The fundraising gala took place on Friday, March 20, at the Kempinski Hotel in Accra, an event graced by former President John Dramani Mahama.

At the event, Stonebwoy announced a contribution of $81,000 in cash, alongside $20,000 in music services, bringing his total support to $101,000.

“In terms of contribution, I will be donating $81,000,” Stonebwoy said.

Shatta Wale also confirmed a $100,000 donation, emphasising the collective support from businesses and the government.

“With companies and everybody supporting, including the man of the land, His Excellency [John Mahama], I just want to say from my team to the Black Stars and the whole organisation, we are donating $100,000,” Wale said.

Corporate backing for the campaign has been led by Engineers & Planners, the mining company owned by Ibrahim Mahama, which committed $5 million. Gold Fields followed with a pledge of $2 million, plus an additional $1 million earmarked for next year.

The government aims to raise a total of $30 million to bolster Ghana’s World Cup campaign.

Ghana has been drawn into Group L alongside England, Croatia, and Panama, with the Black Stars set to kick off their tournament against Panama on June 17 in Toronto.

Many who support my assertion that she sits at the top this year are reflecting on her journey. Since 2018, Wendy has faced immense pressure. She began under the shadow of the late Ebony Reigns, enduring social media bullying and constant comparisons. In fact, the masses initially doubted her craft, but she chose consistency over complaints.

In a male-dominated industry, she did not merely survive; she became a powerhouse. By late 2025, she took the ultimate risk of becoming an independent artiste, reinvesting her own earnings into her career, a move demonstrating the professional maturity that the TGMA Board deeply respects.

However, I will focus my brief remarks on context – particularly the core requirements for the TGMA Artiste of the Year Award. This ensures the conversation moves beyond sentiment and empathy, focusing instead on her actual work, how she meets the award’s core criteria, and how she stacks up against the formidable male giants in her category: Black Sherif, Stonebwoy, Sarkodie, and Medikal.

To start with, the TGMA requires a hit single, EP, or album. While Stonebuoy maintained his consistency with the Torcher EP, Black Sherif continued to deliver his signature emotional anthems with the Iron Boy Album, and Medikal with heavy-hitting releases on the Disturbation 2 Album, Wendy Shay delivered a body of work that completely disrupted the ecosystem. She released the Ready album, which was not just a collection of songs but a cultural moment.

Operating without the backing of a major label machine- unlike her heavily resourced male peers- she secured seven nominations, including Artiste of the Year, Album of the Year, and Most Popular Song. Her hit singles “Too Late” and “Crazy Love” (featuring OliveTheBoy) dominated the airwaves, securing her place in the Best Collaboration and Afrobeats Song of the Year categories. She stood out because she matched the output of label-backed titans entirely on her own independent terms.

When discussing high-impact performances and audience appeal, the competition is undeniably fierce. Stonebwoy is known for electrifying sets, Medikal successfully hosted his Planning and Plotting concert, and Sarkodie held down his traditional Rapperholic 25:25. Yet, Wendy Shay’s stagecraft and audience pull were unprecedented for a solo female act. The ‘Shay Concert’ on November 22, 2025, at West Hills Mall was a masterclass in brand growth. By drawing an estimated 100,000 fans, she proved a massive audience appeal that rivaled-and in many ways exceeded-the solo pulls of her male contenders.

Beyond her own show, she was a force on every major stage. She performed at the Rapperholic 25:25 and the Shatta Fest at Independence Square, delivered a massive set at the GMB 2025 Grand Finale, and even graced Medikal’s Planning and Plotting concert, where she boldly declared her intent to sweep the 2026 awards. She is the genuine bridge-builder for women in the industry.

In all of these, her global recognition and brand growth were remarkable. While artists like Black Sherif and Stonebwoy are frequently lauded for their international footprint, Wendy Shay’s cross-border impact this review year was historic. Winning Best Female Artiste in West Africa at the 9th AFRIMA awards in early 2026 confirms her status as a global representative of Ghanaian excellence. For the record, she defeated top-tier continental contenders, including Tiwa Savage, Ayra Starr, Moliy, and Amaarae, to claim that prestigious global award.

If you wonder why industry veterans like Kwesi Ernest have rightly called her the ‘queen of all female artistes,’ it is because she ticks every box: airplay, streaming numbers, brand expansion, and global content creators using her songs for their skits.

So, yes! Contenders like Black Sherif, Medikal, Stonebwoy, and Sarkodie are giants who performed exceptionally well during the year, but Wendy Shay has outpaced the field this season. She took the meaningless disbelief of her early years and transformed it into a legacy of resilience.

For her chart-topping hits, record-breaking concerts, and transition into a successful independent CEO who outperformed the industry’s biggest male stars, Wendy Shay is not just a nominee- she is the only logical choice for the 2026 TGMA Artiste of the Year.

The event, which signifies the end of the holy month of Ramadan, was not only a moment of spiritual reflection but also a colourful social gathering.

Clad in elegant and stylish traditional attire, worshippers turned the Square into a spectacle of fashion, warmth, and celebration.

Eid-ul-Fitr marks the conclusion of Ramadan, a sacred period during which Muslims fast from dawn to sunset, engage in prayer, and extend charity to the less privileged. The day is traditionally characterised by communal prayers, official receptions, and private gatherings where families and friends exchange greetings and gifts.

Addressing the gathering, President John Dramani Mahama urged Ghanaians—particularly Muslims—to sustain the values imbibed during Ramadan.

He emphasised that discipline, compassion, and unity should not end with the festivities but must continue to guide daily life and national development.

Meanwhile, the National Chief Imam, Sheikh Osmanu Nuhu Sharubutu, expressed concern over rising indiscipline among the youth, cautioning that it poses a serious threat to the country’s future leadership.

He also drew attention to the growing menace of drug abuse, especially within sections of the Muslim community, describing the situation as both painful and urgent, and calling for collective action to address it.

The high-profile event attracted a host of dignitaries, including Majority Leader Mahama Ayariga, Minority Leader Alexander Afenyo-Markin, Deputy Minority Chief Whip Jerry Ahmed Shaib, Supreme Court Justice Amadu Tanko, and ACP flagbearer Hassan Ayariga, among others.

Adomonline’s photojournalist Joseph Odotei was present to capture these moments from the event.

Recounting the experience in February 2025, the singer revealed that she was over three months pregnant when she began experiencing cramps and what initially appeared to be spotting. However, the situation quickly worsened, leading to continuous bleeding.

“I was devastated because I understood what that meant automatically,” she said, explaining that she had lost the pregnancy.

Judikay disclosed that she was rushed to the hospital, where doctors performed a procedure following what was diagnosed as a missed miscarriage.

The singer revealed that the loss marked the sixth time she had gone through such an experience.

Despite trying to stay strong and giving thanks to God publicly, she admitted that the pain lingered long after she returned home.

“In the silence of the night, I would experience pain that I could not express with words. I would wail and cry and say, ‘Jesus, where are you?’” she said.

Her revelation has sparked an outpouring of empathy from fans, with many praising her courage in speaking openly about pregnancy loss, a topic often kept private.

The milestone also establishes Ricky Nana Agyemang as the first executive producer in Ghana to guide two female talents to this level of recognition.

Leading RuffTown’s current wave of acclaim is Wendy Shay, one of the most nominated female artistes at this year’s VGMAs. Her consistent chart success and strong fan engagement have earned her nominations for Artiste of the Year, Album/EP of the Year for Ready, and Best Afrobeats/Afropop Artiste.

Her hit single “Crazy Love” featuring Olivetheboy has also earned nominations for Most Popular Song of the Year, Best Afrobeats Song, and Collaboration of the Year. Additionally, her international record “Too Late Remix (2.0)” with Bedjine, Phina and Guchi is nominated for International Collaboration of the Year, highlighting her growing influence both locally and internationally.

RuffTown Records had earlier made history with the late Ebony Reigns, whose meteoric career redefined the space for female artistes in Ghana. Songs such as “Poison,” “Sponsor” and “Maame Hwɛ” quickly positioned her among the country’s top artistes.

She first received recognition with a nomination for Unsung Artiste of the Year in 2016, before making history in 2018 by winning Artiste of the Year at the VGMAs, along with Afropop Song of the Year and Album of the Year.

With the achievements of Ebony Reigns and the current success of Wendy Shay, RuffTown Records has set a new benchmark in Ghanaian music. The milestone reflects Bullet’s vision and the label’s commitment to nurturing female artistes capable of reaching the top.

Beyond awards, the feat highlights the impact of intentional investment in women in music, creating opportunities for female creativity to thrive and shaping the future of Ghana’s music industry.

PBL celebrates Ghana Month with pride and patriotism

Speaking on Daybreak Hitz on Hitz FM, he explained that he initially enrolled to study Chartered Accounting, a decision largely influenced by his father.

According to him, his father had originally wanted him to pursue science, but they later agreed on accounting as a compromise.

He said he gained admission through an access programme, similar to a mature entrance route, and began his studies at UPSA.

However, while in school, he participated in the comedy show Stars of the Future, where he emerged as the second runner-up — an experience that played a key role in shaping his career path.

Foster Romanus disclosed that he later had a conversation with his father about his true interests, expressing his desire to pursue the arts instead of accounting.

He revealed that he had earlier applied to the University of Ghana to study Theatre Arts and later discovered that he had been offered admission.

Following that, he made the decision to leave UPSA and enrol at the University of Ghana to study Theatre Arts, aligning his education with his passion.

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The final funeral rites will take place six months after his passing, scheduled for Saturday, 2nd May 2026.

The family has appealed to all well-wishers to come and pay their last respects and celebrate the life of the late actor.

