Before the changes, Sammy Flex served as the Artiste Manager for the celebrated dancehall artiste.

In a post on Sammy Flex TV on Tuesday, July 22, 2025, Sammy shared insights about the new development and reflected on his evolving role within the Shatta Movement.

“Ever since I joined the Shatta Movement team, many people who know me know my background as a journalist, PR person and all. So when I was given the managerial position I couldn’t sit down and allow that aspect to be empty. I had to combine forces like Captain Planet,” he said.

He noted that his primary focus as manager was to stabilise the team and reshape public perception of Shatta Wale.

“It is now time to bring in other energies so that I can even do more here,” he added, stressing that the job is too demanding for one person.

“One thing I believe is that the Shatta Movement job is not a one-person job. Those who are closer to it understand it and they know that you can’t do it alone. These people have been there. They are not new people. They have been there playing different roles but now they have been given specific roles to play to make sure the team runs,” he further explained.

Shatta Wale announced the new management structure in a Facebook post, unveiling a refreshed line-up aimed at strengthening the Shatta Movement brand.

Other appointments include Juwaid Abdallah Sika as General Manager for Bookings and Requests, Gifty Nkrumah as Road Manager, Daniel Kwesi Kpingbi as Personal Assistant to the artiste, Solomon Ashong (Solash) as Regional Coordinator for Merchandising, and Kester Ashong Teye (Nawtyboi) along with Stanley Dartey (Paq) on the Music Production Team.

The reshuffle is seen as a strategic move to boost Shatta Wale’s brand visibility and public engagement, with Sammy Flex expected to play a key role by leveraging his extensive media and PR experience.

According to the prophet, the vision involved about ten armed men pursuing Shatta Wale in an attempt to take his life. Though the musician reportedly escaped the initial attack, the prophecy further alleged that he was later ambushed and killed by three different assailants.

The prophet added that after escaping the first attack, Shatta Wale was seen on social media thanking God before the second, fatal encounter.

In a fiery response shared online, Shatta Wale criticised the prophet and other so-called men of God who, he claimed, exploit fear to manipulate the public and chase attention for personal gain.

He expressed outrage over what he described as a pattern of false prophecies targeting celebrities to go viral and profit off public anxiety.

Shatta Wale also issued a stern warning to the Ghana Police Service, demanding the arrest of the prophet within a week.

He cautioned that if the matter is not addressed by law, his next move would serve as a “lesson to the country.”

This incident comes amid increasing concern over controversial prophecies involving the lives of public figures. The Ghana Police Service has, in recent years, warned religious leaders against issuing unverified death prophecies that could incite panic or disturb public peace.

]]> https://www.adomonline.com/tennis-star-venus-williams-announces-engagement-to-actor-boyfriend/ Wed, 23 Jul 2025 11:17:13 +0000 https://www.adomonline.com/?p=2558799 Venus Williams has confirmed that she is engaged to her actor boyfriend Andrea Preti, moments after winning her first tennis match in 16 months after a health issue last year.

Williams, 45, made the revelation after turning back the clock to beat Peyton Stearns – 22 years her junior – in straight sets at the Citi Open in Washington D.C. She had last played in March 2024 and in her time away, had surgery to remove fibroids from her uterus.

After her triumph, she confirmed to the crowd that she is now engaged and that Preti, 37, had been a huge source of motivation on the comeback trail.

‘My fiancé is here and he really encouraged me to keep playing,’ she said to huge cheers and applause.

‘There were so many times where I just wanted to coast and kind of chill. Do you know how hard it is to play tennis? You guys don’t know how much work goes into this, like it’s 9 to 5 except you’re running the whole time.

‘Lifting weights and just like dying and then you repeat it the next day. So he encouraged me to get through this and it’s wonderful to be here. He’s never seen me play.’

Speculation first started that Preti had popped the question when Williams was seen practicing in Italy with a huge ring on her wedding finger in February. And while it is not yet known specifically when the couple got engaged, the rumors back then now seem to be true.

Williams has always kept a degree of privacy over her romantic life but rumors she was dating Preti gathered pace last summer when they were spotted on vacation near the Amalfi coast.

Preti was born in Denmark but moved to Italy as a teenager, according to IMDb.

For the tennis great, happiness off the court has come at a time of difficulty. Opening up about her health condition in July, Williams said that her fibroids led to heavy bleeding and intense cramps – having a huge impact on her life, let alone her tennis career – but doctors were always largely dismissive of her symptoms.

‘As bad as things were for me, crazy amounts of bleeding like you couldn’t imagine … my doctors told me it was normal,’ she told NBC News. ‘No one should have to go through this. You don’t have to live this way.’

Now, she says, she is ‘praying for good health’ during the twilight of her career.

Speaking on Monday after winning in the doubles at the Citi Open, Williams revealed how her mindset around her game had changed after her health scare.

‘Where I am at this year is so much different where I was at last year. It’s night and day, being able to be here and prepare for the tournament as opposed to preparing for surgery a year ago,’ she said.

‘At the end of the day, it doesn’t really matter if your health is not there. So, it definitely put it in perspective for me and maybe made it easier to make the decision to maybe come back out here and maybe play even freer.’

While sister Serena is married to Reddit founder Alexis Ohanian, Venus had stayed single for much of her sporting career.

But in October 2022, she admitted that she was ready to settle down with the right person.

‘I’ve had a single life for a long time and I think it’s really easy to get stuck in a single life and sometimes – at least for me – harder to get out,’ she told Gamour.

‘It makes you think about yourself and what you want and how to behave. When life changes, you’ve got to know when to change.’

Williams on Tuesday became the oldest player to earn a WTA singles victory since Martina Navratilova won a match at Wimbledon in 2004 as a 47-year-old.

In his latest skit, which has rapidly gained traction online, Jeffrey Nortey tackles the subject of fibroids, delivering a thought-provoking performance that blends humour with raw emotion.

The short but impactful skit opens with a seemingly light-hearted confrontation between a couple. The female character accuses her partner of fixating on her changing body — particularly her stomach — and misjudging it as weight gain caused by overeating.

As the exchange unfolds, the real story emerges. She reveals she has been battling fibroids, a condition that has left her in pain, caused her to bleed for weeks, and made her abdomen swell significantly.
Her revelation hits a nerve, especially as she explains how the pain and emotional toll have been compounded by her partner’s insensitivity.

The scene shifts dramatically from playful banter to a heartfelt plea for understanding, highlighting the psychological and physical burden many women endure in silence.

“I needed comfort, not criticism,” she says, confronting the tendency of loved ones to pass judgment before asking what’s truly wrong. The male character, played by Nortey himself, is remorseful and quick to act, offering to accompany her to see a doctor and expressing concern that the fibroids may even be affecting their ability to conceive.

The skit doesn’t just stop at emotional impact — it also slips in valuable information about the condition, noting that fibroids can be treated, managed, or surgically removed.

