Contrary to widespread speculation that he might abandon her, Mr. Eric Oduro Asiamah has vowed to remain loyal and supportive throughout her sentence.

“In the next 15 years that she will be in jail, I will be visiting her up and down and continue from where she left off,” he stated, expressing his unwavering commitment to his wife during this difficult time.

Mr. Asiamah added that he will dedicate himself to running the church Agradaa worked hard to build, ensuring that its spiritual mission continues.

“The church will continue. I’m a personal pastor. My wife is a supervisor, and I oversee her. I’m also an associate pastor. So, I’m the father as well, and I will continue leading the church,” he said.

He described the current situation as a test of faith and resilience—one he believes he will overcome.

Reacting to public sentiments suggesting Agradaa deserved the sentence, Mr. Asiamah firmly disagreed, likening her ordeal to the biblical persecution of Jesus Christ, implying she is being unfairly targeted.

Despite the circumstances, he remains hopeful and believes something good will come out of the ordeal as he looks forward to reuniting with his wife in the future.

The report serves as a vital resource for assessing the performance of Ghana’s tourism sector and identifying key trends, opportunities, and areas for strategic intervention.

According to GTA, 2024 marked a year of consolidation and renewed growth in the tourism, arts, and culture ecosystem.

With the ongoing implementation of flagship initiatives such as Beyond the Return and signature events like the Kwahu Easter Paragliding Festival and Emancipation Celebration, Ghana continues to affirm its position as a leading destination for heritage tourism, cultural exchange, and investment in Africa.

The report provides critical data and analysis to inform policy direction, guide private sector decisions, and measure the impact of collective efforts across the sector.

It highlights a steady rise in international arrivals, the strengthening of domestic tourism, and the sector’s contribution to job creation, community development, and national revenue generation.

Read the full report below:

Source: Kodwo Mensah Aboroampa

Themed Growth and Sustainability, the report serves as a vital resource for assessing the performance of Ghana’s tourism sector and identifying key trends, opportunities, and areas for strategic intervention.

It outlined the impact of flagship events such as PANAFEST Emancipation, the Kwahu Paragliding Festival, and Detty December, which collectively spurred economic activity across the country and created employment opportunities for thousands of Ghanaians.

Speaking at the launch event in Accra on Thursday, July 3, 2025, the Chief Executive Officer of GTA, Maame Efua Houadjeto, stated that the Authority is undergoing a transformative phase.

She emphasised rising visitor numbers, strengthened public-private partnerships, and a growing commitment to climate-conscious tourism practices.

“We are particularly proud of the strides we are making in promoting sustainable tourism practices—from eco-tourism and community-based initiatives to climate-sensitive destination management.

“Our goal is not only to attract visitors but to ensure that tourism development benefits local communities and protects our natural and cultural heritage for generations to come,” she said.

Madam Houadjeto noted that the 2024 report would help shape the next chapter of tourism in Ghana, urging collaboration among stakeholders in the public, private, and civil society sectors.

“Let us work together to unlock new markets, strengthen infrastructure, and leverage digital innovation to deliver seamless experiences,” she charged.

She also expressed appreciation to GTA’s partners and the media for their consistent support in telling Ghana’s story.

“We thank you for being the bridge between our work and the world. I want to express my appreciation to the hard-working team at the Ghana Tourism Authority, our regional offices, and all our collaborators for making the 2024 Ghana Tourism Report a reality,” she said.

Source: Kodwo Mensah Aboroampa

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Speaking in an interview with Kwame Dadzie and Doreen Avio on Hitz FM’s morning show, Daybreak Hitz, Kuami Eugene said, “I actually watch Ghanaian movies. It’s just that there isn’t much of it on Netflix or other streaming platforms. Most of them are in cinemas, and it’s quite difficult for me to go to cinemas. But I love Ghanaian movies.”

The Monica hitmaker named legendary actors Agya Koo, Santo, Lilwin, Kwaku Manu, Dr Likee, and Akrobeto as his favourite male actors. Among female actors, he mentioned Nana Ama McBrown and Vivian Jill Lawrence.

Kuami Eugene’s comments highlight a growing concern within Ghana’s film and entertainment industry. While local films enjoy strong followings in cinemas and on traditional television, their limited representation on global streaming services such as Netflix, Amazon Prime, and Showmax restricts their reach to wider audiences.

Many filmmakers and industry stakeholders have long called for better investment, marketing, and digital distribution strategies to improve access and visibility for Ghanaian films.

Kidjo is one of just nine global recording artists selected this year, and among six Grammy Award winners in the lineup, which includes Miley Cyrus, Lyle Lovett, Bone Thugs-N-Harmony, The Clark Sisters, and Intocable.

The announcement was made on Wednesday, July 2, during a live press conference held at Ovation Hollywood.

Renowned as one of Africa’s most decorated musicians, Kidjo’s inclusion marks a monumental moment for African representation on one of entertainment’s most iconic landmarks.

She joins a diverse group of global honorees, including British actress Emily Blunt, Indian actress Deepika Padukone, French actress Marion Cotillard, Canadian actress Rachel McAdams, Filipino singer Lea Salonga, Brazilian percussionist Paulinho da Costa, and Australian pop duo Air Supply.

The 2026 Walk of Fame honorees were selected from hundreds of nominees by the Walk of Fame Selection Panel of the Hollywood Chamber of Commerce, and later approved by the Chamber’s Board of Directors.

Peter Roth, chairman of the selection committee and former CEO of Warner Bros. Television, said:
“These talented individuals have made significant contributions to the world of entertainment, and we are thrilled to honour them with this well-deserved recognition.”

Official dates for the star ceremonies are yet to be announced, but honorees have two years to schedule their inductions.

Kidjo’s historic milestone is expected to inspire a new wave of African creatives pushing boundaries in global entertainment.

Source: [AdomOnline]

The same guests. The same “popular people.” The same recycled interviews are all battling for views and digital traction.

But if the new “kid” on the Adom TV block delivers the same consistency I had the privilege of previewing, then I can finally rest easy,  because my Saturday evenings and lifestyle content may just start to feel like a breath of fresh air in a hot, stuffy room.

So, how did they get a television show to feel like a warm hug, a deep conversation, and a vision board workshop all at once?

My guess? Adom TV listened, and the result is their newest talk show, Life and Living It, premiering this Saturday, 5th July at 4 PM.

The beautiful, eloquent, and empathetic Afia Pinamang brings soul to the show, and does so effortlessly. Life and Living It is more than a talk show; it’s a companion for real people navigating real life.

From dealing with heartbreak to finding healing, from chasing purpose to simply making peace with where you are, this show promises to meet you at your level and walk with you forward.

Each episode begins with the “Story of the Day”, a moving, life account of love, loss, survival, or transformation.

That’s followed by a Discussion Segment, where guests, experts, and everyday voices help unpack the lessons behind each story, with zero judgment and plenty of heart.

But it’s not all tears and therapy.

The show’s experiential lifestyle segment, simply titled “Niceness,” helps viewers embrace the finer things in life, from what to wear and where to unwind, to how to transform small spaces into dream sanctuaries.

This blends beautifully into the Travel & Leisure feature, spotlighting places to escape, explore, and rediscover joy, both across Ghana and beyond.

Then comes your weekly dose of practical magic: “Check This Out”, life hacks, wellness tips, and smart solutions that are not just trendy, but doable.

In a world where life often feels overwhelming, Life and Living It offers something rare: clarity, comfort, and curiosity, all wrapped in premium storytelling and thoughtful production.

So if you’ve ever found yourself asking, “Am I really living?” this show may be your answer, and your invitation.

Don’t miss the premiere this Saturday, 5th July at 4 PM, only on Adom TV.

Because this life is yours… and you’ve got to live it.

The Tulsa, Oklahoma-born porn star’s cause of death is yet to be determined, ​the ME said.

​Page’s body was discovered at her home June 25​, the coroner said. It is due to be flown back to the Midwest for her funeral.

​Page, born Kylie Pylant, began her adult film career in 2016 and starred in more than 200 erotic movies.

In the post, he shared a haunting sketch of a man leaning over a sink with his head down, while his reflection in the mirror appears to be screaming in anguish. Accompanying the image was a caption that read: “I’ve been going through a lot these days. Sorry to my inner self 🥹.”

I’ve been going through a lot these days. Sorry to my inner self 🥹 pic.twitter.com/OmhVyaxRwW

— LORD IMMORTAL🤴🏾 (@Amerado_Burner) July 2, 2025

Although he didn’t reveal specific details, the post has triggered a wave of sympathy, with fans expressing worry about his well-being and encouraging him to seek support.

The emotional revelation comes just days after Amerado became embroiled in an online controversy following his public query over why his popular interview on The Delay Show had been taken down from YouTube.

Some social media users criticized him for addressing the issue publicly instead of reaching out privately, considering the rapport he shares with the host, Delay.

Amerado responded, saying: “LOL, emotional maturity? Do you think a public interview on a public platform is a private matter? If you can’t bear public information don’t even think of private.”

The post has reignited conversations about the emotional toll fame and criticism can take on creatives. As fans continue to send messages of love and encouragement, many hope the rapper finds the strength and support he needs during this difficult time.

