Speaking publicly, Mrs Obinim stated that her face is natural and that she has never gone under the knife.

She explained that her noticeable weight loss followed prolonged periods of fasting and prayer, which she embarked on to seek divine intervention for the revival and growth of her husband’s church.

According to her, the spiritual exercise had nothing to do with physical appearance but was a personal sacrifice made during a difficult period to help her husband’s ministry flourish again.

Her remarks come on the back of comments by Apostle Daniel Obinim, founder of the International God’s Way Church, who also addressed the issue in church.

The preacher admitted that he had gone astray in the past, noting that the criticism and challenges he faced publicly played a significant role in shaping him into a better person.

Apostle Obinim further stated that his wife equally needed public scrutiny to renew her mind and make changes in certain aspects of her lifestyle. He urged the public not to blame him or their marriage for what many have described as the shocking transformation of his wife.

He added that criticism can serve as a tool for growth and maintained that neither he nor their marriage should be held responsible for Florence Obinim’s recent changes.

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The ceremony, which took place on Saturday, December 27, 2025, blended simplicity with colour and elegance, drawing warm reactions from guests and social media users alike.

Family, close friends and well-wishers gathered to witness the union, which was marked by rich Ghanaian cultural elements and carefully curated fashion.

The bride arrived in style, dressed in a striking orange and golden yellow mermaid-style kente outfit adorned with intricate beadwork.

The ensemble featured delicate floral patterns accented with blue and teal tones, while her sleek ponytail hairstyle completed the refined bridal look.

Her bridesmaids complemented the theme in blue dresses paired with teal headwraps, adding visual harmony to the ceremony.

Pascal Mensah, the groom, matched the celebratory mood in a bold orange agbada, styled with black footwear.

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His groomsmen wore coordinated teal kaftans, creating a balanced and vibrant colour palette throughout the event.

Videos circulating online captured emotional highlights from the day, including a heartfelt speech by Tony Lithur and tender moments shared between the newlyweds, which resonated strongly with viewers.

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The ceremony has since been widely praised for its warmth, elegance and strong display of family bonds.

The images show the Effutu MP spending quality time at home with his wife, Dianne Markin, and their five children.

In one of the photos, Afenyo-Markin posed affectionately with his wife, while other shots captured him sharing light moments with his daughters and sons.

Dressed in matching pyjamas, the family was seen smiling broadly as they posed inside their residence, reflecting a close-knit bond and relaxed Christmas mood.

The rarely seen family moment quickly caught the attention of social media users, many of whom described the photos as heartwarming and refreshing.

The post has since attracted positive comments from Ghanaians, with several users commending the Minority Leader for sharing a glimpse of his private family life during the festive season.

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The confirmation was made by the Deputy Chief Executive Officer of the GTA, Gilbert Abeiku Aggrey, in a post on X (formerly Twitter), where he disclosed that the Authority had reached out to the artiste and expressed appreciation for his interest in supporting Ghana’s creative arts and tourism infrastructure.

Mr Eazi first announced the idea during a live performance at the recently held Detty Rave Concert in Accra. At the event, he underscored the need for a world-class venue capable of hosting large-scale concerts, festivals and international events, describing it as critical to the growth of Ghana’s entertainment ecosystem.

His proposal is part of a broader private sector-driven vision aimed at strengthening Ghana’s position as a leading entertainment and cultural hub on the African continent.

The announcement has since generated widespread discussion on social media, with creatives and industry stakeholders welcoming the move as a timely response to the long-standing absence of purpose-built, large-capacity event venues in the country.

If realised, the proposed indoor-outdoor events centre is expected to support year-round programming, enhance event safety and logistics, and attract more international acts and festivals to Ghana—boosting tourism, job creation and the broader creative economy.

The incident occurred during his ‘Ukwu’ performance at the Gbaramatu Christmas Carnival in Delta State.

Timaya, in a now-trending video on social media, collapsed after the plus-sized woman jumped on him midday during his performance.

Moment Timaya fell on stage while trying to lift a fan during his “UKWU” performance at the Gbaramatu Christmas Carnival in Delta State 😂❤️ pic.twitter.com/ww1YvV1ip4

— HYPETRIBE (@hypetribeng) December 25, 2025

The singer later got up and continued his performance amid cheers from the crowd.

Although details surrounding his death remains sketchy, reports of his death broke on Sunday, December 28, 2025.

The sad development was confirmed by his close associate, Odehyieba Keff, a guitarist and singer who worked closely with the highlife legend.

In a video shared on social media, Odehyieba Keff disclosed that Aseibu Amanfi had been unwell for some time and had previously sought public support for his upkeep.

“I want to thank everyone who contributed after I appealed for help for him. May God bless you all. Sadly, we lost him this Christmas Sunday. God has called him home, and at the appropriate time, the family will announce the funeral arrangements,” he said.

Since the announcement, tributes have been pouring in from fans, fellow musicians and industry players, celebrating Aseibu Amanfi’s contribution to Ghanaian highlife music.

The late musician was widely admired for timeless songs such as Kakra Bɛka Wo, Bamaso, and Kanawu, which cemented his place as one of the respected voices in Ghana’s highlife tradition.

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Mario Rodriguez, a model who landed a minor role in Perry’s 2016 movie Boo! A Madea Halloween alleges in a new lawsuit that Perry sexually assaulted him and made unwanted sexual advances while promising him roles. Rodriguez is seeking $77 million in damages.

Rodriguez is being represented by attorney Jonathan J. Delshad, who also represented Derek Dixon, another actor who made similar allegations against Perry, 56, earlier this year.

Alex Spiro, an attorney for Perry, says in a statement on December 26, “Having recently failed in another matter against Mr. Perry, the very same lawyer has now made yet another demand from more than a decade ago, which will also be a failed money grab.” However, Delshad says Dixon’s claims “are alive and well, and none of them have failed; they were just moved to a different court,” as the case is relocated from California to Georgia.

In the lawsuit obtained by PEOPLE, Rodriguez claims that in 2015 he was approached by a trainer while at a Los Angeles gym who said Perry wanted to meet him. Rodriguez said Perry soon spoke to him over the phone and offered him a small role in the Madea Halloween film. He went on to play “Frat Guy #10” in the movie.

The complaint alleges multiple instances when Perry would invite Rodriguez over to his home under the guise of discussing future work projects, only to make sexual advances while drinking. In November 2018, Perry allegedly “grabbed [Rodriguez’s] penis,” and Rodriguez repeatedly told Mr. Perry to stop, and Rodriguez had to “physically struggle to get away.”

Perry allegedly would tell Rodriguez to “let it happen” and “If you were to just be with me, I would take care of you….” Rodriguez’s lawsuit claims that after two incidents, Perry allegedly apologized, handed him $5,000, and sent him away.”

At a final alleged encounter in April 2019, “More than ever before, it was clear that Mr. Perry would do whatever he wanted, whenever he wanted, to whomever he wanted, no matter how many times he was rejected.”

The lawsuit claims Perry would “randomly reach out to” Rodriguez through 2024, and “when Perry became aware that Rodriguez was going to file this action, Perry once again reached out to Rodriguez by text,” telling him he “did so much to help Rodriguez” and he “was feeling betrayed.”

In a Dec. 13 Instagram video, Rodriguez spoke about feeling “scared and ashamed,” explaining why he hadn’t previously come forward, though he did not mention Perry by name in the post, just a “powerful director “that everybody knows.”

