Originally scheduled for December 6, 2025, the ceremony will now take place on December 13, 2025.

The decision was made during a meeting at the Otumfuo Saamanhene Palace on November 10, 2025, where a new funeral committee chaired by Dadiesoabahene was constituted to oversee the arrangements.

During the meeting, Daddy Lumba’s sister, Ernestina Akosua Brempomaa, appealed for a postmortem examination, expressing suspicions of foul play in her brother’s death. She requested that the burial and funeral be postponed until the test results confirmed the exact cause of death.

However, the Chiefs resolved that the postmortem issue would be handled by the police and reaffirmed December 13 as the official date for the funeral. They also urged the family to remain united and ensure a dignified send-off for the late musician.

Regarding the invocation of the Great Oath, Akosua Brempomaa — who performed the act — has been pardoned by the Asantehene but cautioned against repeating such actions in the future.

In a Facebook post, Fredima dismissed Ofori’s claim, insisting that he personally accompanied the musician to Daddy Lumba’s residence decades ago to present the demo of “Odo Mmra Fie.”

“There’s a conversation circulating from an interview Ofori Amponsah granted on Hitz FM denying that I ever took him to the late Daddy Lumba’s house to present his demo song ‘Odo Mmra Fie.’ I’ve spoken about this several times in interviews, and Daddy Lumba himself confirmed meeting both of us,” he wrote.

Fredima noted that several people could corroborate his account, naming his wife, Jose Addo, Eb De Noble Choice, Selina Orleans Lindsay, Omama Agyei, and Nana Agyei Kodie as witnesses.

While acknowledging that Ofori has admitted he produced the demo, Fredima said it appeared the singer had forgotten the events of over 30 years ago.

“I’ve never said I was the first to introduce him to Lumba, but I was the one who accompanied him to present his demo,” he clarified.

He went on to recall an old prophecy from a relative in 1993 who had predicted that Ofori might one day deny parts of their shared history.

Fredima then challenged Ofori to dispute that they drove together to Lumba’s home at Dome that year.

“If he insists he didn’t, I’ll add it to the seven wonders of the world,” he quipped.

Ending his post, the veteran producer stressed that he bore no ill feelings, writing:

“At least my demo gave him a springboard in life. No malice. We move. Good beads don’t rattle.”

The post followed Ofori Amponsah’s interview on Hitz FM’s Daybreak Hitz, where the highlife singer denied ever visiting Daddy Lumba’s house with Fredima.

“It wasn’t Fredima who introduced me to Daddy Lumba. He produced my demo, but I took it around myself. I went to Lumba’s house personally, presented the demo, and he later called me back saying he’d listened and wanted to help me,” Ofori explained.

He further claimed that it was rather he who later introduced Fredima to Daddy Lumba, along with Selina Orleans, who went on to record a gospel song with the music legend.

In previous interviews, however, Fredima had consistently stated that he personally drove Ofori to meet Lumba, a claim he reiterated on Power FM three years ago.

He also revealed that Daddy Lumba once asked whether Ofori had ever expressed gratitude for his role in shaping his career.

Read the full post below:

ALSO READ:

• Ofori Amponsah denies Fredima introduced him to Daddy Lumba

• Fasting keeps me young – Ofori Amponsah

Speaking on Hitz FM’s Daybreak Hitz with Kwame Dadzie and Doreen Avio, Ofori Amponsah said he personally took his demo recordings to Daddy Lumba after Fredima had assisted him in recording them.

“It wasn’t Fredima who introduced me to Daddy Lumba. I went out searching for a producer by myself. I went around looking for people to help me. He did the demo for me and I had to take it around,” he explained.

He clarified that he did not visit Lumba’s house with Fredima when seeking a producer.

“I went to Daddy Lumba’s house myself, presented my demo, and the following day he said he had listened to it and wanted to see me. I went in and he said ‘I will help you.’ That’s all,” Ofori added.

According to Ofori, it was he who later introduced Fredima to Daddy Lumba. He also brought Selina Orleans, who worked with Fredima, to Lumba after the latter expressed interest in recording a gospel song.

Fredima had previously claimed he personally drove Ofori to meet Daddy Lumba, repeating the assertion on Power FM three years ago. He also mentioned that Daddy Lumba once asked whether Ofori had shown appreciation for his role in his rise to fame.

Ofori Amponsah, however, acknowledged that Fredima discovered his musical talent, while insisting that his connection with Daddy Lumba was independent.

Ofori and Daddy Lumba went on to collaborate on several hit songs, including Wo Ho Kyere, Adu Da, Dangerous, and Odo Nti.

Meanwhile, Ofori Amponsah has released a new song titled ‘Waiting,’ featuring King Paluta.

The delay follows Daddy Lumba’s sister, Ernestina Akosua Bimpomaa, invoking the Great Oath during a court session on Tuesday, October 28, 2025. The case, filed by Daddy Lumba’s first wife, Akosua Serwaa, seeks to determine the lawfully wedded spouse of the late musician.

Under Asante tradition, cases involving the Great Oath must be resolved at the Manhyia Palace, as courts have no jurisdiction over such matters. The family was summoned to the palace for resolution on Monday, November 3, 2025, but the hearing was postponed due to a pending court case awaiting verdict.

Meanwhile, the Kumasi High Court dismissed an injunction application by Akosua Serwaa seeking to halt Daddy Lumba’s funeral rites. The court affirmed that authority over the late musician’s remains rests with his extended family in accordance with Asante custom.

The legal proceedings will now focus on determining the main surviving spouse. All parties have been ordered to file necessary legal documents by Friday, October 31, ahead of a Case Management Conference scheduled for November 14. The main hearing is set to begin on November 17, with a final judgment expected on November 25.

The court observed that, irrespective of the form of the marriage contracted in Ghana, customary law is applied in the unlikely event of the death of the partner

 Justice Dorinda Smith Arthur, in her ruling on an interlocutory injunction application seeking to enjoin the burial and funeral service of legendary highlife musician Charles Kwadwo Fosuh, aka Daddy Lumba, says the matrilineal family is entitled to a deceased person’s body and funeral rites.

It follows the court’s refusal of an injunction application brought against the head of the family, Priscilla Ofori, also known as Odo Broni, and the Transitions Funeral Home by Akosua Serwaa, who identifies herself as the only surviving wife of the late musician.

Dorinda Smith-Arthur’s court was characterised by heated legal arguments and banter as counsel for the plaintiff and defendants battled it out to advance their positions on the law.

Lawyers for the plaintiff, led by William Kusi, had spent 56 minutes to advance his arguments, praying the court to absorb his client’s plea to prevent the head of the family and another woman who also identifies as the wife of the musician, the funeral home, as well as their assigns, from moving the body and conducting the burial and funeral rites of the late musician

Plaintiff counsel averred, Akosua Serwaa is the only surviving spouse since she has a certificate of Civil Ordinance Marriage issued in Germany, and she ran to court knowing very well that the law was on her side as the only surviving wife.

This, he said, is an indication that the late musician cannot be married to another woman.

Referring to several legal authorities, including the Practice Direction of 2024, lawyer William Kusi argued the application was not strange and that it was known by law since due procedure was followed.

Quoting paragraph 3 of the practice, he said the plaintiff filed the application promptly, that is, on October 3, 2025.

But the hopes of the plaintiff’s relatives being granted by the court were shot down when defence lawyers questioned the legitimacy of the evidence put before the court in the form of a purported marriage certificate of the marriage of the late musician.

They also pointed out procedural errors in the interpretation of the certificate, claiming it did not comply with Section 8 of the Evidence Act.

They pleaded Exhibit A1 could not be admissible since it was in Dutch and should have been certified by the German authorities, Ghana’s consul in Hamburg, and further interpreted by approved institutions in Ghana.

On the part of the counsel of Transition Funeral Home, the evidential burden of duty was not met by the applicant as prescribed by Section 11 of the Evidence Act

But the human rights court, which also has to make a determination of the substantive application filed by Akosua Serwaa, who is seeking to be recognised as the only surviving spouse of the late Ghanaian music legend, Charles Kwadwo Fosuh, popularly known as Daddy Lumba, refused the injunction application.

Presiding Judge, Her Ladyship Dorinda Smith Arthur, who cited Order 25, Arthur, rule 1:1 of the High Court (Civil Procedures) Rules, 2004, and several legal authorities, assured parties her ruling shall be just and convenient as she refused the application.

Lawyer for the defendants, Dominic Kwadwo Osei, the counsel for the 1^st respondent, Abusuapanin Kofi Owusu, said, “It has been by dint of hard work from the team. As the judge read (ruling), I was very confident in our position.

“We had an objective. Our objectives first, to ensure that any impediment, such as this injunction, would be denied by the court for the proper burial to proceed.