He made the revelation in an interview with George Quaye on Joy Prime’s Prime Time Show, clarifying the bold move that would later define his brand and career.

“Yeah, I actually started as a Twi rapper,” Tinny said when asked about his early music days. “I was doing more Twi and English than a bit of Ga, but I wasn’t a Ga rapper.”

He explained that language choice in music often comes down to reach and marketability.

“You see, Twi is the most spoken language in Ghana, so when you’re doing something in Twi, you perceive that it will go faster. Consider merchandising and market-wise—it goes fast. So I decided to do my thing in Twi.”

But something didn’t sit right.

“Later on, I realised that I’m not original. I have to be me and represent where I’m coming from. That’s why I went back to my pen and my paper and I wrote songs like Makola Kwakwe and others.”

Read also: I was appalled anytime I heard Tinny rapping in Twi – Hammer of the Last Two recounts

When asked who advised him to make the switch to Ga, Tinny was emphatic: “No one, I decided myself.”

George Quaye probed further, citing rumours that famed producer Hammer was behind the shift. Tinny dismissed the claim.

“No, this was way before meeting Hammer. I was a Ga rapper before meeting him. I remember I met Hammer through Doggo. When Doggo was going to record his album, Hammer was looking for a Ga rapper.

“So Doggo actually told Hammer about me, and I was home when he called me. I drove there, and I met him—and the rest is history, as they say. So it wasn’t Hammer at all.”

On working with Hammer, Tinny had nothing but high praise.

“The feeling alone was great. Because Hammer is the type that can mute everything and just drop you some baseline that makes you go crazy… wow… even before dropping the strings and everything.

“So it brings the feeling out of you. It brings out the creativity. I love working with Hammer—one of the best engineers so far.”

Asked about claims that Hammer was difficult to work with, Tinny laughed it off.

“Maybe it is the understanding. I dey worry, but Hammer still works with me.”

“Yeah, I actually started as a Twi rapper,” Tinny said. “I was doing more Twi and English than a bit of Ga, but I wasn’t a Ga rapper.”

Explaining his initial preference for Twi, Tinny pointed to its broader commercial appeal.

“Twi is the most spoken language in Ghana, so when you’re doing something in Twi, you perceive that it will go faster. Consider merchandising and market-wise—it goes fast. So I decided to do my thing in Twi.”

However, a moment of self-reflection prompted a change in direction.

“Later on, I realised that I’m not original. I have to be me and represent where I’m coming from. That’s why I went back to my pen and my paper and I wrote songs like Makola Kwakwe and others.”

When asked whether someone had influenced his switch to Ga, Tinny was emphatic.

“No one, I decided myself.”

There had been rumours suggesting that acclaimed producer Hammer encouraged the shift, but Tinny dismissed them.

“No, this was way before meeting Hammer. I was a Ga rapper before meeting him.”

He recounted how he first crossed paths with Hammer through another artist.

“I remember I met Hammer through Doggo. When Doggo was going to record his album, Hammer was looking for a Ga rapper.

“So Doggo actually told Hammer about me, and I was home when he called me. I drove there, and I met him—and the rest is history, as they say. So it wasn’t Hammer at all.”

Reflecting on his collaboration with the legendary producer, Tinny described the creative experience as powerful and inspirational.

“The feeling alone was great. Hammer is the type that can mute everything and just drop a baseline that will make you go crazy—wow—even before adding the strings and everything.

“So it brings the feeling out of you, it brings out your creativity. I love working with Hammer, one of the best engineers so far.”

When host George Quaye mentioned that some artists have found Hammer difficult to work with, Tinny offered a different perspective.

“Maybe it is the understanding. I dey worry, but Hammer still works with me.”

“Maybe it’s the understanding. I dey worry, but Hammer still works with me,” he said in an interview on Joy Prime’s Prime Time Show with host George Quaye.

Known for his signature Ga rap style and pioneering role in Ghana’s hiplife movement, Tinny opened up about his early musical journey and creative evolution.

He disclosed that he didn’t start out as a Ga rapper.

“Yeah, I actually started as a Twi rapper. I was doing more Twi and English than Ga, but I wasn’t a Ga rapper,” he admitted.

“You see, Twi is the most spoken language in Ghana, so when you’re doing something in Twi, you perceive that the faster it will go. Consider merchandising and market-wise, I mean, it goes fast.”

However, something about that path didn’t feel authentic to him.

“So I decided to do my thing in Twi. But later on, I realised that I’m not original. I have to be me and represent where I’m coming from. That’s why I went back to my pen and paper and I wrote songs like Makola Kwakwe and others.”

Asked if it was someone else’s idea to switch from Twi to Ga, Tinny was direct: “No one, I decided myself.”

He also addressed rumours that Hammer was behind the switch in language.

“No, this was way before meeting Hammer. I was a Ga rapper before meeting him,” he clarified.

Tinny recounted how he was introduced to Hammer: “I remember I met Hammer through Doggo. When Dogo was going to record his album, Hammer was looking for a Ga rapper.

“So Dogo actually told Hammer about me, and I was home when he called me. I drove there, and I met him, and the rest is history, as they say.”

Describing their creative chemistry, Tinny spoke passionately about their connection.

“The feeling alone was great. Because Hammer is the type that can mute everything and drop you some baseline that you go crazy… wow… even before dropping the strings and everything.

“So it brings the feeling out of you. Like the creativity to come out. I love working with Hammer, one of the best engineers so far.”

Despite his own admission of being difficult at times, Tinny said their mutual respect and strong artistic bond have kept the collaboration going.

“I dey worry but Hammer still works with me,” he reiterated with a smile.

The heartwarming image shows a young Burna flanked by his two sisters, all dressed in vibrant 90s attire, with the birthday boy grinning proudly behind a cake.

His tiny yet confident self serves as a touching reminder of his loving upbringing, even as he turns 34 today, July 2.

The viral post has stirred waves of emotion and admiration across social media, with fans praising its authenticity and celebrating the Afro-fusion star’s humble beginnings before rising to global fame.

As part of his birthday celebration, Burna Boy also announced that he’ll be releasing a brand-new single titled “No Sign of Weakness” in the coming days.

The highly anticipated track is expected to reflect his growth, resilience, and continued dominance in the global music scene.

]]> https://www.adomonline.com/kwesi-arthur-claps-back-at-evil-and-nasty-fans-cursing-him-over-stalled-career/ Wed, 02 Jul 2025 16:13:17 +0000 https://www.adomonline.com/?p=2550476

In a genre steeped in history and cultural pride, some may argue that after decades of hit songs, KK Fosu deserves to be called a king. But the Anadwo Yede hitmaker has chosen a title that reflects reverence rather than ego.

Speaking to Graphic Showbiz in an interview on June 21, he explained the reasoning behind his self-appointed title: “The title of prince reflects both respect and humility.”

According to KK Fosu, the real kings of Highlife—those who pioneered and continue to shape the genre—are still active and remain an inspiration to the new generation.

“There are kings in the Highlife world who are still active and relevant. They are our inspiration, and we keep tapping into their knowledge. I mean, I am still learning from them, so how can I call myself a king?” he said.

For him, Highlife is more than just music—it is the heartbeat of Ghanaian identity. “Highlife isn’t something to take lightly or see as a myth. Highlife is real. It’s our life, culture, our root,” he said passionately.

KK Fosu urged younger musicians to honour the genre’s roots while also evolving with the times. “We cannot afford to lose our way. And the only way to survive in this space is to create good music and listen to the legends who walk among us,” he advised.

Beyond admiration, his commitment to Highlife is personal and enduring. “My signature line is ‘we don’t stop,’ and that’s more than a motto; it’s my mantra,” he affirmed.

During a recent podcast appearance, the singer sparked outrage by claiming that men are “not built to be with one woman sexually.” He added that while a man can deeply love one woman, sexual exclusivity is unnatural and difficult for most men.

The comments went viral, drawing sharp criticism from fans, gender rights activists, and public figures who described the remarks as misogynistic, insensitive, and irresponsible, particularly from someone with such a large influence.

Responding to the backlash, 2Face took to social media to issue a heartfelt apology, admitting that he had “messed up” and was fully aware of the consequences.

“I know I messed up with what I said, and I know I’m going to get cancelled because of it. I know I’m going to pay a heavy price,” he wrote.

He extended his regret to his fans, his family, and most importantly, his wife, Natasha, for the embarrassment his words may have caused.

2Face clarified that his intention was to explain his understanding of male behaviour, but acknowledged that his expression was misguided and damaging.

“I said what I said because I wanted people to get my understanding. However, there’s no excuse for those comments. I take full responsibility for my words and I am sorry for disappointing the millions of people who look up to me,” he stated.

The singer’s apology has reignited debates around gender, fidelity, and public accountability, with many calling for more responsible commentary from influential voices in entertainment.

The alarming comments emerged during a “Kiss, Marry, or Kill” challenge, where Big Akwes shockingly declared on live television that he would not hesitate to kill Cina Soul. He went further to describe, in graphic detail, a violent fantasy in which he would stab her repeatedly with knives in both hands, drink her blood, and eat her intestines—a narrative he disturbingly described as “self-glorifying.”