“I stayed quiet for much too long. And I just want to say I’m really sorry, man. Because if I had spoken up sooner, I could’ve saved somebody that this probably happened to after me,” he says at one point to his nearly 1 million followers in the clip. “I just want to say sorry for that, whoever that may be. It could’ve stopped with me if I had said something… But I’m speaking up now.”

Dixon, who starred on Perry’s TV series The Oval, filed a $260 million lawsuit against Perry in June, alleging sexual harassment, assault, and retaliation, which the filmmaker denies.

In September, one of Perry’s lawyers, Matthew Boyd, claimed Dixon is “an individual who got close to Tyler Perry for what now appears to be nothing more than setting up a scam.” He added at the time, “Tyler will not be shaken down, and we are confident these fabricated claims of harassment will fail.”

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He is nominated for Artiste of the Year, Best Highlife Artiste, Best Producer, Most Popular Ghanaian Song, Most Popular Regional Song, and Best Highlife Song, underscoring his versatility and growing influence within Ghana’s music industry.

Organised by Westline Entertainment, the Western Music Awards was established in 2017 to celebrate and promote musical talent from Ghana’s Western Region.

Over the years, the scheme has evolved into a prestigious platform that recognises artistic excellence while supporting the region’s creative economy.

The 2025 edition, themed “Rhythm of Success,” was launched in Tarkwa and emphasises collaboration, cultural advancement, and consistency in artistic output. The main awards ceremony is scheduled to take place in Tarkwa on December 27, marking a significant milestone in the awards scheme’s history.

Central to DeThompsonDDT’s recognition is his hit single Honourable Waawe, which became one of the most popular songs in Ghana following the 2024 general elections.

The song’s relatable lyrics, infectious rhythm, and strong cultural appeal turned it into a nationwide sensation.

In its early stages, many listeners mistakenly believed the song was performed by award-winning musician Nacee, a misconception that heightened public curiosity and further boosted its reach. Once confirmed as DeThompsonDDT’s work, the track firmly established him as a rising force in Ghanaian music.

Beyond his success as a recording artiste, DeThompsonDDT has built a solid reputation as a music producer. He has worked with several top Ghanaian musicians, including Obaapa Christy, ASP Kofi Sarpong, Rose Adjei, Obaaya Grace Ashley, and Dada Hafco, producing songs that skilfully blend traditional Highlife with contemporary influences.

This dual strength as both performer and producer has earned him a nomination for Best Producer, further validating his technical expertise and creative range.

His nominations for Most Popular Ghanaian Song, Most Popular Regional Song, and Best Highlife Song reflect the commercial success and cultural impact of Honourable Waawe, while the nods for Artiste of the Year and Best Highlife Artiste highlight his rising stature within the industry.

As anticipation builds ahead of the awards ceremony on December 27, DeThompsonDDT’s multiple nominations reinforce his position as one of Ghana’s most influential musical voices of the year, with a career poised for even greater heights.

The award-winning artistes mounted the stage to loud cheers from an enthusiastic crowd, instantly igniting the atmosphere with their signature blend of Afrobeats, hip-hop and high-energy rhythms.

From the onset of their performance, patrons danced, sang along, and waved their hands in excitement as the duo delivered back-to-back hits.

DopeNation’s commanding stage presence and seamless coordination kept the audience fully engaged throughout their set.

Their ability to connect with fans, coupled with pulsating beats and catchy lyrics, transformed the serene gardens into a vibrant arena of celebration.

Young patrons in particular responded enthusiastically, recording moments on their phones and joining in choruses, while families and older attendees also embraced the lively performance.

The duo’s appearance added a youthful and contemporary flavour to the event’s diverse musical line-up.

Joy FM’s Party in the Park is an annual family-oriented outdoor event designed to bring people together through music, recreation and social interaction.

This year’s edition has continued to draw large crowds, with performances from top Ghanaian artistes contributing to the growing excitement.

Set against the lush backdrop of the Aburi Botanical Gardens, DopeNation’s electrifying performance stood out as one of the highlights of the day.

Children lined up excitedly for their turn on the colourful inflatable castles, where they leapt into the air, tumbled with friends, and burned off energy under the watchful eyes of parents and volunteers.

The bounce area stayed busy throughout the event, filled with smiles and nonstop motion.

It spilt into laughter on grass-stained clothes, tired legs and faces lit with unfiltered excitement.

As families streamed into the gardens for Joy FM’s Family Party in the Park, children quickly claimed the space in ways only they can, running freely, chasing games, tugging at parents’ hands and turning the wide green landscape into a playground of their own making.

Away from the wrapped gifts and indoor routines of Christmas Day, the park offered something simpler: room to move.

Children darted between activity points, queued impatiently for games, and ate with their families.

The light rainfall, which occasionally swept across the venue, did little to dampen the spirits of the crowd.

Instead, revellers embraced the moment, dancing off their feet to live music and entertainment, turning the gardens into a vibrant hub of joy and celebration.

Families, young adults and music lovers could be seen swaying, singing along and cheering as performances carried on uninterrupted.

Some patrons gathered trees, while others danced freely in the open, clearly determined not to let the weather stand in the way of their enjoyment.

The celebrated musician, known for his soulful voice and timeless highlife hits, was met with loud cheers as he made his appearance, instantly lifting the energy of the event.

From the opening notes of his performance, patrons sang along and danced enthusiastically, drawn in by his captivating stage presence and rich musical delivery.

Kwabena Kwabena’s set featured a blend of classic favourites and well-loved melodies that have earned him a loyal following over the years.

Despite earlier drizzles, the crowd remained fully engaged, dancing and waving as the music echoed through the scenic surroundings of the botanical gardens.

The live performance further cemented the festive mood that has characterised this year’s edition of the event.

Joy FM’s Party in the Park is an annual family-oriented outdoor celebration that brings together music lovers, families and revellers in a relaxed and refreshing environment.

From the early hours, music lovers, families, and revellers have been arriving in large numbers, creating a vibrant and festive atmosphere.

The annual event, held every 26th of December, runs from morning into the late afternoon at the lush gardens just outside Accra.

The park is already alive with colour, energy, and sound as attendees soak in the ambience of the open-air event.

Setting the tone for the day is a live band performance the Shakers Royal Band, which is currently thrilling patrons with energetic renditions of popular tunes and classic crowd favourites.

The live music has drawn cheers and applause, warming up the audience and heightening anticipation for the lineup of activities and performances scheduled throughout the event.

Vendors are actively serving food, drinks, and merchandise, while groups of friends and families gather across the park to enjoy the music and socialise.

Security personnel and event organisers are also on hand to ensure smooth coordination and safety as the crowd continues to grow.

The Joy FM Party in the Park has become a staple on the entertainment calendar, celebrated for bringing people together through music, culture, and community engagement.

This year’s edition is expected to deliver even more excitement, with several performances and interactive segments lined up for patrons.

In a court filing for an expedited appeal, the rap mogul’s attorney argued that he was improperly sentenced, and that the conduct that resulted in his conviction was not criminal in nature.

Attorney Alexandra Shapiro called Combs’ 50-month prison sentence “unlawful, unconstitutional, and a perversion of justice”.

She asked an appeals court to order that Combs be resentenced, should the panel choose not to throw out his conviction in its entirety.

The request is the latest attempt by his team to reduce his sentence or throw out his conviction.

The Southern District of New York, which prosecuted Combs, declined to comment on the request to the Second Circuit Court of Appeals.

Combs’ lawyers had previously said they would appeal his sentence and conviction.

