The Screen Actors Guild (SAG-AFTRA) has agreed to one extension of talks with major studios.

But the union has been unable to agree a deal over issues around pay residuals and the use of artificial intelligence.

From Thursday, its members are expected to join screenwriters on picket lines.

Writers have been striking for several months, outside the studios of major streamers including Disney, Netflix and Paramount, over pay and work conditions.

Now, the negotiating committee of SAG-AFTRA – the union which represents 160,000 actors and performers – has voted unanimously to recommend strike action to its board.

It had been seeking a fairer split of streaming profits and a guarantee that AI will not be used to replace duties performed by actors.

“We are not confident that the employers have any intention of bargaining toward an agreement,” the committee said after Wednesday’s midnight deadline passed.

“Time is running out,” it warned.

The guild’s president, Fran Drescher, accused streaming companies of refusing “to meaningfully engage on some topics and on others completely stonewalled us”.

The group representing the studios, the Alliance of Motion Picture and Television Producers (AMPTP) said it was “disappointed” by the collapse of negotiations.

“This is the union’s choice, not ours,” the AMPTP said in a statement.

“In doing so, it has dismissed our offer of historic pay and residual increases, substantially higher caps on pension and health contributions, audition protections, shortened series option periods, a ground-breaking AI proposal that protects actors’ digital likenesses, and more.”

Hollywood has not seen a “double strike” of actors and writers since 1960, and the joint move would see almost all US film and TV productions grind to a halt.

The strike could also extend to the UK and other countries where members of the acting union are active on film sets.

It would also prevent A-listers from promoting some of the year’s biggest releases.

US publication Variety has reported that Thursday’s London premiere of Christopher Nolan’s Oppenheimer has been brought forward by an hour so that stars such as Robert Downey Jr, Emily Blunt and Matt Damon, as well as Cillian Murphy and Florence Pugh can walk the red carpet before any walk-out officially begins.

A strike could rule them out of the film’s big US premiere in New York on Monday and beyond, while other major film and TV events like next week’s annual Comic-Con event in San Diego could also be scaled down.

But top actors have already made it clear that they are willing to strike to support their colleagues. In June, a letter from A-listers including Meryl Streep and Jennifer Lawrence urged the union not to settle for a mediocre deal.

Speaking at the Barbie movie premiere, its star Margot Robbie told Pop Culture Journalist Natalie Jamieson: “I’m obviously on board and part of SAG and I’m definitely in support of all unions so I hope everyone reaches an agreement they’re happy with.”

Also on Wednesday, Hollywood unions representing directors and crews issued a statement of “unwavering support and solidarity” with the actors.

The AMPTP has reportedly called in federal mediators to help resolve the deadlock.

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A Writers Guild of America (WGA) strike, the first in 15 years, saw more than 9,000 writers – 98% of voting members – walk out from midnight.

Late-night live chat shows are expected shut down first, while forthcoming shows and films could face delays.

Picketing will begin on Tuesday afternoon, the Guild also said.

In 2007, writers went on strike for 100 days, at a cost of around $2bn to the industry.

This time around, writers are clashing with the Alliance of Motion Picture and Television Producers (AMPTP) – which represents the major studios, including Disney and Netflix – in demand of higher pay and a greater share of the profits from the modern streaming boom.

On Monday evening, the WGA said the decision to strike was made after six weeks of negotiations produced a “wholly insufficient” response to “the existential crisis writers are facing”.

Key issues in the talks have been how writers get paid for shows which often remain on streaming platforms for years, as well as the future impact of artificial intelligence on writing.

The AMPTP said it had offered a “comprehensive package proposal” including higher pay for writers.

But it was unwilling to improve that offer further “because of the magnitude of other proposals still on the table that the Guild continues to insist upon.”

The Late Show’s Stephen Colbert, who taped the show before negotiations halted, shared an image of his writers and expressed his support for them in his opening monologue on Monday evening.

On Sunday evening, the Deadline Hollywood outlet reported that production on late-night shows including The Late Show with Stephen Colbert, Jimmy Kimmel Live! and The Tonight Show Starring Jimmy Fallon (pictured above) will all come to a halt.

Arriving at Monday night’s, Fallon said he hoped the strike would not go ahead, but at the same time wanted to see “a fair deal” agreed for writers. “I need my writers real bad, I got no show without my writers”.

Late Night host Seth Meyers expressed his support for the strike on the corrections segment of his show on Friday.

“I also feel very strongly that what the writers are asking for is not unreasonable,” Meyers said. “As a proud member of the Guild, I’m very grateful that there is an organisation that looks out for the best interests of writers.”

‘Sticking points’

The WGA has criticised studios for creating a “gig economy” that aims to turn writing into an “entirely freelance” profession. “For the sake of our present and our future, we have been given no other choice,’ the guild stated in a lengthy document.

It called for a TV staffing minimum, ranging from six to 12 writers per show, as well as a guaranteed minimum number of weeks of employment per season.

In their own statement on Tuesday, the AMPTP called those the two “primary sticking points”.

For their part, the collective studios previously said they must cut costs due to financial pressures, while noting how the overall “residuals” payments to writers hit an all-time high of $494m (£395m) in 2021.

The AMPTP also rejected a guild demand that the use of AI bots be banned from writing or rewriting material, instead offering to hold “annual meetings to discuss advancements in technology”.

Alex O’Keefe, writer on the comedy-drama series The Bear and a member of the WGA, told the BBC on Monday that half of all writers were paid the minimum by studios and that there was “a huge underclass in Hollywood right now”.

He said the creative output of his writing colleagues was better than ever, matching the demands of the streaming age, but writers are paid less than ever.

“And writers like me, especially young, black writers, indigenous writers, writers of colour have brought a whole new wave of creativity to the process.

“But we are finding ourselves unable to survive in places like New York City and Los Angeles, where we need to be to be in writers’ rooms.”

O’Keefe went on to stress that while there are some writers who are “doing very well”, many writers, including some showrunners on big shows, were not.

“I wouldn’t classify all writers as being poor or broke, but I can say myself I have $6 in my bank account,” he said.

He said that when he and his colleagues won best comedy series at the Writers Guild of America Awards, he went to the ceremony in a suit bought for him by his friends and family.

“The bowtie was bought on credit, I didn’t have any money, I had a negative bank account,” he explained.

The actors’ union SAG-AFTRA and the directors’ union DGA have voiced solidarity with striking writers.