The final moments take a humorous twist when intimacy is ruled out due to the pain, and the urgency to seek medical help becomes the closing note. This blend of education, empathy, and entertainment has resonated widely with viewers.

Comment sections across platforms have been flooded with emotional reactions and shared personal experiences.

Renowned broadcaster Israel Laryea praised the skit, writing, “Educating the public about critical health matters through content creation. This is how it should be done. Ayekoo! You’re doing well.”
Another viewer, Rebekah, reflected on her own experience, saying, “People will see you and ask if you’re pregnant cos of your tummy size. The silent battles we fight.”

Others highlighted the broader relevance of the message. Delly, who has been living with Polycystic Ovary Syndrome (PCOS) for over a decade, shared how this type of content validates the quiet struggles of many women whose physical changes are often misunderstood. “People around me will comment on my weight gain as if it’s a casual thing. I decided to take charge of my story and not let anyone dictate how I feel,” she wrote.

The responses underline a growing public appreciation for digital content that touches on under-discussed health issues, especially those affecting women. While the skit may have ended on a humorous note, it left behind a serious message that many viewers carried away.

This isn’t Jeffrey Nortey’s first foray into using storytelling to highlight reproductive health matters. He previously released a skit shedding light on the realities of menstrual health, which similarly drew widespread attention and commendation.

With a clear interest in using his platform to break societal taboos and foster awareness, Jeffrey Nortey continues to carve a unique space at the intersection of performance and public health education.

Source: Amelley Djosu

Speaking on Hitz FM’s Daybreak Hitz with Kwame Dadzie, Fameye said the challenges on the night limited what could have been a near-flawless delivery.

“I had setbacks that, if not for those reasons, I would have been the number one performer that night. Because we had a preset and it was supposed to be played that day.

What I was hearing in my voice was supposed to have been different from what the audience was hearing. And here comes the case, nothing was played. I was waiting for my in-ear to play the sound. I wasn’t hearing anything, my in-ear wasn’t playing. Even my band, they could not hear. So they had to start before I joined them to sing, and because I wasn’t hearing them, you saw me take off the in-ear and I was struggling to hear what was playing from the monitors,” he explained.

Fameye, who won Highlife Artiste of the Year, added that he was hoping to win more awards on the night but he appreciated what he got because it was iconic.

The 25th edition of the Telecel Ghana Music Awards took place on 10th May 2025 at the Grand Arena in Accra.

Luna Rooftop Bar, in the heart of Airport City, was the venue for the epic curtain-raiser of the 13th edition of Africa’s biggest DJ event on Saturday, July 19. The event set the tone for what promises to be another milestone celebration of Ghana’s vibrant DJ culture.

The high-energy launch, expertly steered by seasoned MCs Jay Foley and Michelle Agyekum, attracted some of the most influential personalities in the creative industry. Notable attendees included Gilbert Aggrey a.k.a. Abeiku Santana, Deputy CEO of the Ghana Tourism Authority, and Mr. Ahumah ‘Daddy Bosco’ Ocansey, Board Member of the Ghana DJ Awards.

Other personalities who showed up to express their unwavering support included Fameye, Eddy Blay, Streetbeatz, Mixmaster Garzy, Lali x Lola, OV, Nana Romeo, Kalybos, MC Yaa Yeboah, and influencer Tilly, among others.

Their presence underscored the awards’ stature as Africa’s leading DJ honours scheme, powered by Smirnoff and proudly sponsored by Guinness Ghana.

Reigning Event DJ of the Year, DJ Pho, kicked off the night with a stunning display of turntable skills, treating attendees to back-to-back sing-along classics. He later handed over to DJ Phantom and DJ Sly King, who elevated the energy to another level.

The night also featured music performances from dancehall artiste Aklerh, hiplife group Keche, and Afrobeat singer Mopthy.

Speaking at the launch, the organizers—Merqury Republic—unveiled an exciting calendar of activities designed to sustain the buzz ahead of the main event, slated for November 29, 2025, at the Palms Convention Center, La-Accra.

Before the grand finale, six out of the 16 regions—Greater Accra, Volta, Bono, Ashanti, Western, and Central—will host the much-anticipated Pubfest.

The Pubfest train is expected to continue its tradition of unearthing some of the nation’s most talented but hidden DJs. It will also connect music fans and industry players to their favourite DJs and reiterate the DJ’s powerful role as a cultural curator—energizing communities through music, skill, and creativity.

The 2025 calendar also includes educational components, with Takoradi and Accra set to host the Ghana DJ Clinic on August 30 and November 27, respectively.

Merqury Quaye, Creative Director and Founder of the scheme, revealed that the 13th edition will feature a Jamaican sound-clash segment on November 29.

Meanwhile, Yaa Amoah-Owusu, Marketing Manager for Spirits & Ready To Drink (RTDs) at Guinness Ghana, expressed her “heartfelt gratitude to the organizers of the Guinness Ghana DJ Awards for their commitment to putting the Ghanaian DJ on the global map.”

She added, “Guinness Ghana will continue to lead and shape the DJ community in Ghana through the Guinness Ghana DJ Awards festival.”

With the launch successfully done and dusted, the journey to crown the best of Ghana’s DJing fraternity has officially begun, promising a series of immersive experiences that spotlight talent and grow the music culture.

For detailed updates on the itinerary, kindly check out the Guinness Ghana DJ Awards social media handles.

ALSO READ:

• Guinness Ghana DJ Awards 2024: Full list of winners

• DJ Promise recognized at 2024 Guinness Ghana DJ Awards with discovery DJ of the…

In a chat with Joy FM’s Kwame Dadzie, published on myjoyonline.com, Mr. Oduro [now Dr. Oduro], revealed that he took a break from music to pursue higher education.

“I decided to go to school. I have a Doctor of Pharmacy degree. I have been practising in the United States since 2017,” he said.

Dr. Oduro earned the Doctor of Pharmacy degree from D’Youville University School of Pharmacy in Buffalo, New York.

He shared that his passion for medicine was sparked at a young age.

“At the age of 12, my uncle who is a medical doctor bought books for me on medications to read,” he recounted.

Though he has not returned fully to music, Dr. Oduro has found a creative way to blend his artistic and scientific worlds. He now uses elements of music and poetry to promote health awareness and discipline.

“I did not want to get rid of my God-given talent. So I decided to merge my music and rap talent with my earthly acquired Doctor of Pharmacy degree to help the public,” he said.

Dr Oduro rose to fame in the early 2000s during the height of Ghana’s hiplife movement, with songs such as Abiba, Meeli, and Awura Adwoa.

He is currently based in the United States of America, where he lives with his wife and three children.

Check out one of his new works below:

The recognition was during the maiden edition of a new initiative to celebrate the Highlife Artiste of the Year, in collaboration with the Musicians Union of Ghana (MUSIGA) and other stakeholders within the tourism sector.

At the ceremony, Fameye received a citation for his role in promoting highlife music.

In addition to the citation, he was presented with a cheque of GHS 10,000, an unexpected gesture of support facilitated through the kind courtesy of renowned broadcaster and tourism ambassador Abeiku Santana.

