Search Results for “sir john hometown” – Adomonline.com https://www.adomonline.com Your comprehensive news portal Sun, 08 Feb 2026 14:28:53 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://www.adomonline.com/wp-content/uploads/2019/03/cropped-Adomonline140-32x32.png Search Results for “sir john hometown” – Adomonline.com https://www.adomonline.com 32 32 Unemployed graduates with disabilities give government one-month ultimatum https://www.adomonline.com/unemployed-graduates-with-disabilities-give-government-one-month-ultimatum/ Sun, 08 Feb 2026 14:28:50 +0000 https://www.adomonline.com/?p=2628835 A coalition of unemployed tertiary graduates with disabilities has given the Government of Ghana a one-month ultimatum to present a concrete employment plan or face nationwide protests.

In a press statement issued on Monday, February 9, 2026, the Coalition of Unemployed Tertiary Graduates with Disabilities expressed frustration over what it described as years of neglect and exclusion from the formal job market, despite being qualified and certified by various tertiary institutions.

The group said hundreds of graduates with disabilities have remained unemployed for over six years, forcing many into poverty, the informal sector, or street begging, even though persons with disabilities make up about eight per cent of Ghana’s population.

Citing labour data, the coalition noted that while the national unemployment rate stands at about 13 per cent, unemployment among persons with disabilities in the formal sector is nearly double, with only about 27 per cent of working-age persons with disabilities gainfully employed.

The coalition accused the government of failing to enforce the Persons with Disability Act, 2006 (Act 715), particularly provisions on employment, and called for the immediate implementation of a five per cent employment quota for persons with disabilities, as earlier promised by President John Dramani Mahama.

Convener of the group, Gilbert Boateng Agyare, said they are not seeking charity but demanding their right to work, stressing that continued inaction will compel them to demonstrate across the country.

The coalition warned that if the government fails to respond within one month with a clear and actionable employment roadmap, its members from all 16 regions will stage mass protests to demand inclusion, dignity, and equal opportunity.

Read the statement below:

FOR IMMEDIATE RELEASE, MONDAY FEBRUARY 9, 2026.

UNEMPLOYED GRADUATES WITH DISABILITIES ISSUE ONE-MONTH ULTIMATUM TO GOVERNMENT

We, the Coalition of Unemployed Tertiary Graduates with Disabilities, are issuing this formal press statement to express our utter disappointment, frustration, and rising anger at the Government of Ghana’s systemic neglect of our right to work and dignity.
For over six years now, hundreds of us qualified, skilled, and certified by various tertiary institutions across the country have been left to languish in poverty at home. We have fulfilled our part of the social contract by acquiring higher education, often at great personal and financial sacrifices.
Yet, the State has turned its back on us, leaving us to survive on the fringes of a society we are ready to build.
The Grim Reality is that the current state of inclusion in Ghana is not just disappointing and disturbing but rather a flagrant violation and an abridgement of our fundamental human rights. Based on the 2021 Population and Housing Census and recent 2025 labor data, Persons with Disabilities (PWDs) make up approximately 8% of Ghana’s population, representing over 2.1 million people.
While the national unemployment rate hovers around 13%, the unemployment rate for PWDs in the formal sector is nearly double the national average.
In Ghana, only about 27% of PWDs of working age are gainfully employed, compared to over 56% of persons without disabilities.
The vast majority of PWDs are pushed into the informal sector or forced into street begging, despite holding degrees in Education, Law, Administration, and Information Technology.
The United Nations, through the Convention on the Rights of Persons with Disabilities (CRPD)—which Ghana has ratified and the Sustainable Development Goals (SDG 8), demands that member states ensure PWDs have access to “open, inclusive, and accessible” labor markets.
The UN and International Labour Organization (ILO) standards emphasize that governments should implement quota schemes (often recommending that PWDs occupy between 2% to 5% of the workforce in both public and private sectors) to ensure equitable representation. The Government of Ghana has failed to enforce even the basic provisions of our own Persons with Disability Act, 2006 (Act 715 when it comes to the issues of employment).
Recently, at the launch of the free tertiary Education for persons with Disabilities policy, His Excellency the President of the republic, John Dramani Mahama stated pellucidly that he was going to implement a 5% quota employment policy for persons with disabilities across the country in all public and private sector recruitment and also incentivize private companies willing to hire the service of persons with Disabilities.
We are not asking for charity; we are demanding our right to work. We have been “educated for the shelf for too long.
We demand an immediate roadmap for the recruitment of the current backlog of unemployed tertiary-educated PWDs into the public sector.
We demand the full implementation of employment quotas in all government agencies and incentives for private companies that hire PWDs.
We demand an end to the systemic barriers during recruitment processes that favor able-bodied individuals overqualified PWDs.
We hereby give the Government of Ghana a one-month ultimatum from today to respond to our plight with a concrete, actionable employment plan.
Failure to act will leave us with no choice but to hit the streets in our numbers. We will mobilize our members from all sixteen regions, with our wheelchairs, our white canes, and our crutches, to occupy the seats of power until our voices are heard. We will demonstrate against the State’s blatant disregard for our lives and our futures.
We are of the conviction that the current challenge plaguing us is not one which is intractable or insurmountable for government to solve if the political will is there.
We wish to indicate that a plethora of our people have been commuting from their hometowns to Accra to engage the various ministries that can resolve the issues at hand, but all our efforts have unfortunately proven futile.
As a country that frowns on seeing the vulnerable begging for alms on the streets, we must rather ameliorate such people from their destitutions instead of making them more marginalized every day to feed on the crumbs of politicians.
It remains an indubitable or incontrovertible truth that issues of disability in this country have been swept under the carpet, but we are of the conviction that it is about time that we rose against such ignominious treatment given to such people in this country.
Persons with disability in this country have been languished to struggle on their own to survive without any clear policies to alleviate the predicaments faced by us.
The impediments in our path are too much to the extent that we are not considered by government in any decision made by the government.
These challenges hamper our progress as humans since we compete with the abled bodied persons for everything.
But we wish to assert that disability is no respecter of persons so we should be guided as a country through our actions by creating an inclusive environment for all without any semblance of discrimination and segregation against the disabled.
As a country that tout itself with an accolade of being the beacon of democracy in Africa, our attitude towards the disabled has not been the best at all as we continue to create excruciating pains for such people in everything we do.
Finally, we will elicit an unflinching support from the media and the general public to implore the government to do the needful for peace to prevail.