In a distressed post on X (formerly Twitter), Cina Soul tagged the Ghana Police Service and Minister for Communications and Digitalisation, Sam George, expressing serious concern for her safety.

“@GhPoliceService I’m deeply unsettled by this. I initially chose not to respond to earlier comments because I do not wish to be associated with this individual, but at this point I feel genuinely threatened,” she wrote.

She further appealed to Sam George to act swiftly and help regulate disturbing content aired on Ghanaian television.

“I may not know the proper channels to report this, but it’s critical we take a firm stance against this kind of dangerous rhetoric being broadcast on our TV and radio platforms. We must not normalize hate,” she added.

Her post has drawn massive public support, with many celebrities and social media users calling for the immediate arrest of Big Akwes and regulatory action against the media platform that allowed the remarks to air.

As of the time of this report, the Ghana Police Service has not yet issued an official statement, but calls continue to mount for swift action to protect Cina Soul and clamp down on hate speech and violent commentary in Ghanaian media.

.@GhPoliceService i’m deeply unsettled by this. i initially chose not to respond to earlier comments because i do not wish to be associated with this individual but at this point i feel genuinely threatened.@samgeorgegh @mocghana i may not know the proper channels to report… pic.twitter.com/W3c49OUFls

— Kla (@Cina_Soul) July 1, 2025

Speaking on The Career Trail on Joy Learning TV and Joy News, Mrs. Hamilton revealed that growing up, she was passionate about creativity and technical drawing, which made her believe she would become an architect.

“At a point in time, I thought I was going to be an architect because I was very good at technical drawing. I think that informed my creativity. Nursing was never part of the dream,” she said.

However, after completing her secondary education at Ghana National College, her plans took a surprising turn.

“I had finished Ghana National College and was deciding whether to go to KNUST. A lady walked up to my father and said, ‘Let Diana go and do nursing.’ My father agreed, and surprisingly, I didn’t object,” she disclosed.

Reflecting further, Diana highlighted that her interest in nursing had been unknowingly planted much earlier during Junior Secondary School, when her mother’s sister, a nurse battling terminal breast cancer, came to live with their family.

“While I was in Junior Secondary School, my mother’s sister came to live with us. She was a nurse, and everything I admired. She was battling breast cancer and was dying, but she taught me how to care for her. She showed me how to give injections, dress her wounds, make her bed — she taught me everything about nursing, long before I ever considered it as a career,” she recounted.

This deeply personal experience became the foundation of her response during her nursing school interview at Komfo Anokye Teaching Hospital.

“They asked me why I wanted to be a nurse. I said, my aunty had just passed from breast cancer. She was a beautiful woman who loved fashion, but also knew how to switch roles and be a professional nurse. I wanted to be like her,” she recalled.

That pivotal moment marked the beginning of a journey that led her to become a registered nurse and eventually practice in the United Kingdom.

When asked why she didn’t continue nursing in Ghana, Diana explained that most of her music opportunities were coming from the UK, making frequent travel exhausting.

“I did my rotation at Korle Bu for about two years. Within that time, I was in and out of London. Most of my musical gigs were in the UK. Traveling frequently between Ghana and the UK became too stressful, so I decided to stay in the UK,” she noted.

Source: Irene Adubea Aning 

ALSO READ:

• Diana Hamilton recounts how she almost got raped in SHS

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In an interview with Doreen Avio, he explained that he preferred to focus on his future projects rather than dwell on his past with the label. He noted that many artistes in Ghana tend to emphasize negative experiences after leaving their record labels, but he wanted to take a different path.

“I noticed that when people leave record labels here, they often spend a lot of time talking about, sorry to say, their bad experiences rather than focusing on what they’re doing now. That’s not something I wanted to be a part of. While recording and promoting ‘Monica,’ we were still discussing my exit from Lynx Entertainment,” he said.

Kuami Eugene disclosed that talks about his departure began as far back as 2023, during the release of “Monica.” Despite the transition, he expressed deep gratitude for Lynx Entertainment’s role in his career and said he had the full support of the label’s CEO, Richie Mensah.

“It’s been a very long journey with Lynx Entertainment. They’ve played a huge role in my life. I’ve learned so much from Richie Mensah, and I’m very grateful he gave me his blessing when it was time to go. He told me, ‘Eight years, Charlie, you almost hit a decade with us,’” he shared.

Kuami Eugene also emphasized that he remains on good terms with Lynx, recently attending Richie Mensah’s book launch and continuing to receive support from his former team.

“I’m still with Lynx, like I never left. I was at Richie’s book launch just two days ago. It was a blessing to see him, hug him like the father he’s been to me. He even texted me two days ago thanking me for coming,” he stated.

He urged fans and social media users not to expect any bitterness from him, but rather to focus on enjoying his music.

“If I put out my feelings, then what? What I really want is for them to listen to ‘Belinda,’ ‘Monica,’ and the other bangers I’m giving them,” he added.

Kuami Eugene recently released a new single titled “Canopy,” a highlife-inspired song blending soulful vocals with modern rhythms. The track is already gaining traction on streaming platforms, showcasing the artiste’s evolving sound and maturity after his time with Lynx Entertainment.

The legendary Afro-pop singer asserted that men are not biologically wired to be sexually committed to one woman.

During a recent discussion, 2Baba argued that while it is possible for a man to be fully and wholeheartedly committed to one woman emotionally, it is sexually difficult—if not impossible.

He clarified that his opinion was based on personal perspective but maintained that even men who deeply love one woman may struggle to remain sexually exclusive.

“A man is not built to be sexually with one woman. Heart and love dey with one woman. But sexually, e dey impossible for man. It is the biology of man. And anybody wey wan follow me argue am, fine. Man fit love one woman die, but when it comes to that sexual satisfaction, it’s hard. Dey seed too plenty, you no fit drop am for one woman….”

His comments have since gone viral, drawing sharp reactions across social media.

While some fans supported his stance as a reflection of natural male urges, others condemned it as an excuse to justify infidelity.

2Baba, who has fathered children with multiple women, is no stranger to public scrutiny over his views on relationships and fidelity.

His recent statement has reignited long-standing conversations about sexual discipline and societal expectations in romantic partnerships.

While volunteering in my church’s Media Ministry, I immersed myself in designing graphics, editing videos, mixing audio files, and producing church magazines.

It was there that I built my first website using the HTML and CSS I had taught myself.

Admittedly, it was a simple static site, and I wasn’t too impressed with the result. But my bishop loved it, and that was enough motivation to keep going.

I began to study more seriously, borrowing past C++ lecture notes from David, my Computer Science friend, and teaching myself to code during university vacations.

After school, I joined ArcPortfolio, a respected architecture and engineering firm, and they sent me on an internship with a civil engineering consultant: Support Plus.

Sadly, I couldn’t secure national service there and ended up serving at the Community Water and Sanitation Agency (CWSA) in Cape Coast. Soon after, I returned to full-time church work.

I stayed in church employment for nearly a decade. But in 2019, when the COVID-19 pandemic forced churches to shut their doors, I decided it was time to pursue something new. I told my bishop I wanted to start a business. That’s how EnspireFX Websites was born.

But leaving the church employment was not easy. My relationship with my bishop had deteriorated for reasons I’d rather not revisit. By the time I stepped away from full-time, things were so bad I wasn’t sure how I’d survive.

Delay’s “How are you?” post

One lonely night in 2019, scrolling through Instagram, I came across a post by media mogul Deloris Frimpong Manso, widely known as Delay. She had posted a beautiful photo of herself with a short caption: “How are you?”

I clicked on the comments, and I saw a barrage of negativity and irrelevant replies. Saddened that so many people disrespected high achievers like Sister Delay, I decided to leave a sensible comment myself, so I typed;

“I’ve worked in the church since graduation for 10 years, up until this month. I’ve had problems with my bishop, and I’ve just resigned and started a web design agency. To be honest, I don’t know whether I can survive.”

To my surprise, Delay replied.

She wrote:

“Let this song inspire you: ‘What a friend we have in Jesus, all our sins and griefs to bear, what a privilege to carry everything to God in prayer.’”

I thanked her for replying, not knowing what to make of it. Then I went to bed.

Then comes the viral moment

When I woke up the next morning, I had five missed calls from unfamiliar numbers. It turned out that my comment had gone viral in the comment section under Delay’s post. Dozens had replied, mostly ladies, with encouragement. Some had even tracked down my contact.

One of those calls came from a gentleman named Nee Lante Bruce. I couldn’t help noticing his nice voice and accent. He spoke like a TV broadcaster.

He told me his fiancée had seen my comment and sent it to him, saying, “See this guy’s story sounds like yours.”

Nee had also worked in his church for years, only to walk away with nothing. We met in person, and he became my first client.

He asked me to build his website and, generously, bought a shared hosting plan that he let me use to host a few of my other client sites.

That small act of support became the foundation for what would later evolve into StellerHost, our own in-house web hosting service.

Nee introduced me to his lawyer friend, founder of Blackwood Legal, and I built their law firm’s website.