In a statement, they expressed deep appreciation for the support, prayers, and condolences received since his passing, noting that such gestures have been a source of comfort during this difficult period.

Mr. Addo passed away on 22nd November 2025 at the age of 76 after a prolonged illness.

In his later years, he struggled with serious health challenges, including visual impairment resulting from glaucoma and cataracts.

His contributions to the entertainment industry and the wider community will be fondly remembered.

Addressing her fans, she urged them not to be concerned about the snub. She noted that while awards and recognition are appreciated, they have never been her primary focus.

Her mission, she explained, has always been to impact souls and spread the message of God’s love rather than pursue worldly recognition.

“…therefore, we encourage all fans not to be troubled by her absence in any of the GMA categories. What is destined for you will always come to you at the appointed time,” she stated.

The gospel artiste said she draws comfort from the unwavering support of her fans, who continue to back her ministry through music.

“We would like to kindly assure everyone that Rev. Obaapa Christy remains deeply committed to the true purpose of her calling, using gospel music as a tool to touch lives, heal the brokenhearted, and lead many people back to God through repentance, hope, and salvation. Her greatest fulfillment is seeing lives transformed through the message carried in her songs,” she added.

Meanwhile, Charterhouse, organisers of the Telecel Ghana Music Awards, have dismissed claims of restricting slots for gospel categories, clarifying that all nominations are based strictly on merit and eligibility.

In a statement, her management described the reports as false and misleading, assuring the public that the singer is safe.

The team added that she is in good health and actively continuing her ministry.

They urged fans and the general public to remain calm and avoid sharing unverified information on certain media platforms.

“We strongly advise our cherished fans and the general public to remain calm and refrain from engaging with or spreading such unverified and orchestrated stories. In particular, we encourage everyone to be cautious of certain media pages, including the Jist Trends platform, which has been involved in circulating this misinformation,” the statement said.

“As believers, we are guided by the Word of God, which teaches us to pray even for those who speak negatively or wish harm upon others. Therefore, rather than responding with anger, we choose to remain peaceful and commit everything into God’s hands.”

They expressed appreciation to supporters and well-wishers for their continued prayers and unwavering support for the gospel artiste and her ministry.

Speaking at Joy FM’s 8th Showbiz Roundtable held on March 14, 2026, he dismissed suggestions by some stakeholders that artistes who win highlife awards in the TGMA should receive special prize packages.

“I totally disagree. Why should you incentivise people to do what they have to do? Highlife is ours and has been with us. The problem we are facing currently is, there are not too many of us who do highlife so if we are in the minority does it mean we should go and whip people to come and do highlife? No. In actual fact every aspect of our career is a calling. Why would I be so stubbornly entrenched in what I do? Because where I come from and I know that the Ghanaian must be the proudest person in the whole world,” he said.

The debate forms part of ongoing discussions on how to preserve highlife as Ghana’s indigenous music genre.

In the past, highlife musician Dada Hafco has suggested that one of the ways to preserve the genre is to make it the ultimate award at the Telecel Ghana Music Awards.

Other stakeholders, including producer Appietus, have also argued that special prize packages for highlife category winners could encourage more artistes to embrace the genre.

The 8th edition of Showbiz Roundtable examined the theme ‘Preserving highlife as Ghana’s music heritage.’

The programme, hosted by arts and culture journalist Kwame Dadzie, aired on Joy 99.7 FM, Joy Prime and Joy News as part of the stations’ Ghana Month activities.

The panel featured Professor John Collins, ethnomusicologist; Amandzeba, highlife musician; Kofi Boachie-Ansah, also known as Beatmenace, audio engineer; Adina, highlife musician; and Jonas Bibi Hammond, a veteran music producer.

The keynote address was delivered by the Chief Executive Officer of the Ghana Tourism Authority, Maame Efua Houadjeto, who highlighted the need for Ghana to derive more value from highlife while preserving it for future generations.

A special guest for the programme was UNESCO’s National Professional Officer for Culture, Carl Ampah, who provided insight into the implications of highlife being listed as Ghana’s intangible cultural heritage.

The event drew a live studio audience made up of musicians, journalists, music producers, music executives and other creative industry stakeholders. Among those in attendance were Asah Nkansah of Kwan Pa Band, Dela Botri, Yaw Darling, Seven Xavier and Tilly Akua Nipaa.

Showbiz Roundtable was brought to audiences by Showbiz A-Z, winner of the 2025 GJA Awards Entertainment Programme of the Year, powered by Joy Entertainment with support from Joy Prime.

The event was moderated by arts and culture journalist Kwame Dadzie and emceed by Noella Karyne Yalley.

The 8th Showbiz Roundtable was produced by Philip Nai, Anita Teye, Martin Kwasi Asare and DJ Wobeti.

He is expected to remain in custody until March 24, when the court will rule on his possible extradition.

Following the adjournment, Abu Trica was seen leaving the court premises in high spirits. This latest development comes after an earlier decision by the Gbese District Court on February 25 to remand him for three weeks as investigations and legal proceedings continued.

His lawyer, Oliver Barker-Vormawor, maintains that there is no case against his client and has vowed to challenge any attempt to extradite him.

Meanwhile, friends and supporters of Abu Trica gathered outside the court during the hearing to protest his continued detention. The group, dressed in matching T-shirts and wearing red bands around their wrists, held placards with inscriptions such as “Free Abu Trica,” “EOCO Boss Set Abu Trica and Daniel Up,” and “The Government of Ghana, Learn to Protect Your Own Nationals.”

The protesters insisted that Abu Trica is a legitimate car dealer and denied allegations that he is involved in any fraudulent activity.

In an interview with Kobe Boujee, Stonebwoy said he is not opposed to the idea, but believes such collaborations should happen naturally rather than be forced.

According to him, artistes should prioritise building their individual brands and careers, rather than relying on joint performances to prove relevance. He drew comparisons to international stars like Wizkid, Burna Boy, and Davido, noting that each thrives independently without needing shared platforms.

“I believe individual growth affects collective growth. Each one of us has to grow, and that is the most important thing rather than forcing growth together,” he said.

He added that when the timing is right, a joint performance could happen organically, but it should not be rushed.

Stonebwoy also emphasised the importance of mutual respect and support among artistes, explaining that how they relate to each other’s success is crucial for any potential collaboration.

However, he acknowledged that challenges arise when goodwill is lacking among some individuals in the industry.

“If there are people who do not want the well-being of others, how can they come together and perform?” he questioned.

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Gbemu, whose vibrant group was established in 2019 in the Asante Akyem Central Municipality, in an exclusive interview, recalled Black Sherif’s early days as a member.

Speaking on the artiste’s success, Gbemu expressed immense pride, noting that Black Sherif’s latest project, the Iron Boy album, is a strong favourite to sweep its categories.

Support the Youth continues its mission in the Ashanti region to nurture young “champs” in singing, rapping, and dancing, with Black Sherif serving as their most successful blueprint.

For the 2026 TGMA, Black Sherif is one of the most nominated acts for the event scheduled to take place on May 9, 2026, at the Accra International Conference Center.

Black Sherif’s nominations include:

Best Music Video – “Sacrifice”

Artiste of the Year

Best Hiplife/Hiphop Artiste

Album of the Year – Iron Boy

Most Popular Song of the Year – “Sacrifice”

Songwriter of the Year – “Sacrifice”

Best Hiphop Song – “Where Dem Boyz”

Best Afropop Song – “Sacrifice”

International Collaboration of the Year – “So It Goes” – Black Sherif ft Fireboy DML

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Adina made these remarks while speaking on the panel of Joy FM’s eighth Showbiz Roundtable hosted by Kwame Dadzie, where she expressed her love for the genre.

“Growing up my grandmother used to sing ebibinwom in the Methodist church, and my mum picked it so I was drawn to that sound.

Amandzeba is one of the people who have influenced me heavily in terms of highlife music. I remember listening to his music and saying I wanted to take something like that and add modern influence to it, and maybe call it my own,” Adina noted.

She added that she was also influenced by the music of Akosua Agyepong, Princess Cynthia and A.B. Crentsil.

The eighth edition of Showbiz Roundtable examined the theme ‘Preserving highlife as Ghana’s music heritage.’

The programme aired live on Joy 99.7 FM, JoyPrime and JoyNews as part of the stations’ Ghana Month activities.

The panel featured Professor John Collins, ethnomusicologist; Amandzeba, highlife musician; Kofi Boachie-Ansah, also known as Beatmenace, audio engineer; Adina, highlife musician; and Jonas Bibi Hammond, a veteran music producer.

The keynote address was delivered by the Chief Executive Officer of the Ghana Tourism Authority, Maame Efua Houadjeto. In her address, she spoke about the importance of Ghana making greater gains from the highlife genre while passing it on to future generations.

A special guest for the programme was UNESCO’s National Professional Officer for Culture, Carl Ampah, who offered insight into what it means for highlife to be listed by UNESCO as Ghana’s intangible cultural heritage.

The show had a live studio audience made up of musicians, journalists, music producers, music executives and other creative industry stakeholders. Those in attendance included Asah Nkansah of Kwan Pa Band, Dela Botri, Yaw Darling, Seven Xavier and Tilly Akua Nipaa, among others.

Showbiz Roundtable was brought to audiences by the 2025 GJA Awards Entertainment Programme of the Year, Showbiz A-Z, powered by Joy Entertainment with support from Joy Prime television.

It was moderated by arts and culture journalist Kwame Dadzie and emceed by Noella Karyne Yalley.

The demonstration comes as Abu Trica faces charges tied to an $8 million online romance scam, with prosecutors seeking his extradition to the United States.