“What the judge read sounded like someone who appreciated both arguments; saw the superior argument from our side-from Baba Jamal and Associates, and sided with our position, so we are very, very happy, ‘ he said.

“It also means victory for the family. What it means is that now bury this giant of a musician and then look at other matters.”

Family games

Meanwhile, the court has set out plans to rule on the substance case by November 25, 2025.

The court has set November 14, 2025, for case management.

Source: Ohemeng Tawiah

ALSO READ:

• Court dismisses injunction seeking to halt Daddy Lumba’s funeral

• Funeral committee pleads with Daddy Lumba’s wives to reconcile amid legal dispute

The application, filed by Akosua Serwaa Fosuh, who identifies herself as the musician’s legal wife, sought to block the head of the extended family and another woman also identifying as his spouse from proceeding with funeral rites.

It arose amid a complex dispute over widowhood rights, funeral control, and the validity of marriages.

The late musician passed away on 26 July 2025. His family had announced that the final funeral rites would take place on December 6, 2025, at Baba Yara Stadium in Kumasi.

The legal challenge now raises the possibility of delay or adjustment of the planned date.

Contestants in the case include the head of the musician’s family, Kofi Owusu Fosu, and Ms. Priscilla Ofori, also known as “Odo Broni,” who claims to have been married to the star and bore children with him.

Madam Serwaa maintained her status as the only legally married wife, arguing that her rights are being sidelined.

Source: Myjoyonline

READ ALSO:

• Why families never miss Adom FM’s Kolor Paaty
• Joe Mettle is not just an artiste; he’s a mogul now – Perez Musik
• GNECC endorses local language teaching but calls for teacher training and materials

In a statement, the family said the Embassy had, in a letter dated October 27, 2025, verified that under German civil law, there exists a valid marriage between Charles Kwadwo Fosu and Akosua Serwah, which was celebrated on December 23, 2004, in Bornheim, Germany.

According to the family, the Embassy further clarified that the marriage “had not been dissolved by divorce but ended with the decease of the husband on 26 July 2025.”

The family stated that this official confirmation settles all speculation surrounding the marital status of the late highlife musician, describing it as “a final and authoritative validation” of Mrs. Fosu’s position as the lawful widow of the late artiste.

In the same statement, the family expressed gratitude to fans and sympathizers for their patience and continued support of Mrs. Fosu during what they described as an emotionally difficult period.

They assured the public that their aim is not conflict but clarity, justice, and the preservation of the truth and dignity of their beloved relative.

The family also disclosed that a formal investigation is ongoing to determine the cause of death of the late musician, in collaboration with the Ghana Police CID.

Additionally, a new funeral committee, comprising only direct relatives of the deceased, has been formed to oversee arrangements for a befitting farewell.

Further details on the funeral date and venue are expected to be announced after consultations with relevant stakeholders.

Born in 1964, Daddy Lumba was one of Ghana’s most celebrated highlife musicians, known for a career that spanned more than four decades and produced numerous chart-topping hits.

He passed away on July 26, 2025.

Speaking on Asempa FM’s Ekosii Sen show, Mr. Amankwah urged both women to put aside their differences and work together to give their late husband a befitting burial.

“Customarily, they are both wives, so they should come together and bury their husband. Whatever will bring peace is what we want. All these issues didn’t happen when he was alive, so why now that he is gone? Elders must step in to help resolve this peacefully,” he said.

He added that litigation would not bring lasting peace, stressing the need for an out-of-court settlement since customary rites would still have to be performed, including the Kunayɛ widowhood ritual.

His plea comes in the wake of a legal dispute between the two women. The late musician’s first and legal wife, Akosua Serwah Fosuh, and her children have filed an injunction against the funeral arrangements announced by a committee led by Abusuapanyin Kofi Wusu.

In a statement, Mrs. Fosuh’s family described the announcement of the funeral date, set for December 6, 2025, as “deeply distressing,” saying it was made without their consent.

The Kumasi High Court, presided over by Justice Dorinda Smith Arthur, has adjourned the hearing of the injunction application to October 28.

Mrs. Fosuh is seeking a declaration that she is the lawful and surviving spouse of the late musician and holds the sole right to perform widowhood rites.

She is also asking the court to restrain the Lumba family head from recognizing or engaging with the second defendant, Priscilla Ofori Atta, also known as Odo Broni, as a spouse of the deceased.

Source: AdomOnline

READ ALSO:

• Daddy Lumba’s wife and children seek injunction on funeral arrangements
• Daddy Lumba’s children distance themselves from funeral injunction

In her suit, Akosua Serwaa is asking the court to declare her as the lawful and surviving spouse of the late musician and to affirm that she alone holds the legal right to perform widowhood rites.

She is further praying the court to restrain the head of the Lumba family, Kofi Owusu Fosu, from recognizing or engaging with the second defendant, Priscilla Ofori Atta, also known as Odo Broni, as a spouse of the deceased.

The plaintiff also wants the court to bar Odo Broni from publicly presenting herself as the surviving wife of Daddy Lumba.

During Thursday’s sitting, counsel for the first defendant filed an application challenging the legal capacity of the plaintiff, urging the court to make a determination on the matter before proceeding.

Her Ladyship Justice Dorinda Smith Arthur also drew attention to an appearance application filed by the parties and directed the respective lawyers to file all responses and applications by October 28.

In a brief remark, the presiding judge encouraged both parties and their families to seek an amicable resolution, citing the significant legacy and national stature of the late Daddy Lumba.

The case, which has attracted public attention due to the high-profile nature of the parties involved, will resume later this month for further proceedings.

ALSO READ:

• Daddy Lumba’s wife and children seek injunction on funeral arrangements

• Daddy Lumba’s children distance themselves from funeral injunction

In a statement signed by Charlyn Fosuh on behalf of all the children he had with Akosua Serwaa Fosuh, they clarified that they are not involved in any legal proceedings and do not wish to be part of any internal family disputes.

“It has come to our attention that there is an ongoing court process regarding the funeral and burial arrangements of our beloved father, the late Charles Kwadwo Fosuh, affectionately known as Daddy Lumba,” the statement read.

“We, the children of Akosua Serwaa and Daddy Lumba, wish to clarify that we are not parties to this legal process and that we do not wish to be involved in any disputes or conflicts surrounding the funeral arrangements,” it added.

According to the statement, their only desire is to honour their father’s memory “in a dignified, respectful, and peaceful manner befitting his remarkable life and contributions.”

The children stressed that they remain united in love and respect for their late father and are focused solely on celebrating his legacy and ensuring a fitting farewell. They further appealed to the media and public to exercise restraint in their commentary about the family and the ongoing legal case.

“We kindly ask the general public, especially the media and social media commentators, to be measured and respectful in their commentary regarding the family, any ongoing legal matters, and the funeral arrangements. We believe our father deserves a farewell that reflects the peace, dignity, and unity he valued in life,” the statement said.

Background

The clarification follows reports that Mrs. Akosua Serwaa Fosuh, widow of the late musician, together with her children, had filed an injunction to halt the funeral originally planned for December 6, 2025.

She had claimed in an earlier press release that the nuclear family was not involved in the funeral preparations.

Meanwhile, Mrs. Fosuh and the singer’s elder sister, Ms. Ernestina Fosuh, have jointly issued another statement calling for an independent investigation into the circumstances surrounding Daddy Lumba’s death. They alleged inconsistencies in accounts of how he passed away in Ghana on July 26, 2025, and called on both Ghanaian and German authorities to intervene.

The internal tensions within the family appear to have deepened following the injunction and the call for an international probe.

Despite these developments, the children have reiterated their commitment to peace and unity, emphasizing their focus on celebrating their father’s legacy rather than engaging in disputes.

Daddy Lumba, aged 60, was a towering figure in Ghana’s highlife music scene whose songs influenced generations. His death in July 2025 sent shockwaves across Ghana and beyond, prompting an outpouring of tributes to his enduring contribution to Ghanaian music.

ALSO READ:

• German law clashes with Ashanti custom in Daddy Lumba’s funeral dispute

• Daddy Lumba’s wife and children seek injunction on funeral arrangements

Read the full statement below:

This deadlock requires immediate judicial intervention, setting an irreversible legal precedent.

Lumba’s End: A Global Icon’s local crisis

Charles Kwadwo Fosu (Daddy Lumba) passed away in Accra on July 26, 2025, at age 60.

As one of Ghana’s most celebrated highlife musicians, his death triggered a nationwide outpouring of grief. Crucially, he held dual citizenship (Ghanaian and German), having been legally married in Bornheim, Germany, to Akosua Serwah Fosuh.

This dual nationality and dual marital life directly precipitate the current crisis, turning a private family dispute into a complex international legal affair.

Global tributes, Local dispute

Lumba’s death sparked global mourning, underscoring his influence beyond Ghana. His career spanned nearly four decades, yielding over 33 albums and countless hits.