One referral turned into five international clients

Another call came from a woman running an event and catering company in Delaware, USA: RC Events Catering Inc.

She wanted help designing Instagram posts. I think this particular lady was just sorry for me, anyway, I delivered.

She was impressed and asked me to build her website. It so happened that the Indian company building the site had been delayed for several months, so I got the job.

She then referred me to her friend, the CEO of Seasoning Aide, a spices production business also based in Delaware.

Her husband, as it turned out, was a popular senior of mine from Adisadel College. He and I became friends, and I built his company website, AutoDash Supplies, an auto parts company.

Another client from this network was Women’s Faith Circle Legal Services, also in Delaware, whose founder needed a professional legal website. I handled that as well.

In just a few months, I had built five professional websites for high-value international clients, all stemming from a single Instagram comment.

From one comment to a global client base

Today, EnspireFX Websites is one of Ghana’s top-rated web design companies. Our clients include law firms, hospitals, financial institutions, hotels, construction companies, e-commerce stores, news publishers, government institutions, NGOs and more.

We’ve worked with clients across Ghana, the US, the UK, the UAE, Germany, Nigeria, Liberia, and Sweden.

We’ve built high-converting websites, redesigned outdated platforms, and launched performance-driven SEO campaigns.

Many of our clients found us organically through Google searches or referrals from previous projects.

From tech to marketing

I soon realised something critical: clients weren’t just looking for websites. They wanted to market their businesses online, attracting leads and growing their revenue.

That’s what inspired me to pursue an MBA in Marketing at GIMPA in 2023, to better understand the business side of the web and equip my clients to succeed.

One of the most valuable lessons I learned was the difference between customer satisfaction and customer success.

Customer satisfaction is about making the client happy, delivering a beautiful, functional website they’re proud to show off. But customer success goes beyond satisfaction. It’s about helping the client achieve real, measurable growth, getting results.

At EnspireFX Websites, we’ve come to understand that while a visually impressive website is important, it’s rarely enough on its own.

What truly drives business success is a deep understanding of the client’s industry and customer acquisition dynamics; knowing how their customers think, where they are, and how they make purchasing decisions.

And we build that strategy into the websites we create, so our clients don’t just get a pretty online presence, they get a growth-focused digital platform designed to help them make money and scale.

This is what sets EnspireFX Websites apart. We offer more than web design; we offer digital solutions.

What Delay’s reply meant

Looking back, I’m still in awe of what happened. One late-night Instagram scroll, one honest comment, and one kind reply from someone important that makes all the difference.

She gave me a platform I didn’t ask for, and the public responded with love, encouragement, and business opportunities that changed everything.

To anyone reading this, never underestimate the power of telling your story, staying honest, and taking that leap of faith.

And to Sister Delay, June 24th was your birthday; happy belated birthday. May God continue to bless you for the many lives you’ve touched, including mine.

The author, Rev Dennis Gyamfi Bediako, is the CEO of EnspireFX Websites, Accra, Ghana. Email: contact@enspirefx.com Phone: 233550919202

From humble beginnings to becoming a household name, Tima’s journey is a story of bold pivots, brave reinvention, and the beauty of staying true to one’s calling.

She’s not just a TV host or a radio voice. She’s a movement rooted in service, built on purpose, and powered by resilience.

Raised in Obuasi by her parents, Mary Andzi Quainoo and Felix Kwaah Yeboah, Tima’s childhood was laced with strong family values and community spirit.

But her big break didn’t come from a carefully planned audition. It was serendipity.

While studying journalism at IBM&J in Kumasi, a classmate who is now an industry stalwart, Prince Minkah, invited her to be part of a TV drama discussion show, Abrabɔ Mu Nsɛm.

Her boldness caught the eye of legendary actress Naana Hayford, who encouraged her to act.

Days later, Tima landed a minor role as a witch but destiny had more in store.

While casually talking on the phone on a film set, she was spotted by director Asare Bediako, who saw star power in her presence.

Soon, she landed her first lead role as Sandra in Asem Asa (2007), launching her into Kumawood fame.

Roles in Obra, Aden, Sugar, and more followed.

In 2008, Tima moved to Accra for her national service as a teacher. While juggling classroom duties and weekend film shoots, the balancing act proved too demanding.

Something had to give.

She redirected her path once again, enrolling at Jayee University College to complete a top-up degree while interning at TV Africa.

Post-graduation in 2011, she started national service at Graphic Communications Group, but health complications during pregnancy led her to seek a transfer which landed her at Multimedia Group.

Her resilience during pregnancy earned her the nickname “the pregnant but tireless worker.”

When her service ended without a job offer, she left with grace but didn’t close the door.

In 2014, she got the callback that would change everything. Multimedia remembered her.

Despite being heavily pregnant again, she secured a role as Channel Executive and returned to work just two months after delivery.

The Rise of Kumkum

In 2015, the tide shifted.

She started as a voice-over artist for 4Kids Paradise and red-carpet entertainment but her voice quickly became a sensation.

Audiences fell in love and wanted to see the face behind the sound. When a host for Kumkum Bhagya Chatroom was suddenly unavailable, Tima stepped in.

Hosting in Twi felt daunting at first but she crushed it.

By 2017, she was the face of Kumkum on Adom TV, turning soap operas into cultural events.

From there, she hosted the Aben Show for 11 successful seasons, steered Yenbo Nkommo on Adom FM, and co-hosted Red Carpet Year in Review.

She also held down a seven-year stint on Hitz FM as a relationship show host, growing a loyal following.

Tima isn’t just about on-screen sparkle. Through her Tima Kumkum Foundation, she supports teen mothers, orphans, fibroid patients, and inmates at Osu Correctional Centre.

Her digital series, Be Inspired by Tima, dives deep into emotional healing, life journeys, and untold stories.

With over 1 million followers each on Facebook and Instagram, and over 65,000 on Threads, she’s built a powerful digital tribe.

Through it, she mentors aspiring journalists and challenges media to embrace ethical, impactful storytelling.

Her shelf is lined with accolades:

• Media Personality of the Year (2023) – Africa Art & Achievers Awards
• African Female Digital Influencer (2023) – Ladies in Media
• Outstanding Woman Personality (2022) – Global Women Leadership Summit
• GOWA Outstanding Woman TV Host (2018)
• Pan African Youth Empowerment Ambassador (2018–2022)
• And over a dozen more national and continental honors

Tima is also a brand ambassador for numerous corporate brands in Ghana.

Now a Master’s degree holder in Public Relations from Unimac-GIJ, Tima is developing a new podcast series to amplify unsung Ghanaian voices and working on expanding her foundation internationally.

Her long-term vision? A media academy to train the next generation of ethical, multimedia-savvy journalists.

“Journalism is printing what someone else does not want printed. Everything else is public relations.” – George Orwell. This is a quote Tima lives by walking the talk.

“Dear listeners, thank you for being part of this amazing journey. I promise to continue delivering stories that make you laugh, think, and feel. We’ll keep growing together, uplifting each other with truth, hope, and inspiration. Stay listening, stay inspired!”

Cynthia Tima Yeboah; media personality, changemaker and a woman of her word who didn’t just climb the ladder but rebuilt it so others can rise too.

The graduation ceremony was held on Friday, June 27, 2025, at the KNUST campus in Kumasi. Matilda, widely recognised for her roles in Kumawood films, shared that the journey to this academic achievement had not been easy.

According to her, she first completed a bachelor’s degree in 2011 at Baptist University College, where she studied Human Resource and Management. She explained that she had to put her academic ambitions on hold due to work demands and family responsibilities.

“I completed my first degree in 2011 at Baptist University College. I did Human Resources and Management. I was in school while actively involved in filmmaking, but people didn’t know.

I had to pause several times because of work, raising kids, and family responsibilities. But I never gave up on going back to complete what I started,” she said.

Matilda stated that her return to academia was inspired by her desire to gain more knowledge, especially as she transitions into film production.

“I felt it was necessary to learn more about management and other things because I am now moving into producing movies,” she added.

Her graduation was attended by several key industry figures, including Rev. Samuel Nyamekye of Miracle Films, Apostle John Prah, and director Jones Agyeman, who came to support her on the special occasion.

Matilda’s achievement reflects a growing trend among Ghanaian creatives who are returning to school to enhance their skills and expand their influence beyond performance.

In recent years, several entertainers—including Van Vicker, Guru, D Cryme, Samini, Amerado, Kokovelli, Jackie Appiah, and Kalsoume Sinare—have pursued higher education, balancing academic life with their careers in the arts.

This growing shift highlights a wider recognition of the role education plays in the creative industry—not only in personal development but also in building sustainable careers, taking on leadership roles, and contributing meaningfully to the growth of the sector.

With nine episodes released so far, the show offers a fresh perspective on life in Berlin, blending the experiences of Ghanaian expatriates with the dynamic energy of the German capital.

Produced by Xiinoon Entertainment and spearheaded by renowned Ghanaian videographer Benjamin Kusi, known as Ben Zola, the series is both entertaining and educative, showcasing the unpredictable twists and turns of its characters’ lives.

The series, available on YouTube, dives into the lives of Ghanaians who have made Berlin their home, exploring their challenges, triumphs, and unique lifestyles.