Supporters held placards bearing messages such as “Free Abu Trica,” “EOCO Boss Set Abu Trica and Daniel Up,” and “The Government of Ghana, Learn to Protect Your Own Nationals.” They wore matching t-shirts and tied red bands around their wrists, in solidarity and protest against what they described as unfair treatment.

Demonstrators argued that Abu Trica is a legitimate car dealer with no involvement in fraudulent activities.

Abu Trica and his alleged accomplice, Daniel Yusif, appeared in court as proceedings continue to determine whether they should be extradited to the United States to face trial.

The case stems from a U.S. indictment accusing Abu Trica of participating in a large-scale online romance scam estimated at over $8 million.

He was first arrested on December 11, 2025, following the indictment. On January 26, 2026, the Gbese District Court discharged him and his co-accused after the state withdrew the initial charges.

Shortly after his release, Abu Trica was re-arrested by the Narcotics Control Commission (NACOC), with prosecutors filing fresh charges, including money laundering and conspiracy to defraud by false pretence.

In a video aimed at raising awareness, she revealed that the incident began when she attempted to contact DStv to upgrade her subscription. Joselyn said she believed she was speaking to a legitimate customer service representative, who appeared polite and professional throughout their interaction.

The fraudster reportedly sent her a link and instructed her to input her decoder number along with her PIN, claiming the company’s system was down and required manual verification to process the upgrade.

Despite initially questioning the request, Joselyn said the urgency created by the caller left her with little room to think through the situation.

She explained that after entering her details through the links provided and confirming additional codes sent to her, the caller continued engaging her in conversation, creating the impression that the process was ongoing.

Moments later, she received a notification on her phone: her mobile money wallet had been completely emptied.

According to Joselyn, the fraudster had gained access to her MTN Ghana mobile money account after she unknowingly disclosed her PIN, even activating a credit feature that allowed further deductions even after her account was restored.

Visibly shaken by the experience, Joselyn Dumas cautioned the public against sharing sensitive information, particularly PINs, regardless of how convincing a caller may sound.

She also urged service providers to strengthen their systems and address loopholes that fraudsters are exploiting to impersonate officials and defraud unsuspecting customers.

Her experience adds to growing concerns over mobile money fraud in Ghana, where scammers continue to deploy new tactics, including fake links and impersonation schemes, to access users’ financial information.

Joselyn has since called on the public to share their own experiences to raise awareness, stressing that “it can happen to anyone,” no matter how cautious they believe they are.

Watch video below:

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A post shared by JOSELYN DUMAS® (@joselyn_dumas)

The event, led by the Minister for Youth and Sports, Kofi Adams, brought together key figures from the entertainment and sports industries to rally national support for the Black Stars.

But beyond the football agenda, it was the quiet, almost tense coexistence of the two dancehall giants that captured attention.

For over a decade, Shatta Wale and Stonebwoy have dominated headlines with a rivalry that has shaped fan culture and fueled some of Ghana’s biggest music moments. Yet, at this event, there were no exchanges, no public gestures, just a shared stage and a mutual focus on the occasion.

While both artistes maintained professionalism throughout the programme, they kept a clear distance from each other.

Nonetheless, organizers praised both artistes for lending their support to the initiative, all for the love of the Black Stars.

Also present at the launch were fast-rising artiste Kweku Flick, popular sports presenter Countryman Songo, former Black Stars defender John Paintsil, and goalkeeper Benjamin Asare.

The raffle initiative is expected to drive fan engagement and rally support for the Black Stars ahead of the World Cup.

Watch video below:

In a letter addressed to the TGMA Board and Academy, the artiste’s management expressed appreciation for the three nominations he secured: Best Music Video for “Put Am on God,” Best Reggae/Dancehall Song for “Talisman” featuring Stonebwoy, and a Best Hiplife Song nod as a featured artiste on Ko-Jo Cue’s “Tontone.”

However, the team raised concerns over what they describe as notable omissions, particularly in the Album/EP of the Year category, for which The Odyssey had been submitted.

Other omitted categories include “Put Am On God” for Best Rap Performance and “Cover Me” for Best Male Vocal Performance.

According to the petition, the project meets the criteria outlined by the awards scheme, which considers both the number of hit songs and quality of production.

The management argued that the album demonstrated strong commercial performance, citing its consistent presence in the Top 5 albums on Apple Music Ghana since its release in October 2025.

They further indicated that the album’s performance and reception place it among deserving contenders, prompting their request for an official explanation from the TGMA Board.

The petition adds to growing scrutiny around this year’s nominations, as industry players continue to question certain decisions by Charterhouse.

Charterhouse is yet to publicly respond to the concerns raised by AratheJay’s team.

Speaking on Hitz FM’s morning show Daybreak Hitz with Kwame Dadzie, she said she remains unfazed by criticism and still stands by her initial opinion.

“Is there a rule in the TGMA that says if an artiste wins [in a particular year] he has to come back and win again the following year?,” she asked.

“I made the retrogression statement and as I said, I still stand by it solidly now because I compared it in a certain context and she [Vida] was no able to defend it because she knew O was right. The only issue was that all the jabs she threw at King Promise didn’t go as viral as my retrogression comment,” she said.

Her comments follow a debate last year, during which she was executing PR and promotional duties for King Promise ahead of the 2025 Telecel Ghana Music Awards. At a debate organised by DJ Slim, she argued that when comparing Stonebwoy’s previous album to his current one, he had not made progress.

The statement did not go down well with Vida Adutwumwaa Boateng, Head of Communications for Stonebwoy’s Burniton Music Group. The two later engaged in a public back-and-forth, and the issue appears to persist.

Tilly has explained, however, that her comment about the retrogression was with regards to Stonebwoy’s two albums in the specific time frame and not about his entire music career.

After the release of the 2026 Telecel Ghana Music Awards nominations, which saw Stonebwoy earn a nod in the Artiste of the Year category while King Promise missed out, Vida wrote, “Retrogression? Sia, if ebe easy do am. #malnourishedanalysis.”

Tilly Akua Nipaa also dismissed claims in a circulating news card that King Promise only gave her Kivo Gari after her PR work and failed to sponsor her master’s programme as promised. According to Tilly, she suspects the fake news card was produced by Lasmid Boy, a social media account that usually posts in favour of Stonebwoy.

In the meantime, Stonebwoy has earned eight nominations at the 2026 Telecel Ghana Music Awards, while King Promise has two nominations.

The veteran Highlife star has officially released two singles, “Gye W’ani (Enjoy Life)” and “Akwaaba (Welcome),” from his latest EP, Agyaba. The tracks, released today, reaffirm his commitment to the authentic Highlife sound that has defined his career for more than two decades.

Born Akwasi Poku Addae, Kwaisey Pee remains one of the most respected voices in Ghana’s Highlife genre. Known for his silky vocals and timeless melodies, he has built a remarkable catalogue that continues to resonate across generations.

Over the years, he has delivered several beloved Highlife classics, including “Me Hia Odo,” “Krokro Me,” “Ohemaa,” and “Obaa Yaa,” songs that have cemented his status as a household name. His vocal excellence earned him critical acclaim, including the Best Male Vocal Performance award at the 2007 Vodafone Ghana Music Awards.

The new single “Gye W’ani (Enjoy Life)” carries an uplifting message about embracing life and finding joy despite challenges, featuring lively guitar rhythms and classic Highlife instrumentation. Meanwhile, “Akwaaba (Welcome)” celebrates Ghanaian hospitality, unity, and culture, wrapped in rich melodies and a groove that invites listeners to sing along.

Both tracks form part of the Agyaba EP, a project that underscores Kwaisey Pee’s dedication to preserving Highlife while keeping the genre relevant in today’s evolving music scene.

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The singer reacted on X on Sunday, condemning the behaviour in strong terms. “Fuckin animals… so disgusting,” he wrote in response to the footage circulating online.

The video shows two male students repeatedly assaulting a fellow student who had fallen to the ground.

At one point, one of the attackers drags the victim by his school uniform and stomps on his chest and head while the boy cries out in pain.

A third student, recording the incident, can be heard begging them to stop.

The disturbing footage quickly sparked widespread outrage on social media, prompting immediate action from the school authorities.

In response, the school in question expelled the students involved in the bullying and suspended the student who made the recording.

In addition, in a statement, the Edo State Police Command confirmed that the students involved have been expelled, while the student who recorded the incident has been suspended.

Police spokesperson Eno Ikioyedem said the Commissioner of Police, Monday Agbonika, has directed the Divisional Police Officer in the area to carry out a full investigation.

“The Edo State Police Command strongly condemns acts of bullying, violence, or intimidation among students, and anyone found culpable will face the full weight of the law,” the statement added.

The Nigerian social media influencer shared an old sizzling video of Minaj on X on Saturday, with the caption, “Nicki Minaj should understand that she has gotten old and retire.”

Reacting, Minaj questioned if he had permission to use her video before using it to “harass” her.

She then informed him that he had been added as a defendant in her lawsuit.

“Do you have permission to use this video that I filmed years ago to harass me on this or any platform? You’ve just been added to the suit,” she wrote.

Robert Klah, Head of Public Events and Communications at Charterhouse, explained that Dope Nation did not submit entries for nomination, even though their works were captured within the awards’ monitoring system. Efforts to reach the duo for feedback and potential participation were unsuccessful.

Klah noted that initial contact was made with representatives linked to the group, and assurances of follow-up communication were given, but no response was received after subsequent engagements. Charterhouse acknowledged Dope Nation’s significant contributions to the music scene, particularly their hit songs and dance anthems, and emphasized that the awards scheme remains open to continuous engagement with all artistes.

