOCO stated that the operation was carried out lawfully and without incident. Officers were described as professional and civil throughout the exercise.

Shatta Wale reportedly appealed to the officers to keep the seizure out of the public domain, citing concerns that the vehicle was central to his brand and public image. He was, however, allowed to voluntarily hand over the vehicle, which is now in EOCO custody.

EOCO further clarified that it is standard protocol for SARU officers to be armed during such operations for security reasons.

A formal Mutual Legal Assistance (MLA) request is expected from the FBI and DOJ to the Government of Ghana, seeking the repatriation of the Lamborghini as part of efforts to recover a $4.7 million restitution imposed on Amuah.

EOCO also revealed that Shatta Wale and a former senior officer of Ghana’s National Signals Bureau (NSB) have been named persons of interest in the matter. Both are expected to be invited to assist with the ongoing investigation.

The agency added that the final investigative report may be shared with U.S. authorities in line with international cooperation protocols.

Source: Adomonline

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Shatta Wale alleges EOCO officials invaded his home with guns

Gov’t reintroduces art, needlework in the basic school curriculum 

Set to take place on Friday, 13th September 2025 at 45 Boulevard Frédérick Sauvage, the festival serves as a cultural bridge between Ghana and the Francophone world.

It offers a unique opportunity for Ghanaians living in France and neighbouring countries to reconnect with their roots, while sharing their rich traditions with a broader international audience.

Now a fixture on the Ghanaian cultural calendar in Europe, the GoldCoastEvent Festival has grown into an important platform for artistic expression, unity, and diaspora engagement.

This year’s edition carries special significance with the presence of the Nananom Traditional Council of Marseille, who will be honoured guests at the event. Their participation underscores the festival’s commitment to preserving and promoting Ghanaian customs abroad.

The entertainment lineup features some of Ghana’s most well known comedic talents, including Salinko and Quappiah, whose performances are expected to bring a blend of humour, social commentary, and nostalgia.

The event will also highlight Highlife music, the iconic genre that has long served as the heartbeat of Ghanaian culture.

Organisers say the festival is about more than just entertainment—it is about identity, connection, and pride.

“We are not just celebrating music and comedy,” said a festival spokesperson. “We are celebrating who we are as a people, and we’re inviting the world to join us.”

Marseille, often regarded as France’s second cultural capital after Paris, provides a fitting backdrop for this celebration of Ghanaian heritage, one that resonates with both the local African diaspora and the city’s diverse population.

The GoldCoastEvent Festival 2025 invites all Ghanaians, Francophones, and global citizens to come together for a night of rhythm, laughter, and cultural exchange.

This was disclosed in an official statement following the formal announcement of his passing to Asantehene Otumfuo Osei Tutu II at the Manhyia Palace.

According to the Abusuapanyin of the Ekuona Royal Family, the final funeral rites will take place in Kumasi, the capital of the Ashanti Region. The specific venue, however, will be announced later.

The family said the decision to hold the final funeral rites in Kumasi stems from Daddy Lumba’s royal lineage.

“It is only right that his final resting and farewell be rooted in his hometown and royal ancestry,” the family head stated.

They added that preparations are underway to officially inform the Ga Mantse and the Ga Traditional Council, given the many years Daddy Lumba lived in Accra and the strong fan base he built there.

Acknowledging his global influence and enduring legacy, the family urged fans and sympathisers to observe the commemorations respectfully.

“We humbly ask that all who attend the celebrations and funeral behave in a dignified manner to honour his memory and ensure a peaceful and successful commemoration befitting of the legend he was,” the statement added.

The family also expressed gratitude to Ghanaians at home and abroad for the outpouring of support and tributes following news of his passing.

Further details on funeral arrangements will be communicated in due course.

Press Release: The one-week celebration of the legendary Daddy Lumba will be held in Accra on August 30, 2025, while the funeral will take place in Kumasi, according to Asantehene Otumfuo Osei Tutu II – Ekuona Royal Family of Nsuta Abusuapanyin." pic.twitter.com/rrDExfrxDO

— DLFM 106.9 (@DLFM1069) August 5, 2025

His appointment, made by the President in accordance with the Development and Classification of Film Act (Act 935), places him at the helm of the board tasked with regulating, promoting and supporting Ghana’s film industry.

The inauguration was done on Monday, August 4, 2025.