Thank you.

SIGNED:
GILBERT BOATENG AGYARE
CONVENER OF THE GROUP
0244061940.

The following leaders may be contacted for interviews and more clarifications by the media

  1. Baah Felix – 0544295020
  2. Gilbert Boateng Agyare – 0244061940.
  3. Takyi Augustine – 0551393853
  4. Habib Augustine K. A. – 0248503773
  5. Awoe Emmanuel – 0546594198.
  6. Arther Dede Alberta – 0552695654  
    Coalition of Unemployed Tertiary Graduates with Disabilities
    Please find attached a portion of the list of people who are affected by this unfortunate situation for your consideration.
    The list constitutes details of their names, type of impairment, year of completion and the school attended.

LIST OF UNEMPLOYED TERTIARY GRADUATES WITH DISABILITIES
NO. NAME INSTITUTION ATTENDED YEAR
COMPLETED TYPE OF DISABILITY

  1. Jonathan Atta Kakra Yorke Koforidua Polytechnic 2007 Visual Impairment
  2. Walter Komla Gomashie Evangelical Presbyterian University College, Ho 2011 Albinism
  3. Emmanuel Asibey Osei School of Social Work 2012 Visual Impairment
  4. Stephen Mensah Amoh Kumasi Technical University 2013 Physical Disability
  5. Titriku Akosua Rejoice University of Education, Winneba 2013 Physical Disability
  6. Emmanuel Kwesi Cole University of Cape Coast 2014 Visual Impairment
  7. Gloria Pokua Annancy Central University 2014 Visual Impairment
  8. Yakub Issahaque University For Development Studies 2014 Physical Disability
  9. Faisal Sey IPMC University College 2015 Physical Dis
  10. Monica Boateng Dedaa UCC 2016 Physical Disability
  11. Faisal Abubakar Vocational 2017 Visual Impairment
  12. Felix Selase Dovi University of professional studies Accra 2017 Visual Impairment
  13. Georgina Mills Addo University of Education, Winneba 2017 Hearing Impairment
  14. Gifty Teni Salibga Koforidua Technical University 2017 Hearing Impairment
  15. Mohammed Salihu Adnan University of Cape Coast (UCC) 2017 Physical Disability
  16. Zenabu Belbah University of Cape Coast 2017 Physical Disability
  17. Delali Josephine Kuwornu University of Education Winneba 2018 Physical Disability
  18. Fatima Amadu University of Education 2018 Hearing Impairment
  19. Isaac Asirifi University of Cape Coast 2018 Amputee in right leg
  20. Shadrack Ndibagen University Of Education, Winneba 2018 Visual Impairment
  21. Sylvester Agyemang Atta University of Education, Winneba, Ghana 2018 Hearing Impairment
  22. Abu Ayishetu New life college 2019 Physical Disability
  23. Ali Male Ibrahim University of Education 2019 Visual Impairment
  24. Ayishetu Mohadi Maliku University of education Winneba – kumasi campus 2019 Physical Disability
  25. Cosmos Quenin Opoku University of Education, Winneba 2019 Visually Impaired with hearing challenge
  26. Evans Acheampong University of Education, Winneba 2019 Visual Impairment
  27. Habiba Kantunsung Jackson college of education 2019 Physical challenge
  28. Yahaya Bayi Ghana Institute of Journalism 2019 Person with albinism
  29. Apuga Sampson University of Education, Winneba 2020 Visual Impairment
  30. Bonnah Kwasi Stephen University of Education, Winneba 2020 Visual Impairment
  31. Kenneth Mawutor Gakpetor Evangelical Presbyterian University College 2020 Physical Disability
  32. Martha Frimpong University of Education, Winneba 2020 Visual Impairment
  33. Sudais Abubakar Mohammed Garden City University 2020 Physical Disability
  34. Maxwell Turkson University of Education, Winneba 2021 Visual Impairment
  35. Norbert Dawono University of Education, Winneba 2021 Visual Impairment
  36. Placidio Gume University of Education, Winneba 2021 Physical Disability
  37. Rita Naa Okaikor Ayi-Bonte Wisconsin International University College 2021 Stammering
  38. Abubakakari Zakaria Tamale Technical University and New Life College, Tamale 2021 Physical Disability
  39. Abdul-Rahman Estandaru University For Development Studies 2022 Physical Disability
  40. Albert Anakwa Coffie University of Education, Winneba 2022 Hearing Impairment
  41. Bernice Adjoa Eshun University of Cape Coast 2022 Visual Impairment
  42. Bismark Bosomprah University of Education, Winneba 2022 Visual Impairment
  43. Cecilia Saamporibo University of Education, winneba 2022 Visual Impairment
  44. Elvis Boateng Jackson College of Education 2022 Physical Disability
  45. Farhan Alhassan Shaibu University of Ghana, Legon 2022 Visual Impairment
  46. Godsway Kekeli Tamakloe University of Education, Winneba 2022 Visual Impairment
  47. Hamdan Alidu University of Education, Winneba 2022 Deaf
  48. Hoenyedzi mensah Alphonsus University of Education, winneba 2022 Hearing Impairment
  49. Ruth Asare Koforidua Technical University 2022 Hearing Impairment
  50. Frank Kwaku Yeboah University of Ghana 2023 Visual Impairment
  51. Sidu Latifa Kantong University of Education, Winneba 2022 Visual Impairment
  52. Ziinkow Bertha University of Education, Winneba 2022 Visual Impairment
  53. Abdul-Majeed Alhassan University of Education, Winneba 2023 Physical Disability
  54. Theodora Kissiwa University of Cape Coast 2023 Physical Disability