Regarding Shatta Wale, organisers highlighted the artiste’s long-standing public position of disinterest in the awards, which explains his absence from the nominations. However, they remain open to future reconciliation, as has been the case with other artistes in previous editions.

Charterhouse affirmed that it maintains open communication with all artistes and hopes that ongoing dialogue will encourage broader participation in future editions of the Telecel Ghana Music Awards.

Watch video below:

During a performance in Kumawu, the rapper paused his set to address fans about the upcoming TGMA27 nominations.

Medikal revealed that he had been nominated in several categories, including the top Artiste of the Year slot, and urged fans to send a message to the award organisers.

“Tell the TGMA people they shouldn’t do no libilibi, no labalaba,” he said.

The rapper emphasized that he worked hard and delivered strong performances throughout the year compared to other artistes. He therefore called on organisers to ensure fairness in selecting the winner of the Artiste of the Year category.

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Change your dressing style to attract more people to your church…

Ghana Music Awards turn Gob3 — Kwaw Kese mocks nomination process

Speaking on the Work and Happiness show on Adom FM, Brother Sammy claimed that Cecilia Marfo’s ministry has declined, attributing it to what he described as rigid expectations about dressing and lifestyle.

According to him, many young people today prefer to dress well and enjoy life, and strict rules about appearance could discourage them from attending church.

He argued that some practices often condemned by certain evangelists, such as wearing makeup or jeans, should not necessarily be considered sinful if they help attract people to the church.

Brother Sammy further stated that churches may lose members if they fail to adapt their approach to winning souls, urging Cecilia Marfo to consider adjusting her style to appeal to more people.

“Cecilia Marfo’s ministry has declined, and this decline isn’t due to any external forces. Her style of dressing is turning people away. If she expects her congregation to dress like that, it simply won’t happen, because those who used to dress like that are no longer around. If she continues on this path, fewer people will attend her church.

“Today’s women prefer to dress up and enjoy life. The makeup some people criticize is simply makeup. Things that could actually help the ministry are sometimes wrongly labelled as sins by some evangelists. They used to say women shouldn’t wear jeans, but during deliverance wearing jeans can even be more appropriate, otherwise certain parts of the body may become exposed.

“If we don’t adapt our methods for winning souls, people will eventually stop coming to church. So I urge Cecilia Marfo to consider this: if she wants more people to attend her church, she should change her style of dressing and see how it impacts attendance,” he said.

READ ALSO:

I will make people love God and enjoy music – Brother Sammy on changing the gospel scene

Rocky Dawuni sounds alarm on Africa’s wars and youth exodus to Europe

In a post on X, the outspoken musician joked that the awards appear to announce nominees without the public even noticing when the selection process begins.

“Ghana Music Awards turn gob3. You just wake up one day and there’s a nominees party and you ask yourself how and when people got nominated,” he wrote.

Kwaw Kese went further to sarcastically rename the awards scheme, saying it should be called the “Beans Music Awards.”

“Call it Beans Music Awards,” he added in the tweet.

Ghana music awards turn gob3.
You just wake up one day and there’s nominees party and you ask yourself how and when did people get nominated 😂😂😂😜

Call it Beans Music Awards

— KING KESE (@kwawkese) March 16, 2026

Speaking on the Work and Happiness show on Adom FM, the musician said that although his wife’s family has returned the bride price, he personally does not consider the marriage over.

According to him, he was informed by his family in December—while he was performing at a show—that his wife’s family had returned the bride price.

Brother Sammy explained that his wife travels frequently and that there were times they went three to four years without seeing each other.

The gospel musician also noted that when his wife’s family was asked whether he had done anything wrong in the marriage, they indicated that he had not.

“I’ve been married for 12 years. I wasn’t popular when I got married. My wife divorced me, but in my heart I haven’t divorced her. I was performing at a show in December when my family called to say that my wife’s family had returned her bride price. She travels a lot, and sometimes we go three to four years without seeing each other. My family asked if they should accept it, and I told them it was like I was already living as a single man. They asked if I had done anything wrong, and they said no. So it’s my wife who has divorced me, but in my heart I haven’t divorced her,” he said.

READ ALSO:

Rocky Dawuni sounds alarm on Africa’s wars and youth exodus to Europe

TGMA introduces ‘Swing Period’ to recognise late-year music releases

Speaking on the Work and Happiness show on Adom FM, the singer said Christians deserve to look good and live well so that non-believers can also be attracted to the faith.

“I’m going to change the gospel scene. I will make them enjoy life,” he stated.

According to him, doing the work of God does not mean living a miserable life. He stressed that believers should dress well and present themselves properly.

Brother Sammy added that gospel music should inspire people to love God while enjoying the music, noting that associating with gospel songs can bring blessings.

“We, children of God, deserve to wear good things and look good for the non-believers to learn. I’m going to change the gospel scene. I will make them enjoy life. You need to do right in doing the work of the Lord. I will make people love God and enjoy music. If you associate with gospel songs, God will bless you,” he said.

READ ALSO:

Rocky Dawuni sounds alarm on Africa’s wars and youth exodus to Europe

TGMA introduces ‘Swing Period’ to recognise late-year music releases

Addressing an assembly of student leaders and activists at the University of Ghana on March 14, 2026, during The Borderless Africa Campus Connect, Mr. Dawuni painted a sobering picture of a continent struggling under the weight of self-inflicted wounds and systemic governance failures.

The legendary artiste reserved his harshest critique for the ongoing, devastating conflict in Sudan, describing it as a tragic manifestation of how external and internal interests continue to fracture African solidarity.

“Many different interests, a country that is divided, one of the richest, but cannot use its own resources to uplift its people. In Sudan, our own brothers and sisters are turning on each other, fighting among themselves, with interests pulling in different directions and pitting groups against each other. That’s what’s going on,” Rocky Dawuni observed.

Rocky Dawuni further highlighted the heartbreaking reality of African youth who, disillusioned by poor leadership and economic hardship at home, are risking their lives on dangerous trans-Saharan journeys to reach Europe. He pointed to this mass migration as the ultimate indictment of current governance models on the continent.

“And then, even within our own nations, we see challenges where our youth have lost all hope. Many are travelling across deserts, facing dangers, and crossing the Sahara to reach Europe in search of a new dream outside the continent,” he noted.

From ‘Agenda 2063’ to ‘Agenda Now’

While acknowledging the African Union’s long-term developmental frameworks, such as Agenda 2063, the cultural ambassador insisted that the urgency of the current socio-economic crisis demands a departure from long-range bureaucratic planning.

“So, when I look at all of this—the African Union said Agenda 2020, Agenda 2063, meaning the Africa we want. But I feel we must respectfully transform that philosophy into the Africa we need right now,” he urged.

The event, hosted by Africans Rising in collaboration with the Rocky Dawuni Foundation, served as a crucible for intergenerational dialogue.

It featured key Pan-Africanist voices, including Movement Coordinator Hardi Yakubu and student leader Moses D. Kouyo, who engaged with the audience on the practical steps required to hold leadership accountable.

The policy, which takes effect with the 27th edition of the awards, allows songs released in December to be considered in the following awards year, provided they meet specific eligibility criteria.

According to the TGMA Board, the decision follows three years of consultations with industry stakeholders and aims to prevent impactful songs released late in the year from being disadvantaged during the nomination process.

Under the new guidelines, a song must have been released in December of the eligibility year, demonstrated measurable impact within the review period, and must not have received a nomination in the previous edition of the awards to qualify for the Swing Period.

The Board explained that the initiative reflects the awards scheme’s commitment to adapting to the evolving music industry while maintaining fairness and credibility in its selection process.

For the 27th edition of the awards, two songs have already benefited from the new policy: “Messiah” by Sarkodie featuring Kweku Flick, and “Excellent” by Kojo Blak featuring Kelvyn Boy. Both songs recorded significant audience engagement and popularity after their release, illustrating the situation the Swing Period was designed to address.

The TGMA Board believes the policy will strengthen the awards’ ability to recognise excellence in Ghanaian music by ensuring deserving works are not overlooked due to their release timing.

Organisers also noted that the change aligns with current industry realities, including the growing influence of digital streaming platforms, shifting release cycles, and the expanding global reach of Ghanaian music.

The Telecel Ghana Music Awards remains one of Ghana’s most prestigious music recognition platforms, celebrating outstanding achievements across multiple genres in the country’s music industry.

Yet, for the man behind the iconic, bald-headed character, Abiodun Ayoyinka, the role has become a golden cage.

In a harrowing interview with media personality Lucky Udu, the veteran actor has laid bare the painful reality of a life defined by a character he does not legally own, revealing that fame has not translated into financial stability.

The core of Ayoyinka’s struggle lies in the rigid intellectual property rights held by producer Wale Adenuga.

Because the identity, mannerisms, and even the costume of Papa Ajasco are registered to Wale Adenuga Productions, Ayoyinka finds himself professionally paralysed.

While corporate brands frequently approach him for endorsements, they almost always demand the “Papa Ajasco” persona, a persona he is legally forbidden to use without express permission.

“The major problem is that particular character has been registered by Wale Adenuga. Anybody that wants to use me outside wants me with the character, with everything that I have, but it has never been easy for me,” Ayoyinka lamented.

He explained that the barrier extends to the very basics of his performance identity. “I don’t have the right. I can’t use the name Papa Ajasco unless I go and take permission. I can’t even use the costume,” he said.

The actor revealed that the public’s obsession with the character has effectively erased “Abiodun Ayoyinka” from the casting pool. Producers and fans alike are so conditioned to see the slapstick, bald-headed figure that they struggle to accept him in any other capacity.