The National Film Authority, established in 2016 under the Ministry of Tourism, Culture and Creative Arts, oversees the classification of films, industry regulation, and advocacy for filmmakers.

Quashigah, founder and Chief Executive Officer of Farmhouse Productions, is one of Ghana’s most celebrated creative minds.

Trained in directing and scriptwriting at the National Film and Television Institute (NAFTI), he also holds an Executive Master’s degree in Governance and Leadership from Ghana Institute of Management and Public Administration (GIMPA).

His career spans decades of groundbreaking work, including producing and directing the highly acclaimed youth television series Things We Do for Love and Yolo (You Only Live Once), among a litany of other film and television productions.

Yolo dominated the 2016 Ghana Movie Awards, winning seven out of eight nominations, while Quashigah has earned more than 18 international and local accolades, including recognition at FESPACO for Best Short Feature.

As Chairman, Quashigah is expected to lead the board of the Authority in tandem with the Executive Secretary, to advance its mission to improve industry standards, champion Ghanaian storytelling and enhance the country’s presence on the global film stage.

Check out the full list of NFA Board Members below:

1. Appointed by the President – Ivan Quashigah, Chairperson

2. Executive Secretary – Kafui Danku Pitcher

3. Copyright Office – Oladele Kwaku Aribike

4. Ministry of Tourism, Culture and Creative Arts – Mabel Cudjoe

5. Ministry of Communication, Digital Technology and Innovations – Emmanuel Ofori

6. National Film and Television Institute (UNIMAC) – Dr. Rebecca Ohene-Asah

7. Ghana Actors Guild – Yet to be nominated

8. Film Producers Association of Ghana – Mr. Augustine Abbey (Idikoko)

9. Ghana Academy of Film and Television Arts – George Bosompem

10. Women in Film and Television – Assey Tamakloe

11. Collective Management Organisation of Audio Visual Rights Owners – Zakaria Abdulai

12. Film Distributors and Marketers Association of Ghana – Rukiyatou Naa Ayiwaley Antah

13. Film Crew Association of Ghana – Alejandro Peterson Davids White-Cross

14. Television station – Yet to be nominated

Source: Kwame Dadzie

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Ghanaians have been mourning the legendary musician who passed on a few days ago, with a National Candlelight Vigil held last Saturday in celebration of his illustrious musical career.

KK Fosu, in the newly released song titled “Lumba,” expresses his condolences to the bereaved family, urging them to stay strong in these difficult times.

Speaking in an interview after the release, KK Fosu said Daddy Lumba was a music icon he always looked up to and also paved the way for younger artistes like him.

“This tribute song is to celebrate the good works of Daddy Lumba and the impact he has had over the past four decades. He is an inspiration for all younger Highlife artistes and for me personally, he shaped and inspired my career,” said KK Fosu.

The newly released single, which is available across various streaming platforms, also comes along with a visualiser that was shot by Zizi.

Source: GNA

Speaking on Daybreak Hitz on Hitz FM, Okraku‑Mantey reminded listeners that the President had announced during the launch of the Blackstar Experience on May 1, 2025, that a fashion event would take place in July—one in which he himself would walk the runway.

“You guys were promised a fashion show in July by President Mahama and he was going to catwalk himself. July has passed, we are in August,” he told host Kwame Dadzie.

He added that the lack of communication on the matter would have sparked backlash had it occurred under his tenure.

“If I was the one in office, tongues would be wagging at me,” he said.

The fashion show was announced as a major highlight of the Blackstar Experience—an initiative aimed at projecting Ghana’s arts, culture, and creative economy to a global audience.

At the launch in Accra, President Mahama had emphasized his personal commitment to promoting Ghanaian fashion.

“When we host the Ghana fashion week in July, I, your president, will proudly take to the catwalk,” he stated.
“I always wear Made in Ghana clothes, and I have political suits all sewn by Ghanaian tailors. Because this experience is real and it belongs to all of us. On that day, I am going to change three times and walk on the catwalk. And anytime I walk, I will tell you which designer sewed that particular dress.”

As of now, no official communication has been issued regarding the postponement or cancellation of the event.

The Blackstar Experience is the government’s flagship Culture, Arts, and Tourism brand. It is designed to redefine and affirm the Ghanaian identity, attract investment, create jobs, and increase tourism through a year-round celebration of Ghana’s creative and cultural sectors.