Federal prosecutors in New York accused Combs of using his money, power, and the threat of violence to coerce women into unwanted sexual encounters.

During a high-profile trial this spring, the jury heard from two of Combs’ ex-girlfriends, Cassie Ventura and a woman who testified as “Jane Doe”. They said Combs abused them and forced them to participate in so-called “freak-offs” with male escorts.

The jury found Combs not guilty of the two most serious charges: racketeering conspiracy and sex trafficking. They convicted him of two counts of transportation to engage in prostitution.

In September, after his conviction, Combs asked Judge Arun Subramanian to consider an acquittal or new trial, citing objections over the way an anti-prostitution statute known as the Mann Act was used to prosecute Combs. That bid was not successful.

Ahead of his sentencing, Combs’ attorneys argued he should receive a brief sentence that would essentially amount to time served, a request that would have paved the way for a swift release. Prosecutors, however, asked the judge to send Combs to prison for at least 11 years.

US District Judge Arun Subramanian ultimately sentenced Combs to more than four years in prison. He said he considered Combs’ contributions to society and testimonials from family and friends, but “a history of good works can’t wash away your record”.

Combs’ appeal argues that Judge Subramanian did not properly follow sentencing guidelines when sending him to 50-months in prison.

It argues the judge “flouted” new guidelines and improperly considered conduct for which Combs had been acquitted when formulating his punishment. The filing argues the judge “acted as a thirteenth juror” in the case and calls the sentence “draconian”.

Before Judge Subramanian issued his sentence, Combs apologized to Ms Ventura and “Jane.”

“My actions were disgusting, shameful, and sick,” Combs said. “I got lost in excess, I got lost in my ego.”

Combs is also facing dozens of pending civil lawsuits, which accuse him of sexual assault, rape and sexual exploitation.

Many of the lawsuits allege that the rapper used his fame and power to silence accusers through threats. Some detail allegations that the rapper – or those who worked for him – drugged people at parties before alleged assaults.

Representatives for Mr Combs have repeatedly said he “never sexually assaulted or trafficked anyone – man or woman, adult or minor”.

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The victim, 20-year-old Karen Lojore, was reportedly in the long queues near a gate at Nyayo National Stadium on Saturday. Heavy rain worsened entry delays, resulting in injuries to other fans as well.

Family and friends of Ms Lojore have called for a full investigation and justice, with Kenyans on social media expressing condolences.

In a statement posted on Instagram on Monday, Asake said he was “devastated by the tragic incident”.

He wrote, “I am devastated by the tragic incident that took place at the festival on Dec 20th in Nairobi.

“My heart goes out to the family, friends, and loved ones of Karen Lojore, and I pledge to support and do my best to understand what happened. Those responsible should be held accountable.

“Music has always been my way of sharing love and joy, and it breaks my heart that anyone had to experience such loss. My thoughts are with everyone grieving, and I pray that Karen rests in peace. God Bless Kenya.”

Kenyan police spokesman Michael Muchiri described the crush as a “very unfortunate” incident.

He told the BBC that the situation had been very serious but that the police had worked to contain the crowd and avert more deaths.

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The annual event, held every 26th of December, runs from morning into the late afternoon at the lush gardens just outside Accra.

It has become a festive favourite for many Ghanaians during the Christmas holidays, offering a perfect way to unwind after Christmas Day. 

Preparations at the gardens were bustling in the days leading up to the event as organisers worked to transform the serene space into a vibrant celebration hub.

Patrons can expect music, food, games and activities designed for all ages, making it a true family affair. 

This year’s line-up features an exciting mix of performances from top Ghanaian artistes.

DopeNation is set to deliver their energetic hits to get the crowd moving, while highlife favourite Kwabena Kwabena promises to light up the stage, celebrating his 20th year in the music industry. 

The Kwan Pa Band will also be on hand to bring nostalgic palmwine music to patrons. 

Beyond music, the event will offer activities that encourage family bonding, including traditional games, sack races, cooking contests, dancing competitions and treasure hunts that appeal to both young and old. 

Joy FM’s Party in the Park has a reputation for creating unforgettable festive experiences that strengthen community and family ties, and today’s edition looks set to do just that. 

Families and friends gathering at Aburi will enjoy not just sound and rhythm but shared moments in one of Ghana’s most iconic outdoor settings. 

The announcement follows the official launch of the event in November 2025, when organisers issued a press statement outlining plans to commemorate Ghana’s independence with the Ghanaian diaspora and friends of the country abroad.

According to the organisers, the concert will be held on Saturday, March 7, 2026, at the Ukrainian Cultural Centre in Manchester.

The event is expected to bring together music lovers, cultural enthusiasts, and members of the Ghanaian community in the UK for an evening of celebration and national pride.

Sleeky Promotions noted that the concert is aimed at celebrating Ghana’s rich heritage beyond its borders, while also creating a vibrant platform for both Ghanaian and international artistes to connect with audiences in the UK through music and culture.

The event is being organised by Sleeky Promotions, with 1957 Empire serving as official partners. It is also proudly sponsored by Ocean Bells Travel and Tour, described by organisers as Ghana’s leading ticketing agency.

While the full lineup of performers is yet to be unveiled, Sleeky Promotions has assured patrons that more exciting announcements, including artistes and event highlights, will be made in the coming weeks as preparations intensify toward the historic celebration of Ghana’s 69th Independence anniversary.

The stampede caused by overcrowding happened on Saturday, December 20, at the Nyayo National Stadium in Nairobi.

On-site paramedics reportedly performed emergency resuscitation before rushing Karen to Nairobi West Hospital, where she was pronounced dead.

Confirming the incident, the show organiser, Tukutane Entertainment, expressed sadness on its Instagram page.

“We are deeply saddened to confirm that a tragic incident occurred during our December 20th concert, resulting in the loss of life.

“Our hearts are with the family, friends, and loved ones affected by this devastating loss. We’re cooperating fully with emergency services and the appropriate authorities as they work to understand what happened.”

This is not the first time a fatal stampede has happened at Asake’s concert.

A 33-year-old Nigerian mother of two, Rebecca Ikumelo, lost her life in December 2022 at Asake’s concert in Brixton O2 Academy in London after sustaining severe injuries during a stampede.

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The event series is expected to bring the excitement and cultural pride of Ghana’s Independence Day to key European cities.

The initiative is being organised by Promo House in partnership with La Bouchée Celeste and is designed to commemorate Ghana’s historic independence on March 6, 1957.

Beyond the anniversary, the celebrations aim to spotlight Ghana’s rich cultural heritage through music, dance and community engagement.

Popular Ghanaian radio presenter and DJ, Andy Dosty, will headline the events. Renowned for his high-energy performances and seamless mixes of highlife, Afrobeats and contemporary sounds, the Hitz FM DJ is expected to deliver memorable nights for patrons.

Andy Dosty is also well known for his collaborations with leading Ghanaian artistes, making him a fitting choice for the landmark event.

The celebrations will officially begin on Friday, March 6, 2026, in Paris, France, coinciding with Ghana’s Independence Day.

Activities will then continue in Amsterdam, Netherlands, on Saturday, March 7, 2026, giving revellers an extended weekend to celebrate Ghanaian pride abroad.

Organisers say the event is aimed at uniting Ghanaians living in Europe while also introducing non-Ghanaians to the country’s vibrant culture ahead of Ghana’s 69th Independence anniversary.

For many Ghanaians in Europe longing for a taste of home, the Ghana Independence Day Europe celebrations promise to be a joyful and patriotic way to mark the occasion.