“Because that character is very strong, they want to see me as Papa, dress like Papa, look like Papa. It is always difficult for me to do it,” he added.

The revelation of his financial distress is perhaps the most shocking aspect of his story. Despite a long and distinguished career that included a stint with the Lagos State Ministry of Tourism, Arts, and Culture, Ayoyinka says he has been left with almost nothing since his retirement five years ago.

“Things have never been okay for years now. I retired five years ago, and it has never been easy for me to move around and connect with people. I’m always thinking every day. Look at my home; I don’t have my own house. I don’t have a car,” he confessed, visibly shaken.

Ayoyinka’s plight has reignited a heated debate within the Nigerian entertainment industry regarding the welfare of veteran actors and the fairness of contract structures that leave performers without ownership of their own professional legacies. As fans rally to support the man who brought them decades of joy, his story serves as a stark reminder of the often-cruel disparity between public fame and private survival.

One Battle After Another led the way with six wins, while Hamnet’s Jessie Buckley and Sinners’ Michael B Jordan scooped the top acting honours.

See the full list of winners and nominees below.

Best picture

• WINNER: One Battle After Another
• Bugonia
• Frankenstein
• F1
• Hamnet
• Marty Supreme
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams

Best actress

• WINNER: Jessie Buckley – Hamnet
• Rose Byrne – If I Had Legs I’d Kick You
• Kate Hudson – Song Sung Blue
• Renate Reinsve – Sentimental Value
• Emma Stone – Bugonia

Best actor

• WINNER: Michael B Jordan – Sinners
• Timothée Chalamet – Marty Supreme
• Leonardo DiCaprio – One Battle After Another
• Ethan Hawke – Blue Moon
• Wagner Moura – The Secret Agent

Best supporting actress

• WINNER: Amy Madigan – Weapons
• Elle Fanning – Sentimental Value
• Inga Ibsdotter Lilleaas – Sentimental Value
• Wunmi Mosaku – Sinners
• Teyana Taylor – One Battle After Another

Best supporting actor

• WINNER: Sean Penn – One Battle After Another
• Benicio del Toro – One Battle After Another
• Jacob Elordi – Frankenstein
• Delroy Lindo – Sinners
• Stellan Skarsgård – Sentimental Value

Best director

• WINNER: Paul Thomas Anderson – One Battle After Another
• Ryan Coogler – Sinners
• Josh Safdie – Marty Supreme
• Joachim Trier – Sentimental Value
• Chloé Zhao – Hamnet

Best animated feature

• WINNER: KPop Demon Hunters
• Arco
• Elio
• Little Amélie or the Character of Rain
• Zootopia 2

Best international feature

• WINNER: Sentimental Value
• It Was Just an Accident
• Sirât
• The Secret Agent
• The Voice of Hind Rajab

Best documentary feature

• WINNER: Mr Nobody Against Putin
• Come See Me in the Good Light
• Cutting Through the Rocks
• The Alabama Solution
• The Perfect Neighbor

Best original screenplay

• WINNER: Sinners – Ryan Coogler
• Blue Moon – Robert Kaplow
• It Was Just an Accident – Jafar Panahi
• Marty Supreme – Ronald Bronstein and Josh Safdie
• Sentimental Value – Eskil Vogt and Joachim Trier

Best adapted screenplay

• WINNER: One Battle After Another – Paul Thomas Anderson
• Bugonia – Will Tracy
• Frankenstein – Guillermo del Toro
• Hamnet – Chloé Zhao and Maggie O’Farrell
• Train Dreams – Clint Bentley and Greg Kwedar

Best original song

• WINNER: Golden – KPop Demon Hunters (by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park)
• Dear Me – Diane Warren: Relentless (by Diane Warren)
• I Lied to You – Sinners (by Raphael Saadiq and Ludwig Goransson)
• Sweet Dreams of Joy – Viva Verdi! (by Nicholas Pike)
• Train Dreams – Train Dreams (by Nick Cave and Bryce Dessner)

Best original score

• WINNER: Sinners – Ludwig Goransson
• Bugonia – Jerskin Fendrix
• Frankenstein – Alexandre Desplat
• Hamnet – Max Richter
• One Battle After Another – Jonny Greenwood

Best cinematography

• WINNER: Sinners – Autumn Durald Arkapaw
• Frankenstein – Dan Laustsen
• Marty Supreme – Darius Khondji
• One Battle After Another – Michael Bauman
• Train Dreams – Adolpho Veloso

Best film editing

• WINNER: One Battle After Another – Andy Jurgensen
• F1 – Stephen Mirrione
• Marty Supreme – Ronald Bronstein and Josh Safdie
• Sentimental Value – Olivier Bugge Coutté
• Sinners – Michael P Shawver

Best sound

• WINNER: F1 – Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A Rizzo and Juan Peralta
• Frankenstein – Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke and Brad Zoern
• One Battle After Another – José Antonio García, Christopher Scarabosio and Tony Villaflor
• Sinners – Chris Welcker, Benjamin A Burtt, Felipe Pacheco, Brandon Proctor and Steve Boeddeker
• Sirât – Amanda Villavieja, Laia Casanovas and Yasmina Praderas

Best visual effects

• WINNER: Avatar: Fire and Ash – Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
• F1 – Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson
• Jurassic World Rebirth – David Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould
• Sinners – Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean
• The Lost Bus – Charlie Noble, David Zaretti, Russell Bowen and Brandon K McLaughlin

Best production design

• WINNER: Frankenstein – Tamara Deverell and Shane Vieau
• Hamnet – Fiona Crombie and Alice Felton
• Marty Supreme – Jack Fisk and Adam Willis
• One Battle After Another – Florencia Martin and Anthony Carlino
• Sinners – Hannah Beachler and Monique Champagne

Best casting

• WINNER: One Battle After Another – Cassandra Kulukundis
• Hamnet – Nina Gold
• Marty Supreme – Jennifer Venditti
• Sinners – Francine Maisler
• The Secret Agent – Gabriel Domingues

Best make-up and hairstyling

• WINNER: Frankenstein – Mike Hill, Jordan Samuel and Cliona Furey
• Kokuho – Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
• Sinners – Ken Diaz, Mike Fontaine and Shunika Terry
• The Smashing Machine – Kazu Hiro, Glen Griffin and Bjoern Rehbein
• The Ugly Stepsister – Thomas Foldberg and Anne Cathrine Sauerberg

Best costume design

• WINNER: Frankenstein – Kate Hawley
• Avatar: Fire and Ash – Deborah L Scott
• Hamnet – Malgosia Turzanska
• Marty Supreme – Miyako Bellizz
• Sinners – Ruth E Carter

Best animated short

• WINNER: The Girl Who Cried Pearls
• Butterfly
• Forevergreen
• Retirement Plan
• The Three Sisters

Best live action short

• WINNER (TIED): The Singers
• WINNER (TIED): Two People Exchanging Saliva
• A Friend of Dorothy
• Butcher’s Stain
• Jane Austen’s Period Drama

Best documentary short

Perfectly a Strangeness

WINNER: All the Empty Rooms

Armed Only with a Camera: The Life and Death of Brent Renaud

Children No More: Were and Are Gone

The Devil Is Busy

The award-winning singer is among six top contenders battling for the coveted title, alongside Black Sherif, Stonebwoy, Wendy Shay and Sarkodie.

Speaking after the announcement of nominees, Diana Hamilton described the recognition as exciting and expressed gratitude to God and to everyone who has supported her music.

“It’s humbling. It’s exciting,” she said.

The gospel star noted that she had come across a video in which a pastor humorously suggested that the nomination showed that “the system is working,” a comment she found amusing.

Despite the lighthearted moment, Diana Hamilton emphasized that she remains grateful for the continued support that has kept her music relevant.

“I’m just grateful to God for what He’s done and to all of you for the work you put in to make our songs heard and our names stay,” she said.

Her nomination places her among some of the most dominant forces in Ghanaian music over the past year, including multiple award winners Black Sherif, Stonebwoy and Sarkodie, as well as Afropop star Wendy Shay.

Meanwhile, Diana Hamilton also addressed questions about why her song “Aha Ye” did not secure nominations in the International Collaboration of the Year and Collaboration of the Year; categories she won last year.

The gospel singer said she had not yet had the opportunity to fully review the nominees’ list at the time of the announcement.

She added that she would seek clarification from the organisers of the awards, Charterhouse, regarding the absence of the song from those categories.

The nominees were announced at TGMA’s official unveiling show held on Saturday, March 14.

Leading the charge in the Artiste of the Year category are Black Sherif, Medikal, Stonebwoy, Wendy Shay, Sarkodie, and Diana Hamilton, all of whom have enjoyed strong chart performances and fan support over the past year.

In one of the most talked-about inclusions, dancehall heavyweight Shatta Wale makes his return to the awards after a seven-year ban, joining Medikal and Beeztrap Kotm in the Best Hiplife Song category for Shoulder.

Albums such as Black Sherif’s Iron Boy, Medikal’s Disturbation 2, and Gyakie’s After Midnight are in the running for Album/EP of the Year, while emerging talents Kojo Blak, Gonaboy, Lalid, and Adom Kiki battle for Best New Artiste.

The awards cover 26 categories, ranging from Artiste of the Year, Best New Artiste, and Album/EP of the Year, to Best Reggae/Dancehall, Gospel, Hiplife/HipHop, and Collaboration of the Year.

The date for the awards night will be announced later, as fans eagerly await to see who will take home Ghana’s top music honors this year.