Source: Adomonline.com

Founded on the pillars of creativity, unity, and excellence, the Ghana-based label is already making waves with its unique approach to artistry and business.

At the heart of Siblings Recordz are two breakout artists. El Jena, celebrated for his soulful voice and electrifying performances, is poised to captivate audiences far beyond Ghana’s borders.

Alongside him is Chiedza, a gospel sensation whose powerful vocals and inspiring message resonate deeply with fans across Africa. Together, they embody the label’s vision of authentic and boundary pushing music.

“Our mission is simple but powerful. We are here to create a family where artists can thrive, where creativity has no limits, and where African music takes its rightful place on the global stage,” says Derrick Kwaku Oduro, Founder of Siblings Recordz.

Behind the label’s growing success is a forward-thinking leadership team comprising Mr. Bright Pipim Addo (Chief Operating Officer), Miss Sandra Asimeng Sefah (Chief Financial Officer), and Mr. Victor Gonzalez (General Manager).

Together, they bring a mix of strategic vision, industry knowledge, and passion for African music that is positioning Siblings Recordz as a force to be reckoned with.

“More than a label, we see ourselves as a movement, a community where artistry and excellence meet. We are here to shift the narrative,” adds Mr. Bright Pipim Addo.

One of the label’s most anticipated projects is “Carry Go,” an Afrobeat inspired single by El Jena.

Blending infectious grooves with heartfelt storytelling, the track is expected to make a significant impact both locally and internationally when it drops.

Speaking about the track, El Jena shared, “Carry Go is a song that I believe will connect with people everywhere, whether you are in Accra, Lagos, London, or New York.”

Looking to the future, Siblings Recordz has even bigger plans.

The label is preparing to launch an annual global music festival within the next two years. Designed to bring together artists from Africa, the Caribbean, and around the world, including their own stars, the festival aims to celebrate diversity, foster cultural unity, and become a must-attend event on the international music calendar.

“This festival is about more than music. It is about connection, culture, and showcasing Africa’s endless creativity,” says Miss Sandra Asimeng Sefah. Official dates and details will be announced soon.

As Siblings Recordz charts its bold path, it invites music lovers, industry stakeholders, and media partners to be part of its journey. With a mission to redefine Africa’s soundscape, the label is committed to nurturing talent, breaking barriers, and creating a legacy that will inspire generations.

“We are just getting started,” says Mr Gonzalez. “This is more than a career. It is a calling to use music as a force for good, to uplift, and to unite.”

Source: Adomonline

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Daddy Lumba’s family officially informs Asantehene of his passing

A delegation led by the Saamanhene paid a solemn visit to the Manhyia Palace on Monday, August 4, 2025, to perform the traditional rites of notification to the revered monarch.

The visit marks a significant cultural tradition in Asanteman, where the Asantehene, as the custodian of the land and its people, must be formally informed of the death of any royal or prominent native.

With the customary announcement now complete, all traditional protocols have been activated, paving the way for the next phase of funeral preparations.

As part of the commemorative activities, a Candlelight Vigil will be held this Saturday at the Heroes Park of the Baba Yara Sports Stadium in Kumasi, in honour of the late music legend.

The event is expected to attract thousands of fans, fellow musicians, dignitaries, and well-wishers who wish to pay their respects to the man whose music influenced generations.

Further details regarding the final funeral rites are expected to be announced in the coming days.

]]> https://www.adomonline.com/i-am-gods-messenger-victoria-lebene-responds-to-doubts-about-her-calling/ Mon, 04 Aug 2025 16:55:47 +0000 https://www.adomonline.com/?p=2563427 Actress-turned-minister Victoria Lebene has responded to possible doubts surrounding her spiritual calling, stating confidently that her ministry is not self-appointed but divinely assigned.

In a candid moment during her interview on The Career Trail program, she addressed the quiet skepticism she believes may exist in some circles regarding her recent transition into ministry.

“I have not heard it, or nobody has said it to my face. But I am definitely sure a couple of people will be wondering or may not understand because they have not had an encounter with me,” she said.

Victoria acknowledged that people are entitled to their opinions and perceptions but made it clear that such doubts don’t shake her faith or mission.