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Founded in 2018 by Lamrock Agency, the Miss Health Organization has emerged as a pioneer in blending pageantry with purposeful health advocacy.

Through its annual pageant, the organization champions physical, mental, and social well-being, aligning with the World Health Organization’s (WHO) definition of health as a complete state of well-being and not merely the absence of disease.

At the centre of this year’s celebration is the crowning of Miss Health Africa 2026, a continental platform that brings together women in the health field from across Africa to advocate for wellness on a broader scale.

The coveted Miss Health Africa 2025 title was awarded to Dr. Malegho Chelsie Jomsentut, a medical doctor from Cameroon, whose advocacy focuses on cardiovascular health, particularly the reduction of hypertension across African communities.

On the national front, Doreen Afriyie Afoakwa, a professional nurse, was crowned Miss Health Ghana 2025.

She is a strong advocate for mental health, with special emphasis on providing support for unemployed health workers.

Her work highlights the often-overlooked mental health challenges within the healthcare workforce.

The 1st Runner-Up, Miss Health Ghana 2025, is Maud Codjie, a final-year nursing student passionate about hepatitis B awareness.

For years, Maud and her team have actively engaged schools, churches, and prisons to educate communities on prevention, testing, and management of the disease.

Claiming the position of 2nd Runner-Up, Miss Health Ghana 2025, is Mabel Obeng, a realtor and master’s student in philosophy and leadership. Her advocacy centres on menstrual health education and leadership development, with a strong focus on empowering young women and girls.

These newly crowned queens are expected to spearhead health advocacy initiatives, promote preventive healthcare, and inspire positive behavioural change within communities across Ghana and the African continent.

Speaking on the vision behind the initiative, the Executive Director of the Miss Health Organization, Miss Gladys Akyere Rockson, emphasized inclusivity in healthcare. She noted that achieving healthcare for all requires collective responsibility, regardless of geographical location, gender, or tribe. According to her, the introduction of Miss Health Africa was driven by the need to promote health on a larger, continental scale, adding that the platform “has come to stay.”

With its continued commitment to empowering women and promoting wellness, the Miss Health Organization is positioning itself as a powerful force for health advocacy in Africa.

The organization has called on the public to join in celebrating these trailblazing women as they champion the cause of a healthier Ghana and a healthier Africa.

In an exclusive interview with JoyNews, the celebrated artiste disclosed that insurance compensation he received after a life-altering accident was used to pay his senior high school fees. He described the moment as pivotal, saying it laid the foundation for his strong commitment to education and philanthropy.

That experience later inspired the establishment of the Livingstone Legacy Educational Fund, through which Stonebwoy supports the educational ambitions of underprivileged children.

Renowned for his electrifying stage performances, the Bhim Nation president has transformed personal adversity into purpose, building a legacy that extends beyond music. Reflecting on his journey, he said, “Now that I’ve earned something, I’m choosing to leave an impact.”

Stonebwoy is currently preparing for his highly anticipated Bhim Concert on December 24 at the Accra Sports Stadium, where he will celebrate 10 years of a successful music career.

The anniversary concert is expected to be a grand celebration of music, culture, and unity, with performances from top Ghanaian and international artistes.

In a Facebook post shared days after the incident, the artiste revealed that a driver lost control while reversing and headed straight toward him on the sidewalk behind Center Point Mall. Two members of his team noticed the danger in time and reacted swiftly, preventing what could have been a fatal accident.

Although he survived, the accident left Kelvyn Boy with a fractured ankle, forcing him to miss several scheduled shows.

“God saved me through two of my guys who saw it fast and reacted quick enough,” he wrote, expressing gratitude for life despite the injury.

Kelvyn Boy apologised to promoters and fans affected by his absence, urging event organisers to coordinate with his management to reschedule missed performances. He also assured fans that he is determined to honour upcoming shows before the end of the year, even if it means performing on crutches.

“I’m racing against time. I’ll be there (with crutches if need be) to rave. Nothing’s gonna stop us now,” he added.

The singer concluded with a reminder to cherish life and prioritise safety.

“Stay safe, always be thankful for life,” he said.

The historic event marked the return of the acclaimed artist to the city after an 11-year hiatus and was held on 21st December at Jubilee Park, Kumasi.

The venue was filled to capacity as thousands of worshippers and music lovers gathered in eager anticipation. The atmosphere was charged with excitement, worship, and celebration.

The production quality of the event was exceptional, with top-notch sound, lighting, and stage setup enhancing the overall experience.

The night featured powerful ministrations from an impressive lineup of gospel artists, including SP Kofi Sarpong, Jojo Arhin, Qwame Gyedu, Victoria Sarfo, Joshua Ahenkorah, Lady Lucy, Richlove Fosuhemaa, and many others. Each performance lifted the spirits of attendees and prepared hearts for a deep time of worship.

Sonnie Badu took center stage for an incredible four-hour performance, delivering back-to-back hits from his rich gospel catalogue. His energetic, spirit-filled, and deeply impactful ministry captivated the audience, leaving many in awe and deeply blessed.

Rhythms of Africa was a resounding success and will be remembered as one of the best Christian events in Kumasi this year. The strong turnout reflected the city’s love for gospel music and worship, as the event celebrated African gospel rhythms and united believers in praise, worship, and thanksgiving.

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“On a personal level, I don’t want the word ‘detty’ to be associated with anything Ghana… that’s something I’m not very comfortable with,” Kofi Okyere-Darko said.

“Detty”, West African Pidgin for “dirty”, is used to express unrestricted fun when it comes to seeing the year out.

The celebrations are thought to be a huge boost to Ghana’s economy. Last December, more than 125,000 international visitors, many of whom were diasporans, flocked to Ghana.

It was a notable increase over the number of people arriving in any other month, and the same held true for the three years before that.

Government branding avoids the term “Detty December” and instead pushes a tourism initiative named “December in Ghana,” Mr Okyere-Darko, who oversees his country’s relationship with its sizeable diaspora, told the BBC at the Ghana Diaspora Summit in the capital, Accra.

“The young people somehow prefer ‘Detty December’, but officially, that’s not the name,” he said.

“I don’t think December is what attracts people to Ghana. People started coming to Ghana a long time ago. I remember December in Ghana at the turn of the millennium, with initiatives like Akwaaba UK.

Mr Okyere-Darko responded positively to suggestions that the season could be rebranded in a way that still appeals to younger audiences, saying that December in Ghana could be shortened to the initials “D.I.G.. Let’s dig it!”

The phrase Detty December gained popularity roughly eight years ago, after Nigerian musician Mr Eazi launched his Detty Rave festival in Accra.

This December, festivals, parties and concerts have Accra teeming with diasporans and other tourists. They are mostly from the US and Europe, with ages ranging from early 20s and mid-40s, and are out socialising seven days a week.

US hip-hop legend Busta Rhymes performed in Accra as part of the Rhythm and Brunch concert on Saturday, while popular UK rapper Giggs is playing at the Afro Paradise festival on 31 December.

Local stars such as Samini – considered to be the “godfather” of Ghanaian dancehall – and Reggie Rockstone will also play at major events later this month.

Ghana in recent years has been promoting itself as a destination for people from the continent and the African diaspora to visit. In 2019, the government launched the Year of Return – an initiative encouraging those with African roots to invest in the country.

The influx of foreign visitors in December is seen as a positive by many, but some locals complain of price gouging, overcrowding and intense traffic during this period.