Below is the full nomination list:

Artiste of the Year

Black Sherif

Medikal

Wendy Shay

Sarkodie

Diana Hamilton

Best Hiplife Song

Medikal ft Shatta Wale & Beeztrap Kotm – Shoulder

Fameye ft Medikal – Habit

Ko-Jo Cue ft Arathejay & Ofori Amponsah – Tonton

Kojo Blak ft Sarkodie – Next Door

Sarkodie ft Rweru Flick – Messiah

Rwesi Amewuga – Badness

Audio Engineer of the Year

Francis Kweku Osei – Chaana

Kwame Yeboah – Akoma

Samuel Laryea Otoo – For My Good

KC_Beatz – Afa

Robo Dabeat Scientist – Kwame Macho

Daniel Grüll – Enso Nyame Y3

Record of the Year

Samini ft Soweto Gospel Choir – Chaana

Asiama – Aroma

Enam – Afa

Soul Winners ft Joe Mettle – For My Good

Rama Blak – Kwame Macho

Kwabena Kwabena – Enso Nyame Y3

Most Popular Song of the Year

Kidi ft Olivetheboy & Kojo Blak – Gymnastic

Black Sherif – Sacrifice

Wendy Shay ft Olivetheboy – Crazy Love

Rojo Blak ft Kelvyn Boy – Excellent

Medikal ft Shatta Wale & Beeztrap Kotm – Shoulder

Lasmid – Olivia

Moliy, Shenseea, Srillibeng & Silent Addy – Shake It To The Max Remix

Piesie Esther – Nyame Ye

King Paluta – Foko

Album/EP of the Year

Black Sherif – Iron Boy

Stonebwoy – Torcher

Gyakie – After Midnight

Medikal – Disturbation 2

Wendy Shay – Ready

Kweku Smoke – Walk With Me

Best New Artiste

Kojo Blak

Gonaboy

Lalid

Adom Kiki

Best Reggae / Dancehall Artiste

Samini

Ras Kuuku

Stonebwoy

Best Gospel Artiste

Piesie Esther

Diana Hamilton

Mogmusic

Kofi Owusu Peprah

Mabel Okyere

Nana Yaw Ofori-Atta

Best Urban / Contemporary Gospel Song

Ewura Abena – Ebefa

Kofi Owusu Peprah – Big God Afro

Diana Hamilton ft Ntorzo Mbambo & Elder Mireru – Aha Ye (The Good Place)

Scott Evans – Ready

Kofi Karikari – Stamina

Carl Clottey ft Luigi Maclean – Yehoda

Best Reggae / Dancehall Song

Moliy, Shenseea, Skillibeng & Silent Addy – Shake It To The Max RMX

Stonebwoy – Torcher

Cina Soul feat Stonebwoy – Larger Than Life (LTL)

Samini – Summer King

Arathe Jay ft Stonebwoy – Talisman

Amerado – Pharaoh

International Collaboration of the Year

Moliy, Shenseea, Skillibeng, Silent Addy – Shake It To The Max RMX

Black Sherif ft Fireboy DML – So It Goes

Wendy Shay ft Bedjine, Phina & Guchi – Too Late Remix (2.0)

Lasmid feat TML Vibez – Meet 4 Corner

King Promise ft Mr Eazi – See What We’ve Done

Moliy ft Tyla – Body Go

Collaboration of the Year

Rojo Blak ft Kelvyn Boy – Excellent

Kidi ft Olivetheboy & Kojo Blak – Gymnastic

Wendy Shay ft Olivetheboy – Crazy Love

Sarkodie ft Rweku Smoke – Violence

Medikal ft Shatta Wale & Beeztrap – Shoulder

Kwabena Kwabena ft Stonebwoy & Kofi Kinaata – Aso II

Songwriter of the Year

Black Sherif – Sacrifice

Kofi Kinaata – Have Mercy II

Cofi Boham – Take Me Home

Ko-Jo Cue – Abebere

Arwaboah – Obi Nnim (Obinim)

Stonebwoy – Send Them a Prayer

Best Highlife Artiste

Fameye

King Paluta

Kwabena Kwabena

Kofi Kinaata

Kuami Eugene

Best Hiplife/ Hiphop Artiste

Black Sherif

Medikal

Kweku Smoke

Sarkodie

Ko-Jo Cue

O’Kenneth

Best Rap Performance

Strongman – Mensei Da

Ko-Jo Cue – Abebere

Lyrical Joe – 5th August 9

Joe Kay – 4GG (For God’s Glory)

Medikal – Welcome to Africa

Sarkodie – Violence

Best Female Vocal Performance

Enam – Amin

Grace Charles (Team Eternity GH) – See Me Through

Niiella – Show Me How to Love

Cina Soul – Breathe

Lordina The Soprano – Beni Tookweil

Best Afrobeats / Afropop Artiste

Wendy Shay

Kojo Blak

Kidi

Olivetheboy

Gyakie

Moliy

Best Male Vocal Performance

Asiama – Akoma

Deon Boakye – Time (Livesession)

Perez Musik – By Prayer

Josh Blakk – Catch-22

Carl Clottey – Yehoda

Best Music Video

Kojo Blak ft Kelvyn Boy – Excellent (Directed by Henry Akrong)

Black Sherif – Sacrifice (Directed by Meekah Jagun)

Medikal – Welcome to Africa (Directed by Xbills Ebenezer)

Stonebwoy – Shine (Directed by Yaw Skyface)

Samini ft Soweto Gospel Choir – Chaana (Directed by Yaw Skyface)

AratheJay – Put Am On God (Directed by David Duncan)

Best Afropop Song

Black Sherif – Sacrifice

Stonebwoy – Gidi Gidi

Olivetheboy ft Sarkodie – Bend

Gyakie – Sankofa

Lasmid – Olivia

King Promise ft Mr Eazi – See What We’ve Done

Best Afrobeats Song

Kojo Blak ft Kelvyn Boy – Excellent

Kidi ft Olivetheboy & Kojo Blak – Gymnastic

Wendy Shay ft Olivetheboy – Crazy Love

Mr Drew ft Olive The Boy – OMG

Lasmid ft King Promise – No Issues

Best Hiphop Song

Black Sherif – Where Dem Boys

O’Kenneth – Balenciaga

Sarkodie ft Kweku Smoke – Violence

Kweku Smoke – Adu The Borga

Gonaboy – Same Timbs

Lalid – The Matter

Best Traditional Gospel Song

Joyce Blessing ft King Paluta – Correct

Piesie Esther – Nyame Ye

Mabel Okyere – So Far So Good

Kofi Owusu Peprah ft Diana Hamilton – M’aseda

Celestine Donkor ft Diana Hamilton – Akorfala

Paul Enana – Baba God (Matthew 6:26)

Best Highlife Song of the Year

Kofi Kinaata – It Is Finished

King Paluta – Foko!

Kwabena Kwabena ft Stonebwoy & Kofi Kinaata – Aso II

Amerado – Obi Adi

Kuami Eugene – Do Better

In the clip, LilWin disclosed that the child he has lovingly raised for nine years isn’t his by blood, but added that he has no problem fathering him.

The video quickly set social media abuzz, with fans and followers speculating about the actor’s personal life and marriage.

In response, LilWin’s management, Wezzyempire has issued an official statement clarifying the situation.

They confirmed that the so-called “DNA revelation” was purely fictional.

According to the official statement, the video was part of a marketing campaign for Lil Win’s highly anticipated new movie, DNA, set to premiere exclusively on Wezzyempire TV on YouTube.

The statement reassured fans that Lil Win is happily married and a proud father of eight children, and that the viral video does not reflect his real-life family situation.

The hype, they explained, was intended to give audiences a taste of the drama and intrigue of the upcoming film, rather than his personal affairs.

They pleaded for the public to stop further speculations on his paternity and the state of LilWin’s marriage.

Mayor of Accra, Michael Kpakpo Allotey, has invited traders and residents across the capital to actively participate in the initiative, which is aimed at encouraging the patronage of Ghanaian food, clothing, and other locally made products.

The Mayor made the call when a delegation from the Ghana National Tomato Traders and Transporters Association paid a courtesy visit to him at the Assembly.

Addressing the traders, he explained that the programme forms part of efforts by the Assembly to promote Ghanaian culture while strengthening support for local industries.

According to him, Ghana’s cultural identity and traditions can only be sustained when citizens deliberately choose to support locally produced goods and services.

He stressed that the “Eat Ghana, Wear Ghana” initiative seeks to ensure that activities and consumption patterns within the city reflect Ghanaian values and traditions.

“Ghana belongs to us, and we must all make conscious efforts to support our own culture and industries,” the Mayor noted.

Activities for the four-day celebration will include a Corporate Ghana Day on Monday, followed by a “Rep Your Region” cultural display on Tuesday, where participants will showcase the culture and traditions of various regions.

Wednesday has been designated as Fugu Day and will feature traditional games, while Thursday will climax the celebration with a cooking competition highlighting Ghanaian dishes.

The programme is expected to attract traders, cultural groups, and residents as part of efforts to promote local products and celebrate Ghana’s rich heritage.

Mr Senyo Hosi, one of the guests on the show, read a heartfelt birthday message live on air, catching Mr Ayenini off guard and delighting viewers with the unexpected gesture.

“For years, Samson, you have held Newsfile with grace, a steady mind in Ghana’s public space — a senior lawyer whose wisdom lights the way, a voice that helps the nation to think each Saturday. Beyond the cameras, your service runs deep.

“Pro bono battles fought for those who could not speak — a true voice for the voiceless. You stood with journalists, you stood with the weak, you stood with the poor, you stood with Ghana when storms grew loud. You are a quiet shield, an unwavering and honourable soul. We stand with you today; we are all proud,” Mr Hosi continued.