In honour of this legacy, the Creative Arts Agency, in collaboration with the Fosu family, organised a candlelight vigil at the Independence Square on August 2, 2025.

The funeral is planned for Kumasi, (December 6, we are told), but the date remains dependent on the legal resolution. A one-week memorial observation was held in Accra on August 30, 2025.

The crisis began when the immediate family, led by Akosua Serwah Fosuh, sought a court injunction against the extended family’s unilateral December 6 funeral plans, citing a “complete lack of respect” and non-consultation.

The extended family, led by Abusuapanyin Kofi Wusu, staunchly defends their actions, insisting that traditional leaders followed due process by notifying high authorities. Kofi Wusu issued a defiant challenge: “Our customs are older than any court in this land.”

The Widening Legal Gulf: Divorce, Bigamy, and Burial Control

The conflict has been amplified by two major legal precedents and a new defence:

I. Customary Dissolution vs. Statutory Marriage

The core legal crisis rests in the musician’s 2004 German statutory marriage, which under German Civil Code (BGB Section 1306), strictly enforces monogamy. Ghanaian law generally holds that a subsequent customary marriage would constitute bigamy.

However, the Fosu Royal Family has redefined the dispute with a powerful counter-claim:

• In an October 1, 2025 letter, the family’s lawyers asserted that Akosua Serwah Fosuh’s marriage was no longer legally valid. They allege her refusal to relocate to Ghana with her then ill husband constituted desertion and that she subsequently presented traditional drinks to signify customary dissolution.
• If proven, this customary dissolution would legally predate Daddy Lumba’s death, potentially invalidating the German statutory marriage in the Ghanaian court system.
• The family explicitly states they now recognise Priscilla Ofori (“Odo Broni”), who lived with the musician for over fifteen years and has six children with him, as the late musician’s wife. They also cite holding pre-demise instructions, suggesting the existence of a will or final directive that could dictate arrangements and estate distribution.

The court must now rule on the capacity of an Akan customary rite to legally terminate a preceding German statutory marriage under Ghana’s pluralistic system, which typically requires a court decree.

II. Legal Precedent on Burial

Despite the legal widow’s strong claim over marital status and inheritance, Ghanaian law separates marital rights from burial control.

The key precedent, Neequaye v. Okoe, established that under customary law, the body belongs to the extended family, not the nuclear family.

This suggests Abusuapanyin Kofi Wusu has the ultimate authority to proceed with funeral arrangements, provided the widow is consulted. However, the family’s claim of holding Daddy Lumba’s final instructions (a will) could override these customary burial rights.

Imminent Judicial Showdown and Global Impact

The Lumba funeral dispute is a profound test of Ghana’s legal pluralism, confronting diaspora statutory rights against indigenous customary law.

The eventual judicial outcome will mandate how Ghana treats the Latin legal principle of lex loci celebrationis (law of the place where the marriage was celebrated) when it conflicts with domestic customary norms.

This high-profile case sets a critical court precedent for the Ghanaian diaspora, impacting inheritance, property division, and burial rights globally.

Upholding the customary dissolution would legitimise Odo Broni’s status and potentially entitle her to a share of the estate under the Intestate Succession Law (PNDCL 111), which otherwise grants clear statutory rights to the legal spouse and children.

The next critical moment is the court appearance scheduled for October 16, 2025, where the judge is expected to hear arguments on the injunction application, providing the first major legal clarity on the burial control and marital status claims.

The judiciary faces the difficult task of rendering a judgment that respects the rule of law while providing a path for the Fosu family to perform culturally appropriate final rites.

This judicial wisdom is essential, not only to lay a highlife icon to rest with dignity but to provide clarity for the millions of Ghanaians who live between the global statutory world and their traditional roots.

Source: Nana Karikari, Senior International Affairs and Political Analyst

In a strongly worded statement issued through their solicitors, the family emphasized that “all his properties form part of his estate which the family, together with the children and their mothers, shall work together to ensure fair distribution to all who are entitled to benefit.”

The family, through its lawyers, further advised that no individual has the right to unilaterally access, sell, or occupy any of the late musician’s assets until the estate has been legally administered.

The family also revealed that Daddy Lumba left behind specific instructions regarding how he wished his funeral and burial to be conducted, as well as guidelines for the management of his estate.

They therefore urged all concerned parties, including Akosua Serwah, to cooperate with the family to ensure a peaceful and dignified farewell for the music legend.

“To avoid any unproductive litigation among the family and children that may result in shame for the dead, the Fosu family is open to peaceful discussions… but until then, let all persons stay away from the properties,” the statement concluded.

The caution follows letters and claims reportedly made by the late musician’s estranged wife, Akosua Serwah Fosuh, who is based in Germany.

The Fosu family alleges that Akosua Serwah deserted the award-winning highlife icon more than a decade ago when he fell ill and has since had no role in his care or affairs.

The family’s statement added that Akosua Serwah had traditionally presented drinks to signify the dissolution of her marriage to the late musician, a custom that marks the end of a union in Akan tradition.

According to the family, the late musician’s partner, Priscilla Ofori, popularly known as Odo Broni, lived with him through his difficult years and is recognized by the royal family as his legitimate wife.

“It is our clear instruction to state that Odo Broni is a recognized wife of the late Daddy Lumba and same is recognized by the Fosu Royal Family,” the statement read.

RELATED

• Daddy Lumba’s wife and children seek injunction on funeral arrangements
• Daddy Lumba’s final funeral rites set for Dec. 6

The direct family, comprising Lumba’s first (legal) wife, Akosua Serwah Fosuh, and their children, claim the funeral arrangements were made without their consent.

In a press statement issued on Thursday, 9th October 2025, the direct family, represented by Mrs. Akosua Serwah Fosuh, described the public announcement of the musician’s funeral plans as “deeply distressing,” saying it was first heard of through social media.

According to them, Abusuapanyin Kofi Wusu and a supposed funeral committee had “acted in their own interests” by fixing a funeral date for 6th December 2025 without consulting the deceased’s immediate family.

The statement said the move showed “a complete lack of respect” for Mrs. Fosuh, who is still mourning her husband and making arrangements to travel to Ghana for the funeral.

The release also noted that since Daddy Lumba’s passing on 26th July 2025 in Accra, there had been “a continuous and deliberate effort to marginalise” his legal wife in funeral discussions. The family further revealed that the cause of death remains under investigation.

They reminded the public that the late musician was legally married to Mrs. Akosua Serwah Fosuh on 23rd December 2004 in Bornheim, Germany, and that under German law, bigamy is strictly prohibited.

Citing Section 1306 of the German Civil Code (Bürgerliches Gesetzbuch), the family said, “A marriage may not be entered into if one of the persons is already married,” stressing that any second marriage under such circumstances is “legally void.”

The family said they had therefore taken legal steps to halt all funeral and burial activities “until proper dialogue and consensus are achieved.”

“To all Lumba fans and music lovers across the world, we deeply appreciate your love, loyalty, and patience during this difficult time,” the statement read. “We kindly ask you to disregard any unofficial announcements regarding funeral arrangements.”

It added that a “respectful and dignified farewell” will eventually be given to the late musician, befitting his legacy and the love he shared with millions through his music.

Daddy Lumba, one of Ghana’s most celebrated highlife icons, passed away in July 2025 at the age of 60. Known for his unmatched artistry, he produced over 30 albums during his four-decade career, including timeless hits such as Aben Wo Ha, Theresa Abebrese, Yentie Obiaa, Menya Mpo, and Woho Kyere. His music remains a staple in Ghanaian homes and continues to influence new generations of artistes.

Source: Joy Entertainment

The ceremony is expected to draw thousands of mourners, including family, friends, industry colleagues, and fans from across the country and beyond, as they come together to celebrate the life and legacy of the legendary performer.

Daddy Lumba passed away on 26 July at The Bank Hospital in Cantonments, Accra, a loss that sent shockwaves across the nation and beyond.

Since his passing, tributes have poured in from musicians, political leaders, and fans, all celebrating his immense contribution to Ghanaian music and culture.

Born on 29 September 1964, Daddy Lumba rose to fame in the 1980s and went on to become one of the most influential figures in highlife.

Over a career spanning more than three decades, he released over 30 albums and produced enduring classics such as Aben Wo Ha, Theresa, Yentie Obiaa and Playboy.

His artistry, marked by wit, soul, and incisive social commentary, earned him a cherished place in the hearts of Ghanaians. His breakthrough came with the Lumba Brothers, a collaboration with Nana Acheampong, before embarking on a hugely successful solo career.

Widely decorated with awards and accolades, Daddy Lumba inspired generations of musicians and cemented his legacy as one of Ghana’s greatest musical icons.