“You know, people are entitled to have different perceptions and opinions. But I don’t care because I exhibit God-given talents that I have shown to people who have had encounters with me,” she stressed.

“I don’t dwell on such doubts, whether people accept me for who I say I am or not.”

She emphasized that her calling is not self-imposed but rooted in a divine mandate.

“I am a sender. I have not come by myself. It is what God has made me.”

Victoria explained that truly understanding her requires knowing the full story—one that she is responsible for living out through obedience and consistency.

“So you need to know the story to be able to accept. And how do you know the story? It is my responsibility to exhibit all the things that God has said I should become,” she highlighted.

Although she remains authentic to who she is, she admits that the call of God has influenced how she approaches life and purpose.

“It has influenced how I do things, in some aspects, though I’m still myself,” she said.

Source: Irene Adubea Aning

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Speaking candidly on The Career Trail, aired on Joy Learning TV and Joy News, Victoria reflected on how the call of God had been evident in her life since childhood—even when she didn’t fully understand it.

“The call of God has been upon my life from childhood. Anything you see me doing now started at a very young age,” she said.

She admitted that despite this early calling, she initially focused on building a life and career around what felt more comfortable and familiar.

“Sometimes you may not know the direction that our Lord is taking you, and so you turn a blind eye to certain things you are supposed to pay attention to. You want to do the things in your comfort zone—being an actress, a public figure, a model, an influencer, or a humanitarian seemed to be my comfort zone,” she noted.

While pursuing these passions, Victoria said the call of God never left her—quiet at times but persistent—manifesting through dreams, messages, and spiritual promptings.

“You can’t fathom what God wants to communicate unless He keeps coming at you. The call kept coming at me several times, in several instances, in several cases, and in several dimensions. It is unexplainable,” she emphasized.

Eventually, she reached a point where she could no longer ignore the calling.

“I just had to accept the call because it had come on me several times,” she acknowledged.

For Victoria, stepping into ministry is more than a new chapter—it’s a divine assignment.

“It is not easy to do the work of God. You need to be synced into the kingdom work. You need to understand. You need to be willing to accept, both in the mind and in the heart, before the body even comes,” she explained.

Looking back, she believes everything is now aligning with God’s perfect plan.

“Glory be to God. He has made all my goals and desires come to play,” she affirmed.

Source: Irene Adubea Aning

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Speaking on The Career Trail with Irene Adubea Aning, on Joy Learning TV and Joy News, Victoria explained that her early exposure to church life and prophetic declarations shaped her youthful expectations.

“Ministry for me started at a young age. My mom and I would go to church, and the prophet would say, ‘Your child will be a pastor.’ And I thought that I was going to marry a pastor,” she recalled.

However, life took a different path. She got married to entertainment blogger Eugene Osafo-Nkansah, popularly known as Konkonsa, even before completing her studies at Zenith University.

She noted that although she didn’t end up in pastoral marriage, her spiritual sensitivity has remained intact. Victoria believes her life is still aligned with God’s purpose.

“Sometimes you may not know the direction that our Lord is taking you, and so you turn a blind eye to certain things you are supposed to pay attention to. But I thank God for everything I am, because it is through Him that I have become who I am today,” she emphasized.

Source: Irene Adubea Aning

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During an interview on The Career Trail aired on Joy Learning TV and Joy News, she revealed that the business was born out of her husband’s unique eating habits.

According to Victoria, her husband, well-known entertainment blogger Eugene, popularly known as Konkonsa, does not eat meat and prefers only fish.

This sparked a culinary experiment that eventually grew into a full-fledged business.

“Vicky’s Recipe came about as a result of my husband, who doesn’t eat meat; he takes only fish. So I said to myself, what can I do if I want to make jollof? So I did a little experiment with fish, and it tasted so nice,” she recounted.

Impressed by the taste, her husband encouraged her to take the bold step from kitchen to business.

“He loved it and said, ‘You have to allow people to have a taste too. You need to commercialize this.’ So I said okay and started online,” she shared.

What began as a humble online offering quickly caught fire. Orders poured in, and customers praised the unique flavor.

“The love for the food went crazy. Everybody was like, ‘Vicky’s Recipe tastes great. I want the jollof,’ and it went gaga. I’m like, oh my God, this thing is catching a lot of fire,” she said.

Encouraged by the demand, Victoria expanded her menu to include more dishes. However, it’s the original fish jollof that continues to steal the spotlight.