The event also brought together legendary highlife musicians and cultural ambassadors.

Fameye described the experience as fulfilling, especially being given the opportunity to connect with the very icons who have paved the way for the genre.

He is optimistic that this recognition will become an annual tradition aimed at strengthening the bond between culture and music.

Fameye expressed deep appreciation for the honour and pledged to continue representing Ghanaian music on both local and international platforms.

Source: Adomonline.com

During a courtesy call at the Manhyia Palace on Friday, July 18, 2025, the King told Sarkodie and his team that he would be pleased to witness the event in person.

“They don’t allow me to go out often but this one, I will like to attend and watch the event myself,” Otumfuo said.

The visit was to officially inform the Asantehene about the upcoming concert and to seek his blessings and consent. Sarkodie, born Michael Owusu Addo, was accompanied by his manager Angel Town and Nabil Alhassan of Event Factory.

They presented their plans and expressed gratitude for the opportunity to engage with the royal household.

The King offered words of advice to Sarkodie and his team, encouraging them to remain humble and focused in their pursuits. He also assured them of his support, including his readiness to attend the show.

Sarkodie’s Rapperholic Concert, traditionally held in December in Accra, is one of Ghana’s most prominent annual music events. Hosting the event in the Ashanti Region marks the second time the show will take place in Kumasi, following a successful edition previously held there.

The 2025 concert is expected to draw thousands of fans and industry stakeholders, making it a significant cultural and entertainment event for the region.

The revelation was made during the official launch of ASO @ 20, held at Croks Lounge in Osu on Friday, July 18, 2025.

The event forms part of a series of activities to mark the 20th anniversary of the iconic song, which many consider a cornerstone in modern Ghanaian highlife music.

Addressing guests at the event, Kwabena Kwabena noted that Aso has already received a fresh breath of life in recent times, thanks to King Promise, the reigning TGMA Artist of the Year, who paid tribute to the masterpiece in one of his own projects.

He acknowledged the fresh life breathed into the classic and hinted that the time had come for the beloved track to evolve.

He further revealed that an extended remix of Aso is scheduled for release before the end of the year.

While specific details, including featured artists, have yet to be confirmed, there is strong speculation that King Promise may be involved in the upcoming version.

Originally released in 2005, the song catapulted him into the limelight and remains a staple on Ghanaian music playlists to this day.

The ASO @ 20 celebration will continue with major concerts in Accra, Takoradi, and Kumasi. The Accra edition is scheduled for November 15 at the Labadi Beach Hotel and is expected to feature a stellar lineup of performers and surprise moments that honour both the legacy of the song and the journey of the artist.

]]> https://www.adomonline.com/emotions-run-high-as-late-jnr-popes-first-son-graduates-from-primary-school/ Tue, 22 Jul 2025 11:04:40 +0000 https://www.adomonline.com/?p=2558335 There were strong emotions and a sense of bittersweet pride as Jason, son of late Nollywood actor Jnr Pope Odonwodo, graduated from primary school.

The day marked a significant milestone not just for the young boy, but for the entire family still grappling with the tragic loss of their beloved father and husband.

Jnr Pope, who passed away earlier this year, had always cherished the idea of witnessing and celebrating such defining moments in his children’s lives. Though absent in body, his presence was deeply felt throughout the ceremony.

His widow, Jennifer Odonwodo, reflected on how meaningful the day would have been for the actor and expressed heartfelt gratitude to God for sustaining her family through these trying times.

She acknowledged the grace and strength that have carried her and the children since his passing, describing God as their ultimate protector and provider.

Despite the heartache, the day was also filled with hope and pride for Jason’s achievements and the enduring legacy of his late father.

Watch video below:

 

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Malcolm-Jamal Warner, an actor best known for his role as Theo Huxtable on The Cosby Show, has died.

Warner, who was 54, drowned at the weekend while on holiday in Costa Rica, local authorities said.

He appears to have been dragged out to sea by a swift ocean current while swimming at Playa Grande around 14:00 (20:00 GMT) local time on Sunday in Cocles, a town in the province of Limón, Costa Rica’s Judicial Investigation Agency said.

Warner played the son of Bill Cosby on the hugely popular US sitcom from 1984-1992. Tributes swiftly poured in from celebrities, including Questlove, Jennifer Hudson, Taraji P Henson, Jennifer Love Hewitt and Magic Johnson.

Jacques M. Chenet/Corbis via Getty Images

 

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According to TVC News, the celebrated actor died on Thursday, July 17, 2025, following months of declining health, but his family chose to keep the news private.

Though he had been bedridden for some time, many close to him believed he was on the road to recovery, until news of his passing broke.

Tom Njemanze rose to prominence in the 1990s and became a household name for his compelling performances in Nollywood classics such as Tokunboh, Pounds and Dollars, Atosa, Issakaba, Osuofia in London, Brain Box, and Igbotic Love.

Njemanze carved out a legacy as one of the enduring pillars of Nigerian cinema.

His contributions helped shape Nollywood’s golden era, earning him admiration across generations of movie lovers.

Tributes have begun pouring in from fans and colleagues across the continent, celebrating his talent and remembering his immense influence on the Nigerian film industry.

The symbolic presentation took place at the NFA Conference Hall, where GAFTA executives handed over the cheque to NFA leadership. The amount represents usage fees received from Breakwater Studios, based in California, for archival footage used in a documentary about Ghanaian cinematography pioneer Rev. Chris Hesse.

Dr Fara Awindor, President of GAFTA, described the donation as the beginning of “an important chapter in the growth and development of our young but promising National Film Authority”.

He noted that the NFA’s sustainability requires continuous support from both within and beyond the creative industry.

Dr Awindor also highlighted GAFTA’s long-standing commitment to digitising Ghana’s film archives, particularly those kept outside the country. He referenced the decades-long advocacy by Rev. Chris Hesse to secure government backing for the preservation of Ghana’s celluloid materials housed at Iron Mountain, a storage facility in the United Kingdom.

“Protecting and digitising Ghana’s film heritage, especially the valuable materials housed abroad, is not just a technical exercise. It is a national imperative,” he said, adding that well-preserved archives serve as tools for education, research, and national pride, and could also be financially beneficial to the industry.

The GH₵100,000 is earmarked for the NFA’s Film Development Fund to support cinema initiatives and infrastructure development.

Receiving the donation on behalf of the NFA, Mr Kofi Adinkra, Head of Business Development and Marketing, expressed gratitude.

“You are the source of this home. You contributed immensely to creating what we have here, and we are happy to receive you,” he said. “This meeting is very special. I don’t think I’ve seen such heavyweights coming together like this since the authority was conceptualised, and I truly appreciate it.”

Also present at the event were Jamila Arthur, Legal Counsel at the NFA, and Georgina Aziedoime, the Authority’s Accountant.