  55. Adam Rasheed Abdul Koforidua Technical university 2023 Deaf
  56. Albert Anakwa Coffie University of Education, winneba 2023 Hearing Impairment
  57. Alberta Dede Narther University of Education, Winneba 2023 Visual Impairment
  58. Alhassan Abdul-Majeed University of education, Winneba 2023 Physical Disability
  59. Atinga Ayinpoka Mavis University of Education, Winneba 2023 Visual Impairment
  60. Batadiniah Asoawe Eric University of Education, Winneba 2023 Visual Impairment
  61. Benjamin Kyere University of Education, Winneba 2023 Visual Impairment
  62. Benjamin Mensah University of Education, Winneba 2023 Visual Impairment
  63. Boniretey Jorbontey University of Cape coast, UCC 2023 Physical Disability
  64. Bright Wireko Ampong Kwame nkrumah university of science and technology 2023 Physical Disability
  65. David Mort Akoliga University of Cape Coast 2023 Visual Impairment
  66. Elikem Yaw Attipoe University of Education, Winneba 2023 Visual Impairment
  67. Ellen Bempah Owusu University of education, Winneba 2023 Physical Disability
  68. Emmanuel Awoe University of Education, Winneba 2023 Visual Impairment
  69. Emmanuel Kwabena Akonsi University of education, Winneba 2023 Hearing Impairment
  70. Enyonam Destiny Lavoe University of education, Winneba 2023 Visual Impairment
  71. Eric Kwesi Asare University of Education, Winneba 2023 Hearing Impairment
  72. Ewura Dari Malik University of education, Winneba 2023 Physical Disability
  73. Francis Suma University for Development Studies (UDS Tamale ) 2023 Physical Disability
  74. Fuseini Yakubu University of education winneba 2023 Visual Impairment
  75. Habib Augustine Kurawura Alankpari University of cape coast UCC 2023 Visual Impairment
  76. Hassan Yakubu University of education Winneba 2023 Visual Impairment
  77. Iddrisu Abdul Hanan University of education, Winneba 2023 Hearing Impairment
  78. Ishmael Edem Adevu University of education, Winneba 2023 Physical Disability
  79. Jeffery Addo University of Ghana, Legon 2023 Visual Impairment
  80. Jonas Adjetey University of education, Winneba 2023 Visual Impairment
  81. Joyce Asantewaa University of Education,Winneba 2023 Physical Disability
  82. Lennox Alalek University of Education, Winneba 2023 Visual Impairment
  83. Meshack Azaanga Amobire University of Education, Winneba 2023 Visual Impairment
  84. Mispa Odame University of education, Winneba 2023 Visual Impairment
  85. Moses Azumah Nelson University of education, Winneba 2023 Visual Impairment
  86. Muhammad Mubarak University of education, Winneba 2023 Visual Impairment
  87. Nsungar Alice Bipee University for development studies 2023 Albinism
  88. Prince Adjei Otsiwah University of Ghana 2023 Visual Impairment
  89. Rebecca Agbagah University of education, Winneba 2023 Visual Impairment
  90. Richard Nsoh Avebire University of education, Winneba 2023 Visual Impairment
  91. Sabratu Avoye Imoro St John Bosco College of Education 2023 Physical Disability
  92. Sarfo Hienno Aikins University of education, Winneba 2023 Visual Impairment
  93. Selorm Adrah-Hormeku University of Ghana 2023 Dwarfism
  94. Shadrach Kwame Norvinyo University college of agriculture and environmental studies 2023 Physical Disability
  95. Stephen Dankwa University of education, Winneba 2023 Visual Impairment
  96. Suma Francis University for Development Studies 2023 Physical Disability
  97. Sylvester Acquah University of Ghana 2023 Visual Impairment
  98. Thomas Kwame Kwaa University of education, Winneba 2023 Visual Impairment
  99. Veronica Amuzu University of Cape Coast 2023 Visual Impairment
  100. Veronica Segbornya Amegakpui University of education, Winneba 2023 Visual Impairment
  101. Yakubu Hassan University of education, Winneba 2023 Visual Impairment
  102. Mohammed No Iddrisu University of Education Winneba-Ajumako 2023 Visual Impairment
  103. Alhassan Habibata University of education, Winneba 2023 Visual Impairment
  104. Hamdan Alidu University of Education, Winneba (Distance) 2023 Hearing Impairment
  105. Abraham Abugbilla Abugri University of education, Winneba 2023 Physical Disability
  106. Abdul Mumin University of cape coast 2024 Physical Disability
  107. Abdul Rashid Suleymana Kessben university college 2024 Visual Impairment
  108. Abdulai Widraogo Nuhu University of Ghana 2024 Visual Impairment
  109. Abdul-Kudus Basin Tahiru University of Cape Coast 2024 Visual Impairment
  110. Abdul-Razak Osman University for Development Studies 2024 Physical Disability
  111. Abigail Agyemang University of cape coast 2024 Visual Impairment
  112. Aboagye Okyere Mensah AAMUSTED, Kumasi campus 2024 Hearing Impairment
  113. Adu Emmanuel University of Ghana 2024 Visual Impairment
  114. Amos Awuku University of cape coast 2024 Visual Impairment
  115. Antwi Ellias University of education, Winneba 2024 Hearing Impairment
  116. Asumah Zoromi Abdul- Rashid BAGABAGA COLLEGE OF EDUCATION TAMALE 2024 Physical Disability
  117. Atanga Assibi Janet University of Education Winneba 2024 Visual Impairment
  118. Atta Silas Mensah University of education, Winneba 2024 Hearing Impairment