Source : Adomonline 

ALSO READ:

• Daddy Lumba’s family formally notifies government of his passing
• Scenes from Daddy Lumba’s one-week observance

He told Kwame Dadzie on Joy FM’s Showbiz A-Z that the request came after all arrangements had already been agreed upon.

While preparing for the Valentine concert at the Accra International Conference Centre (Grand Arena), Nabil said he and his team had finalised a list of supporting artistes when Daddy Lumba placed a call through Serwaa Amihere to insist Ofori be dropped.

“We made our first payment, and publicity started. One day, I saw Serwaa Amihere calling me. She said Daddy was on the line and wanted to speak to me about something going on. He said, ‘Nabil, how are you?’. I want you to take Ofori off the show,” he recounted.

When Nabil pressed for a reason, he said Lumba claimed Ofori had not been included in the initial list of performers. When reminded that Ofori was part of the arrangement, Lumba then asserted he had heard Ofori had made negative remarks about him.

Nabil said he was stunned, given that Ofori had performed at Lumba’s birthday party just days earlier.

That notwithstanding, he noted that Ofori Amponsah performed at the event.

According to Nabil, that was the second time he had tried to secure Daddy Lumba for a show. His first attempt in 2012 failed because he could not raise the GH ₵300,000 fee Lumba demanded.

The show, organised by Nabil Alhassan and his Event Factory Ghana team as Valentine with Daddy Lumba, drew strong attendance and is already regarded as one of Lumba’s standout concerts.

Daddy Lumba, born Charles Kwadwo Fosu on 29th September 1964, passed away on 26th July 2025 at the Bank Hospital in Accra after a short illness.

He left behind a legacy of over 33 albums and a catalogue of timeless hits such as Aben Wo Ha, Sika Asɛm, Theresa, Makra Mo, Yentie Obiaa, and Ohia Asɛm.

Source: Kwame Dadzie

The solemn gathering was steeped in both grief and celebration as family, close associates, and admirers reflected on the life and legacy of one of Ghana’s most influential musicians.

The atmosphere was deeply emotional, with mourners breaking into tears at different moments, while others sang along to Daddy Lumba’s timeless classics that were played throughout the ceremony.

The event featured musical tributes from artistes and groups who sought to honour the man whose music shaped Ghana’s Highlife and left an indelible mark on the industry.

Beyond the melodies, heartfelt words were shared by those whose lives and careers had been touched by his artistry.

A number of prominent personalities across entertainment, politics, and other sectors were also present to pay their respects, underscoring the far-reaching influence of Daddy Lumba’s music beyond showbiz.

Their presence spoke volumes of the impact he had, not only as a musician but also as a cultural icon whose songs cut across generations.

The one-week observance served as both a memorial and a celebration of a life that defined Ghanaian Highlife.

For many in attendance, it was a reminder that though Daddy Lumba may be gone in body, his music and legacy remain eternal.

Adomonline’s photojournalist, Joseph Odotei, was at the event and captured these moments.

The ceremony has drawn prominent figures from across the country, including fans, colleagues, politicians, and industry stakeholders, who have gathered to honour the late artiste and support his bereaved family.

Daddy Lumba, widely regarded as one of Ghana’s greatest musicians and the creator of timeless hits such as Aben Wo Ha and Theresa, passed away on July 26, 2025, after a short illness.

Details of his final funeral rites will be announced to the public in the coming days ahead of his burial.

Check out some scenes below:

Source: Adomonline

ALSO READ:

Scenes from EOCO as Shatta Wale’s fans mass up over his arrest

Scenes from state burial of helicopter crash victims

18 injured in accident at Agona Asafo festival

Scheduled for Saturday, August 30, 2025, the solemn ceremony will now be held at Black Star Square in Accra.

Originally, the observance was planned for the University of Ghana Stadium. However, the plan was altered after the La State Council reminded the family that a ban on drumming and noise-making had taken effect in the La Traditional Area on August 11, 2025, and will remain in place until September 5.

Since the stadium falls within that jurisdiction, council officials advised that the event be either postponed or relocated.

In a statement, the family expressed regret over any inconvenience caused by the last-minute adjustment.

“We sincerely apologize for any inconvenience this change may cause and deeply appreciate your understanding and continued support,” the announcement read.

The one-week observance is expected to draw thousands of fans, fellow musicians, and dignitaries, celebrating the life and legacy of a man regarded as one of Ghana’s greatest musical icons.

Source: Adomonline

ALSO READ:

• Why late Daddy Lumba was named Kwadwo despite being a Tuesday born

• La Council upholds funeral ban amid plans for Daddy Lumba’s one-week observance

In a statement issued on Thursday, August 28, the Council noted that its attention had been drawn to media advertisements announcing the one-week funeral celebration of highlife legend Charles Kojo Fosu, popularly known as Daddy Lumba.

While extending condolences to the family, friends, and fans of the late musician, the Council stressed that the traditional ban, which began on Monday, August 11, 2025, remains in force across the La Traditional Area, covering the main township through Maalejor on the Dodowa road to Ayi Mensah at the foot of the Aburi mountains.

The directive prohibits all forms of noisemaking, including funerals and gatherings connected to them.

According to the Council, the period is sacred as traditional authorities enter the spiritual realm, and any act that disrupts cultural and spiritual order will not be tolerated.

“All persons, families, groups, and organisers are cautioned against attempts to hold or facilitate funeral events during this period. Any such activities must be postponed, rescheduled, or cancelled outright,” the statement said.

The ban is expected to remain in effect until Friday, September 5, 2025, at 6:00 p.m. The Council reiterated its sympathy to the bereaved family and assured its support after the ban is lifted.

Read the statement below:

LA COUNCIL WARNS ORGANIZERS AGAINST HOLDING ONE WEEK ‘FUNERAL’ CELEBRATION FOR LATE DADDY LUMBA

“The attention of the La State Council has been drawn to certain advertisements circulating in the media regarding the one-week funeral celebration of the late legendary highlife music icon, Charles Kojo Fosu (a.k.a. Daddy Lumba).

On behalf of Niimei and the good people of La, the La Homowo Planning Committee wishes to first express its deepest condolences to the bereaved family, friends, and the entire nation for the loss of such a towering international music icon whose legacy remains undeniable.

However, the Council wishes to firmly remind the general public that, effective Monday, 11th August 2025, a ban on noisemaking came into force across the entire La Traditional Area stretching from the main La township to Maalejor on the Dodowa road and Ayi Mensah at the foot of the Aburi mountains. Aside from the general noisemaking, this ban also strictly prohibits funerals and all funeral-related activities of any kind. During this sacred period, Niimei would have entered the spiritual realm, and as such, no activity that contravenes the cultural and spiritual order will be tolerated.

The La State Council, therefore, cautions all persons, families, groups, and organisers against any attempt to hold or facilitate such funeral-related events within the La Traditional Area during the ban. Any such planned activity must be postponed, rescheduled, or cancelled outright.

Let it be made clear that there shall be no compromises whatsoever in the enforcement of this directive. Our duty is to protect, uphold, and preserve the rich cultural heritage and sacred traditions handed down to us by our forebears, and this will be done without fear or favour.

The La State Council further warns that any individual or group that disregards this directive does so at their own risk and will face the full weight of customary and lawful sanctions.

For the avoidance of doubt, the ban will remain in full force until Friday, 5th September 2025, at 6:00 pm.

Once again, the Council sympathises with the family of the late Daddy Lumba and assures them of the support of La State at the appropriate time when the ban has been duly lifted.”

Source: AdomOnline

READ ALSO:

• Ridge Hospital Incident: Staff testimonies show no physical assault – Health Ministry
• Typhoid fever cases in Oti Region: Krachi East residents appeal for hospital
•  Addai-Nimoh withdraws from NPP flagbearer race, cites “unhealthy” fees

He made the remarks when a delegation from the musician’s family visited the Jubilee House on Monday, August 25, to officially announce Lumba’s passing.

“The President loved Daddy Lumba’s songs. When he sat in his car and sang along, you’d be amazed, so this is a great loss to all of us,” Mr. Debrah said.

“I can’t sing like that, so you can see there was a special connection.”

According to him, Lumba’s music carried deep emotional value for many Ghanaians, including the President, resonating in both joyful and sorrowful moments.

He emphasized that the artiste’s legacy transcended generations, leaving an indelible imprint on Ghana’s cultural heritage.

“His songs touched us all, whether in sadness or happiness, Daddy Lumba made a lasting impact,” he noted, assuring that government would stand by the family during this difficult time. “We can’t say we won’t honour him, especially considering how he honoured Ghana with his music.”

Reflecting on the magnitude of the loss, Mr. Debrah added: “If money could save a life, we would have found a way. This is not just a loss for his family but for the entire nation.”