The show’s narrative is enriched by a diverse cast, primarily featuring Ghanaian actors alongside Berlin-based talent, creating a cultural fusion that resonates with global audiences.

According to Xiinoon Entertainment, “Berlin Up n Running” aims to highlight the surprises of Berlin’s cosmopolitan scene while offering insights into the Ghanaian diaspora’s experiences.

The ensemble cast includes standout performances by Emmanuel Quansah as Fish Bone, Richmond Yeboah as Lion, Isaac Kofi Hagan as Black, Richmond Amankwa Abadio as Richie, and Michael Ansah as Misco. Female leads Beatrice Danso as Teresa, Efemena as Lia, and Desiree Meischner as Laura add depth to the storyline, with Bill Smith rounding out the cast as Bill.

Their performances bring authenticity and relatability to the series, capturing the essence of Berlin’s multicultural fabric.

Ben Zola, the creative force behind the series, is no stranger to Ghana’s entertainment industry. Based in Germany, Zola has built a reputation for his cinematic work with top Ghanaian musicians and actors, including Kobi Rana, Kofi Asamoah, and Emelia Brobbey.

His production company, Xiinoon Entertainment, is known for delivering high-quality visuals, and “Berlin Up n Running” is no exception.

“This series is a celebration of storytelling that bridges cultures,” Zola shared in a recent interview. “We want to show the world the vibrancy of Berlin through the lens of its Ghanaian community.”

Meanwhile, fans have praised the series for its engaging plotlines and cultural authenticity, with social media buzzing about its relatable characters and scenic Berlin backdrops.

As “Berlin Up n Running” continues to roll out new episodes, it is quickly becoming a must-watch for those interested in diaspora stories and the global African experience.

To follow the series, watch the latest episodes on YouTube and stay connected with Xiinoon Entertainment for updates on this first episode here.

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Speaking to Doreen Avio, the Monica hitmaker explained that the change in appearance is more than cosmetic—it reflects a deeper transition in his personal and professional journey.

“I woke up one morning and it’s been a long time… when I got signed to Lynx, I kept changing hairstyles—from one look to another. But I hadn’t done a down cut in about six years. I would twist it, unbraid it, and leave the afro. I changed it just to show a new look and to reflect the fact that this is a new beginning for me after Lynx. It’s a transition from the Lynx boy to your family sweet boy, Kwami Eugene,” he said.

The award-winning musician also disclosed that his departure from Lynx had been in the works long before it became public. He revealed that discussions were already ongoing by the time he released Monica.

“I wasn’t the first to put it out there that I had left Lynx—Richie actually did. So after he announced it on his account, I got a lot of calls. But people didn’t know that around the time Monica came out, we were already in talks about my exit. When Monica was playing, I was partially out. By the time Belinda was released, I wasn’t even at Lynx anymore,” he stated.

Kuami Eugene also addressed reactions from the public and industry insiders following his departure from the label. He acknowledged the mix of support and criticism, citing notable voices like A Plus and MC Portfolio who have publicly praised his talent and future prospects.

“I had a lot of calls after Richie made the announcement, and I had to explain that I’d spent eight years at Lynx. It’s been a beautiful journey. I’ve heard what people are saying. A lot of people are happy. I remember A Plus said something like, with Kwame’s talent, if he gets the chance to go independent with proper management, he’ll become a very big star one day,” he said.

Responding to previous criticism from rapper Guru, who had suggested that Kuami would struggle after leaving Lynx, the singer chose diplomacy.

“Guru made a comment about me flopping after Lynx, but he’s a president now—he’s the president of the University of Ghana Students’ Representative Council. I respect that, and for that reason, I won’t say much about Guru. I used to watch his concerts growing up, so it was a shame when he brought his issues with Richie to me. But again, he’s a president now, and I don’t think he’d repeat those words,” he added.

Kuami Eugene, born Eugene Kwame Marfo, shot to fame after winning MTN Hitmaker in 2016 before signing with Lynx Entertainment. He is known for hit songs such as Angela, Wish Me Well, Open Gate, and Take Away. A recipient of multiple awards including the VGMA Artiste of the Year in 2020, Kuami has carved a niche for himself with his songwriting prowess and vocal range.

As he embarks on this new chapter, fans and industry watchers are keen to see how he evolves as an independent artiste.

Borrowing lyrics from Michael Bolton’s classic How Am I Supposed to Live Without You, she shared videos of herself and their three children in a somber mood, reflecting on the void left by his absence.

In one of the posts, she wrote: “One year you were laid to rest. We miss you so much. Continue to rest in peace, Amen.”

Another clip featured their children praying against the spirit of premature death, which she accompanied with the heartbreaking caption: “It is well. My children, it is only God that we have now.”

Stella’s tribute has stirred an outpouring of sympathy and support from fans and colleagues across the entertainment industry.

Mr. Ibu, born John Okafor, passed away on March 2, 2024, at the age of 62 after a prolonged illness.

He had battled multiple health complications, including issues that led to the amputation of one of his legs in late 2023.

His passing marked the end of an era in Nollywood comedy, where he was celebrated for his hilarious roles—particularly in the Mr. Ibu film series that earned him national fame.

The actor was laid to rest on June 28, 2024, in his hometown of Amuri in Enugu State. His funeral was attended by several dignitaries, actors, and fans who came to pay their last respects.

 

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The one-year-old Guinness World Record holder has been honoured as a 2025 Global Child Prodigy in Art, in a ceremony held at the iconic UK Parliament, inside the historic Members’ Dining Room at the House of Commons.

At just one year and 152 days old, Ace-Liam made global headlines in December 2023 when he was officially recognised by Guinness World Records as the youngest artist (male). Born on July 16, 2022, his record-breaking accomplishment was verified in Accra, Ghana.

The Global Child Prodigy Awards (GCPA) recognises extraordinary children from around the world who excel in various disciplines—from music and writing to innovation and art.

Ace-Liam’s recognition places him among a distinguished group of young prodigies whose talents are shaping the future.

In a statement following the ceremony, his family expressed deep gratitude to the GCPA for spotlighting Ace-Liam’s exceptional gift and providing a global platform to celebrate young achievers.

“Meeting other outstanding prodigies excelling in various fields was truly inspiring. This experience has strengthened our commitment to continue using art as a tool for positive impact and change,” the statement read.

Ace-Liam’s journey continues to capture the admiration of people worldwide and stands as a proud moment for Ghana, as he carries the nation’s colours onto the global stage with his creativity and promise.

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Speaking on Showbiz A-Z on Joy FM, Richie, who is also the CEO of Lynx Group Limited, argued that support is earned, not demanded. He advised players in the creative space to focus on producing results instead of expecting handouts.

“I say all the time that leave government alone, leave associations alone. Leave everybody alone and do what you can do. He who embarks on a worthy cause deserves a push,” he told host Kwame Dadzie.

While acknowledging that he has received support throughout his career, Richie emphasised that such support only came after he had demonstrated value.

“You see, I mentioned earlier that as much as I have had a lot of challenges, I have also had a lot of support. But every support I have received in my life has been earned. I wasn’t given the support in a vacuum. I was given the support because I proved that if you support me, it’s worth your time and money,” he noted.

According to Richie, the government has little incentive to invest in the creative arts because the industry has not shown enough economic return or unity.

“The reason government won’t support creative arts is because it’s not worth their time. Let’s be very honest. You have artistes and media people standing there talking about ‘do this for me, do this for us, we deserve this, we are so entitled’ — stop talking,” he added.

Using the United States as an example, Richie pointed out that the American government supports the entertainment industry because it contributes significantly to the economy.

“California has a higher GDP than Texas. This means, in the US, entertainment is bringing in more money than oil. So when you see the US government support entertainment, when you see them pass laws to help entertainment, how LA has laws that favour its own writers and everything — it’s not because the President or the Minister likes music, it’s because they understand that it is making them enough money to invest in other things,” he said.

He expressed frustration over the lack of unity and professionalism within the Ghanaian creative space.

“When we can’t get our act right, who do we want to support us? When we are doing things the way we are supposed to… We can’t even organise enough. And I don’t even mean an association. If you put five artistes in Ghana together, two of them have beef. If you are organising an event right now, the vendors have beef with each other, media houses have beef with each other. We can’t even get our part right,” he lamented.

Richie Mensah has played a pivotal role in Ghana’s music industry, mentoring and producing for some of the country’s top artistes including KiDi, Kuami Eugene, and MzVee.

Beyond music, he has ventured into film, television production, and is also an author. He recently released a book titled Yes, It’s Your Fault, which addresses personal responsibility and professional development.

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The hit South Korean dystopian thriller was first released on the streaming platform in 2021, and it quickly became a global phenomenon.

So it’s no wonder that it very quickly broke the record for most viewed show on Netflix in one week – hours (non-English).

From 27 September to 3 October 2021, the show clocked in an unprecedented 571.76 million viewing hours.

But the record breaking certainly didn’t end there.

The first season also pulled in the most viewers for a Netflix Original debut.