  119. Augustina Kpipien University of Cape coast 2024 Visual Impairment
  120. Bridget Abla Honu University of Education,winneba 2024 Physical Disability
  121. Catherine Anim-Larbi University of Education, Winneba 2024 Hearing Impairment
  122. Catherine Yaa Akenten Appiah-Menka University of Skills Training and Entrepreneurial Development 2024 DeafBlindness
  123. Catherine Adjeley Nonom University of Ghana legon 2024 Visual Impairment
  124. Cletus Naah Boorsong University of education, Winneba 2024 Visual Impairment
  125. David Nunyala Duodu University of Cape Coast 2024 Visual Impairment
  126. Ephraim Ayeh Oracca-Tetteh University of Ghana 2024 Visual Impairment
  127. Eric Owusu Afriyie University of Education, Winneba 2024 Hearing Impairment
  128. Fatima Owusuaa University of cape coast 2024 Visual Impairment
  129. Foster Abariche University of Cape coast 2024 Visual Impairment
  130. Godwin Edudzi Bleboo University of Education, Winneba 2024 Hearing Impairment
  131. Ibrahim Hamidu University of education, winneba 2024 Hearing Impairment
  132. Ibrahim Yahaya University of Cape coast 2024 Visual Impairment
  133. Iddrisu Nashiru University of education, Winneba 2024 Hearing Impairment
  134. Isaac Obeng University of Cape Coast 2024 Visual Impairment
  135. Jenita Sommah Anafo Nusrat Jahan Ahmadiyya college 2024 Visual Impairment
  136. Kunugbe None Rosemary UNIVERSITY OF EDUCATION, WINNEBA 2024 Physical Disability
  137. Kyeraa Hannah AAmusted- kumasi 2024 Hearing Impairment
  138. Lateef Abdullahi Alhassan University of education, Winneba 2024 Visual Impairment
  139. Mariam Shuaib University of Cape Coast 2024 Hearing Impairment
  140. Martha Ayorkor Ashong University of Cape coast 2024 Visual Impairment
  141. Martha Kangmenang Seidu Simon Diedong Dombo University of Business and Integrated Development Studies-(SDD-UBIDS) 2024 Physical Disability
  142. Matilda Dankwah Akenten appiah-Menka university of skills training and entrepreneurial development (AAMUSTED) 2024 Hearing Impairment
  143. Mavis Teiko Aminatey University of Ghana 2024 Physical Disability
  144. Michael Annorhene Frimpong University of Cape Coast 2024 Visual Impairment
  145. Mohammed Sabasa Umar University of education, Winneba 2024 Visual Impairment
  146. Nancy Adompoka Akurigya UNIVERSITY OF EDUCATION, WINNEBA 2024 Visual Impairment
  147. Paul Ayaba Asiawon University of education, Winneba 2024 Physical Disability
  148. Peace Awadzi University of Education,Winneba 2024 Visual Impairment
  149. Rashida Kumih University of Cape coast 2024 Hearing Impairment
  150. Richard Kwadwo Glakpeh University of education, Winneba 2024 Visual Impairment
  151. Rolanda Wewobong University of Cape Coast 2024 Visual Impairment
  152. Samsideen Gbana Mohammed. Bukari University of education UEW. 2024 Visual Impairment
  153. Takyi Augustine AAMUSTED 2024 Physical Disability
  154. Zenabu Hudu University of education, Winneba 2024 Hearing Impairment
  155. Ansah Emmanuel AKENTEN APPIAH-MENKA UNIVERSITY OF SKILLs TRANING AND ENTREPRENEURIAL DEVELOPMENT 2024 Hearing Impairment
  156. Samuel Asante University of Cape Coast 2024 Visual Impairment
  157. mensah benjamin University of education, Winneba 2024 Visual Impairment
  158. Febian Maanneakpeng Sotenga University of Cape Coast 2024 Visual Impairment
  159. Iddrisu Abdul Hanan University of education, Winneba 2024 Hearing Impairment
  160. Nahima Issahak Issahak University of education, Winneba 2024 Visual Impairment
  161. Abdul Basit Osman University of Business and Integrated Development Studies, Wa Ghana 2025 Physical Disability
  162. Awal Wumbei Iddrisu University of Education, Winneba 2025 Physical Disability
  163. Didongo Raymond University of education, Winneba 2025 Visual Impairment
  164. Francis Kutom UDS 2025 Physical Disability
  165. Godfred Aming Atoosiko University of Cape coast (UCC) 2025 Physical Disability
  166. Kwabena Bediako Kyere University of Cape Coast 2025 Physical Disability
  167. Lamor Augustine Nkoranza technical Institute 2025 Physical Disability
  168. Monica Boateng Dedaa UCC 2025 Physical Disability
  169. Nicholas Akorligah Kwofie University of Ghana 2025 Visual Impairment
  170. Sakina Barson University of education, Winneba 2025 Physical Disability
  171. Seth Doetse University of education, winneba 2025 Hearing Impairment
  172. stephen Adonu Adonu Technical university 2025 Hearing Impairment
  173. Sylvester Agyemang Atta University of education, Winneba 2025 Hearing Impairment
  174. Adongo Bilitor Isaiah Isaiah LPMV &Gbewaa college of Education 2025 Albinism
  175. Iddrisu Zuleiha Simon Diedong Dombo University of Business and Integrated Development Studies (SDD-UBIDS) 2025 Visual Impairment
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12 of the best TV shows to watch this January https://www.adomonline.com/12-of-the-best-tv-shows-to-watch-this-january/ Wed, 31 Dec 2025 07:10:28 +0000 https://www.adomonline.com/?p=2614799 From the return of HBO’s award-winning medical drama to a new Game of Thrones prequel and the latest Harlan Coben mystery on Netflix.