Daddy Lumba passed away in July at The Bank Hospital in Cantonments, Accra. Born on September 29, 1964, he rose to fame in the 1980s and went on to release more than 30 albums, producing timeless classics such as Aben Wo Ha, Theresa, Yentie Obiaa, and Playboy.

On Monday, 25 August, the family paid a courtesy call on Chief of Staff Julius Debrah at the Jubilee House to observe traditional protocol and formally communicate the news.

The meeting also opened discussions on funeral arrangements and possible state support to honour the late music icon.

Daddy Lumba passed away on 26 July at The Bank Hospital in Cantonments, Accra, a loss that sent shockwaves across the nation and beyond.

Since his passing, tributes have poured in from musicians, political leaders, and fans, all celebrating his immense contribution to Ghanaian music and culture.

Born on 29 September 1964, Daddy Lumba rose to fame in the 1980s and went on to become one of the most influential figures in highlife. Over a career spanning more than three decades, he released over 30 albums and produced enduring classics such as Aben Wo Ha, Theresa, Yentie Obiaa and Playboy.

His artistry, marked by wit, soul, and incisive social commentary, earned him a cherished place in the hearts of Ghanaians. His breakthrough came with the Lumba Brothers, a collaboration with Nana Acheampong, before embarking on a hugely successful solo career.

Widely decorated with awards and accolades, Daddy Lumba inspired generations of musicians and cemented his legacy as one of Ghana’s greatest musical icons.

Source: MyJoyOnline

The clip, believed to be from 2004, captures the two icons in creative flow, recording vocals for Ahenfo Kyiniye over a beat mastered by producer Kweku Mensah.

Released on July 28, 2004, the track became an instant classic, blending Lumba’s smooth delivery with Pat Thomas’s rich, soulful tone in a way only legends could.

Now, 21 years later, Ahenfo Kyiniye continues to enjoy massive airplay on radio, at events, and even in the background of Saturday morning chores across Ghana.

The throwback clip has fans reminiscing about the golden days of Ghanaian highlife, proving that great music truly defies time. More than just a behind-the-scenes moment, it’s a reminder of an era when live instrumentation and musical camaraderie defined the industry.

Watch video below:

 

View this post on Instagram

 

A post shared by Zionfelix.com (@zionfelixdotcom)

The Creative Arts Agency, the organisers, announced in a press statement dated on Thursday, August 7, 2025, signed by the acting Executive Secretary of the Agency, Gideon Aryeequaye.

The planned vigil has been postponed indefinitely as a mark of respect for the eight individuals who lost their lives in a recent helicopter crash.

The decision comes after President John Dramani Mahama declared three days of national mourning, from August 7 to 9, 2025, in honour of the victims.

The planned Kumasi vigil followed a successful edition held at the Independence Square in Accra on Saturday, August 2, 2025.

The event in the capital drew hundreds of fans, fellow musicians, and dignitaries who gathered to pay tribute to one of Ghana’s most influential musicians.

Daddy Lumba, born Charles Kwadwo Fosu, died on Saturday, July 26, 2025, after a short illness, aged 60.

The Creative Arts Agency has offered its condolences to the families of the victims and to the nation, expressing sympathy and solidarity during this difficult time

Source: Graphic.com.gh

ALSO READ:

• King Charles was a fan of Daddy Lumba – British envoy reveals during condolence…

• Why late Daddy Lumba was named Kwadwo despite being a Tuesday born

Speaking during a condolence visit to the family of the late highlife star, Mr. McMahon shared a touching personal detail that underscored the global reach of Daddy Lumba’s music.

“As many of you may know, King Charles—my King—was such a fan of Daddy Lumba,” he said. “He told me he has a playlist on his iPhone, and one of his favourites is Daddy Lumba.”

Mr. McMahon said this admiration from King Charles reflected the extraordinary influence of Daddy Lumba beyond Ghana’s borders.

“I think that shows the breadth and the reach that Daddy Lumba had across the world. He was very influential to so many people.”

The diplomat, who visited the family on behalf of Britain and what he called “the world,” described Lumba as “a cultural pop icon” whose legacy continues to resonate globally.

“It was important to come here today and say that to his family, and remind them that although he could not live longer with us, his influence lives for a long time. God bless Daddy Lumba,” he said.

Mr. McMahon’s visit adds to the long list of dignitaries and public figures who have paid tribute since the highlife icon’s passing.

Among them are former President Nana Akufo-Addo and former Vice President Dr. Mahamudu Bawumia.

The revelation about King Charles’ admiration for Daddy Lumba adds a deeply personal and international dimension to the outpouring of grief and celebration of his life.

The highlife legend’s unique sound, lyrical mastery, and cultural resonance continue to inspire music lovers across generations and continents.

Source: Myjoyonline.com

ALSO READ:

• Why late Daddy Lumba was named Kwadwo despite being a Tuesday born

• Daddy Lumba was an enigmatic and eccentric music icon – Okraku-Mantey reflects

Ghanaians have been mourning the legendary musician who passed on a few days ago, with a National Candlelight Vigil held last Saturday in celebration of his illustrious musical career.

KK Fosu, in the newly released song titled “Lumba,” expresses his condolences to the bereaved family, urging them to stay strong in these difficult times.

Speaking in an interview after the release, KK Fosu said Daddy Lumba was a music icon he always looked up to and also paved the way for younger artistes like him.

“This tribute song is to celebrate the good works of Daddy Lumba and the impact he has had over the past four decades. He is an inspiration for all younger Highlife artistes and for me personally, he shaped and inspired my career,” said KK Fosu.

The newly released single, which is available across various streaming platforms, also comes along with a visualiser that was shot by Zizi.

Source: GNA

A delegation led by the Saamanhene paid a solemn visit to the Manhyia Palace on Monday, August 4, 2025, to perform the traditional rites of notification to the revered monarch.

The visit marks a significant cultural tradition in Asanteman, where the Asantehene, as the custodian of the land and its people, must be formally informed of the death of any royal or prominent native.

With the customary announcement now complete, all traditional protocols have been activated, paving the way for the next phase of funeral preparations.

As part of the commemorative activities, a Candlelight Vigil will be held this Saturday at the Heroes Park of the Baba Yara Sports Stadium in Kumasi, in honour of the late music legend.

The event is expected to attract thousands of fans, fellow musicians, dignitaries, and well-wishers who wish to pay their respects to the man whose music influenced generations.

Further details regarding the final funeral rites are expected to be announced in the coming days.

]]> https://www.adomonline.com/photos-from-the-national-candlelight-vigil-in-honour-of-daddy-lumba/ Sun, 03 Aug 2025 11:14:38 +0000 https://www.adomonline.com/?p=2562854 Thousands of people gathered at Independence Square in Accra on Saturday, August 2, for a candlelight vigil in honor of highlife musician Charles Kwadwo Fosu, popularly known as Daddy Lumba.

The event, organized by the Creative Arts Agency, served as a heartfelt tribute to a legendary artist whose music has continued to resonate with generations of Ghanaians.

The gathering attracted not only fans and fellow musicians but also dignitaries and members of the general public, all uniting in shared grief and reflection over the loss of an iconic figure in Ghana’s music history.

Dressed in black to symbolize their mourning, participants lit candles and sang along to Daddy Lumba’s timeless hits, creating a warm atmosphere filled with nostalgia and a celebration of his extraordinary career.

Tributes poured in, reflecting the profound loss felt by fans mourning a true music legend.

Some of Daddy Lumba’s most beloved songs, including “Yemfa Odo,” “Sika Asem,” “Sika,” “Yɛne Wo Sere Kwa,” “Mepaebo,” “Akwanoma,” “Ɛyɛ N’adom,” and “Makra Mo,” echoed powerfully throughout the vigil.

The event was graced with performances from celebrated artists such as Rev. Thomas Yawson, Kwabena Kwabena, Apioko Abbey, Andy Dosty, among others—each adding to the emotional tapestry of the evening while honoring Daddy Lumba’s indelible legacy in the hearts of many.

Adomonline’s photojournalist, Joseph Odotei, was on the ground to capture poignant moments from the solemn occasion.

-Then a horn honked at the gate. My cousins Joe, Anita and I rushed to open it, and there he was. The living legend himself, Daddy Lumba, driving in like a scene straight out of TV. We were beside ourselves with excitement.

That’s how it all began. We were introduced as his younger cousins, tied by our mothers’ roots in the Bretuo-Aduana lineage of Asante Mampong. I must’ve been around 14 or 15 years old, and from then on, I started spending more time with him at home with Gina, at Charles Amoah’s place in Awudome or with Willie Roy in Tema, where demos were always in the works. It was during these moments that I truly fell in love with highlife music and developed an eye for artistry and musicianship.

When computer schools started springing up everywhere, Papa pulled me aside and said, “Nana, I think you should enrol, this is where the world is heading.” The next day, it had been paid for me to start a computer program at Arab Libyan Cultural Centre on the Ring Road. He was always ahead of his time.