Buoyed by the overwhelming response and growing customer base, Victoria Lebene revealed that her next big step is to open a physical restaurant.

Source: Irene Adubea Aning

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Source: graphic.com.gh

Song was found unresponsive inside a parked car in Cheoin-gu, Yongin, south of Seoul, around 8 a.m. local time, according to local authorities. Police confirmed there were no signs of foul play and no suicide note was found. An acquaintance discovered his body.

Song made his stage debut in 1994 in the children’s musical “Wizard Mureul” and built a steady three-decade career across theater, film and television. He was best known for supporting roles in projects including “Trick,” “Stove League,” “Baseball Girk” and “Hyena.”

His appearance in “Extreme Job” — one of the highest-grossing films in Korean cinema – cemented his status as a reliable character actor with a knack for dry humor and gritty realism.

In June this year, Song was involved in a DUI incident in Yongin, reportedly driving five kilometers with a blood alcohol concentration high enough for license revocation under South Korean law. He was referred to prosecution without detention. In the aftermath, Song stepped down from the stage production of “Shakespeare in Love” and was removed or minimized in two dramas airing at the time – ENA’s “The Defects” and SBS’s “The Winning Try.”

Song’s gravitas and consistency made him a go-to supporting actor in the Korean entertainment industry. His performances often grounded large-scale productions with quiet authority, a presence that resonated with audiences even in ensemble-heavy works. His unexpected death adds another chapter to the ongoing conversation about mental health and media scrutiny in the South Korean entertainment landscape. Earlier this year, actor Kim Sae-ron was found dead at her home.

Song is survived by his wife and two daughters.

Source: Variety.com

In a heartfelt message shared on his official Facebook page, the minister reflected on their journey together, describing it as “a reflection of life – highs, lows, joys and tears.”

He expressed deep appreciation for the love, friendship, and mutual respect that have sustained their relationship over the years.

“I cherish the bond we share and look forward to the next chapters of our story,” he wrote.

Paying tribute to his wife, Sam George described her as “a wonderful partner, lover, mother, wife, but most importantly, friend,” adding, “I loved you that first day, today, tomorrow, and every tomorrow after.”

The post has since drawn warm reactions from well-wishers and admirers.

Source: Adomonline.com

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In a series of social media posts, Jamar revealed that while his contract officially ends this year, GADone Records has been unresponsive since 2024. According to him, all attempts to seek closure have been ignored.

The rapper expressed frustration about the label’s silence, describing it as cruel and indicative of how artists are sometimes treated.

He added that he’s seeking legal counsel to navigate the remainder of the contract.

Shortly after the posts gained traction online, GADone Records issued a formal press release countering Jamar’s claims.

The label stated that the artist remains under contract and has not fulfilled all his obligations. It accused him of breaching the agreement through unauthorized music releases and business engagements without the label’s consent.

GADone further asserted that Jamar had “full and ongoing access” to his designated managers and regional head, and warned that his public comments could be damaging to the label’s reputation.

Jamar, however, fired back again on social media, questioning how a label could “go inactive for almost a year” and expect the artist not to seek alternative means of survival.

While the label has stated it will make no further public comments for now, the fallout has triggered wider conversations online about artist-label relationships in Ghana.

The event, organized by the Creative Arts Agency, served as a heartfelt tribute to a legendary artist whose music has continued to resonate with generations of Ghanaians.

The gathering attracted not only fans and fellow musicians but also dignitaries and members of the general public, all uniting in shared grief and reflection over the loss of an iconic figure in Ghana’s music history.

Dressed in black to symbolize their mourning, participants lit candles and sang along to Daddy Lumba’s timeless hits, creating a warm atmosphere filled with nostalgia and a celebration of his extraordinary career.

Tributes poured in, reflecting the profound loss felt by fans mourning a true music legend.

Some of Daddy Lumba’s most beloved songs, including “Yemfa Odo,” “Sika Asem,” “Sika,” “Yɛne Wo Sere Kwa,” “Mepaebo,” “Akwanoma,” “Ɛyɛ N’adom,” and “Makra Mo,” echoed powerfully throughout the vigil.