This year has proven that December in Ghana no longer revolves around non-stop partying.

Alongside the expected concerts and festivals, there is a growing calendar of investment seminars, networking sessions and cultural showcases, offering the diaspora routes into property, minerals, fashion and textiles.

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Organised by Team Move and led by award-winning musician Kofi Kinaata, the concert attracted thousands of music lovers from across Ghana and beyond.

The event was graced by the presence of the Member of Parliament for the Takoradi Constituency, Kwabena Okyere Darko-Mensah, who encouraged patrons to visit the Western Region and experience its rich culture and vibrant lifestyle.

The night featured electrifying performances from top artistes including Kwabena Kwabena, Sarkodie, Kofi Kinaata, Samini, Dope Nation, Kwame Eugene, Losso, Medikal, Donzy and several others, keeping the crowd on its feet throughout the event.

Speaking at the concert, Kofi Kinaata described Made in Taadi as a Westside legacy that will continue to grow and serve as a platform to showcase the best of Western Region music to the world.

Beyond the headline acts, the event also provided a valuable platform for young and emerging talents to display their skills, making the concert both inspiring and memorable.

Now firmly established as a major fixture on the region’s music calendar, the Made in Taadi concert once again lived up to expectations, delivering an unforgettable night of music, culture and celebration.

At his first sighting, clad in his white, stylish shirt and brown leather pants, an eruption ensued as a current connected the artist to the tens of thousands of fans, syncing body, mind, and soul through a night of brilliant outfit changes and surprise artistic turns.

The December 21 concert, a meticulously crafted presentation, was a tour into his acclaimed Iron Boy album and all his works prior.

Born Mohammed Ismail Sherif, ‘KK Rasta’ shook the crowd with powerful renditions of fan-favorite tracks from the project, each song a chapter in his lyrical narrative that resonated with the stadium’s charged atmosphere.

The setlist seamlessly wove these anthems with a parade of special guests, including Sarkodie, KiDi, AratheJay, Beatz Trap, Gonaboy, and AlorG, keeping the energy at a fever pitch.

In an intimate moment, Black Sherif quieted the roaring crowd for an acoustic guitar, performing a rendition of Don’t Forget Me, off his debut album The Villain I Never Was.

He revealed to the audience, “I’ve been learning this for the past four months.”

https://www.tiktok.com/embed/v2/7586635200654757132?lang=en-US&referrer=https%3A%2F%2Fwww.myjoyonline.com%2Fthe-17-hour-miracle-black-sherif-beats-logistical-marathon-to-pull-off-historic-zaama-disco%2F

Some revelers also shared their takes on social media, with some users critiquing the event’s delayed start as subpar compared to previous editions.

What these posts missed was the unseen story of the 17-hour logistical miracle that made this historic night possible.

The 2025 Zaama Disco was Black Sherif’s graduation to stadium status, an ambition that collided with a historic scheduling clash.

Just 17 hours before his career-defining performance, the same arena hosted a huge boxing event, which had President John Mahama in attendance.

@theculturejoint

Black Sherif teased an unreleased song. Can you hear it?🔥😍 #ZaamaDisco

♬ original sound – Culture Joint

The clock started ticking the moment the final boxing match ended in the early hours of Sunday morning.

Organisers were under immense pressure, not just to set up a show, but to build the perfect, flawless stage for an artist stepping into his biggest moment.

The transformation was staggering. Crews executed a complete venue conversion overnight: dismantling the boxing ring, reconfiguring seating for thousands more fans, and constructing the massive infrastructure for a world-class production.

This involved laying kilometers of cable, rigging hundreds of lights, and installing a sound system powerful enough to fill every corner of the expansive stadium.

These set-ups typically require days, not hours. The extended setup time manifested not in delay, but in depth.

The production values were cinematic, providing a grand backdrop for Sherif’s sartorial and musical evolution. From sleek, modern ensembles to culturally rich attire, each outfit change underscored a different chapter of his performance narrative, from the introspective Iron Boy tracks to the celebratory collaborations.

Midway through a powerhouse set, after the raw, acoustic vulnerability, Black Sherif paused. “Thank you for your patience,” he stated.

@theculturejoint

Lord I’m Amazed – Black Sherif at #ZaamaDisco 🔥

♬ original sound – Culture Joint

From where I stood, it was a moment of connection with the plight of the fans and also validation for the crew’s sleepless marathon to elevate his artistry to this new scale.

The effort culminated in a climactic finale.

The 23-year-old closed his historic stadium debut with “Top Of The Morning,” its anthemic lyrics a fitting capstone to a night that celebrated growth, resilience, and collective joy.

Speaking to Doreen Avio and Kwame Dadzie on Daybreak Hitz, Sarkodie reflected on the importance of established artistes discovering and supporting new talent, naming Obrafour as a key figure who played that role in his early career. He stressed the need for similar practices to be encouraged across the industry to promote young and promising artistes.

“When I was coming up, I needed people because co-signs could make a lot for you. Obrafour did his song with me, and of course, I was building up my following, but that gave me a stamp. You have somebody that people really respect, and that person says this is the next person or this is the person I endorse. It did a lot for me and I know what that does for a lot of people,” he said on Hitz FM.

The rapper added that recognising and supporting artistic effort is deeply fulfilling for him, especially when he sees talent translate into real-life success.

“I genuinely find joy in seeing people survive and make it. It’s a beautiful thing because I’ve tasted it and I can only imagine when everybody can feel the same way that I felt, from the streets and then you get a chance to have your song being played on the radio, you travel, win awards, I think it’s that you dreamt and you start to live it and you want everyone to experience that.”

“If you have the talent that I feel has to be heard, I have a soft spot for that talent. I just want people to be able to hear it and I don’t think they should go to waste so just seeing them do amazing things like this, trust me, is fulfilling,” he added.

Touching on generational differences in music production and promotion, Sarkodie called for a balanced approach, while emphasising the importance of social media in the current era.

“Generations are different because we come from a generation where you have to really do a lot of ground work but it’s a different era now with lots of social media. There is the bad side and the good side to it and I think we all learn from each other.”

“When I meet the young ones and they tell me how they promote their music, I sometimes bring that into my era because we grew up doing dance challenges, but they too have to understand that we came from an era where you have to do the ground work so that your foundation will be way stronger. It’s a good blend, and I always wish the best for them. I don’t want them to taste it and go back to what it was,” he said.

Sarkodie also admonished upcoming artistes to remain tenacious despite failure, while holding on to determination and hope for a better future for themselves and Ghana.

“I want them to keep doing what they are doing, but they are going to do amazing. The best out of Ghana is yet to come. What we have been waiting for is going to happen huge, and it’s just a matter of time.”

“It’s already happening, and it’s always going to get better. People will learn from the generation they came to meet did, and then better on that, so just a matter of time and we’re already doing amazing,” he stated.

Speaking on Hitz FM’s Daybreak Hitz morning show on Monday, December 22, 2025, Sarkodie disclosed that he has several unreleased tracks that are purely melodic.

According to the rapper, Shatta Wale has consistently motivated him to embrace singing as a new phase in his musical evolution.

“One person who pushes me to do more singing is Shatta Wale. When I did this one, I sent it to him. Not only that, there are about three such songs I have recorded; one I sang throughout,” he said.

Sarkodie admitted that although he enjoys creating melodic tracks, releasing them publicly makes him uneasy.

“I was very uncomfortable with it because I would write it, but putting it out is difficult for me. And he said no, this is the next phase you should do,” he added.