In its first month, the Netflix Original, created by South Korean filmmaker Hwang Dong-hyuk, was watched by 142 million subscriber households, making it the service’s most successful debut.

Squid Game reached the No.1 position in 97 territories, surpassing period drama Bridgerton as the most popular TV show on the world’s most subscribed-to streaming service.

The show follows divorced father Seong Gi-hun, portrayed by Lee Jung-jae (South Korea), who has racked up a huge gambling debt while living with his elderly mother.

He thinks his luck is in when he’s invited to play a series of children’s games for a chance to win a large cash prize, but it’s far more sinister than that.

Along with 455 other players – he is Player 456 – he’s taken to an unknown location and kept in line by armed guards in pink jumpsuits and masks.

They soon discover that losing a game doesn’t just mean they’re eliminated, it means they die.

The show helped Jung-jae make history, when he became the first actor to win an Emmy for a non-English-language performance.

He won Outstanding Lead Actor in a Drama Series at the 74th Primetime Emmy Awards in 2022.

And while it didn’t win, the show itself became the first non-English-language show to be nominated for Outstanding Drama Series at the Primetime Emmy Awards.

It was Succession that won.

Season 2 of the show proved to be just as popular.

In 2024, it became the most viewed show on Netflix in one week after being viewed 68 million times.

It reached the No.1 spot of most popular shows in 92 countries.

With the last ever season promising a brutal finale, it could be set to break even more records.

In an interview with Doreen Avio, the award-winning highlife artiste explained that his journey began in the church, where he was groomed both spiritually and musically. According to him, his identity as a gospel minister has not changed.

“Sometimes I see a post on social media, and somebody wants to share something—Eugene Marfo will just pop up. I’m still a minister of God, and the transition started from the church. The church taught me everything I know—how to play the piano, guitar, and everything. While I was in school, I was still doing music and playing drums for the church. I was doing music, but the push wasn’t there like I’m getting now,” he said.

Kuami Eugene also shared how a trip to the Volta Region for a gospel event played a key role in changing the course of his life and career. Invited by a friend who was a pupil teacher at the time, the trip became a turning point.

“She was a pupil teacher, and she invited me for a three-day convention with her church. I was Minister Eugene Marfo then. That was actually where I received my first pay, so shout out to that female friend of mine,” he recalled.

Following that experience, he was selected for MTN Hitmaker, where he emerged as second runner-up before being signed by Lynx Entertainment. That marked the beginning of his rise in Ghana’s music industry.

He credited God, his family, and key mentors like Richie Mensah and Eric Goka for their support in his journey.

Kuami Eugene, born Eugene Marfo, has since become one of Ghana’s most prominent musicians, known for hit songs such as Angela, Wish Me Well, Open Gate, and Monica.

He has won several awards, including Highlife Artiste of the Year and Artiste of the Year at the Vodafone Ghana Music Awards.

He is currently promoting his latest single titled Do Better.

In an interview with Doreen Avio, Kuami acknowledged long-standing rumours about a strained relationship between the two, revealing that differences in personality and perspective sometimes created distance.

“There’s some truth to what you just said, actually. There’s a side of the story from the early days with Lynx Entertainment and the entire family—it was sweet because we were all coming up together. But people have different perceptions of others and how they carry themselves. KiDi’s character is very different from mine; we were two different people,” he explained.

Kuami added that while he tries to remain composed, he is also mindful of not being perceived as too soft or passive in the industry.

“I tried as much as possible to stay in the middle, but I don’t want to be too calm and lose respect. I don’t want to be too soft because, you know, when you’re too soft, people stop respecting you and may even bully you. Lynx taught me a lot, and I’ve actually loved the brotherhood with KiDi in particular. We’ve had days where the tension was so high that, sometimes, for maybe a whole year, we wouldn’t see each other—even though we were both at Lynx Entertainment,” he said.

According to him, their physical separation after moving out of the Lynx Entertainment residence also contributed to the emotional distance.

“I moved from Lynx—I left the camp and rented a place elsewhere. Later, he moved too. I had a studio in my house, and he also had one in his. Eventually, we’d only meet at events, maybe in the States or when we were traveling abroad together. The ‘always together’ phase lasted for about two or three years,” he noted.

Despite the ups and downs, Kuami Eugene expressed his admiration and goodwill towards KiDi, calling him a big brother and praying for his continued success.

“I actually love and respect KiDi as a big brother. Every single good thought he’s had about me, I appreciate it as a brother. I wish him expansion all the time. Anytime I see his posts on social media, I include them in my prayers—that his songs blow up. Because when we all succeed, it brings glory to Lynx Entertainment, and that’s what I pray for. You can’t do much to change people’s narratives, but I respect and love KiDi so much as a big brother,” he said.

Kuami Eugene and KiDi, both signed by Lynx Entertainment, have collaborated on several successful songs, including Spiritual and Ohemaa.

The duo have also performed together at major events both in Ghana and abroad, solidifying their status as two of the most influential voices in Ghana’s contemporary music scene.

Released under emPawa Africa and Cartel Music, “Power Bank” follows the success of his previous single “Alhaji,” which has now over 30k uses on TikTok and has already amassed over 10 million streams across platforms.

The music video directed by the acclaimed Kemz; the cinematic video was shot in Abuja and stars beloved Nollywood actress and socialite Regina Daniels as Tekno’s on-screen love interest; a casting choice that adds undeniable charm, celebrity buzz, and a Nollywood sparkle to the visual.

From intimate moments to high-energy car chase scenes, the visual captures the lighthearted, romantic energy of a love that recharges just like a power bank.

Produced by Selebobo, “Power Bank” is a testament to Tekno’s ability to craft catchy, club-ready hits that fuse storytelling with irresistible grooves.

It’s bold, deeply Nigerian, and built to soundtrack both dancefloors and everyday love stories.

With more music on the horizon, Tekno is positioning 2025 as a defining era.

Known for hit songs like “Pana,” “Skeletun,” and “Wayo,” Tekno remains one of Afrobeats’ most consistent and influential hitmakers and “Power Bank” is proof he’s only getting started.

“Power Bank” is now available on all major streaming platforms.

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Okyeame Kwame hints at historic project with government

In an interview with George Quaye on Joy Prime television’s PrimeTime, the award-winning rapper said his academic commitments had delayed his engagements with state institutions, but discussions are ongoing.

“Because of school, I have been a little busy — research and literature review. I have not had the time to pay courtesy calls on [the right institutions],” he said.

When asked about his political affiliations, Okyeame Kwame clarified, “Me, you know I am ‘Made in Ghana’.”

“But I have visited KOD, we have had conversations, and hopefully, I will go and water those conversations. I think something amazing will come out. Before the end of this four years, I will do something with government and it will be historic,” he stated.

Though he did not disclose details, the announcement has sparked public interest, especially given his longstanding involvement in national campaigns.

Okyeame Kwame, known in showbiz circles as “The Rap Dacta,” has consistently used his influence to promote Ghanaian identity, culture, and responsible citizenship. He served as the face of the Ministry of Trade and Industry’s Made in Ghana campaign and has been a key advocate for health and environmental awareness initiatives, including hepatitis B screenings and climate action.

He has also been actively engaged in arts education, creative industry policy advocacy, and sustainability campaigns, earning both national and international recognition.

If realised, the proposed project could further strengthen ties between Ghana’s creative sector and state institutions, adding to Okyeame Kwame’s legacy as one of the country’s most socially engaged creatives.

The adjournment followed a request by the prosecution, led by Chief Inspector Christopher Wonder, who informed the court that they were unable to file their disclosures due to the unavailability of the investigator.

Presiding Judge El-Alawa Abdul-Baasit granted the request and adjourned the case for a Case Management Conference.

Karikari, an actor known for his role in the popular Efiewura television series, has pleaded not guilty to a charge of defrauding by false pretences. He has been granted bail in the sum of GH¢320,000 with three sureties, all to be justified.

According to the prosecution, the complainant, Dr. Emy Oduro-Burton, a medical practitioner based in the United States, was introduced to a supposed land transaction by the accused in 2021.

Karikari allegedly informed Dr. Oduro-Burton about a full plot of land measuring 70×100 feet at Spintex, which he claimed was available for $50,000 (GH¢309,000). The complainant transferred the stated amount into the accused’s bank account for the purchase.

The prosecution said the accused then paid GH¢170,000 to one Kwaku Danso, a witness in the case and the actual owner of the land.

However, when Dr. Oduro-Burton returned to Ghana and visited the site, she discovered the land was only half a plot, valued at GH¢170,000—not the full plot she was promised.

Several attempts to recover her funds proved unsuccessful, prompting her to report the matter to the police.

The accused was arrested and, during police investigations, admitted to the offence in his caution statement.

In an emotional interview with Abiola Orisile of Events & Parties TV, the 54-year-old actor revealed that the child, a baby girl, died before he could raise enough money for her treatment.

According to Chatta, in a desperate attempt to save his sick daughter, he trekked for hours across several areas of Lagos.

Despite his efforts, he couldn’t secure the funds in time, and his daughter died right before his eyes.

He described it as one of the most painful experiences of his life.