The event was graced with performances from celebrated artists such as Rev. Thomas Yawson, Kwabena Kwabena, Apioko Abbey, Andy Dosty, among others—each adding to the emotional tapestry of the evening while honoring Daddy Lumba’s indelible legacy in the hearts of many.

Adomonline’s photojournalist, Joseph Odotei, was on the ground to capture poignant moments from the solemn occasion.

The monthly series, launched at the NFB office in Cantonments, Accra, will be held on the second Friday of every month and feature stories from Ghana’s diverse regions, told in local languages to reflect the country’s cultural and linguistic richness.

In a speech read on behalf, Madam Dzifa Ablah Gomashie, Minister for Tourism, Culture and Creative Arts, described storytelling as a “living library” and a vital tool for education and moral instruction.

“We cannot allow a very important intangible cultural heritage to go down, as it serves in safeguarding our society’s identity, fostering social cohesion, and promoting economic growth,” she said.

The Minister said the initiative would help children learn firsthand cultural practices that support socialisation.

“From Ananse stories in the South to epic histories from the Savannah, from Ewe, Dagbani and Ga oral traditions to the symbolism of Kente and Adinkra, showcasing the depth and breadth of Ghanaian creativity,” she added.

Madam Gomashie said the programme formed part of the government’s “Black Star Experience,” initiated by President John Mahama to boost cultural tourism.

Executive Director of the NFB, Mrs Bernice Ann Deh-Kumah, said the Board was established to preserve Ghana’s intangible cultural heritage.

She explained that the Copyright Act, 2005 (Act 690), mandates the Board to protect expressions of folklore and ensure proper documentation, use, and promotion.

“Since our establishment, we have organised various activities to disseminate information on folklore and assisted in the administration and monitoring of its use,” she said.

These include World Folklore Day celebrations, Folklore Fun Day events, and the formation of folklore clubs in basic schools.

She called on parents and the public to embrace the initiative, which aims to reconnect the younger generation with Ghana’s storytelling traditions.

Source: GNA

The former President noted that the highlife legend helped him win the mandate of Ghanaians to govern the country.

Nana Akufo-Addo said this when he paid a visit to the family of the late highlife legend on Friday, August 1, 2025, to extend his sympathy.

“I came here to sympathise with you and the loss of your royal. I cannot forget what he has done for me. Today, my name is everywhere in Ghana because of him and the work he did,” he said.

The former President also noted that he will be very pained if he is not part of the funeral arrangement, because he really wants to show his appreciation.

Source: George Wiafe

Ghanaians immortalise Lumba – Candlelight event at Independence Square tonight

Kofi Okyere-Darko: Random thoughts on growing up around Daddy Lumba

Aben wo aha, but Lumba wɔ aseɛ hɔ.

The fire raged, the dance never stopped, the lyrics still sting with joy and truth, yet today, the voice that made even sorrow sound sweet is quiet.

The man, whose music stitched itself into the very rhythm of our lives, has taken his final bow.

Daddy Lumba, born Charles Kwadwo Fosu, was not just a name, but a mood, a memory, a movement. In a period he had reached over 35 years of setting stages ablaze, he vanished like a final note fading into dusk.

Tonight, a national candlelight vigil is being held at the Independence Square in his memory, with a book of condolence already opened by the family at his radio station, DLFM (106.9 MHz) and residence since last Tuesday.

Just last September, he turned 60, and for the first time, he let us in, not through a song, but through a rare celebration.

He laughed, he waved, he glowed. Maybe, he was saying goodbye.

Now the stage is empty, but the spotlight remains.

The beat may pause, but the legend? He lives on in every note that dares to carry his name.

Though he was one of Ghana’s most celebrated stars, Daddy Lumba remained intensely private.

He rarely granted interviews or courted publicity, choosing instead to let his music speak for him.

In 1998, Gaddy Laryea’s Media Majique and Research Systems, the firm responsible for organising the Miss Ghana Beauty Pageant, went through a herculean task to get him to perform on stage live as part of the event.

It was the very first time Ghanaians would see Daddy Lumba wow his fans in a live stage performance, shattering doubts about his stagecraft.

Emmanuel Krampah, who was the General Manager at Media Whiz Kids, the event organising unit of MMRS, said Daddy Lumba’s Manager at the time, the late Kwasi Brenyah, then of Peace FM, executed the contract.

His quiet nature added to the mystique, making every rare appearance feel like a privilege.