Mr George Bosompim, GAFTA’s Public Relations Officer, explained that the idea for the donation emerged from earlier discussions between the two institutions. He noted that beyond the financial support, GAFTA also hopes to help rehabilitate the historic Rex Cinema, which was the first cinema acquired by Ghana’s first president, Osagyefo Dr Kwame Nkrumah.

“We are happy to be back here to tell you that we’ve come to honour what we told you,” he said.

The GAFTA delegation included veteran filmmakers, board members and industry pioneers who have played key roles in shaping Ghana’s creative sector over the years. Their presence signalled a renewed commitment not only to preserving Ghana’s film history but also to shaping its future.

The donation marks a milestone in local reinvestment, with funds sourced from international interest in Ghanaian archival material now channelling back into national development.

“This is one of the many ways GAFTA is helping to unlock new opportunities for Ghanaian cinema. Let us continue to build structures that honour our past, support our present, and define our future,” said Dr Awindor.

As the cheque was handed over and cameras captured the moment, it was evident: Ghana’s film industry is moving forward with unity, vision and purpose.

Source: Makida El Husseini, UniMAC  

Over the weekend, a video of Moliy’s energetic performance went viral. However, instead of celebrating her stage presence and the significance of her participation at the international event, some social media users focused on her physical appearance.

Several commenters took aim at her midsection, pointing out what they described as a “pot belly,” with some suggesting she hit the gym. Others ridiculed her choice of outfit, ignoring her vocal delivery and performance energy.

In a sharp and confident clapback shared online, Moliy wrote:
“Hope all of you spending your day talking about my body again got rent and due bills ready. We’re in the middle of the month. Just a reminder. Much luv.”

Her response has since gained widespread support, with fans and fellow industry players applauding her confidence and composure.

The incident has reignited ongoing discussions about body shaming in Ghana’s entertainment space, especially the pressure placed on female artistes.

Moliy now joins a growing list of women in the industry calling out harsh commentary and unrealistic beauty standards. Earlier this month, fellow artiste Wendy Shay also took to social media to denounce body shaming, describing it as an unhealthy obsession that often overshadows women’s artistry and impact.

Speaking in a recent interview on Hitz FM, the songstress emphasized the need for a more structured and professional approach to artiste management—one that treats the music, the brand, and the artiste as strategic products, not just tools for hype.

“At this time in Ghana, I don’t believe in record labels,” she stated firmly. “A lot of them have left musicians hanging. There’s the tendency for dissatisfaction, and when you try to move on, it causes rifts.”

Over the years, Efe Keyz says she has gained valuable insight into the business side of the music industry, revealing that she often had to take on roles typically handled by record labels.

“After a while, I realized I was the one doing all the work—the one bringing up the ideas, the one running around. Then I told myself, I don’t need you,” she explained.

According to her, most local record labels lack the long-term vision and marketing skills necessary to properly promote an artiste’s work.

“I would prefer a good management team to a record label. A company manager who sees the artiste, the brand, or even a song as a product will understand that it needs to be marketed—not just clout-chased,” she said.

While acknowledging the difficulties of going independent, Efe Keyz believes artistes must start viewing their careers through a business lens if they hope to succeed in today’s competitive music industry.

Speaking on Afternoon Ride with Andy Dosty on Hitz 103.9 FM, Kaywa revealed that he signed Lasmid on a one-year contract immediately after the competition. According to him, the young artiste was enthusiastic and committed in the early days of his career.

“We did one year when he won MTN Hitmaker. MTN gave him to me. We signed a one-year contract, and even after the contract ended, he was always in the studio. He stayed around consistently. I took care of him, fed him. He later asked me to put him back on the label,” Kaywa stated.

Kaywa noted that he agreed to reinvest in Lasmid and even recorded six songs with him in preparation for a potential return to the label. However, he disclosed that some artistes on his Highly Spiritual Music label were uncomfortable with the idea of Lasmid coming back, citing limited financial resources to support everyone equally.

Despite the internal concerns, Kaywa said he remained confident in Lasmid’s potential and was willing to support his career.

In a separate interview on Daybreak Hitz with Kwame Dadzie, Lasmid referred to Kaywa as “my godfather” and stressed that “we are cool.”

Asked about the ownership of his songs, Lasmid declined to comment, suggesting it was a matter for his management.

Lasmid has since moved on and is currently collaborating with Nigerian artiste TML on an upcoming EP titled Sweet Songs for You.

The song’s success was nearly overshadowed by backlash over a tribal reference in Sarkodie’s verse. While many assumed it was just a lyrical blunder, Kaywa revealed it was far more serious.

Speaking in an interview on Hitz FM, the producer recounted that the track was originally titled Crazy Baby, but was renamed after Sarkodie freestyled the now-famous “Jennifer Lomotey” line.

The verse sparked outrage among the Krobo community, with a youth group, Kloma Hengme, threatening legal action against Sarkodie, Kaywa, and singer Kurl Songx.

“They actually sent us a notice through their lawyers,” Kaywa confirmed, explaining that the group demanded an apology, a re-edit of the song, a media ban on airplay, and GH₵2 million compensation to the Krobo people.

According to Kaywa, neither he nor Sarkodie anticipated that the line would cause offense—they believed it was just a vibe.

However, the controversy escalated, prompting a series of meetings with chiefs, legal representatives, and other concerned parties.

The conclusion was that the song had to be pulled down—a task nearly impossible at the time, as it had already saturated the airwaves and was blasting from speakers across the country.

Faced with mounting pressure, Kaywa disclosed that they re-recorded a version of the song without the tribal reference, but it was never widely released.

The reason, he explained, was that Sarkodie felt changing the line would distort the original vibe of the track. Instead, they agreed to clarify the intent behind the lyrics during interviews to ease public tension.

To Kaywa, the incident served as a learning moment—highlighting the importance of cultural sensitivity and thorough review before releasing music.

Despite the controversy, Jennifer Lomotey remains one of the most talked-about collaborations between Kaywa and Sarkodie.

The vehicle, a one-of-one custom-built model, makes him the first person in Africa to take delivery of this exclusive factory design. The white supercar was specially commissioned to match the rest of his luxury fleet and delivered directly from the manufacturer.

This latest purchase adds to Davido’s growing reputation for owning some of the most elite automobiles on the continent.

The acquisition comes just hours after a major milestone in his career. The Nigerian singer shut down the 19,000-capacity Toyota Center in Houston as part of his ongoing 5IVE ALIVE North America Tour.

The sold-out concert marks one of several successful stops, with fans continuing to show up in massive numbers across the U.S.

So far in 2025, Davido has expanded his car collection with other high-end additions, including a Mercedes-Maybach SL 680 worth $750,000, a Rolls-Royce Spectre valued at $700,000, and a Tesla CyberBeast Model estimated at $200,000—all in white.