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Speaking about the incident, the award-winning artiste said he was given a hamper containing biscuits ahead of the performance. Unaware that they were laced with cannabis, he shared some with his manager, Angel Town.

According to Sarkodie, the effects kicked in shortly afterward. He noticed his manager laughing uncontrollably at ordinary conversations, and moments later, he began feeling unusual himself.

“When I got on stage, everything felt far away. Even my fast songs sounded slow to me. ‘U Go Kill Me’ didn’t feel fast at all. The moment I knew I was gone was when I asked Angel the distance between myself and the stage,” he recalled.

Despite struggling internally throughout the performance, Sarkodie said he pushed through and completed the show.

Ironically, members of the audience later praised the performance, describing it as one of his best. However, the rapper insists it remains his personal worst.

The revelation has since sparked conversations online, with fans reacting with a mix of concern and admiration for his professionalism in powering through the unexpected ordeal.

Watch video below.

Ransone, a native of Maryland, was best known for playing Ziggy Sobotka in the TV series “The Wire” and for his role as Eddie Kaspbrak in the horror movie “It: Chapter Two.”

He acted on shows such as “Generation Kill” and “Bosch,” with his final TV appearance in a Season 2 episode of “Poker Face” that aired in June, according to The Movie Database.

Ransone’s other film credits included roles in the “Sinister” horror franchise, “Tangerine,” “Mr. Right” and the “Black Phone” series of films.

Ransone opened up about the social challenges he faced growing up in a conversation with Interview magazine in 2016.

“I did not fit in well with all of the kids,” he said. “Adolescence was a really hard time for me—as I think it is for most kids.”

Ransone said he had a hard time with “normal public schools,” so his mother found an arts school he could audition for, and he jumped at the opportunity.

“I think it saved me as a kid,” Ransone said. “Going to arts school saved me.”

Ransone later attended film school in New York, but he said he failed because he “didn’t show up to class.”

Ransone “kicked around for a couple of years” and pursued some smaller acting opportunities while also playing a lot of music, at one point considering a career as a musician.

After a few years, he realized that acting was his calling.

“I woke up at 27 after being on heroin for five years,” Ransone said. “It was like I sobered up and I realized: ‘My job is being an actor. This is crazy!'”

Ransone said he sobered up six or seven months before he worked on “Generation Kill,” a job that ended up being transformative.

Because his father was a Vietnam War veteran, Ransone said, being around Marines who had fought in war while they were young allowed him to see a “version of my dad as a young man.”

“A lot of things started to make sense to me in a different way,” Ransone said. “It didn’t do so much for my career, but it shaped me and the way that I think about my life.”

Ransone is survived by his wife, Jamie McPhee, and their two children.

Ransone’s representatives did not immediately reply to a request for comment.

Speaking during a thanksgiving service held after their wedding, Mrs Aryeetey (née Owusu) told church members that she met her husband unexpectedly while attending church for business-related purposes.

According to her, she had never met him before and did not anticipate that the encounter would mark a new chapter in her life.

“I believe in forward ever, backward never. I didn’t know him, and I had never met him anywhere. I was only here for business purposes, and it was love at first sight as soon as he saw me,” she said.

Reflecting on her journey after the passing of her husband, Lilian explained that she made a conscious decision not to let grief define her. Through prayer, she resolved to move forward, trusting God to restore her joy.

“When you are crying, God gives you something to wipe your tears. I prayed and made up my mind to move forward. I won’t allow pain to cage me. I have a lot to do,” she shared.

She revealed that following the one-year anniversary of her late husband’s death, she, together with her pastors, embarked on a period of prayer and fasting, specifically asking God for companionship and support.

“We prayed for a father, a man to comfort me, my children and my mother. God listened and responded by giving us a humble and kind man,” she said.

However, Lilian was quick to clarify that her new husband does not replace her late spouse but supports her in continuing life’s journey. She added that her decision to say yes to her new husband was inspired by his character, describing him as bold, hardworking and visionary.

The disclosure drew emotional reactions from congregants, who joined her in thanking God for healing and hope beyond loss.

The American rapper, real name Thomaz Cameron Jibril, admitted to smoking a joint during his performance at the Beach, Please! Festival last year in Costinesti.

A Romanian appeals court overturned an earlier fine of 3,600 Romanian lei (£619; $829) for drug possession and ruled the rapper must serve the sentence in custody.

However, he was sentenced in absentia. Earlier this week, he was seen on stage performing with Gunna in California, and on Thursday, he posted pictures and clips from his home on streaming platform Twitch and social media.

The BBC has approached the ten-time Grammy-nominated artist for comment.

Police briefly held and questioned Jibril after the concert on 13 July 2024, and prosecutors later charged him with possession of “risk drugs” for personal use.

Romanian investigators said he was in possession of more than 18 grams of cannabis and consumed an additional amount on stage.

In a written decision, the Constanța Court of Appeal judges said they overturned the original fine because the artist had sent “a message of normalisation of illegal conduct” and thereby encouraged “drug use among young people”.

Calling it an “ostentatious act”, the judges said the rapper was “a music performer, on the stage of a music festival well known among young people” who “possessed and consumed, in front of a large audience predominantly made up of very young people, an artisanal cigarette”.

Jabril said in a post on X a day after the incident that he did not mean to offend the country.

“They [the authorities] were very respectful and let me go. I’ll be back soon. But without a big ass joint next time.”

Romanian criminologist Vlad Zaha told BBC News that there was little to no chance of the US extraditing Jibril, and described the sentence as “unusually harsh.

“Given the defendant’s wealth and connections, Romania’s lack of real negotiating power on extradition, and the legal and political status of cannabis in the US, it is highly unlikely that Wiz Khalifa will be sent to serve a prison sentence in Constanța, even though a formal judicial request will be submitted to the United States,” Mr Zaha said.

The artist, known for songs like Black and Yellow, See You Again, and Young, Wild & Free, is often pictured smoking on his social media and founded his own marijuana brand in 2016.

Cannabis is legal for recreational and medical use in some US states, but remains illegal under federal law.

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The 53-year-old rapper made the remarks midway into his performance at the Detty December Fest in Lagos over the weekend.

He explained that he plans to relocate to Nigeria after he retires and builds a family.

Busta Rhymes noted that his trip to Nigeria was “special,” stressing that it took him 15 years.

“I’m looking for a home here, I’m looking for property. I’m thinking about looking for a wife so that when I stop working, I can settle down here,” he added.

The rapper is not married and has never been married. However, he is the father of six children with four different women.

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After delivering an electrifying performance, Shatta Wale knelt in respect before embracing the former president.

The gesture was met with cheers from the crowd, who quickly recognized the warmth and admiration shared on stage.

Adding to the charm, President Mahama joined in the excitement, singing along to Shatta Wale’s “Mahama Paper” with enthusiasm that mirrored the energy of the packed stadium.

The scene was a genuine, rare moment of connection between a music superstar and a national leader.

Just as the mood had begun to turn calm and reflective, his entrance sparked fresh excitement across the hall.

He opened his set with Me Ba Be Tiawo, instantly drawing the audience back into party mode.

Voices rose in unison as patrons sang along, clearly happy to end the night on a high note.

The energy surged even higher when Guru rolled out Lapaz Toyota and he capped off his performance with Samba.

The National Theatre transformed into a lively celebration, with phones in the air and cheers echoing from every corner of the hall.

His performance certainly gave patrons something memorable to carry home, ensuring Adom TV’s Nine Lessons & Carols ended with lasting impressions.