BBC/ Ink Factory/ Des Willie (Credit: BBC/ Ink Factory/ Des Willie)

1. The Night Manager

It has been nearly a decade since the dynamic adaptation of John le Carré’s 1993 novel became a huge critical and popular success.

At last, a second season continues the story of Jonathan Pine, the efficient hotel night manager who became an even more efficient spy.

But that first run took the story to the end of the novel, and le Carré died in 2020 – so its adapter David Farr had to start from scratch for this one.

Tom Hiddleston once again stars as Pine, whose looks, charm and quick wit enabled him to take down an arms dealer. He is now entrenched at MI6, working quietly in a London office, when he goes rogue and follows yet another arms dealer all the way to Colombia.

Olivia Colman returns in a supporting role as Angela Burr, who recruited Pine to the agency last time.

Among the new characters, Diego Calva plays Teddy Dos Santos, the season’s wily villain, Camila Morrone is his glamorous cohort and Hayley Squires is an MI6 agent working with Pine. Le Carré may be gone, but his novel’s DNA remains, and a third series has already been ordered.

The Night Manager premieres 1 January on BBC One in the UK and 11 January on Prime Video internationally

Ben Blackall/ Netflix (Credit: Ben Blackall/ Netflix)

2. Run Away

The latest of many Netflix adaptations of Harlan Coben novels stars James Nesbitt as Simon, whose college-age daughter, Paige (Ellie de Lange), runs off. His search for her takes him to an underworld of drugs and, when Paige’s controlling boyfriend is murdered, into the kind of cloak-and-dagger mystery Coben is known for.

Minnie Driver plays Simon’s wife, Ingrid. Alfred Enoch is Detective Isaac Fagbenle. And Ruth Jones (co-creator and star of Gavin & Stacey) plays Elena, a private investigator who is also searching for Paige, although Simon didn’t ask her to.

They form a team with its own energy. “It’s a really lovely onscreen relationship because, well, spoiler alert, it’s not a romance,” Jones said at the series’ London premiere. “It’s refreshing to see that male-female friendship.”

Run Away premieres 1 January on Netflix internationally

Warrick Page/ HBO Max (Credit: Warrick Page/ HBO Max)

3. The Pitt

On paper, The Pitt might have sounded like just another medical drama, but its first season proved to be one of the year’s best shows, full of realism, with lives lost and saved, as doctors, nurses, medical students and patients endlessly grappled with stress. The second season is once again built around Noah Wyle’s character, Dr Robby, whose PTSD is leading him to take a sabbatical.

The series’ setting isn’t called the Pittsburgh Trauma Medical Center for nothing. The new season – and its 15 episodes following a single working day in real time – takes place on his last shift before that break, and the show’s creators have added more peril by setting it on the Fourth of July.

Wyle tells EW that the holiday will bring “fireworks, alcohol-related accidents, bad judgments [and] celebrations gone awry” as patients stream into the hospital.

The new season is set 10 months after the last, which means that most of the previous cast are still around, including Katherine LaNasa as Nurse Dana Evans, Taylor Dearden as empathetic Dr Mel King, Fiona Dourif as Dr Cassie McKay and Patrick Ball as Dr Frank Langdon, just back from rehab.

The Pitt premieres 8 January on HBO Max in the US

Netflix (Credit: Netflix)

4. His & Hers

Small-town murder investigations don’t get more closed-circle than this. Tessa Thompson plays Anna Andrews, a television anchor who leaves Atlanta to report on a killing in her hometown of Dahlonega, Georgia.

Jon Bernthal is Jack Harper, an investigator in Dahlonega’s sheriff’s department, who is tackling the murder case there after being forced out of a big city job. Each suspects the other of being the killer, and because they are married to each other (it is fiction) but estranged, each probably has a good instinct about what the other is capable of.

Or maybe suspecting an estranged spouse of murder is the ultimate revenge. William Oldroyd, director of the terrific 2016 film Lady Macbeth, with Florence Pugh – not based on Shakespeare, it’s another fraught story of marriage and murder – directed the first episode and is a writer on the show, based on the 2020 novel by Alice Feeney.

His & Hers premieres 8 January on Netflix internationally

Simon Ridgway/ HBO (Credit: Simon Ridgway/ HBO)

5. Industry

This intense, compulsively watchable series dared to blow itself up at the end of last season. The ambitious, sexually voracious, ruthless young friends and rivals at the London investment bank Pierpoint scattered when the firm was taken over by another company, leaving the show to reconstruct itself in this fourth season.

Most of the familiar cast returns, including Marisa Abela as Yasmin, last seen getting engaged to the wealthy and wonderfully named Sir Henry Muck (Kit Harington). Her true love, Robert, played by Harry Lawtey, is the one main character not in the new season. Harper (Myha’la) sets out on a business venture of her own.

And Max Minghella joins the cast as a tech mogul, creator of a payment processing company called Tender (think PayPal if that helps). Kiernan Shipka plays his executive assistant and Kal Penn the company’s CEO.

The show’s creators, Mickey Down and Konrad Kay, have said that this season was influenced by “conspiracy and erotic thrillers”, which should ramp up the enjoyable tension even more.

Industry premieres 11 January on HBO and HBO Max in the US and January on BBC One in the UK

Apple TV (Credit: Apple TV)

6. Hijack

If you happen to be on a hijacked anything – plane, train, whatever – just hope that Idris Elba is there too. In season two of this taut thriller, he returns as Sam Nelson, the business negotiator who talked and stormed his way into saving a hijacked plane full of passengers last time.

Now he is in Berlin, searching for the fugitive he holds responsible for that hijacking, when he steps onto an underground train with a bomb attached to it. There are plenty of twists and questions, as the German police and British security services suspect Sam himself is part of the plot.

New cast addition Toby Jones and a returning Archie Panjabi play British officials who have their own agenda. Elba is, as always, a charismatic hero, who is savvy enough to manipulate anyone with schemes that aren’t always obvious. “This is a game of poker,” Sam says. “You don’t have to have the best hand to win, you just have to have the best bluff.”

Hijack premieres 12 January on Apple TV internationally

Simon Ridgway/ Netflix (Credit: Simon Ridgway/ Netflix)

7. Agatha Christie’s Seven Dials

Agatha Christie is always in fashion and her novels always seem to draw superb casts to their screen adaptations. This three-part series, based on The Seven Dials Mysteries, is set in 1925 at that most reliable and cinematic of murder-mystery settings, a large country house.