]]> https://www.adomonline.com/stonebwoy-teases-surprise-torcher-ep-with-big-rap-collabs-unbeatable-bangers/ Fri, 18 Jul 2025 10:34:57 +0000 https://www.adomonline.com/?p=2556744 Stonebwoy isn’t done with 2025 just yet. After dominating stages and award shows in the first half of the year, the dancehall giant is now gearing up to drop what he describes as his boldest project yet — the Torcher EP.

According to Stonebwoy, the EP is a collection of musical messages and memories that reflect his journey through the year so far.

Two of the unreleased tracks were performed during his standout set at the Telecel Ghana Music Awards, sparking a wave of anticipation from fans who have since been begging for more.

Though the full tracklist remains under wraps, Stonebwoy revealed that Torcher will feature collaborations with four of Ghana’s top rappers. He hinted that the project leans heavily into rap, offering a bold blend of genres far beyond his usual dancehall roots.

In an interview on Adom TV, Stonebwoy stayed tight-lipped about the official release date but teased that the EP “can land any second now.”

With lyrical fire, genre-defying production, and unexpected twists, Torcher is poised to set new trends. And if Stonebwoy’s confidence is anything to go by, the EP will not only top charts but sweep the awards season as well.

 

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]]> https://www.adomonline.com/felicia-boadu-drops-new-single-awiey3pa/ Fri, 18 Jul 2025 08:54:48 +0000 https://www.adomonline.com/?p=2556832 The gospel music scene in Ghana continues to witness a refreshing wave of talent, and one standout in this new generation is Felicia Boadu. Known for her zeal, commitment, and distinct sound, Felicia is fast becoming a powerful voice in contemporary gospel music.

Blending traditional African rhythms with modern gospel tones, Felicia Boadu creates deeply uplifting music that resonates with a wide audience. Her latest release, “Awiey3pa”, is already enjoying impressive traction across digital streaming platforms.

The song delivers a powerful message of hope, love, and divine guidance. “Awiey3pa” encourages believers to trust in God’s unwavering support—especially in times of affliction and despair.

With heartfelt lyrics and a soul-stirring melody, the track highlights the boundless love and faithfulness of God.

Felicia’s message is simple yet profound: no matter the situation, God’s plan for His people is always good. “Awiey3pa” stands as a beacon of encouragement for anyone seeking strength through faith.

👉 Stream “Awiey3pa” now on all digital platforms:
https://ditto.fm/awieye-pa

Article by: Kobby Loam
A&R | Publicist | Media Consultant
📞 +233 576 566 423
✉️ kobbyloam@gmail.com
📱 Facebook | Instagram | X | LinkedIn: @kobbyloam

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• Davido’s ‘Timeless’ album earns silver certification in UK
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The Tema High Court A, presided over by Her Ladyship Justice Janet Anima Maafo, on Wednesday adjourned the defamation case filed by gospel musician Empress Gifty Adorye against Patricia Oduro, popularly known as Agradaa.

Madam Oduro, who is currently serving a 15-year jail term at Nsawam Prison, was absent from court but was represented by her husband, Mr Angel Asiamah. She is expected to reappear before the court on October 10, 2025.

Mrs Adorye sued Agradaa in May 2025 for defamation, demanding GH₵20 million in damages for allegedly tarnishing her image through false claims and social media allegations.

Wednesday’s adjournment was due to a new application filed by Agradaa’s legal team seeking to amend her entry of appearance, citing a change in her permanent place of abode following her incarceration.

Speaking to the media, Agradaa’s lawyers explained that since the defendant now resides in a different region, legal procedure requires a change in court jurisdiction. They requested the case be transferred to the Eastern Region to ease the process of transporting her to court.

Counsel for Mrs Adorye confirmed the development but accused the defence of attempting to delay the trial. He stressed that the plaintiff’s legal team would oppose the motion, arguing the case should remain at the Tema High Court.

The court granted the defendant the opportunity to move the application on the new adjourned date.

Source: GNA

The musician, whose hits included Stupid Cupid and Who’s Sorry Now, had recently enjoyed a resurgence after her 1962 song Pretty Little Baby went viral on TikTok.

Francis had recently been treated for pelvic pain caused by a fracture. Her death was first reported by the president of her record label, Ron Roberts, and confirmed to the BBC by Universal Music.

“It is with a heavy heart and extreme sadness that I inform you of the passing of my dear friend Connie Francis last night,” Roberts wrote on Facebook.

Speaking in an interview on Hitz FM, Stonebwoy revealed he was surprised by the online exchanges initiated by Samini and reached out immediately to clarify issues.

“So based on the conversations, we were going back and forth. I said, ‘No, I don’t know about this.’ He was expressing that he wasn’t happy about what my fans were doing, as if I had instigated them. He said I should be the one to tame them. But they were only responding to what he had said. I don’t have any group chats telling them to go and do that. I don’t do that,” Stonebwoy explained.

He emphasized that he has never disrespected Samini, publicly or privately.

Recalling their last positive encounter, Stonebwoy said they met in a studio where he surprised Samini by recording a verse for one of his songs. He noted that their relationship had always been cordial up to that point.

Despite the recent friction, Stonebwoy said he holds no grudge and still sees himself as a junior brother to Samini, stressing that all he wants is love and peace.

He also recounted how, years ago, he took the bold step to visit Samini’s home uninvited to reconcile after a long period of silence—another gesture he believes shows his genuine desire to maintain a healthy relationship.

Stonebwoy urged fans to focus on positivity rather than fueling division in the creative industry.

Watch video below:

The court awarded Spiky $250,000 in damages, a judgment firmly rooted in Ghana’s Copyright Act, 2005 (Act 690), which stipulates financial penalties for the unauthorised use of copyrighted material. This wasn’t just a win for Spiky; it was a beacon of hope for creative professionals across Africa who frequently face the uphill battle of protecting their intellectual property.

Upholding the Law, Denying Delay Tactics

Despite the clear ruling, and even after CAF’s subsequent appeal was dismissed, the damages remain unpaid.

CAF’s legal team attempted to secure a stay of execution, aiming to delay payment while they pursued further appeals. Their arguments centred on the definition of “commercial use,” questioning whether using copyrighted music to promote an event constituted commercialisation. They even drew a comparison to a judicial association using background music for a TV announcement—a comparison many found unconvincing, given the significant commercial scale of the CAF Awards.

However, Justice Emmanuel Logoh saw through the distinction. After reviewing the legal submissions and affidavits, he stated:

“I have heard the legal submissions by both lawyers and also had regard to the depositions contained in the affidavit filed by the parties. Application accordingly refused.”

Spiky’s legal counsel, Onyinye-Chukwu Marymagdalene Okeyea, robustly defended the initial ruling, citing various sections of Ghana’s copyright law to demonstrate the undeniable infringement by CAF. She also pointed out that even CAF had introduced its own internal statutes as evidence, affirming the court’s prerogative to consider them.

More Than Money: A Matter of Principle

This case has gone beyond legal boundaries—it has become a crucial test of how seriously we, as a continent, uphold the rights of creators. Many African artists and producers struggle immensely to safeguard their intellectual property. Spiky isn’t a large corporation with endless resources; he’s an individual who placed his trust in the legal system, followed due process, and emerged victorious. What now hangs in the balance is the principle of honouring that judicial decision.