Collective grief

Even in death, Daddy Lumba is bringing people together, not under concert lights this time, but through shared tears and glowing memories.

To the gospel singing trio, Daughters of Glorious Jesus, the connection ran deeper than sound.

“We used to call him our big brother. I recall the days we recorded in the same studio in Germany.

He was soft-spoken, so lovable, so kind.

After studio sessions, we’d go home and eat together; that’s who he was,” said Cynthia Appiadu, the soprano singer of the group.

For Edna Sarpong, also a member of the group, Lumba’s strength lay not just in vocals, but in restraint.

“He was slow to anger, quiet in the face of media noise. He hardly responded; he let the music speak.

The way he strung words together, the way he brought stories to life in songs, it was unmatched,” she said.

And for Monica Owusu Ansah, also a glorious daughter, the void feels even deeper.

“I wish he had left a protégé, someone to carry that torch. When you listen to his gospel songs, you feel it.

Yes, he may not have seemed ‘too churchy’ for some, but the man had a heart for God.

That guy could sing about anything and make you feel everything,” she said.

Gospel act, Diana Asamoah, shared similar sentiments: “Daddy Lumba wasn’t just a highlife legend; he was a man who knew God in his own quiet, personal way.

Gospel act, Diana Asamoah, shared similar sentiments: “Daddy Lumba wasn’t just a highlife legend; he was a man who knew God in his own quiet, personal way.

Flagbearer hopeful of the New Patriotic Party (NPP), Kwabena Agyei Agyapong, spoke from a place of personal loss.

“Daddy Lumba was a national asset.

A friend, a man whose voice comforted us in private pain and public joy.

This one hurts; we didn’t just lose an artiste, I lost a personal friend.”

President John Mahama also joined the national chorus of mourning with a tribute on Facebook.

“Lumba’s unmatched musical genius provided the soundtrack to our lives, carrying us through various phases of life.

The beats to his memorable songs may have died down, but his enduring legacy will echo through the ages.”

Other entertainers such as Sarkodie, Guru, Sista Afia, M.anifest, Pat Thomas and Wendy Shay have also paid glowing tributes, honouring the incredible gift he shared with the world.

Charting immortality

In the days following his passing, Lumba’s music has flooded digital platforms.

On Apple Music Ghana, 30 of his songs entered the Top 100, with Makra Mo shooting straight to No.1.

Best headphones deals

His political anthem, Nana Ye Winner, released ahead of the 2008 elections, boldly stepped into the political space.

Yet, his fan base remained solid, proof of a legacy that transcended party lines.

Daddy Lumba’s true magic was not just in his beat, it was also in his words, his mastery of Asante Twi, laced with wit, proverbs, giving his music unmatched depth.

You didn’t always catch every word. But you felt every meaning.

His songs captured everyday realities from financial struggles (Sika Asem, Ohia Asem) to romantic highs (Se Sumye Kasa, Odo Nti) and even sensual themes (Tokuro Mu, Awooso). Yet, even when he flirted with controversy, he did it with class, never crass.

Lumba also reminded us of faith (Mesom Jesus, Yesu Ka Yen Ho), gratitude (Theresa), and truth (Yentie Obiaa). He was a master of double meaning — Obi Ate Me So Buɔ, Biribi Gyegye Wo and Sesee Wo Se — prove that.

But what struck me most was how he faced death.

He didn’t shy away from it, he sang about it.

Songs like Makra Mo, Yemfa Odo, and Adaka Teaa were his way of writing his own eulogy.

Source: grahic.com.gh

-Then a horn honked at the gate. My cousins Joe, Anita and I rushed to open it, and there he was. The living legend himself, Daddy Lumba, driving in like a scene straight out of TV. We were beside ourselves with excitement.

That’s how it all began. We were introduced as his younger cousins, tied by our mothers’ roots in the Bretuo-Aduana lineage of Asante Mampong. I must’ve been around 14 or 15 years old, and from then on, I started spending more time with him at home with Gina, at Charles Amoah’s place in Awudome or with Willie Roy in Tema, where demos were always in the works. It was during these moments that I truly fell in love with highlife music and developed an eye for artistry and musicianship.

When computer schools started springing up everywhere, Papa pulled me aside and said, “Nana, I think you should enrol, this is where the world is heading.” The next day, it had been paid for me to start a computer program at Arab Libyan Cultural Centre on the Ring Road. He was always ahead of his time.