In between the music, drama and moments of worship, the hall buzzed with excitement as gift packages were introduced, adding extra joy to an already magical celebration.

The gesture instantly lifted the mood at the National Theatre.

Cheers rang out and anticipation filled the room as lucky patrons were called out one after the other.

Many rose from their seats, fingers crossed, eyes fixed on the stage, hoping their names would be next.

Some patrons proudly walked away with hampers crafted by sponsors, while others received bags of rice; timely and deeply appreciated as the Christmas season draws near.

The moment captured the true spirit of the festivities, beyond the fun, the yuletide remains the perfect season for gifting.

The unexpected moment sent a wave of excitement through the National Theatre, as many in the audience could hardly believe what they were seeing.

The seasoned sports presenter appeared not for commentary, but to pay reverence to the birth of Christ.

As the curtains opened and revealed him on stage, Countryman switched effortlessly into his signature reggae style, while delivering a soulful rendition of Buju Banton’s Our Father in Zion.

The performance felt deeply personal and reverent, fitting perfectly into the spirit of the evening.

He then lifted the mood with Bob Marley’s One Love, using the classic tune to remind patrons of the importance of unity and togetherness during the festive season.

As one to hype his favorite tunes, Countryman Songo continued with Culture’s One Night and His Name Is King Selassie, keeping the reggae flow steady and engaging.

Just when the audience thought he was done, he added a nostalgic touch by paying tribute to Daddy Lumba, performing some of the highlife legend’s most cherished songs.

His surprise appearance left many convinced that he offered nothing short of value for money and a moment they would not forget in a hurry.

Watch video below:

The event opened on a soothing and uplifting note with performances by the Glorious Philharmonic Choir, whose rich harmonies and soul-stirring carol renditions immediately captivated the audience and set the tone for a spiritually refreshing evening.

A deeply emotional moment followed when gospel musician Mavis Asante paid tribute to the late Maame Tiwaa. Her moving renditions of Maame Tiwaa’s timeless songs, including Tenabea Foforo and Yɛn Kan Kyɛrɛ Yɛn Agya, drew sustained applause and resonated deeply with patrons.

The atmosphere shifted into high gear when award-winning gospel singer Piesie Esther mounted the stage. She delivered an electrifying performance that had the audience on their feet, transforming the venue into a vibrant celebration of praise and Christmas joy.

Dancehall artiste Epixode also thrilled patrons with a performance that stood out for its strong connection with the audience.

The night was further energised by performances from notable artistes, including Countryman Songo and Guru, who kept spirits high with their dynamic stage presence.

The highlight of the evening, however, was a compelling stage play depicting the birth of Jesus Christ. The drama featured an array of celebrated Kumawood stars, including Michael Afranie, Kala Kumasi, Christina Awuni, Kofi Adjorlolo, Oboy Siki and others, delivering a powerful reminder of the true meaning of Christmas.

Adding to the festive cheer, patrons were pleasantly surprised with gift packages from sponsors, rounding off what many described as a wholesome, spiritually enriching and thoroughly entertaining experience.

Adomonline.com’s photojournalist, Joseph Odotei, was present and captured these scenes:

From the opening scene which invited Big Akwes as Angel Gabriel on stage, it was clear this wasn’t your usual Christmas play.

Adding a contemporary twist, the performance cleverly poked fun at the recent Daddy Lumba trending case, slipping in playful references that had the audience gasping.

Joining the pack for the first time was Kofi Adjorlolo who portrayed the character of King Harold aka Nana Tupac with grandeur.

Even the royal court added a layer of comedy, with witty exchanges and playful dramatics.

The three wise men made a grand entrance, full of energy and antics, keeping the audience entertained at every turn.

Every scene, from the stable to the streets of the nativity attracted humor and festive spirit in true Kumawood fashion.

Below are the cast:

Big Akwes as Angel Gabriel

Miss JP as Mary (Odo Broni)

Gentle One as Joseph

Michael Afrai as Joseph

Kofi Adjorlolo as King Harold aka Nana Tupac

Sekyere Amankwak Ahetrofel as Harold’s Advisor (Ahithophel)

Kala Kumasi as Town Crier/Informant

Christiana Awuni as Stable/Manger Owner

Kyinkyina Twan as Wise Man

Magic Man as Wise Man

What made it even more special was the connection with the crowd. It wasn’t a one-way performance, rather an intimate exchange.

Clad in old-school outfit and topped with a cap and tie, he brought the house down with a highlife performance.

The highlight of the set came midway, when the crowd joined in on a spirited sing-along.

By the final song, it felt like the whole hall was vibrating with joy

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Her energy was infectious, turning the stage into a vibrant celebration of music and Christmas spirit.

She delivered a powerful set, singing popular songs including Nyame Ye, Waye Me Yie, Empare Me, and Mo.

Each song was met with cheers and enthusiastic sing-alongs from the crowd, as she maintained connection with the audience.

Piesie Esther kept the momentum high throughout her performance all thanks to dynamic stage presence and strong vocals and stage charisma.

Patrons couldn’t help but move along to the rhythm, fully immersed in the festive energy she created.

Even when her set ended, audiences kept asking for more.

Watch video below:

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Her sweet and crisp voice pierced the heavens as she delivered a variation of Mariah Careh’s popular O Holy Night.

Every note was perfectly pitched and her breath control and soothing tone brought a serene and reflective moment to the evening.

Audience members were visibly moved, swaying gently to the music and joining in at key moments.

By the end of her song, the crowd erupted in applause, confirming that her performance was one of the night’s most memorable moments.

Watch video below:

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The Glorious Philharmonic Choir led the evening, delivering familiar Christmas hymns that resonated with both young and old.

From the first notes, the audience was drawn into the music. Voices rose in unison, creating a sense of unity and joy throughout the venue.

The choir’s performance included classic carols and hymns, each carefully selected to reflect the meaning of Christmas.

The audience responded with smiles and occasional tears of emotion, showing just how much the music touched them.

The right pitch of treble and auto sounds, coupled with the base voices and piano was all the Glorious Philharmonic Choir needed to deliver an uplifting set.

Watch video below:

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As the show gathered momentum, Mavis Asante took to the stage with a soul-stirring performance that momentarily shifted the atmosphere from celebration to reflection.

She sang a rendition of Maame Tiwaa’s songs including Tenabea Foforo and Yen Kan Kyere Yen Agya, drawing sustained applause from the audience.

Many patrons were visibly moved as the tribute resonated across the packed auditorium, with several rising to their feet in appreciation.

The moment stood out as one of the evening’s most poignant highlights.

Maame Tiwaa was one of Ghana’s respected gospel musicians whose songs became staples in churches and gospel programmes across the country.

 She died in the early hours of Sunday, December 7, 2025, after weeks of illness

Watch video below:

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Branded “Smiles & Fun Galore,” this year’s edition breaks away from the traditionally solemn tone of Nine Lessons and Carols, promising an entertainment-packed retelling of the Christmas story designed to delight audiences.

Gates will open at 5:00pm, with patrons expected to arrive early for what has become one of the most talked-about events on Ghana’s festive calendar.

A major highlight of the programme is a creative Nativity play delivered in classic Kumawood style. Popular Kumawood actors will take centre stage to present a humorous interpretation of the birth of Jesus, creatively weaving relatable Ghanaian experiences into the biblical narrative.