While there’s been no explicit refusal from CAF to fulfil its obligation, the ongoing delays send a disheartening message to aspiring young creatives: that even a court victory can lead to prolonged injustice.

A Call for Finality and Accountability

This isn’t about fostering animosity or assigning blame. It’s about achieving closure. Spiky has sought nothing more than what the law entitles him to. He adhered to the rules, presented his case, and won fairly. The judicial process has spoken not just once, but twice, with both the initial ruling and the dismissal of the stay of execution affirming his rights.

What’s left is a straightforward act of accountability: for CAF to honour the court’s decision and disburse the awarded damages.

This case has evolved into a powerful symbol—a symbol of hope, resilience, and the potential for creators to defend their rights. Yet symbols only carry weight when accompanied by action. It’s time to bring this chapter to a just and definitive close.

Justice delayed should not, and cannot, be justice denied.

#CAFMustPaySpiky

Speaking to Kwame Dadzie on Daybreak Hitz on Hitz FM, Donzy declared:
“I am going to win Hiplife Song of the Year with this song [Problem],” he said.

According to him, the song was purposefully crafted with that award category in mind.

Donzy, who has never won a TGMA before, believes he was unfairly snubbed in 2016 when Crusade—his hit collaboration with Kofi Kinaata and Benji—missed out on Best Collaboration of the Year.

“I was supposed to win with Crusade, but it didn’t come my way,” he recalled.

Asked why he felt he deserved it, he said: “Because that was the collaboration of the year, hands down! It was supposed to be.”

He added that a lot of creativity went into the song, and he had hoped the recognition would inspire others in the industry.

For now, Donzy is placing his hopes in Problem, a new single featuring Fameye. The song is already gaining traction, and Donzy believes it’s only a matter of time before it claims its place on the TGMA stage.

Watch video below:

According to Chart Data, the milestone follows the album’s sale of over 100,000 units in the UK, qualifying it for a silver plaque.

Released on March 31, 2023, Timeless blends a variety of genres including Afrobeats, dancehall, reggae, konto, highlife, and Afropop. The 17-track project features collaborations with top artists such as Asake, Skepta, Dexta Daps, Fave, The Cavemen, and Angelique Kidjo.

The album recorded massive success across streaming platforms, breaking multiple records on Spotify Nigeria, Audiomack, Boomplay, and YouTube.

It earned Davido a Grammy nomination for Best Global Album, while standout tracks like Unavailable and Feel were nominated for Best African Song Performance and Best Global Song Performance, respectively.

Unavailable also achieved Silver status in the UK.

To promote the album, Davido embarked on the Timeless Tour, performing across North America and Europe, with major stops in cities including Washington D.C., Toronto, New York, and London.

He described the move as a major step forward for the industry and a source of inspiration for active creatives.

According to Stonebwoy, the inclusion of musicians, actors, and other practitioners in national leadership reflects a shift in mindset—one that recognises creatives as important contributors to national development.

“In the past, appointments were mostly limited to other sectors, leaving creatives underrepresented,” he noted. “But now, the government has put light on some creatives in the music and movie industry. Usually, appointees are in other sectors, but now creative practitioners are at the forefront.”

He said the development serves as a strong motivation for younger talents to aim higher and take national service seriously.

Stonebwoy also expressed a personal desire to contribute more meaningfully to national development, stating that he has a lot to offer as a creative professional.

However, he cautioned against favoritism in the distribution of opportunities and urged leaders to promote fairness and merit-based appointments.

“I have a lot of service to render to the nation, and I hope to be actively involved in initiatives,” he added.

MultiChoice Nigeria made the official announcement during a press briefing on Wednesday, confirming that fan-favorite Ebuka Obi-Uchendu will return as host for the milestone season.

This year’s edition will feature a brand-new format, departing from last season’s “No Loose Guard” twist, which saw housemates compete in pairs. Organizers hinted at the return of two separate houses, reminiscent of the popular “Level Up” season, to heighten the competition and strategic gameplay.

A record-breaking grand prize of N150 million—the biggest since the show’s inception in 2006—is up for grabs, making the stakes higher than ever.

BBNaija Season 10 will launch with two opening nights on Saturday, July 26, and Sunday, July 27, and will run for 71 days, offering fans over ten weeks of non-stop entertainment.

The show promises its signature blend of romance, rivalry, alliances, drama, and evictions—plus unexpected plot twists to keep viewers on the edge of their seats.

This season’s winner will succeed Kellyrae, who made history in Season 9 as the first married housemate to win the competition, walking away with N100 million.

With bigger rewards, tougher challenges, and a fresh format, BBNaija Season 10 is shaping up to be the most thrilling yet.

Ghanaian actor and comedian Jeffrey Nortey has criticised a growing trend in the local film industry where producers abandon loyal, lesser-known actors in favour of more popular names once they secure funding.

Speaking in an interview with Roselyn Felli on Joy Prime’s Changes show, the Hewale Lala hitmaker said Cwesi Oteng’s 2012 song God Dey Bless Me opened doors for many emerging gospel artistes.

“Cwesi Oteng is just an amazing inspiration. When he did God Dey Bless Me, there were a lot of things we’re enjoying now as musicians which would have been difficult if he hadn’t come. He paved the way for a lot of things,” Perez Musik said.

He also echoed Cwesi Oteng’s previous comments about facing criticism and spiritual attacks from within the gospel fraternity, noting that such experiences are real and somewhat common.

“The attacks are many. Some of them are physical while others are spiritual,” he revealed.

Perez Musik explained that people often resist or attack what they do not understand, stressing the importance of remaining discreet in the face of adversity.

“Sometimes it’s best to remain the mystery that they know you for. When you talk or show too much, you give them a reason to come after you. So, sometimes just remain the mystery that you are,” he advised.

Source: Joan Nyaame

Van Vicker expressed deep admiration for his daughter’s resilience and focus, applauding her for staying determined in a world filled with distractions and challenges.

He noted that the moment was not just about the degree, but also about the journey and sacrifices that led to the achievement.

The post has since received an outpouring of congratulatory messages from fans and followers, many of whom commended Van Vicker for his unwavering dedication to fatherhood and family.

]]> https://www.adomonline.com/talents-wasting-in-ghana-gloria-sarfo-decries-decline-of-film-industry/ Wed, 16 Jul 2025 10:08:05 +0000 https://www.adomonline.com/?p=2555870 Ghanaian actress Gloria Sarfo has voiced her frustration over the current state of the country’s film industry, describing it as a space where talent is being wasted due to a lack of opportunities and consistent production.

In a social media post, the actress expressed concern about the limited number of films being produced in Ghana, especially when compared to Nigeria’s film industry, where, according to her, actors are constantly engaged in back-to-back productions.

Gloria lamented that Ghanaian producers struggle to even shoot a single movie in a year, while many gifted performers remain underutilized.