“My first child is not Malik. The first child I had died. The hospital requested payment for her care. I trekked from Ijora-Badia… to Itolo in Orile… through Lawanson to Costain and then Makoko. Those were places I used to hawk puff-puff. I didn’t get money until the child died,” he said, fighting back tears.

As if that wasn’t painful enough, he added that he was so broke at the time, he couldn’t afford a proper coffin for the child’s burial.

“They buried her with the wooden Coca-Cola tray,” he revealed, tears streaming down his face.

Chatta said he kept the story to himself for years, only sharing it with his partner during a trip to Dubai after buying a diamond anklet for their daughter.

“Her mother felt somehow and said she wasn’t the one who gave birth to the child. I told her I had a female child before and explained how she died. They all cried. They had never heard that story from me,” he stated.

Now a proud father of three, Chatta said he is deeply grateful for the gift of fatherhood and hopes to expand his family even further.

In a heartfelt interview with George Quaye on Joy Prime’s Prime Time Show on Wednesday, June 25, the award-winning musician didn’t just speak about his career but opened up about a deeper passion: teaching.

“If I weren’t a musician, I’d be a teacher—completely,” he said with conviction. “Even as a musician, I’m still going to be a teacher… because by the end of my life, I will be teaching in one of the universities.”

Okyeame Kwame spoke with deep affection about his early teaching days at Meduma in the Kwabre-East District of the Ashanti Region, where he taught after completing his A-levels.

That experience, he said, left a lasting impression.

“I loved interacting with children. I loved imparting knowledge. I even loved the process of preparing to teach,” he said. “That’s how I know I’ll end up in a lecture hall, teaching psychology, sociology, philosophy—or even the philosophy of African music.”

His passion for education is also deeply personal and emotional. Okyeame Kwame shared that his late father once opposed his rap career.

“From age 14 to 16, we fought all the time about it,” he recalled. “But one day, he saw me perform. After that, he made me promise: no matter how far I go with rap, I must go back to school.”

His father passed away two years later, and that promise became a guiding voice in his life. “I go to school for him. And I go to school for myself.”

What makes his story even more remarkable is the academic challenge he had to overcome. “Growing up, I had dyslexia,” he revealed.

“It wasn’t diagnosed in Ghana, so I was constantly beaten at home and at school. They said I was stupid. But I wasn’t. I just had a different brain.”

Okyeame Kwame described himself as neurodivergent and has become an advocate for a better understanding of children with learning difficulties.

“Some children have dyslexia. Some have dyscalculia. We beat them because we don’t understand that their brains just work differently.”

Despite these early struggles, the musician-turned-educator has earned two master’s degrees and is currently working on his PhD.

“I just do it for myself—to prove I wasn’t stupid. I do it to fulfil the promise I made to my father. And I do it because I know I’m meant to teach.”

In a recent Facebook post, the comedian expressed surprise at the thriving business of music piracy after observing unauthorised vendors selling CDs and pen drives loaded with local songs in traffic. He noted that several motorists were seen purchasing the pirated content.

“If people are out here selling musicians’ songs on CDs and pen drives and I just saw a few cars actually buying from one guy, then why aren’t musicians themselves selling CDs anymore?” he asked.

He added that the dominance of streaming platforms has not reached all sections of the public and insisted that physical formats still hold value.

“Charley, not everyone understands this streaming thing, so others are cashing in big time,” Lekzy wrote.

His post has stoked debate on the relevance of CDs in the Ghanaian music industry, especially at a time when piracy remains rampant and streaming royalties are still relatively low for many artistes.

Some industry players argue that CDs may no longer be trendy, but they are still a valid and potentially profitable distribution tool.

Music producer and sound engineer Kaywa had previously stated that physical copies of albums offer an intimate connection with fans and can be sold at events to create memorable experiences. Similarly, veteran musician Akosua Agyapong once noted that CDs, when properly branded, serve as collector’s items and contribute to merchandise revenue.

Another creative personality who has been very vocal about not discarding CDs and pen drives in music and movie productions is filmmaker Socrate Safo.

Safo, the former Director for Creative Arts at the National Commission on Culture, once emphasised the profitability of physical formats.

He said, “Compare the profit musicians gain from 100 people streaming your music to how much you earn from selling CDs and you will realise that CD sales are more profitable. Consumers are still there.”

About a week ago, a popular radio presenter also took to Facebook to mock up-and-coming artiste Wan‑O for selling his music at the Accra Mall—a comment that sparked backlash from fans who argued that grassroots sales are part of the hustle and should be encouraged.

Despite the surge in digital platforms such as Spotify, Apple Music, Audiomack, and Boomplay, the issue of access and digital literacy remains a challenge in Ghana. Many consumers either lack the know-how or the internet bandwidth to engage with streaming fully, making physical sales a potentially untapped market.

This was announced on Facebook by the Ashanti Regional Minister, Dr. Frank Amoakohene, who accompanied them on the visit.

The gesture follows a directive by President John Dramani Mahama to formally recognise the musician for his outstanding contribution to Ghana’s cultural heritage.

Agya Koo Nimo rose to prominence as a pioneer of palm-wine and traditional highlife music, forming the renowned Addadam Agofomma ensemble in the late 1950s. Bestowed with national honours—including the Order of the Volta in 2007, the Asanteman Award from the Asantehene, and multiple lifetime achievement accolades—he remains a revered figure in Ghana’s music landscape.

In his social media post, the Ashanti Regional Minister stated:
“Today, I had the honour of accompanying the Minister for Tourism, Arts and Culture, Hon. Abla Dzifa Gomashie, and her Deputy, Hon. Yussif Jajah, to visit our legendary highlife musician, Agya Koo Nimo. This forms part of the President’s directive to honour our living legends and heroes who have contributed immensely to Ghana’s cultural and creative heritage.”

The Minister also disclosed that earlier efforts had seen support extended to 25 elderly members of the Kumawood film industry and families of late creatives, reinforcing the administration’s commitment to celebrating those who laid the foundations of Ghana’s creative sector.

Celebrated for blending storytelling with guitar rhythms and indigenous instrumentation, Agya Koo Nimo’s contributions helped shape Ghana’s musical identity. Beyond performance, he held leadership roles as President of MUSIGA in 1979 and interim chairman of COSGA in 1985 before receiving further global acclaim through his academic and musical engagements in the United States.

The President’s directive arrives amid growing calls for timely recognition of cultural icons, echoing his remarks at the Black Star Experience launch earlier this year, when he urged immediate ceremonies to honour Agya Koo Nimo now, rather than posthumously.

Speaking on The Career Trail program on Joy Learning TV and Joy News, KMJ shared the tough realities he faced at the start of his career, one of which included sleeping at taxi ranks due to financial constraints.

He recounted that when he first arrived in Accra to pursue his dreams of becoming a radio personality, he made a decision to learn from those already in the field.

“When I came to Accra, I decided that I was going to do my own thing. So I started following radio presenters,” he revealed.

KMJ explained that one of the ways he got involved was by helping radio presenters carry their CDs to events. Most of them, he said, doubled as DJs, and he followed them from radio stations to pubs just to learn the ropes of the trade.

“I used to carry their CDs on my head and follow them everywhere they went. At the time, DJ Willie was hosting Drive Time on Top Radio.

“I was like a CD boy and also acted as a producer. I would carry his bag, go to the studio with him, help set up, and then we’d move from one pub to another because he had gigs almost every night,” he shared.

He mentioned that his routine was exhausting. He often left home around noon and didn’t return until the early hours of the next day.

“I would leave home at 12 midday and go to his house. From there, we’d head to Top Radio, work from 3 pm to 7 pm, and after that, I would follow him to the various events he had lined up. I usually went to bed at 4 am,” he recounted.

One of the most difficult parts of that period, he disclosed, was not having enough money to get home after the gigs.

According to KMJ, because he lived at Banana Inn and couldn’t afford transportation late at night — and walking home was unsafe — he resorted to sleeping at taxi ranks.

“I’ve slept at taxi ranks before. After we were done with events, I often didn’t have money to go home. DJ Willie would leave his bag with me, and I’d help load the speakers into a car. The car would drop off the equipment, but I always held onto the CD bag because it meant everything to me. If it got lost, I’d be in serious trouble,” he recalled.

“At the time, I was living at Banana Inn, and finishing around 3 a.m. or 4 a.m. made it dangerous to walk home. Since I couldn’t afford a taxi either, I chose to sleep at taxi ranks and wait until 6 a.m., then walk home. This became a daily routine,” he continued.

KMJ said he could have asked DJ Willie for help but chose not to, fearing he’d be seen as a burden and possibly lose the opportunity to learn.

“I couldn’t tell DJ Willie I didn’t have money. Even when he asked if I was okay, I lied and said I was fine. I didn’t want to say I was struggling because I feared he might feel I was disturbing him and eventually cut me off,” he said.

Despite the hardships, KMJ remained determined. He said his vision was to become like DJ Willie or even better, and that burning passion kept him going through the rough times.

“I was determined to learn and grow. So I kept pushing,” he highlighted.

That persistence eventually paid off. KMJ’s hard work, humility, and relentless drive landed him his first job as a radio host, marking the beginning of a successful career in media.