During school vacations, I’d help out at his music shop in Okaishie, just opposite the MTTU. Joe and I worked alongside Sister Abena (his wife Akosua Serwaa’s older sister). The shop was like a magnet for underground musicians, some hopeful, some discouraged, but all inspired. Getting through the gate to meet him was a mission in itself, you needed more than luck, you needed Papa’s green light.

That little corner of Dome, introduced me to so many greats like Nana Tuffour, Oheneba Kissi, Afia Ampofoa, KK Kabobo (another proud son of Adansi), Felix Owusu, Dada KD (who often worked with Charles Amoah), Tommy Wiredu, Frank Mensah… Papa adored their talent. There was also our brother Papa Shee, then his dancer, and a quiet, persistent young guy who often waited patiently at the gate with his demo, none other than Ofori Amponsah. That patience paid off with a collaboration album in 1999–2000. I would later manage Ofori for four incredible years.

One random afternoon, we were driving from an interview at Vibe FM, tuned in to Radio Gold (the gold standard back then for authentic Ghanaian music). An ad came on calling for new radio presenters. Papa suddenly turned to me and said, “Nana, this one’s for you, let’s apply.” I jumped at the idea, I’d always dreamed of doing radio. With help from Kwame Farkye at Sunshine Radio, I recorded a demo. Papa himself drove me to Radio Gold to meet Kwaku Boafo-Agyemang, the Programs Manager. And just like that, my media journey began in 1997.

Thank you, Papa, for seeing something in many of us before we even saw it ourselves. For being generous with your time, intentional with your influence, and unapologetic about helping others win. You changed my life and the lives of countless others. You weren’t just a legend on stage, you were magic offstage too.

Sleep well Papa!

The group included the Benkumhene of Bosomtwe Asaman Kokofu and veteran highlife musician Kaakyire Kwame Appiah, gospel singer ACP Kofi Sarpong, and fellow highlife artiste Nana Agyemang.

They visited the late icon’s residence at East Legon, Accra, where they sympathised with his grieving family.

Speaking on behalf of the group, Kaakyire Kwame Appiah described Daddy Lumba as a towering figure in Ghana’s highlife music scene.

He revealed that many highlife musicians regarded Lumba as an icon whose influence was so great that artists often delayed releasing their own songs when Lumba dropped new music.

“Whenever Daddy Lumba released a song, we knew competition was tough. We would often hold back on our releases. He set a high standard for all of us,” Kaakyire Kwame Appiah said.

Gospel musician ACP Kofi Sarpong urged the public to remember the bereaved family in prayer.

“This is a painful moment for the wife, children, and entire family. Let’s lift them up in prayer during these difficult times,” he appealed.

Daddy Lumba, born Charles Kwadwo Fosu, was one of Ghana’s most celebrated and influential highlife musicians.

Known for his unique voice, soulful lyrics, and consistency across decades, he produced numerous hits including Aben Wo Ha, Yentie Obiaa, and Theresa.

Source: Prince Owusu

Adom Brands of Multimedia Group commiserate with family of late Daddy Lumba

Arriving in a solemn convoy, the former President was received by chief mourners, family heads, and a host of sympathizers gathered to honour the memory of the iconic musician.

Clad in black, Akufo-Addo was seen in a moment of quiet reflection as he paid his respects and offered his condolences.

During the visit, he signed the book of condolence opened in honour of the late musician, whose influence on Ghana’s music industry spanned decades.

He was later joined by the Minority Leader, Alexander Afenyo-Markin, and other prominent members of the New Patriotic Party (NPP), who also visited the residence to mourn with the family.

He came earlier this week… and he’s back again. Minority Leader Alexander Afenyo-Markin returns to Daddy Lumba’s residence, this time, to join former President Akufo-Addo as he signs the book of condolences. #JoyNewsFocus || #JoyDigital pic.twitter.com/oYpcrbLlM8

— JoyNews (@JoyNewsOnTV) August 1, 2025

The atmosphere was filled with deep emotion as dignitaries and fans continued to gather, reflecting the national significance of Daddy Lumba’s passing.

Former President Akufo-Addo extended his heartfelt condolences to the family, describing Daddy Lumba as a cultural icon whose legacy would live on.

In a solemn show of solidarity, a delegation made up of representatives from Adom TV, Adom FM, and Asempa FM visited the late musician’s family home to commiserate with them during this difficult time.

They joined loved ones, industry colleagues, and sympathizers to honour the memory of a man whose music has shaped generations.

Senior News Editor in Charge of Special Assignments, A. C. Ohene, signed the book of condolence on behalf of the group.

In his tribute, he wrote:

“To us, a national icon; to our Maker, a son returned. We take comfort in the hope that someday we shall meet again in eternity. Daddy Lumba, the Adom Brands salute you. Multimedia bids you, Damirifa Due.”

Describing Daddy Lumba as a musical trailblazer, the delegation praised his immense contribution to Ghanaian music and culture, noting that his timeless catalogue continues to inspire millions.

The family, while expressing gratitude for the visit, assured the delegation that details of the one-week observance and funeral arrangements would be communicated in due course. In response, the Adom Brands team pledged their support in helping to publicize these announcements and ensure Daddy Lumba is celebrated fittingly.

The delegation included brand managers, presenters, producers, as well as sales and marketing executives.

Below are scenes from the visit:

Photo Credit: Joseph Odotei 

In an official statement, the hospital addressed recent allegations suggesting a breach of medical confidentiality, asserting that all procedures and interactions related to the late musician’s care were conducted in line with the highest ethical standards.

“The care provided to Mr. Charles Kwadwo Fosu was delivered with professionalism, dignity, and strict confidentiality,” the statement emphasized.

The hospital also clarified that Daddy Lumba’s family was fully involved in every stage of his medical journey.

The response comes amid growing speculation on social media accusing the facility of compromising patient privacy. In light of these claims, the hospital announced the launch of an internal review into the circumstances surrounding the musician’s admission and treatment to further strengthen its commitment to patient care.

The management urged the public to refrain from spreading unverified information and rely on credible sources for updates.

The Bank Hospital extended its deepest condolences to Daddy Lumba’s family, the government, and fans both locally and abroad, acknowledging the passing of what it described as a national treasure.

Daddy Lumba’s real name is Charles Kwadwo Fosu, which might suggest he was born on Monday, given the traditional Ghanaian naming convention where “Kwadwo” signifies a male born on Monday.

However, his birthdate, September 29, 1964, actually fell on a Tuesday, contradicting this assumption. Interestingly, in Ghanaian culture, Tuesday-born males are typically named Kwabena, which aligns with Daddy Lumba’s given name Kwabena.

In an interview with Graphic Showbiz, ET Akonor, Lumba’s friend and confidant has disclosed the reason for the music icon’s name.

“Lumba is a Tuesday born. He is Kwabena. The Kwadwo Fosu is a compound surname of his father so he would have been Kwabena Kwadwo Fosu which would have been odd so they just gave him Charles Kwadwo Fosu,” he revealed.

Daddy Lumba was born on September 29, 1964 and hailed from Nsuta near Mampong in the Ashanti Region.

He started his music career at age 16 and became the leader of the then Juaben Secondary School choir in 1983.

After secondary school, Daddy Lumba formed the Lumba Brothers group with his friends Yaw and Kwabena and girlfriend, Theresa Abebrese.

With the help of his girlfriend Theresa, Daddy Lumba travelled to Germany after school to seek greener pastures and met Ernest Nana Acheampong.

Nana Acheampong, another highlife legend introduced Daddy Lumba to highlife music as all Lumba knew then was gospel music.

They formed the group called Lumba Brothers and rose to fame with many songs starting with “Yɛɛyɛ aka akwantuo mu”.

They released many songs until they went their separate ways.

Graphic showbiz 

ALSO READ:

• Lumba’s reputation would have been ruined if… – Mystic Twins

• How late Daddy Lumba got his stage name

Speaking on Hitz FM’s Daybreak Hitz with Kwame Dadzie, Ashis proposed that the tribute event be held ahead of the funeral of the Yentie Obiaa hitmaker.

“The iconic Lumba needs a national celebration, and I am urging Charterhouse to lead this campaign,” he said. “Try and put together an event where we will have our stars come and honour the legend. Before his burial, we should do something like that—maybe a Fameye or Kwabena Kwabena performing a Lumba song—just like we see at the Ghana Music Awards. Even if it’s a paid event, I’m sure it’ll be sold out.”

Ashis described Daddy Lumba as one of Ghana’s most revered entertainers and recounted a conversation with a friend who claimed that Lumba was the only musician successive governments “feared.”