She revealed that fans and loved ones often tell her she is wasting her talent in Ghana—an observation she now finds difficult to refute.

“It’s heartbreaking,” she wrote. “We are wasting so much talent because the industry is practically idle. Something needs to change.”

She described the situation as disheartening and called on stakeholders to urgently find sustainable solutions to revive the once-vibrant industry.

Gloria Sarfo further suggested that Ghanaian actors may have to take the initiative to produce their own films, to fill the void left by inactive producers.

Calling for national attention and collaboration, she urged the creative arts community to come together and reignite the industry, which she believes still holds immense potential—if given the necessary push.

In a statement signed by Mabel Delassie Awuku, Head of Public Relations, the Ministry emphasized that the only legally recognized and official name is: MINISTRY OF TOURISM, CULTURE AND CREATIVE ARTS (MoTCCA).

The statement explained that this name reflects the Ministry’s renewed mandate to fully incorporate the creative arts sector as a core pillar in Ghana’s tourism and cultural development strategy. It also marks a return to the original name assigned at the Ministry’s inception.

MoTCCA is urging all stakeholders—especially media houses and government communicators—to consistently use the correct name in all official documentation and reporting.

The Ministry reaffirmed its commitment to promoting Ghana’s cultural heritage, tourism potential, and creative industries as part of the broader national development agenda.

]]> https://www.adomonline.com/hitz-fm-rolls-out-new-weekend-line-up-with-youth-focused-programming/ Tue, 15 Jul 2025 11:17:30 +0000 https://www.adomonline.com/?p=2555534 Ghana’s leading entertainment and lifestyle radio station, Hitz 103.9 FM, has announced a new weekend programming schedule, promising an energetic and engaging experience for its youthful and music-loving audience.

This follows the earlier unveiling of its revamped weekday line-up, and forms part of the station’s broader rebranding efforts to remain at the forefront of urban radio in Ghana.

The new weekend programming caters to varied tastes from early risers and fitness buffs to Gen Z party-goers, gospel lovers and nostalgic old-school fans.

According to Programmes Manager DJ Black, this move is to make the programmes on Hitz FM on the weekend more entertaining and suitable for its target audience.

Saturdays: music, talk, and entertainment fused

Saturday mornings kick off with Shutdown Saturdays, hosted by DJ Wobeti from 6:00 am to 10:00 am. Designed for the youth, the show offers a mix of energetic tracks with catchy jingles to accompany house chores, workouts or post-party recovery.

From 9:00 am to 11:00 am, DJ Slim takes over with Showbiz Review Xtra, a topical entertainment discussion platform that unpacks the hottest stories of the week. The show features popular and sometimes controversial panelists who spark engaging conversations that appeal to young listeners and industry insiders alike.

The Mixtape Show, airing from 12:00 pm to 2:00 pm with DJ Ikon, blends current hits with retro selections for Gen Z listeners who appreciate mixtape DJ culture.

It is immediately followed by OG Mix, hosted by DJ Black from 2:00 pm to 3:00 pm, which offers a nostalgic throwback to the 80s, 90s and early 2000s, a true treat for old-school music lovers.

Then comes Campus Konnect which offers a platform for tertiary school students to have discussions on varied topics and tends on the various campuses. It airs from 3:00pm to 4:00pm.

GhaNja Agenda, hosted by Etim Essang, runs from 4:00 pm to 6:00 pm and serves as a cultural bridge between Ghana and Nigeria. With a target on music lovers in both countries, the show celebrates their shared entertainment roots and appeals especially to the large Nigerian community in Ghana.

Rounding out the day is Hitz Party Mix from 6:00 pm to 10:00 pm, hosted by DJ Bridash. This show continues the Ghana-Nigeria musical collaboration theme, curating the best tunes from both countries for a thrilling Saturday night experience.

There is also a slot that connects DJs from the diaspora to Ghana. DJ Ronny Ron will also be playing on Saturday evenings.

Sundays: Faith, reggae, highlife and fresh vibes

Sunday programming begins on a spiritual note with Hitz Praiz Zone, hosted by Ni Noi from 5:00 am to 9:00 am. Aimed at young Christians, it mixes worship music, testimonies, and uplifting messages to inspire listeners as they prepare for church or reflection.

At 8:00 am, Sun Up Melodies with Mr Haglah provides two hours of lovers rock reggae: soothing and inspirational music for the young and young-at-heart who prefer a mellow start to their Sunday. DJ Ashmen takes over with highlife music till 2pm.

For those who prefer more upbeat vibes, Dancehall Massacre with DJ Gunshot airs from 2:00 pm to 4:00 pm, offering the latest dancehall hits to a Gen Z audience that thrives on energy and rhythm.

Later in the evening, DJ JaySmoke hosts The Nu Nation from 7:00 pm to 9:00 pm, targeting urban Christian youth who love gospel with a modern twist. The show features contemporary gospel music and inspirational news stories.

To close out the weekend, Fresh Kutz with DJ Fantastic runs from 9:00 pm to midnight, spotlighting the freshest tracks released during the year across multiple genres. It is tailored for young adults who crave brand new sounds and emerging talent.

The weekend lineup complements the station’s new weekday structure, which has already seen the introduction of new segments, fresh voices, and expanded music blocks.

With the addition of popular personalities and curated content, Hitz FM is positioning itself as the ultimate destination for music, entertainment and lifestyle radio in Ghana.

Listeners can tune in on 103.9 FM, or stream all shows live on Facebook, X (formerly Twitter), and www.myjoyonline.com.

Source: Kwame Dadzie

ALSO READ:

• Hitz FM unveils new programming line-up, promises a refreshing radio experience

• Why creatives must stop endorsing political parties in Ghana – Hitz FM pundit

The popular actress, known for her roles in Heart Surgeons (2018) and Nobody Knows (2020), died early on Monday morning, local time.

She was reportedly battling stage 4 acute stomach cancer at the time of her death.

Speaking on Hitz FM’s Daybreak Hitz with Kwame Dadzie, the Team Lead at ImageBureau praised Andrew’s dedication and craft, stating that he deserves to be celebrated on a much grander scale.

“He is beyond a national asset and needs to be really celebrated in a grand style. I have worked with a number of talents, but I can confidently tell you that working with Andrew gives you a beautiful night’s sleep because you know he will take it seriously, you know he will push hard, you know he will deliver,” George Quaye said.

Andrew Tandoh Adote is widely recognised for his commanding presence on Ghana’s theatre scene, particularly through his work with the Roverman Productions team, led by renowned playwright Uncle Ebo Whyte. Over the years, Andrew has earned acclaim for his versatility on stage, often taking on lead roles in popular productions such as Women on Fire, Forbidden, and The Comeback.

Beyond theatre, he has made notable contributions to film and television, playing key roles in both mainstream and alternative projects within Ghana’s creative arts space. He is also well known for his exceptional work as a voice-over artist.