A prank gone wrong at a house party leads to death, and Lady Eileen Brent, known as Bundle, sets out to discover who did it. Mia McKenna-Bruce (who made her breakthrough in the 2023 film How to Have Sex) plays Bundle, whom James Prichard, Christie’s great-grandson and an executive producer of the series, has described as “one of my great-grandmother’s raft of interesting, humorous, and sharp young female characters”.

Helena Bonham Carter plays Lady Caterham and Martin Freeman is Superintendent Battle in the show, which was written by Chris Chibnall, the creator of a great, darker television mystery series, Broadchurch. “Someone in this room knows more than they are telling us,” one character says in the trailer to the gathered guests. Of course they do. That cosy familiarity is what makes Christie such fun.

Agatha Christie’s Seven Dials premieres 15 January on Netflix internationally

Peacock (Credit: Peacock)

8. Ponies

Emilia Clarke (forever the Mother of Dragons on Game of Thrones) is Bea and Haley Lu Richardson (from The White Lotus’s Sicily season) is Twila in this mismatched-buddy spy thriller set in Moscow in 1977, a year that explains Twila’s giant mop of curly hair.  Bea is a reserved, educated Russian speaker, daughter of Soviet émigrés to the US, and Twila is a brash rebel from a working-class background.

Both are now living in the USSR because their husbands are undercover CIA operatives, but when the men are killed in a suspicious plane crash, Bea and Twila go undercover themselves to find out what happened.

They are Persons of No Interest, PONIs in spy-talk, whose low profiles as US embassy secretaries, a job they both hate, makes them the perfect underestimated people to infiltrate the KGB. Adrian Lester plays the CIA’s head of the Moscow station and their handler, who figures that together they might make one good agent. There is a dash of wit that comes from Bea and Twila’s contrasting personalities, but the espionage drama dominates as they tangle with some nasty Soviets.

Ponies premieres 15 January on Peacock in the US

Steffan Hill/ HBO (Credit: Steffan Hill/ HBO)

9. A Knight of the Seven Kingdoms

This Game of Thrones prequel is set 100 years before the events of that series, and about a century after House of the Dragon, but don’t expect the same palace intrigue. Based on George RR Martin’s novellas Tales of Dunk and Egg, the show follows Ser Duncan the Tall (Peter Claffey), known as Dunk, and his squire, called Egg (Dexter Sol Ansell). Egg is, by contrast, extremely short, because he is still a child, and readers of the novellas will know that he has a secret connection to the Targaryens, who sit on the Iron Throne.

The series puts us in the point of view of Dunk, who has a relatively low status as a hedge knight, unattached to any household. Ira Parker, the series’ showrunner, has described him as “somebody who grew up in the slums of King’s Landing as an orphan”. And unlike the other GOT dramas, this one is quite short, with six half-hour episodes.

“It’s not the big, sprawling Game of Thrones that we’ve come to know and love,” Parker said. “This is close and this is intimate.” Still, there is a big jousting tournament as an action centrepiece, and some familiar names, with Bertie Carvel playing Baelor Targaryen, heir to the throne, and Daniel Ings as Ser Lyonel Baratheon.

A Knight of the Seven Kingdoms premieres 18 January on HBO and HBO Max in the US and 19 January on Sky Atlantic in the UK

Philippe Antonello/ FX (Credit: Philippe Antonello/ FX)

10. The Beauty

He’s back. And so soon! Producer Ryan Murphy’s most recent series, the campy legal drama All’s Fair, dropped in November and was widely reviled by critics with descriptions such as “the worst TV drama ever”. It quickly became a hit. Here he is with another buzzy series, this time set in the high-fashion world, where a sexually-transmitted virus turns people into examples of physical beauty and perfection. Of course, there’s a deadly catch, reminiscent of last year’s film The Substance.

Evan Peters and Rebecca Hall play FBI agents looking into what nefarious plot might be behind it all. Ashton Kutcher is a villainous tech billionaire (is there any other kind on screen?), creator of a drug called The Beauty, and Anthony Ramos is his employee, known as The Assassin. Guest stars include Isabella Rossellini, Bella Hadid and Ben Platt.

Set in Paris, Venice, Rome and New York, the show is based on a graphic novel series by Jeremy Haun and Jason A Hurley, and considering how often Murphy’s over-the-top characters are deliberately cartoonish, that sounds about right.

The Beauty premieres 21 January on Hulu in the US and 22 January on Disney+ in the UK

Apple TV (Credit: Apple TV)

11. Shrinking

With Harrison Ford as its droll standout, this sophisticated comedy has one of the best ensemble casts on television, along with the rare ability to be funny and touching while avoiding any sappiness. The plot has grown from its early focus on Jimmy (Jason Segel) and his unconventional psychiatric methods as he spirals after his wife’s death.  In this third season, Paul (Ford), Jimmy’s friend and mentor, deals with the increasing symptoms of Parkinson’s, while Jimmy seems ready to move into a relationship.

Jeff Daniels guest stars as Jimmy’s dad and Michael J Fox plays a Parkinson’s patient, a role tailored to his own well-known experience living with that condition. But it’s the regular cast that shines. Jessica Williams, Luke Tennie, Michael Urie, Christa Miller and Ted McGinley are more comfortable than ever as the friends and neighbours who are endlessly, comically, meddling in each other’s lives.

As Bill Lawrence, the show’s co-creator, told TV Insider: “This is a show about a tiny found family that built a nuclear safety bubble around themselves” – and that continues to evolve.