“For more than a decade, presidential candidates from the two main political parties were cautious of Lumba. He could be with you today and be with the other party tomorrow, and no one dared touch him. Other artistes did political songs and suffered for it—but not Lumba,” he added.

Born Charles Kwadwo Fosu, Daddy Lumba was one of Ghana’s most iconic highlife musicians, with a career spanning over three decades. He released more than 30 albums, including Aben Wɔha, Yentie Obiaa, and Theresa, cementing his place as a household name.

He passed away on July 26, 2025, after a short illness, leaving behind a rich musical legacy set to inspire generations of Ghanaian artistes.

In an interview on Daybreak Hitz on Hitz FM, hosted by Kwame Dadzie, the twin brothers said this explains why legends do not live long.

“If Daddy Lumba had lived up to 70 or 80, his name would have been spoilt. Legends don’t live for long. He lived too long,” they stated.

They explained that while Lumba was alive some people had already started making up negative stories about the legendary highlife musician.

Speaking on spirituality in the music industry, while describing most prophets as “emotional opportunists, the Mystic Twins added that no false death prophecies about celebrities can have any impact on them.

“We are messengers from God; you’ll go after you’re done delivering your message,” they said.

Making reference to recent death prophecy about Shatta Wale by Counselor DY Donkor, they mentioned that when the time for dancehall artiste Shatta Wale to die comes, “he’ll go, but not based on fake prophecies.”

The Mystic Twins, known in private life as Nana Akwasi Agyemang Panyin (McMaine) and Nana Akwasi Agyemang Kakra (McKenzie), describe themselves as spiritual figures who believe that music carries spiritual energy.

Daddy Lumba, born Charles Kwadwo Fosu, reportedly died on Saturday, 26 July 2025, at the age of 59. His death was confirmed by a family representative through his radio station, DLFM.

He is celebrated as one of Ghana’s greatest Highlife musicians with a career spanning more than three decades and numerous hit songs.

Martha Hanson

ALSO READ:

• Parliament mourns Daddy Lumba

• Kufuor mourns Highlife icon Daddy Lumba

Making a statement on the floor of the House, Member of Parliament for Manhyia North, Akwasi Konadu, described the late musician as “one of Ghana’s greatest musical legends, a true maestro and an icon whose influence transcended generations and national borders.”

Mr. Konadu praised Daddy Lumba’s enduring contribution to the music industry, calling him a torchbearer whose career was marked by timeless melodies, rich lyrical depth, and powerful social commentary.

“His works were not just songs,” he said. “They were experiences—carefully crafted pieces that touched hearts and stirred consciences.”

MP for Nsuta-Kwaman Beposo, Adelaide Agyeiwaa Ntim, also honoured the late icon, describing him as a cultural treasure whose legacy extended far beyond music.

She called on government to consider a state burial for the musician.

“Daddy Lumba’s songs transcend generations, touching on themes of love, life, hardship, and celebration. His contribution to Ghana’s music industry is invaluable. He was a pioneer of both the highlife and hiplife genres, mentoring many musicians,” she stated.

On behalf of her constituents and traditional leaders in Nsuta-Kwaman, Madam Ntim also appealed for national honours to be conferred on the late legend.

She proposed the establishment of an initiative to preserve and promote his musical legacy.

Daddy Lumba passed away on Saturday, July 26, 2025, at the Bank Hospital in Accra after a short illness.

Ohene Amponsah

ALSO READ:

• Daddy Lumba was an enigmatic and eccentric music icon – Okraku-Mantey reflects

• Only his wife and kids truly knew him – Okraku-Mantey on late Daddy Lumba…

• How late Daddy Lumba got his stage name

Speaking on Joy FM’s Super Morning Show on Monday, 28th July, Mr Okraku-Mantey remarked, “Lumba, I’m not sure anybody in the industry can say that, ‘I really know him.’ I want to see that person who will come out and say [they do].”

According to him, his interactions with the celebrated musician were strictly professional, but even in that context, Lumba’s personality stood out. “Off work, he is the love-me, hate-me type of character,” he said, pointing to the complex nature of the late icon.

Mr Okraku-Mantey observed that while many have publicly praised Daddy Lumba over the years, others who have had personal encounters with him may have a more nuanced perspective.

“I’m sure people who have worked with him, who have heard very good things about him right now, some of them are also saying, ‘Is this the same Lumba they are talking about?’ Because if he has to be tough and rough, he can be. And he can be extremely nice,” he explained.

He also cited a memorable phrase Daddy Lumba once used on his radio station, DL FM: “Makra mo, abia na mu ehu me biom”—translated as, “Goodbye, perhaps you may never see me again.” The line, he noted, dates back to the Biribi Gyegye Wo album, released around the time he completed his studies at St Augustine’s College.

Describing Lumba as an “eccentric performer”, Mr Okraku-Mantey said such characteristics are often found in truly exceptional artistes.

“Most great performers are eccentric. You need that level of mind to be able to become as great as they become. It is difficult to understand such people,” he added.

Daddy Lumba passed away on Saturday, 26th July, at the Bank Hospital in Accra after a short illness. His death marks the end of an era for Ghanaian highlife music.

Source: Emmanuel Tetteh

Given the frequency with which such rumours had circulated in recent years, false alarms that had surfaced at least a handful of times over the past five years, I instinctively dismissed it as another hoax, unworthy of attention.

But that changed moments after I stepped out of the studio. I came across a cryptic post on Facebook by Kwame Asare Obeng, popularly known as A-Plus, the Member of Parliament for Gomoa Central. It was ambiguous, but it lingered. I paused. “A-Plus is usually a reliable source,” I said to myself.

Discussions had already begun among a few colleagues working the weekend shift. Social media was aflame with speculation, as posts, comments and tributes flooded timelines across platforms. Despite the noise, the news remained unverified. That was until hours later when confirmation came from a family representative via Daddy Lumba’s own radio station.

The weight of the news struck deeply. My heart sank. But as life insists, it moved forward. I continued with my Saturday routine, albeit with a heavy spirit.

It wasn’t until Monday morning that I truly began to reckon with the loss. As I prepared for the gospel-themed Monday edition of The Overdrive, Ghana’s beloved evening music programme on Joy FM, I felt compelled to explore Daddy Lumba’s discography with fresh eyes.

To my astonishment, I uncovered more than two dozen gospel tracks, over 24 songs that bore the unmistakable signature of the man we all knew and celebrated as a Highlife virtuoso.

In those moments, I realised that beyond the glitz, the hits and the Highlife heritage, Daddy Lumba had quietly built a spiritual legacy that now demands its own recognition.

Below are 24 gospel and inspirational songs that the musical genius Daddy Lumba blessed the world with:

Mebo Wo Din Akyere Aman
Fa Wo Ho Bo Jesus
Yesu Ka Ye Ho
Nea Nyame Tumi Ye
Osoro Nkye Me Nne
Ma Enye Wonkoa Adom Yesu Ka Yen Ho
Edin No Ne Jesus
Enye Nyame Den
Amansan Nyinaa Nto Nnwom
Wotumi Ye Kese
My Lord Is Able
Beye W’Awanwa Adwuma
Mesom Jesus
Yesu Naase Nka Wo
Enye Awurade Den
Job Ye Dinn
Awurade Ka Me Ho
Me Mpaebo
M’Aforebo Nnwom
Enye Nyame Den
Eye N’Adom
Jesus Is Winner
Hossana

Source: Kofi Hayford

An Unprecedented Chart Domination
Just days following his death, Daddy Lumba’s songs have saturated the Apple Music Ghana Top Songs chart. “Makra Mo” notably commands the highly coveted No. 1 spot, a poignant symbol of the renewed emotional connection Ghanaians feel to his music.

This isn’t just a peak; it’s a profound, organic response. Other classic hits, including “Ankwanoma” at No. 5, “Sika” at No. 6, “Se Sumye Kasa A” at No. 13, “Mpempem Do Me” at No. 15, “Mensei Da Harry (Remix)” at No. 17, and “Biribi Gyegye Wo” at No. 18, demonstrate a widespread embrace of his extensive catalogue.

In total, a staggering 30 of his songs now occupy positions within the Top 100, an unprecedented feat for any Ghanaian artiste on an African Apple Music chart. This overwhelming presence on the charts highlights the immediate and deeply felt public response to his demise, showing how his melodies continue to provide comfort and a collective memory.

The Power of Posthumous Popularity
The powerful dynamic of an artiste’s death leading to increased music sales is recognised globally, from the likes of Michael Jackson to Whitney Houston. However, Daddy Lumba’s case in Ghana presents a particularly compelling and unique example of cultural resonance. The sheer volume of songs re-entering and dominating the charts signifies more than just casual listening; it suggests a deliberate act of remembrance, a national tribute from a grieving nation and its diaspora.