During school vacations, I’d help out at his music shop in Okaishie, just opposite the MTTU. Joe and I worked alongside Sister Abena (his wife Akosua Serwaa’s older sister). The shop was like a magnet for underground musicians, some hopeful, some discouraged, but all inspired. Getting through the gate to meet him was a mission in itself, you needed more than luck, you needed Papa’s green light.

That little corner of Dome, introduced me to so many greats like Nana Tuffour, Oheneba Kissi, Afia Ampofoa, KK Kabobo (another proud son of Adansi), Felix Owusu, Dada KD (who often worked with Charles Amoah), Tommy Wiredu, Frank Mensah… Papa adored their talent. There was also our brother Papa Shee, then his dancer, and a quiet, persistent young guy who often waited patiently at the gate with his demo, none other than Ofori Amponsah. That patience paid off with a collaboration album in 1999–2000. I would later manage Ofori for four incredible years.

One random afternoon, we were driving from an interview at Vibe FM, tuned in to Radio Gold (the gold standard back then for authentic Ghanaian music). An ad came on calling for new radio presenters. Papa suddenly turned to me and said, “Nana, this one’s for you, let’s apply.” I jumped at the idea, I’d always dreamed of doing radio. With help from Kwame Farkye at Sunshine Radio, I recorded a demo. Papa himself drove me to Radio Gold to meet Kwaku Boafo-Agyemang, the Programs Manager. And just like that, my media journey began in 1997.

Thank you, Papa, for seeing something in many of us before we even saw it ourselves. For being generous with your time, intentional with your influence, and unapologetic about helping others win. You changed my life and the lives of countless others. You weren’t just a legend on stage, you were magic offstage too.

Sleep well Papa!

The group included the Benkumhene of Bosomtwe Asaman Kokofu and veteran highlife musician Kaakyire Kwame Appiah, gospel singer ACP Kofi Sarpong, and fellow highlife artiste Nana Agyemang.

They visited the late icon’s residence at East Legon, Accra, where they sympathised with his grieving family.

Speaking on behalf of the group, Kaakyire Kwame Appiah described Daddy Lumba as a towering figure in Ghana’s highlife music scene.

He revealed that many highlife musicians regarded Lumba as an icon whose influence was so great that artists often delayed releasing their own songs when Lumba dropped new music.

“Whenever Daddy Lumba released a song, we knew competition was tough. We would often hold back on our releases. He set a high standard for all of us,” Kaakyire Kwame Appiah said.

Gospel musician ACP Kofi Sarpong urged the public to remember the bereaved family in prayer.

“This is a painful moment for the wife, children, and entire family. Let’s lift them up in prayer during these difficult times,” he appealed.

Daddy Lumba, born Charles Kwadwo Fosu, was one of Ghana’s most celebrated and influential highlife musicians.

Known for his unique voice, soulful lyrics, and consistency across decades, he produced numerous hits including Aben Wo Ha, Yentie Obiaa, and Theresa.

Source: Prince Owusu

Adom Brands of Multimedia Group commiserate with family of late Daddy Lumba

Arriving in a solemn convoy, the former President was received by chief mourners, family heads, and a host of sympathizers gathered to honour the memory of the iconic musician.

Clad in black, Akufo-Addo was seen in a moment of quiet reflection as he paid his respects and offered his condolences.

During the visit, he signed the book of condolence opened in honour of the late musician, whose influence on Ghana’s music industry spanned decades.

He was later joined by the Minority Leader, Alexander Afenyo-Markin, and other prominent members of the New Patriotic Party (NPP), who also visited the residence to mourn with the family.

He came earlier this week… and he’s back again. Minority Leader Alexander Afenyo-Markin returns to Daddy Lumba’s residence, this time, to join former President Akufo-Addo as he signs the book of condolences. #JoyNewsFocus || #JoyDigital pic.twitter.com/oYpcrbLlM8

— JoyNews (@JoyNewsOnTV) August 1, 2025

The atmosphere was filled with deep emotion as dignitaries and fans continued to gather, reflecting the national significance of Daddy Lumba’s passing.

Former President Akufo-Addo extended his heartfelt condolences to the family, describing Daddy Lumba as a cultural icon whose legacy would live on.