Shrinking premieres 28 January on Apple TV internationally

Netflix (Credit: Netflix)

12. Bridgerton

Season four belongs to the second Bridgerton son, the licentious, artistically-minded  Benedict (Luke Thompson). According to the rules of his society (and of historical romances on TV) it is time for him to grow up and settle down. At a masked ball, he spies a young woman he calls The Lady in Silver, and is instantly taken with her. We soon know, and Netflix has revealed, what he doesn’t: Cinderella-style, she has made her way into the ball but is actually a lowly maid. How will he ever find her unless she loses a shoe? Yerin Ha plays the mysterious love interest, Sophie Baek. She works for another new character, the harsh Lady Araminta Gun (Katie Leung, Cho Chang in the Harry Potter films), who has two daughters to marry off. The regular cast returns, including (for at least a bit) Jonathan Bailey as Anthony Bridgerton, along with Claudia Jessie as the spirited Eloise and Nicola Coughlan as Penelope, now married to Colin Bridgerton and having admitted that she has been the gossiping Lady Whistledown all along. Half of the season premieres this month, and the remaining four episodes on 26 February.

Bridgerton premieres 29 January on Netflix internationally

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Election 2024: Overnight queues largely missing https://www.adomonline.com/election-2024-overnight-queues-largely-missing/ Sat, 07 Dec 2024 08:12:43 +0000 https://www.adomonline.com/?p=2480405 It has been a surprising departure from the past; the widespread long, overnight queues usually associated with general elections in Ghana have been missing this election, safe for a handful of places.

The norm would have been that long queues of voters, and objects such as stones, chairs and gallons representing voters, would have formed overnight as anxious voters desiring to cast their ballots early in the day forgo sleep.

The stones and gallons would represent voters in the queues who want to attend to some other business and would have secured their turns with the acknowledgement of ‘neighbours’ in the queue.

This is in spite of the labelling of this year’s election as a ‘high stakes’ election, whatever that means.

Bawumia in Walewale, Mahama in Bole

Vice President and presidential candidate of the NPP, Dr. Mahamudu Bawumia, arrived in his hometown of Walewale, in the North East Region Friday night.

The Vice President votes in Kperiga, a suburb of Walewale, and he is expected to cast his ballot there when polls open.

Dr. Bawumia is on the ballot for the first time, on the ticket of the NPP, and he is seeking to be elected President, having been Vice President to President Akufo-Addo in the past eight years.

Similarly former President John Dramani Mahama, presidential candidate of the National Democratic Congress, arrived at his home base of Bole-Bamboi constituency in the Savannah Region on Friday to cast his vote, confident of victory.

Bole-Bamboi holds significant personal and political value for Mr Mahama, as he previously served as the constituency’s Member of Parliament before ascending to the roles of Vice President and President of Ghana.

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How getting brutally dumped forced me to get my life back on track https://www.adomonline.com/how-getting-brutally-dumped-forced-me-to-get-my-life-back-on-track/ Wed, 27 Sep 2023 08:21:14 +0000 https://www.adomonline.com/?p=2298684 When I was in high school, one of my favorite teachers told me that nothing worthwhile is easily attained. And I believed it — except when it came to men.

High school was a land of plenty for me. In my sophomore year, I began dating a series of quirky, heartfelt boys, each one something straight out of a John Hughes movie.

There were lots of burned CDs, late-night make-out sessions, and outside-the-box love notes. One boyfriend placed a Ziploc bag of red liquid in a heart-shaped container lined with handwritten poems comparing me to ventricles and the aorta. It was kind of creative, very creepy, and totally romantic. 

I was drunk on my newfound power. Why bask in the adoration of one guy, I thought, when there were at least two others who were also interested and waiting on the sidelines?

“Boys, please! There’s plenty of me to go around.” My ego was off the charts.

I began to string a few guys along at a time. I started one semester in a relationship with a great guy, then replaced him two months in with a charming nerd who was double-majoring in Film and Computer Science. That summer, I got back together with my first boyfriend so I wouldn’t have to spend three months not being worshipped back in my hometown.

Eventually, I realized that some guys are special, and I shouldn’t be changing them as often as I change my underwear. I would find a nice guy to commit to… but so many guys were nice. I decided I’d find a nice one until I found a nicer one. I’d become a serial monogamist.

When I moved to New York City at age 22, my college boyfriend, Sam, and I tried the long-distance thing for a few months. Then I met someone else and started acting aloof so Sam would break up with me. So, for those of you keeping track at home, there was Sam and then Marco and then Nick, and then… I’m running out of aliases.

I finally fell hard for Chad. He was the first boyfriend who seemed to be marriage material, whatever that was. Things soured after about a year, and I broke up with him. I walked around the city, listening to sad music on my iPod… for about three weeks.

Then I started dating John.

If Chad was a hard fall, then John was a jump off the Empire State Building. He was smart, kind, and inspiring.

We drove around the city for hours brainstorming ideas for creative projects. I’d never had so much in common with someone I’d dated. John and I read the same books, sang along to the same music, and shared the same values.

We’d also never been single adults. I’d been in a relationship of some sort since I was 15. John had dated only three women. He’d had the same girlfriend through high school and college. Then he met me, his third girlfriend, while he was still dating his second.

That might have been the most significant thing we had in common: John and I were both serial monogamists. He was my mirror.

I was devastated when John broke up with me after a year of dating. Our demise wasn’t easy to classify. We hadn’t stopped loving each other or grown bored. The things that brought us together were still stronger than all the annoyances that came up later. But we were stuck.

When you really care for someone at 16, everyone reminds you how young you are.

When it happens at 26, everyone reminds you how not-that-young-anymore you are. John and I weren’t ready to take any big next steps, no matter how age-appropriate they might be. John told me that he wanted to focus on his career and self-actualization and that he worried he was codependent. But John wasn’t just talking about himself. He was talking about me, too.

When two serial monogamists quit each other, it’s not pretty. John and I spent months trying to get each other back, though never at the same time. I tried standup comedy, took a trapeze class, and changed careers — all while listening to angry breakup music. Months later, I decided to try dating again.

Remember, I hadn’t ever spent more than a few weeks on my own. I’d just bounced from relationship to relationship.