“So today we pause the arguments, the sound bites and the chats to celebrate the man with one of Ghana’s biggest hearts. Samson, may this new year crown you with joy. Happy birthday and thank you for the service and justice you have delivered,” he concluded.

The lively moment brought laughter and cheer to the studio, offering a light-hearted close to an otherwise serious programme and highlighting the camaraderie between the host and guests on the popular current affairs show.

An elated Mr Ayenini, in his usual soft-spoken and calm demeanour, appeared visibly surprised and could only briefly express his appreciation to the team for the honour done him.

More About Mr Ayenini

Mr Ayenini rose to national prominence through his work with Multimedia Group Limited, where he serves as a senior journalist and broadcaster. He is widely recognised as the long-time host of Newsfile on JoyNews, one of Ghana’s most influential weekend current affairs programmes.

On Newsfile, he moderates high-level discussions involving politicians, policy experts, civil society actors and government officials. The programme focuses on governance, law, economics and public accountability, making it a key platform for national debate.

He has hosted the show for nearly 18 years out of the 30 years that Joy FM has existed.

Legal Career

Samson is a founding partner of A-PARTNERS @ LAW. He was previously with Osu-based Gaisie Zwennes Hughes & Co. He has an LL.M in and with a practice focus on International Commercial and Investment Arbitration. He is also a media practitioner, trainer and consultant.

He has consulted for and delivered special papers for professional institutions and special organisations, including the UNESCO, the Judicial Service of Ghana, the Graphic Communications Group Ltd, and the local chapter of the global watchdog Ghana Integrity Initiative and Ghana Anti-Corruption Coalition, CDD/CODEO.

He has collaborated with the NCCE, the CDD and others to promote good governance and was a major crusader for the passage of the Right To Information Law.

He has served/serves on committees/boards of the University of Education – Winneba, Law School and School of Languages of the University of Ghana – Legon, Chairman of the GFA NC Disciplinary Committee, which worked to restore the beautiful game after Anas Aremeyaw Anas’ #12 expose. He has served on a committee of the RTI Commission.

Samson was one of two Africans appointed to the Board of International Lawyers Assisting Workers (ILAW) Network under the auspices of the Solidarity Centre, working with the International Trade Union Confederation (ITUC) and the European Trade Union Confederation (ETUC).

He is a Fellow of The Aspen Institute’s Africa Leadership Initiative – West Africa (ALIWA). He has been invited as a guest lecturer at home and abroad, including at LEGON, GIMPA, UPSA and Smith College (Northampton, MA).

In an interview on Adom TV M’ashasey3, she reflected on her youthful years and explained that her path into marriage was different from what many people experience.

According to her, she chose to marry at a young age rather than go through a period of dating or courtship. She said she had her first child at 19 after deciding to start a family.

“I married very early. By 19 years, I had given birth to my first child,” she stated.

The First Deputy Majority Whip in Parliament noted that before getting married she had never been in a romantic relationship or courtship with any man.

“When I was of age, I did not court. I have never dated or been in a courtship before,” she said.

Because of that, she emphasised that no one can claim to have been her former boyfriend.

“No one can call me their former girlfriend. The only thing someone can say is that I was a former wife. My first husband had me for the first time,” she added.

Madam Cudjoe-Ghansah explained that her experience stands in contrast to that of many people who go through several relationships before eventually getting married.

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The increase from 23 billionaires worth $96 billion last year highlights the expanding economic influence of Black entrepreneurs across sectors ranging from heavy industry and finance to entertainment, sports and technology.

Analysts say the growth reflects both rising asset values and the emergence of new fortunes driven by innovation, private equity investments and global consumer brands.

Dangote remains world’s richest Black billionaire

Topping the list once again is Nigerian industrialist Aliko Dangote, founder of the Dangote Group, whose empire spans cement, sugar, fertiliser and energy.

With an estimated net worth of $28.5 billion, Dangote remains not only Africa’s wealthiest individual but also the richest Black person globally.

He is followed by Alexander Karp, co-founder of data analytics firm Palantir Technologies, worth about $13.4 billion, and technology entrepreneur David Steward of World Wide Technology, with $12.4 billion.

Other prominent African figures on the list include Nigerian businessman Abdulsamad Rabiu of the BUA Group and telecom magnate Mike Adenuga, founder of Globacom.

Entertainment and sports icons feature prominently

High-profile figures from sports and entertainment also account for a significant portion of the list, underscoring the financial power of global celebrity brands.

Basketball legend Michael Jordan ranks among the wealthiest, with an estimated fortune of $4.3 billion, driven by endorsements, investments and ownership stakes in sports franchises.

Other sports figures include LeBron James, golfer Tiger Woods and business-minded former NBA star Magic Johnson.

Media mogul Oprah Winfrey and film producer Tyler Perry also remain among the world’s wealthiest Black personalities.

Music superstars enter billionaire ranks

Two global music icons have either newly joined or consolidated their positions among the ultra-wealthy.

Hip-hop pioneer Dr. Dre has officially reached billionaire status more than a decade after selling the headphone company Beats by Dre , which he co-founded with Jimmy Iovine, to Apple for over $3 billion.

Forbes estimates Dre’s current wealth at about $1 billion, boosted by new ventures including the spirits brand Gin & Juice, developed in partnership with Snoop Dogg.

Reflecting on his business philosophy, Dre said in a 2024 interview:

“I’m always thinking forward,” Dre said in a 2024 interview with Stephen A. Smith. “I don’t live my life with a rearview mirror.”

Pop superstar Beyoncé Knowles‑Carter has also reached the billion-dollar milestone, building wealth through music, fashion and beauty ventures alongside touring revenues.

Her husband, Jay‑Z, who became a billionaire in 2019, now holds an estimated fortune of $2.8 billion, driven by investments spanning entertainment, alcohol brands and venture capital.

Fellow global pop icon Rihanna remains on the list with wealth tied largely to her cosmetics empire, Fenty Beauty.

Rise of private equity wealth

A notable trend in this year’s ranking is the growing presence of private equity investors.

New entrants include David Grain of Grain Management and Stefan Kaluzny of Sycamore Partners, reflecting the expanding influence of Black financiers in global capital markets.

Media entrepreneur Robert L. Johnson, co-founder of BET, also returned to the billionaire list after fluctuations in his wealth in previous years.

Meanwhile, Jamaican-Canadian investor Michael Lee‑Chin dropped off the list after his net worth fell below the billion-dollar threshold.

A more diverse billionaire class

Observers say the growing number of Black billionaires reflects broader shifts in global economic power and entrepreneurial opportunity.

Unlike earlier eras when fortunes were concentrated primarily in heavy industry, today’s wealth creators operate across a wide range of sectors , from mining and telecommunications in Africa to technology platforms, private equity funds and consumer brands in North America.

Many of these billionaires also play influential roles in philanthropy, policy advocacy and cultural leadership.

Collectively, the group represents not only immense financial success but also a widening footprint in shaping global business trends and social initiatives.

As the world economy continues to evolve, analysts expect the number of ultra-wealthy individuals from diverse backgrounds to grow further, particularly in emerging markets and high-growth sectors such as technology, renewable energy and digital finance.

Below is the Forbes list of the 27 Black billionaires in 2026, with their net worth and industry/source of wealth:

1. Aliko Dangote – $28.5B | Cement, sugar
2. Alexander Karp – $13.4B | Software / Data Analytics (Palantir Technologies)
3. David Steward – $12.4B | IT services (World Wide Technology)
4. Abdulsamad Rabiu – $11.2B | Cement, sugar (BUA Group)
5. Robert Smith – $10B | Private equity (Vista Equity Partners)
6. Mike Adenuga – $6.5B | Telecom, oil (Globacom)
7. Michael Jordan – $4.3B | Sports, endorsements, Charlotte Hornets
8. Patrice Motsepe – $4.3B | Mining (African Rainbow Minerals)
9. Oprah Winfrey – $3.2B | Television, media
10. Jay-Z – $2.8B | Music, investments (MarcyPen Capital Partners)
11. Adebayo Ogunlesi – $2.5B | Private equity (Global Infrastructure Partners)
12. David Grain – $2.3B | Private equity (Grain Management)
13. Strive Masiyiwa – $2.1B | Telecom (Econet Group)
14. Magic Johnson – $1.6B | Sports, investments, entertainment
15. Tiger Woods – $1.5B | Golf, endorsements
16. Herriot Tabuteau – $1.5B | Healthcare (Axsome Therapeutics)
17. Tope Awotona – $1.4B | Software (Calendly)
18. LeBron James – $1.4B | Basketball, endorsements
19. Tyler Perry – $1.4B | Movies, television, media ownership
20. Mohammed Ibrahim – $1.3B | Communications (Celtel International)
21. Stefan Kaluzny – $1.3B | Private equity (Sycamore Partners)
22. Femi Otedola – $1.3B | Energy, utilities
23. Sheila Johnson – $1.2B | Cable TV, hospitality
24. Dr. Dre – $1B | Music, electronics (Beats by Dre)
25. Robert Johnson – $1B | Cable TV, sports (BET, Charlotte Hornets)
26. Beyoncé Knowles-Carter – $1B | Music, cosmetics, apparel
27. Rihanna – $1B | Music, cosmetics (Fenty Beauty)

In a heartfelt reflection, the rapper said the loss has been one of the most difficult experiences of his life, admitting that he has been doing his best to cope while continuing with his career.

“Since my mum died, I’ve been trying to hold on,” he shared, expressing how deeply the loss has affected him.