Fans are not just listening; they are revisiting his work, finding solace and connection in his timeless melodies and poignant lyrics that often spoke directly to the Ghanaian experience, from the struggles of “Yee Ye Aka Akwantuom” reflecting immigrant life to the timeless advice in “Sika.”

This outpouring of support demonstrates the enduring power of music to unite people across continents in times of shared sorrow. His legacy extends beyond simple entertainment, evolving into a cherished cultural heritage that bridges geographical divides for Ghanaians living abroad.

Further solidifying his global appeal, his 2008 song “Mpempem Do Me” was notably featured on King Charles III’s Commonwealth Day Playlist in March 2025.

This placed him on a curated list alongside international titans like Beyoncé and Bob Marley, powerfully demonstrating his profound artistry that transcended national borders. Ghanaian President John Dramani Mahama eloquently stated, “Lumba’s unmatched musical genius provided the soundtrack to our lives,” adding that while “the beats to his memorable songs may have died down, his enduring legacy will echo through the ages.”

A Cultural Icon’s Lasting Imprint
Daddy Lumba was more than a musician; he was a foundational cultural institution in Ghana. His music often reflected societal nuances, exploring themes of love, heartbreak, and everyday life, making him relatable across generations. This current chart domination is a powerful affirmation of that deep-seated connection. It solidifies his status as arguably Ghana’s most influential musician.

A Nation’s Vigil: August 2nd and Beyond

The national sentiment extends beyond streaming numbers. The Creative Arts Agency (CAA), in collaboration with his family, has announced a National Candlelight Vigil in his honor set for Saturday, August 2, 2025, at Independence Square in Accra, from 6:00 PM to 10:00 PM. This event is part of a wider global tribute, with simultaneous vigils planned in key diaspora cities across Germany, the United Kingdom, the United States, and the Netherlands. This coordinated international effort underscores the profound impact Daddy Lumba had on the Ghanaian identity worldwide. As the CAA stated, “Your presence will not only honor the legacy of an icon but also unite us in celebrating the power of music, culture, and community.”

This emotional resonance is now translating into tangible data on streaming platforms. It proves that authentic artistry fosters lasting emotional bonds, which manifest with striking intensity during moments of loss.

This emotional resonance is now translating into tangible data on streaming platforms and organized national and international tributes. It proves that authentic artistry cultivates lasting emotional bonds, which manifest with striking intensity during moments of loss.

The widespread resurgence in his music consumption undeniably highlights the indelible mark he left on the Ghanaian music landscape and on the hearts of its people.

His passing, as former President Nana Akufo-Addo noted, saw even political rivals “find common ground in sorrow,” a true testament to his unifying power. The collective embrace of Daddy Lumba’s music in this period of national mourning is a powerful reminder that some legacies are not diminished by death, but rather illuminated, continuing to inspire and unite.

Source: Nana Karikari, Senior International Affairs and Political Analyst

Speaking on Asempa FM’s Ekosii Sen show, Okraku-Mantey described the late musician as a deeply private and introverted individual, whose real character was only known to his immediate family.

“Anyone who claims to know Daddy Lumba closely is lying. Only his wife and kids truly understood him,” he stated.

“He had a love-me-or-hate-me personality. He wasn’t out there; all his focus was on music,” he added.

Okraku-Mantey praised Lumba’s artistic brilliance, describing him as a meticulous and thoughtful creator who conducted extensive research before releasing any song.

“He speaks volumes through his music—what he doesn’t say publicly, he sings,” he said.

The touching tribute comes as the nation mourns the death of the Highlife icon, who passed away on Saturday, July 26, 2025, at the Bank Hospital in Accra after a short illness. He was 60.

Source: AdomOnline

ALSO READ:

• Kufuor mourns Highlife icon Daddy Lumba

• We need to build a national museum to honour Daddy Lumba – Manager

In a recent interview, Fredyma recounted how Charles Kwadwo Fosu, affectionately called Daddy Lumba, adopted his stage name from a source of deep historical and personal inspiration.

According to him, the name “Lumba” was influenced by Patrice Lumumba, the revered Congolese independence hero.

While attending Juaben Secondary School, Lumba was part of a school choir that performed a song about Lumumba. The song’s message — celebrating strength, leadership, and a sense of purpose — struck a chord with the young musician.

“The song about Patrice Lumumba stayed with him. It symbolised strength, leadership, and purpose—qualities that mirrored his own journey,” Fredyma explained.

This admiration for the African revolutionary would eventually inspire Charles to adopt “Lumba” as his stage name, in honour of the man whose story had shaped his early musical consciousness.

As his career advanced, the name evolved. He added “Daddy” to “Lumba” — a symbolic representation of maturity, fatherhood, and a nurturing bond with his audience.

Over the years, “Daddy Lumba” became a name synonymous with excellence in Ghanaian Highlife music, representing an artist whose songs transcended generations and social classes.

The touching revelation comes at a time of mourning, as Ghana bids farewell to the Highlife icon, who passed away on Saturday, July 26, 2025, at the Bank Hospital in Accra after a short illness. He was 60.

Daddy Lumba’s death marks the end of an era, but his legacy — including the story behind his name — will continue to inspire musicians and fans alike for years to come.

Graphic Showbiz

ALSO READ:

• Kufuor mourns Highlife icon Daddy Lumba

• We need to build a national museum to honour Daddy Lumba – Manager

In a heartfelt statement, Mr. Kufuor described the news of the icon’s death as a “thunderbolt,” expressing deep sorrow over the unexpected loss.

“I was not aware of any illness, which made the announcement all the more devastating,” he said.

The former President praised Daddy Lumba as “an iconic and highly talented musician of our times” who “captivated the hearts and minds of many in Ghana and highlife enthusiasts the world over.”

“His peculiar voice and lyrics were thrilling, transcendental, and enjoyable. I count myself as one of his favourite devotees,” Mr. Kufuor remarked.

He fondly recalled attending Daddy Lumba’s annual Night of the Legends concerts, where he was frequently invited personally by the late musician.

As tributes continue to pour in, Mr. Kufuor urged Ghanaians to celebrate Daddy Lumba’s legacy and lasting impact on Ghanaian music.

“May we be consoled that he was a precious gift of our Creator to us all to enjoy while he was with us here on earth,” he stated.

He extended his condolences to the late musician’s widow, children, and family, wishing them strength and comfort in their time of grief.

“May The Almighty God give him a befitting rest in His bosom,” he added, ending his tribute with the Akan farewell: “Damirifa due, Daddy Lumba eee!!!”

Daddy Lumba died at age 60 on Saturday, July 26, 2025, at the Bank Hospital in Accra.

Read the full statement below:

ALSO READ:

• We haven’t requested a state burial yet, but… – Daddy Lumba’s family [Audio]

• When Daddy Lumba united Kufuor and late Rawlings [Video]

Speaking on Asempa FM’s Ekosii Sen show, Okraku-Mantey highlighted the singer’s strong musical foundation, attributing his artistry to early training in church choirs.

“Lumba started as a chorister, and those people are really taught music. That was the foundation of his greatness,” he said.

He added that the highlife icon survived an accident in his youth, after which he recorded a song in gratitude to God.

“Sometimes, highlife musicians sing better than gospel musicians — and Lumba is proof of that,” he stated.

Daddy Lumba passed away on Saturday, July 26, 2025, at the Bank Hospital in Accra. He was 60.

Source: Adomonline

READ ALSO:

Speaking on Asempa FM’s Ekosii Sen show, Roman Fada noted that Ghanaians had long expressed deep admiration for Daddy Lumba, even while he was alive, with many advocating for monuments or statues in his name.

“We need to do something in remembrance of him,” he said.
“A national museum to celebrate Daddy Lumba and other highlife legends would not only honour his legacy but also benefit the country. He was an international commodity.”

He added that such a museum would serve as a vital cultural and educational space for future generations to appreciate Ghana’s rich musical heritage.

Daddy Lumba passed away on Saturday, July 26, 2025, at the Bank Hospital in Accra. He was 60.

Source: Adomonline

READ ALSO:

Speaking on Asempa FM’s Ekosii Sen show, Roman Fada said the iconic artiste had a unique ability to unite people from all walks of life, including political rivals.

“It’s no doubt he can be called the greatest of all time Ghanaian musician. He was loved by everyone—even politicians from both the NDC and NPP. He once brought together former Presidents Rawlings and Kufuor under one roof. That’s how powerful his music and presence were,” Roman said.

He added that watching Daddy Lumba in his element was a “beautiful experience,” stressing that his legacy will remain unmatched.

Daddy Lumba passed away on Saturday, July 26, 2025, at the Bank Hospital in Accra. He was 60.

Source: Adomonline.com

READ ALSO:

• Mahama Mourns highlife legend Daddy Lumba
• Davido pays tribute to late highlife legend Daddy Lumba during Toronto concert