Listen to KMJ’s full story in the video below:

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He disclosed this in an interview on The Career Trail, aired on Joy Learning TV and Joy News.

According to him, although he had always been good at entertaining people and hosting small events as a media personality, he never seriously considered emceeing as a professional path until that pivotal experience.

“I discovered that part of myself when I was in Koforidua. I realised I could connect with people in a unique way. I love making people happy, and that side of me has always been there,” he shared.

He continued, “However, one show I did was Sarkodie’s album tour in Koforidua. It was held at the stadium, and I hosted it. After the show, I felt within me that I could take this seriously. I told myself, ‘I can do this.’”

What began as a small realisation in Koforidua has since evolved into a thriving career.

“I’ve lost count of the events I’ve emceed. I’ve profiled events here in Ghana and in the US,” he stated.

For KMJ, it’s not about the number of events he hosts each year but the lasting impression he leaves on his audience. He believes in delivering performances that people can remember long after the event is over.

“I’m not particular about how many events I get to host in a year. Even if it’s just one, I tell myself I have to do it well—so well that people will look back and say, ‘Three years ago, you hosted this event and I loved it,’” he explained.

He also emphasized that not every media personality is automatically suited to emceeing. While the skill can be learned, he pointed out that it requires a different mindset and level of presence.

“If you’re a radio or TV presenter, you’re often confined to a studio with a limited technical audience. But when you’re standing in front of 100, 1,000, or even 40 people watching you live, that’s an entirely different experience,” he said.

“The fact that you can speak into a microphone on radio or TV doesn’t mean you can be an MC. It takes understanding the craft, but it’s something that can be developed with time,” he highlighted.

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Speaking to Irene Adubea Aning on The Career Trail, KMJ recounted the uncertain period in his life after leaving Vision FM in Koforidua.

Following the passing of his former boss, Oliver Desbordes, he was encouraged by Sammy Flex to move to Accra and pursue bigger dreams.

“After my boss passed, I remember Sammy saying, ‘You’re a big guy. You’ve done so much in Koforidua, everybody knows you. Pack your things and come to Accra and start a new life.’ It was tough because I was so attached to the man, but I made the bold decision and left,” KMJ recalled.

Upon arriving in Accra, KMJ faced a difficult five-month period without a job. Eventually, Sammy Flex reached out again and invited him to join his show on Pluzz FM as a pundit.

“For five months, I was just home, trying to figure things out. Then Sammy called and said I should come to Pluzz FM. He was a presenter there at the time. So I joined as a pundit, and we talked about entertainment,” he recounted.

This arrangement continued until one day, an unexpected opportunity presented itself. Sammy Flex was unavailable, and KMJ was asked to host the show in his absence. The episode was streamed on Facebook, and KMJ’s performance garnered attention and praise from viewers.

“That Sunday changed everything. Sammy wasn’t around, so he asked me to sit in for him. I agreed. The show was streaming live and, surprisingly, everyone was talking about me,” he emphasized.

It was during this show that KMJ had a fateful encounter with Socrate Safo.

“Socrate Safo walked into the studio and started asking me questions—who I was, what I was doing there, and if it was my first time. We were on a commercial break, so I asked him to wait and said I’d talk to him after the show. My producer explained I was sitting in for Sammy, so he waited,” he explained.

After the show, they had a conversation, and Socrate asked if KMJ was employed. Upon learning he wasn’t, Socrate approached the station’s manager to recommend him, but the attempt was unsuccessful.

“He went to the manager, requesting that they employ me, highlighting that I was good. However, it didn’t work out,” he shared.

Two weeks later, KMJ was at home when he received a call from Socrate Safo, asking him to meet the then Programs Manager at Hitz FM, Mark Okraku Mantey.

“Socrate called and told me he had spoken to Mark Okraku Mantey, who requested to see me immediately at Multimedia,” KMJ disclosed.

He made his way to the Multimedia offices, where he finally met Mark Okraku Mantey after the morning show on Hitz FM.

“I sat at the reception waiting. When the show ended, Mark came and said Socrate had recommended me. I told him to give me just five minutes on air, and if he didn’t want me after that, I’d leave. He agreed and put me on the morning show as a pundit,” KMJ recalled.

Once again, fate intervened. The main host of the morning show went on leave, and KMJ was asked to fill in temporarily. His performance impressed the team, and when the original host eventually resigned, KMJ was offered the role permanently.

“The host went on leave, so I was asked to step in. One thing led to another, and after some months, he resigned and I became the substantive host of the show,” he added.

KMJ’s talent and growing popularity soon prompted a transition from radio to television. After two and a half years on Hitz FM, Multimedia management encouraged him to try TV, believing he had the charisma and presence to succeed.

“At first, I was hesitant. But after successfully hosting a few shows, I accepted. That’s how I moved from radio to TV,” he stressed.

Today, KMJ is a household name in the Ghanaian media, hosting major entertainment shows and successfully transitioning into more serious roles, including a morning show where he discusses political and social issues.

Reflecting on his journey, he expressed deep gratitude to God and to the individuals who played key roles in his rise.

“How my life has transformed—I can never take credit for it. It was God’s doing. You can prepare yourself, but it takes grace. I’m thankful to those who helped me, and I’m glad I didn’t disappoint them. I don’t joke with Socrate Safo because he did this for me without even knowing me. I’ll forever be grateful to him,” KMJ acknowledged.

When asked how he earned the moniker The Royal Host, KMJ revealed it came during his coverage of the royal wedding between Prince Harry and Meghan Markle.

“I hosted a four-hour special on their wedding. During the show, KKD said, ‘It’s your first time doing this up close, and though I’ve never had a conversation with you, talking to you now, you are The Royal Host.’ That name stuck,” he revealed.

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“I got my first radio job through Facebook,” he disclosed.

Speaking on The Career Trail on Joy Learning TV and Joy News, KMJ recounted how years of unpaid hustle and consistent learning eventually paid off in the most surprising way.

He said his media journey began with shadowing radio presenters who doubled as DJs in Accra, despite not earning a pesewa. One of the personalities he worked closely with was DJ Willie, then host of Drive Time on Top Radio.

“I used to carry their CDs on my head and follow them everywhere they went. At the time, DJ Willie was hosting Drive Time on Top Radio. I was like a CD boy and also acted as a producer. I would carry his bag, go to the studio with him, help set up, and then we’d move from one pub to another because he had gigs almost every night,” he shared.

Although many saw him as a background assistant, KMJ was quietly documenting his experiences. He began sharing event updates and behind-the-scenes content on his Facebook page.

“When I was doing all these, I was posting them on social media. Back in 2011, social media was still new, and everyone was just doing their own thing. So I would attend events and post what happened,” he explained.

Eventually, a message landed in his inbox that changed everything.

“There was this man, Oliver Desbordes, who sent me a message via inbox saying he loved what I was doing. He said, ‘I have a new radio station coming up. If you don’t mind, I want you to be part of the team.’”

Initially skeptical, KMJ assumed it was a scam.

“I thought it was a scam, so I told him, ‘I don’t believe this is true. If it is, prove it.’ So he sent me his number. But for a whole week, I didn’t call because I was scared my phone might be hacked.”

The man followed up a week later, prompting KMJ to finally respond.

“He said, ‘You still haven’t called. Can you leave your number?’ So I dropped my number. Then he called and asked to meet at Accra Mall. He introduced himself as a boss at a radio station in Koforidua and said he wanted me to join his team. I told him I hadn’t done radio before, but he said he saw something in me.”

Still unsure about relocating to Koforidua, KMJ asked for more time. When they met again weeks later, the man brought a draft of a Drive Time show designed specifically for him.

“I was amazed and confused at the same time, but eventually, I accepted the offer.”

When he arrived in Koforidua, the station — Vision FM — was still in its test transmission phase. But just days later, KMJ became the first official voice on air.

“They had done test transmission. They had not even started programming. On Monday, I was the first person that opened the station. We didn’t even start with the Morning Show. I remember my intro so well. I said, ‘Good evening to the capital and everyone doing the listening. My name is African Baby. I am the African boy that you’ve been waiting for all this while here in the capital. I get to drive you all the way to 7 p.m. Why don’t you be my guest?’”

KMJ said his presence was immediately felt, and he quickly became a listener favorite.

“I became a favourite. Everyone was talking about me — even market women, who on a regular day wouldn’t listen to Drive Time. Eventually, I rose to become the Programs Manager of Vision FM.”

He expressed deep gratitude to the late owner of Vision FM, crediting him for believing in his potential.

“He is late now. May God rest his soul. He believed in me and did so much for me. I had never seen anyone do so much for people like that.”

KMJ encouraged young people to always prepare for opportunities.

“Be prepared enough even before an opportunity comes. Imagine if I had not prepared and I messed up, I wouldn’t be here today. So it’s always the preparation before the opportunities even come.”

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The pair first got together in 2016, going Instagram official in May of that year when Katy, 40, shared a funny photo of herself and Orlando, 48, dressed in bathrobes. They dated for a little over a year before calling it quits in early 2017, however they later reconciled in 2018 and announced their engagement in 2019. Daughter Daisy Dove, now four, was born in August 2020.