Music will also take centre stage at the celebration. The Glorious Philharmonic Choir will lead the choral performances, while gospel artistes Piesie Esther, Mavis Asante and Abena Ruthy are set to deliver powerful worship moments.

Adding a contemporary touch, musicians Epixode and Guru will thrill the audience with high-energy performances to round off the evening’s lineup.

Over the years, Adom TV’s Nine Lessons & Carols has grown into a major Christmas attraction. This year’s edition is expected to draw a massive crowd to the National Theatre as families and music lovers gather to celebrate the season in style.

This year’s edition promises to be bigger and more spectacular than ever, featuring a star-studded cast of Kumawood favourites, including Kala Kumasi, Gentle, Nana Atobrah, Big Akwesi, Christiana Awuni, Killer Ntua, Kyinkyinaa Twan, Michael Afran, Miss JB, and Kofi Adjorlolo.

During appearances on Adom FM’s Dwaso Nsem Friday, the stars shared their excitement.

Kala Kumasi teased, “This year’s show will be unlike anything you’ve seen before. Expect surprises, laughter, and so much joy!”

Gentle added, “We are ready to make Ghanaians enjoy themselves. Bring your friends and family because we are going all out for pure happiness!”

Listeners also got a chance to win free tickets during call-ins on the show, adding to the excitement.

The event will feature breathtaking musical performances and captivating scenes, with renowned musicians like Piese Esther, Ras Kuuku, and Mavis Asante adding to the festive magic.

Fans are even curious to know who will play Jesus this year—but the stars say, “You’ll have to come and see for yourself!”

Tickets are priced at just 50 Cedis to ensure everyone can join the celebration.

They can be purchased by dialing 714003*3# on all networks. Gates open at 5:00 pm.

With its mix of music, drama, and laughter, the Adom TV Nine Lessons and Carols promises a magical evening that will leave audiences smiling and celebrating the festive season.

Don’t miss it!

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Attendees had been eagerly awaiting the artist’s arrival when a chopper suddenly appeared above the stage.

As fans caught sight of him descending, they erupted into deafening cheers. Kweku Smoke slid down from a sling and landed directly on the stage, setting the tone for a night of unforgettable performances.

On stage, he delivered an electrifying mix of his popular hits alongside new tracks from his latest album.

The concert also featured special appearances from top artistes, including Sarkodie, Lasmid, and Arathejay, who joined him in a series of high-energy collaborations.

Security and event organizers had coordinated the aerial arrival meticulously, ensuring safety for both the artist and the audience.

Kweku Smoke later addressed the crowd, expressing gratitude for their support and urging them to embrace hope, faith, and resilience.

Watch video below;

Notably, African artists Burna Boy, Olamide, and Asake made the cut, cementing the growing influence of African music on the world stage.

The compilation, part of a tradition Obama began during his presidency, features hits like Burna Boy’s Tatata, Olamide’s 99 (featuring Daecolm, Seyi Vibez, Asake, and Young Jonn), and Pasayadan by Ganavya.

Other international artists including Lady Gaga, Kendrick Lamar, BLACKPINK, and Rosalía also made appearances on the list.

Obama described the annual list as a way to share music he enjoyed over the year while encouraging followers to explore new sounds. He also invited fans to send him recommendations for the next year’s favorites.

Fans and music enthusiasts can view the full list, which spans 30 songs, showcasing a wide array of voices, styles, and collaborations from around the world.

The Academy of Motion Picture Arts and Sciences made the announcement on Wednesday, saying that it signed a multi-year deal that will give YouTube the exclusive global rights to the Oscars until 2033.

The Oscars, which is planned for 15 March, has aired for a half a century on ABC. Starting in 2029, the show will be available live and for free on YouTube.

It’s another big shakeup in Hollywood, which is dealing with studio sales and mergers, along with steep production cuts.

“The Academy is an international organization, and this partnership will allow us to expand access to the work of the Academy to the largest worldwide audience possible – which will be beneficial for our Academy members and the film community,” Academy CEO Bill Kramer and Academy President Lynette Howell Taylor said in a statement.

Over decades, viewership of the awards show has declined, though there was a slight uptick in 2025, with a significant number of younger viewers tuning in from cell phones and computers.

In a statement, YouTube CEO Neal Mohan called the Oscars “one of our essential cultural institutions” and said that partnering with the Academy would “inspire a new generation of creativity and film lovers while staying true to the Oscars’ storied legacy”.

ABC, which has streamed the awards since 1976, said that it was looking forward “to the next three telecasts” it will still host.

The move comes as Warner Bros Discovery on Wednesday recommended its shareholders reject a hostile takeover bid from Paramount Skydance for a rival bid from streaming giant Netflix.

Both options were seen as unfavourable for an industry that has seen drastic cuts over the past several years. Like major studios, cable networks have faced issues as the public has opted for streaming services instead.

YouTube winning rights to the Academy Awards further suggests that reliance on streaming sites will continue.

Half of the joint venture will be owned by a group of investors, including Oracle, Silver Lake and the Emirati investment firm MGX, according to a memo sent by chief executive Shou Zi Chew.

The deal, which is set to close on 22 January, would end years of efforts by Washington to force ByteDance to sell its US operations over national security concerns.

It is in ​line with a deal unveiled in September, when US President Donald Trump delayed the enforcement of a law that would ban the app unless it was sold.

In the memo, TikTok said the deal will enable “over 170 million Americans to continue discovering a world of endless possibilities as part of a vital global community”.

Under the agreement, ByteDance will retain 19.9% of the business, while Oracle, Silver Lake and Abu Dhabi-based MGX will hold 15% each.

Another 30.1% will be held by affiliates of existing ByteDance investors, according to the memo.

The White House previously said that Oracle, which was co-founded by Trump supporter Larry Ellison, will license TikTok’s recommendation algorithm as part of the deal.

The deal comes after a series of delays.

In April 2024, during President Joe Biden’s administration, the US Congress passed a law to ban the app over national security concerns, unless it was sold.

The law was set to go into effect on 20 January 2025 but was pushed back multiple times by Trump, while his administration worked out a deal to transfer ownership.

Trump said in September that he had spoken on the phone to China’s President Xi Jinping, who he said had given the deal the go ahead.

The platform’s future remained unclear after the leaders met face to face in October.

The White House referred the BBC to TikTok when contacted for comment.

Oracle and Silver Lake declined to comment. The BBC has contacted MGX for comment.

The deal drew critiques from Senate Democrat Ron Wyden of Oregon, who said it wouldn’t do “a thing to protect the privacy of American user”.

Under the terms, TikTok’s recommendation algorithm is set to be retrained on American user data to ensure feeds are free from outside manipulation.

“It’s unclear that it will even put TikTok’s algorithm in safer hands,” said Sen Wyden.

He opposed the 2024 law, and was among the US lawmakers who lobbied to extend the TikTok deadline in January in a bid to give Congress more time to mitigate threats from China.

Some users also expressed caution at the prospect of new investors.

Small business owner Tiffany Cianci, who has more than 300,000 followers and nearly four million likes on the platform, said she hopes the incoming investors will maintain the same user experience for entrepreneurs like her.

“I hope small business owners are protected,” Ms Cianci said.

TikTok has said that more than seven million small businesses market their products and services on TikTok in the US.

“I reserve judgement on whether or not we have saved the app for those small business,” she added.

Ms Cianci said she chose TikTok for promotion because the platform offers profit-sharing on terms that are more favourable than what competitors like Meta offer.

Over the last year, Ms Cianci has been active in organising protests in Washington and on TikTok aimed at saving the app.