According to Kofi Jamar, the pain of losing a parent is something that never truly goes away, but he continues to find strength in cherished memories and the support of loved ones.

The musician added that despite the grief, he remains determined to keep pushing forward with his music and life, using his experiences as motivation to keep going.

Since my mum died, I’ve been trying to hold on

— Kofi Jamar (@KofiJamar) March 13, 2026

The artiste travelled to the United Kingdom with Sleeky Promotions and his team for the 69th Ghana Independence Concert, which will be held at the Ukrainian Cultural Centre in Manchester.

The concert is expected to feature several Ghanaian performers, including Keche, Stay Jay, and Kweku Darlington.

Also billed to perform are dancer Incredible Zigi, comedian OB Amponsah, and Bobo Dada Bee.

The event forms part of activities marking Ghana’s Independence Day celebrations in the diaspora, bringing Ghanaian music and entertainment to fans in the United Kingdom.

Samini reflects on longevity in music, celebrates decades of success

He promised me a free verse — Ren Mich on Shatta…

In a post shared online, the award-winning musician recalled rising to stardom at the age of 21 and continuing to remain active and relevant at 44.

“I became a star at 21 and I’m still thriving at 44 and counting,” he wrote, expressing gratitude to fans and supporters who have stood by him throughout the years.

Samini thanked those who believed in his talent from the beginning, noting that their support has been key to his longevity in the entertainment industry.

He also offered advice to young people, particularly those around the age he first found fame, highlighting the value of maturity and focus.

“If you are 21 this is for you… The more mature you get, the quieter you become,” he wrote.

Samini urged young people to protect their energy and avoid giving attention to things that add no value to their lives.

“Let nothing that adds zero to your value drain part of you because you paid attention,” he added.

Ending his message on a heartfelt note, the Linda hitmaker reaffirmed his love for his fans, assuring them that their bond remains strong.

“Pause… go back to… read again… Love you for loving SAMINI. We dey together forever,” he concluded.

I became a star at 21 and I’m still thriving at 44 and counting. All I can say is thank you to those who believed. If you are 21 this is for you … The more mature you get the quieter you become…. Let nothing that adds zero to your value drain part of you because you payed…

— SAMINI (@samini_dagaati) March 13, 2026

Speaking in an interview on Daybreak Hitz about his music career, Ren Mich said he has always admired Shatta Wale and credits him for playing a significant role in his journey in the music industry.

According to Ren Mich, about four years ago, he would tag Shatta Wale in almost every post he made in hopes of getting noticed.

“I used to tag him in every post I made,” he said.

The musician added that he was shocked when Shatta Wale eventually reposted one of his videos and promised him a free verse for a collaboration. He described the dancehall star as a major inspiration in his career, expressing great respect for him and excitement about the upcoming collaboration.

Ren Mich also revealed that Shatta Wale contributed to the music video for his soon-to-be-released song.

He noted that growing up, he listened to musicians like Sarkodie and Shatta Wale during the period he was known as Bandana.

The artist further shared that he has released four EPs so far, with his latest EP released on March 5, 2026.

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I dropped out of UPSA to focus on my music career — Ren Mich

Shatta Wale teams up with John Legend for new single ‘Ain’t Nobody’

Speaking during an interview on Daybreak Hitz with host Kwame Dadzie, Ren Mich explained that balancing academics and music had become increasingly challenging, prompting the difficult decision.

He revealed that he left UPSA about four years ago while in Level 200.

“I dropped out of school to focus on music because I needed more time to concentrate on it,” he said.

Ren Mich added that managing both school and his growing music career was tough, and he feared that continuing with both could hinder his progress in music. He described the decision as necessary to avoid losing momentum in his career.

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Shatta Wale teams up with John Legend for new single ‘Ain’t Nobody’

The song is set for release on March 20, 2026.

The collaboration brings together two influential voices from different musical backgrounds, blending African rhythm with global soul in a song expected to appeal to audiences across cultures.

Affectionately called the ‘Dancehall King’, Shatta Wale has built a strong legacy in African dancehall, winning multiple awards and shaping the sound of a generation. His influence extends beyond Ghana through a number of international collaborations that highlight his global reach.

Over the years, he has worked with icons such as Beyoncé, Bounty Killer, Vybz Kartel, Gramps Morgan and Shenseea. These projects have positioned him as one of the key African voices bridging dancehall and the global mainstream.

John Legend stands among the most decorated artistes of his era, with 13 Grammy Awards from more than 40 nominations. His catalogue of timeless hits, worldwide acclaim and respected musicianship have secured his place among music’s elite.

‘Ain’t Nobody’ is expected to further strengthen Shatta Wale’s international presence as he continues to expand his reach beyond Africa.

He made the appeal on Thursday, March 12, 2026, during the official appointment of Ghanaian musician Medikal as an ambassador for the anti-drug campaign at the Ministry of Youth Development and Empowerment.

Mr Ayariga said the fight against substance abuse, particularly the growing use of the synthetic drug known as “Red”, requires the collective efforts of influential personalities who have strong connections with the youth.

According to him, social media influencers, musicians and content creators have a critical role to play in shaping the attitudes and decisions of young people.

He therefore encouraged them to use their platforms to spread awareness about the dangers associated with drug abuse and to promote healthy lifestyles among the youth.

Mr Ayariga noted that the “Red Means Stop” campaign forms part of a broader national strategy to address the rising cases of substance abuse among young people in Ghana.

He explained that the campaign seeks to educate the public on the harmful effects of drugs while empowering young people to make responsible choices that safeguard their future.

The NYA CEO commended Medikal for accepting to serve as an ambassador for the campaign, describing the musician’s decision to support the initiative without financial reward as commendable.

Mr Ayariga expressed hope that Medikal’s involvement would inspire other influential personalities to also join the campaign and contribute to the national effort to combat drug abuse among the youth.

According to the family, the memorial will begin at 6:30am at Wesley Methodist Church – Saltpond.

After the church gathering, mourners will proceed to for the next part of the observance. The family has asked attendees to wear black for the ceremony.

The gathering is expected to attract family members, musicians, fans and members of the creative arts community who wish to pay tribute to one of Ghana’s most influential musical figures.

Ebo Taylor died on February 7, 2026 at age 90. Widely respected as a guitarist, composer and band leader, he played a significant role in shaping Ghana’s highlife music and expanding its influence across Africa and beyond.

Born Deroy Taylor in Cape Coast in 1936, he rose to prominence during the late 1950s and early 1960s when highlife dominated Ghana’s music scene.

Over a career that spanned more than six decades, Taylor developed a distinctive sound that blended traditional Ghanaian rhythms with elements of jazz, funk, soul and early Afrobeat.

In later years, his music gained renewed international attention through sampling by global artists in hip hop and R&B.

Songs such as Heaven, Odofo Nyi Akyiri Biara and Love and Death introduced new generations of listeners to his work.

Despite receiving wider global recognition later in life, Ebo Taylor remained a towering figure in Ghana’s music history. Many musicians and scholars regard him as one of the architects of modern West African popular music.

As preparations continue for the one week observance, tributes from fans and industry figures continue to highlight the lasting influence of a musician whose work helped bridge generations and musical traditions.

Speaking on Ekosiisen on Asempa FM on Wednesday, the musician said his brand is strong enough to attract a large UK audience, provided the right structure and investment are in place.

“Shatta’s brand is so big. That’s why sometimes I do things and people question how I do them. I have a team I work with, and anything I want to achieve, I can achieve it. Sometimes it’s about the structure, how I want it arranged and the look of it,” he said.

He noted that he already has a significant fanbase in the UK and believes filling the arena would not be difficult with the backing of investors. “I have a huge fanbase in the UK, and if I get the right investors, I can do this. What the Nigerians are doing is no strange thing,” he added.

Shatta Wale emphasised that large-scale concerts require strong organisation and support. Citing rapper Sarkodie, he explained that successful international shows are often built on the work of a solid team and investment.

“Sarkodie’s show at Royal Albert Hall had people working behind it. The O2 he wants to fill, I’m sure there are people behind it and they will still look for support,” he said.

He also stressed that these efforts should not be viewed as a competition but as a long-standing ambition for Ghanaian artistes to stage major global concerts. “For me to say I will support Sarkodie, I should also be part of the investors. I can do it alone, but with investors it becomes bigger,” he concluded.

Speaking in an interview on Ekosii Sen, the musician said the controversy has damaged his reputation and affected several business opportunities both locally and internationally.

According to him, EOCO officials visited his residence to verify claims that some vehicles belonging to Mr. Adu-Boahene were in his possession, but he insisted the only car found at his house was his Lamborghini.

Shatta Wale maintained that he has no dealings with the former state official and questioned why the issue was not handled privately. He said the situation has created the impression that he knowingly purchased a stolen vehicle, which he described as unfair.

“I want to boldly say that the EOCO boss needs to apologise to my brand, not me, Shatta Wale, because they have really tarnished my image in Ghana and even abroad,” he stated.

“The best thing they could have said was, ‘Shatta, come and take your car,’ but to hear another story that the car is proceeds of crime, I was like, ‘where is this coming from?’ At a point, I felt like I was not safe in this country.”

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In a viral video circulating online, the musician was seen in a discussion with fellow Nigerian artistes, including Phyno and Mr. P.

During the conversation, Timaya advised one of his friends to focus on having a child rather than stressing over marriage. According to him, the institution of marriage no longer works the way it used to.

“Just born pikin, pikin go grow. This marriage thing no dey work,” he said in the video.

The singer added that having a child and raising the child could be less stressful than going through the pressures associated with marriage.

His comments have since generated mixed reactions online, with some social media users debating his views on relationships and family life.