George Quaye, who has collaborated with Andrew on several productions, highlighted his strong work ethic, professionalism, and ability to embody roles with authenticity as reasons the actor deserves national and international recognition.

In recent times, film buff Socrate Safo has also described Andrew as one of the best actors in the world.

He continues to be admired by many for his unmatched acting prowess and ability to interpret a wide range of roles to perfection.

]]> https://www.adomonline.com/francis-doku-calls-for-independent-body-to-produce-ghanas-annual-tourism-report/ Tue, 15 Jul 2025 09:43:38 +0000 https://www.adomonline.com/?p=2555419 The Chief Executive Officer of Maestro Africa Group, Francis Doku, has called for Ghana’s annual tourism report to be produced by an independent institution rather than the Ghana Tourism Authority (GTA).

Speaking on Joy FM’s Showbiz A-Z with Kwame Dadzie, Doku expressed doubts over the accuracy of figures presented in the 2024 Ghana Tourism Report. He suggested that a body such as the Ghana Statistical Service would be more appropriate for compiling the data.

“Last year, we had a very long conversation [about] the fact that Kwadwo Antwi had said tourism had become the number three contributor to the economy, and I said I didn’t see any evidence to support it. I still contest it because it wasn’t mentioned in the Finance Minister’s report or anything. Because the numbers we generate in tourism are supposed to sit somewhere. Somebody should have it,” he said.

Francis Doku referenced practices in countries like South Africa and Kenya, where national statistics agencies are responsible for producing tourism data.

“For example, in South Africa, it is the Statistical Service Department that releases the tourism report. Kenya also has a service that releases the report. Because you cannot be the referee and the player by yourself,” he added.

He stressed the need for broader discussion around the credibility and transparency of tourism data in Ghana.

The 2024 Ghana Tourism Report, published by the Ghana Tourism Authority a few weeks ago, claimed that the country welcomed over 1.28 million international tourists in 2024, marking a 12 percent increase from the previous year. The GTA says this growth generated about $4.8 billion in revenue, signalling a steady recovery for the sector after the COVID-19 slowdown.

While the GTA hailed the figures as evidence of a successful post-pandemic rebound and effective tourism promotion campaigns, some stakeholders, including Mr Doku, remain sceptical about the methodology used in gathering and reporting the data.

Hard drives containing the unreleased songs, show plans, and past and future set lists for her tour were among the items stolen from a rental car used by the singer’s choreographer and one of her dancers, according to a police report.

The theft occurred on 8 July, two days before Beyoncé’s first Atlanta performance.

Atlanta police say an arrest warrant has been issued, but the suspect’s name has not been made public.

Choreographer Christopher Grant and dancer Diandre Blue told police they had parked the rented Black Jeep Wagoneer and gone inside a nearby food hall. When they returned, the vehicle’s rear window had been smashed and two suitcases were missing, a police incident report states.

They told police they were “carrying some personal sensitive information for the musician Beyoncé” in the vehicle that was also stolen.

That included “five jump drives containing watermarked music, unreleased music, footage plans for shows past and future, and set list”, the report states.

Other items reported stolen included a laptop, designer clothes and Apple AirPods. Authorities used tracking information on the laptop and headphones to track where the items may have gone, the police report notes.

Authorities also dusted the vehicle for any fingerprints and discovered “two very light prints”.

It is unclear whether the stolen items have been recovered.

The BBC has contacted a representative for Beyoncé for comment.

Beyoncé is currently on tour in Atlanta as part of her Cowboy Carter stadium tour. She has been performing in the city since 10 July, and her last show was set for Monday night.

Her husband, the rapper Jay Z, made a surprise appearance on the third night of her show in the city.

Choreographer Mr Grant has worked with other major musicians, including Shakira. Dancer Mr Blue appeared alongside Beyoncé in a 2024 Super Bowl advert, during which she released two singles from her Cowboy Carter album, released later that year.

Source: BBC

According to the artiste, she was en route to court on Monday only to be informed that the presiding judge was on leave.

In a post shared online, she questioned how a court session could be scheduled without prior knowledge or notice of the judge’s unavailability.

“On my way to court today, only to be told the judge is on leave. How could a court session be scheduled if the judge knew they’d be away?” she wrote.

She further questioned whether the issue was a simple lapse in communication or a symptom of broader systemic inefficiencies.

While Mzbel did not disclose which particular case she was appearing for, her remarks have sparked discussion online about delays and administrative inconsistencies in Ghana’s justice delivery process.

Many of her followers echoed similar frustrations over court proceedings being postponed due to avoidable reasons.

https://twitter.com/UTDKara/status/1944492397628453249

In an interview with arts and culture journalist Kwame Dadzie on Joy FM’s Showbiz A-Z, Safo said he is ready to offer ideas and assistance to help shape Ghana’s creative sector—regardless of the political administration in power.

“I am happy for the creatives in the NDC. Let’s support them. I support them. I called Rex Omar and asked why he didn’t invite me to the launch of the Blackstar Experience—because I want to help in any way, with ideas,” he said.

He also revealed that he had already reached out to the Executive Director of the National Film Authority, Kafui Danku, assuring her of his readiness to support her efforts.

When asked whether his recent public admiration for President John Mahama’s support for the arts meant he was considering joining the National Democratic Congress (NDC), Safo replied emphatically: “I am NPP.”

Born John Koranteng Safo, the veteran filmmaker is known for his extensive contributions to Ghana’s film industry. With a career spanning nearly four decades, Safo has directed and produced several popular and often controversial films such as Hot Fork, Sin of the Soul, Church Money, and Love and Politics.

Beyond filmmaking, Safo has played key roles in arts administration and policy. Under the Akufo-Addo-led NPP government, he served as Director for Creative Arts at the National Commission on Culture.

In that role, he significantly influenced cultural policy, promoted local content, and was instrumental in advocating for the Creative Arts Bill, which sought to formalise and support Ghana’s creative economy.

While he has never hidden his political allegiance to the NPP, Socrate Safo continues to advocate for cross-party collaboration in the arts, urging all stakeholders to put the creative industry’s development above partisan interests.

Source: Joy Entertainment

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She shared the news on TikTok, posting joyful photos of the couple from their wedding and a beachside stroll, captioned: “Till Death Do Us Apart My Odogwu.”

The marriage comes shortly after she finalised her divorce from Patapaa, following over two years of separation.

The couple married in 2021 in a union that quickly drew public attention due to its cross-cultural nature and frequent online drama.

Liha said she later engaged with Patapaa’s parents in a bid to formally end the union, describing the process as emotionally exhausting.

The newlywed is now embracing a fresh chapter with her new husband, and the couple’s wedding announcement has since sparked warm reactions across social media.

Their relationship became a media spectacle, with rumours of infidelity and public denials dominating headlines.

In June 2024, Liha confirmed the marriage had collapsed shortly after the wedding.

She revealed that despite initiating divorce proceedings, Patapaa initially dismissed her intentions, believing she was bluffing.

Source: Kwame Dadzie