The singles scene was a sobering reality: it certainly wasn’t the land of plenty that I’d experienced in high school. I went on so many bad dates. Sometimes there was no chemistry. Sometimes we didn’t speak the same language (literally and figuratively). Sometimes I got treated the way I used to treat boys in high school — disposable.

I was a serial monogamist who was suddenly single and trying to figure out what I really was looking for after all. But how could I really have known who I am if I’d never really let myself be independent? I had always been wrapped up and somehow defined by a relationship — in a perpetual rebound state.

Then I met my match in John — the mirror — who broke up with me and finally forced me to reevaluate my dating patterns. Before John (and our breakup), being a girlfriend was a huge part of my identity. I neglected other aspects of myself because boyfriends consumed so much of my time and energy.

John’s decision to ultimately make a clean break forced me to look inside myself.

I probably would have kept falling back into his arms if he hadn’t cut the cord. Once I was alone with no desire to be with anyone else, I saw that love — and the pursuit of it — was an addiction for me. In the first weeks, I found myself lonely and unable to imagine the rest of my life. But I stuck it out and then once I snapped out of it, something amazing happened: for the first time, I was able to imagine my future without someone else in the picture.

I started to focus on rediscovering me.

Does that mean I’d given up on love? Of course not. But instead of always looking outside of myself for fulfillment, I learned to turn my search inward. Ultimately, I want a partner and a person who makes me a better version of myself. It would take a lot of time and effort to find someone special again, I knew. But when I did find him, I’d finally understand his worth.

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Kwabre roads construction starts in 3 weeks – Minister assures https://www.adomonline.com/kwabre-roads-construction-starts-in-3-weeks-minister-assures/ Wed, 19 Oct 2022 14:30:06 +0000 https://www.adomonline.com/?p=2173597 Roads Minister, Kwasi Amoako Atta, has indicated construction work on the deplorable Kwabre roads in the Ashanti region will kick off in three weeks.

Though he will not give details of roads to see an upgrade, the Minister says Kwabre East and West areas will see contractors mobilise to the site in less than a month.

Residents of Kwabre East have on several occasions hit the streets to protest the poor state of road networks in the area.

They include the Antoa road linking Sakora Wonoo, the hometown of the late Kwadwo Owusu Afriyie alias Sir John, a former General Secretary of the New Patriotic Party.

Others are the Kenyasi-Adwumam-Fawode, the Aboaso-Mpobi-Wawase roads, Maase-Aduman-Buoho road and Afrancho-Ntiribuoho stretch.

Mr Amoako Atta says a major contractor working on deplorable roads in both Keabre East and West will soon mobilise to the site.

The sector minister made the remarks at a sod-cutting ceremony for the Suame Interchange project.

Similar projects, according to him, would soon be done in the Manso area.

Present at the event was the Member of Parliament for Kwabre East, Francisca Oteng.

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Flashback: Sir John deployed 12 state forest guards to his mining company in a forest reserve https://www.adomonline.com/flashback-sir-john-deployed-12-state-forest-guards-to-his-mining-company-in-a-forest-reserve/ Tue, 24 May 2022 21:07:42 +0000 https://www.adomonline.com/?p=2117940 When a mining company, Fasoh Multi Services Limited, in the Upper Wassaw Forest Reserve in Bibiabini presented the Forestry Commission with a pick-up truck in 2019, the commission’s then chief executive, Kwadwo Owusu Afriyie, was full of praise for them.

He described the donation as an “important milestone”, stating that it was going to help the Commission to monitor and enforce laws against the destruction of Ghana’s forest reserves.

Mr. Afriyie, popularly known as Sir John, also assured the company of the commission’s support to undertake exploration in some areas of the forest.

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But it was not free lunch.

Fasoh Multi Services then requested the Ghana’s forestry regulator to assist the company with guards to monitor and protect its mining concession in the Upper Wassaw Forest Reserve.

The commission obliged. It deployed 12 Forest guards to the mining company after the request, according to the commission’s website.

But there is an irony. It has now emerged that the said mining company, Fasoh Multi Services Limited was jointly owned by the late Sir John.

In his will, one of the controversial lands he owned at the Achimota Forest is held in the name of the company.

Sir John wrote, “I give my land also situated at the Achimota Forest in the name of Fasoh Limited and measuring 0.987acres to my nephews Michael Owusu, Yaw Boadu and Kwabena Amoateng forever.”

It continued:

In another part of the will, he disclosed his business interest in the company: “I have a similar ownership in gold production in Rotl, Fasoh, MBL who can be contacted through Francis Owusu.”

The mining company forms part of a long list of 75 properties, including houses, parcels of land, bank accounts, investments, businesses, guns and clothes to be distributed among the named persons in the will by the late former NPP General Secretary.

From the will, some of these properties were registered while Sir John was serving as the Chief executive of the Forestry Commission from 2017-2020.

It is unclear when he acquired interest in mining businesses, but some commentators on his will have suggested he might have put himself in the situation of conflict-of-interest situation.

It is also unclear whether the mining company ever paid for the Forestry Commission guards that were deployed to them.

Meanwhile, information The Fourth Estate has requested and received from the Audit Service reveals that Kwadwo Owusu Afriyie did not declare his assets before taking office and did not declare them throughout his tenure as the CEO of the Forestry Commission.

Per the laws regulating asset declaration in Ghana—Article 286 of the 1992 Constitution and Public Office Holders (Declaration of Assets and Disqualification) Act—Mr Afriyie should have declared assets relating to the following:

(a) lands, houses and buildings;
(b) farms;
(c) concessions;
(d) trust or family property in respect of which the officer has beneficial interest;
(e) vehicles, plant and machinery, fishing boats, trawlers, generating plants;
(f) business interests;
(g) securities and bank balances;
(h) bonds and treasury bills;
(i) jewellery of the value of ¢5 million [now ¢500] or above; objects of art of the value of ¢5 million or above;
(j) life and other insurance policies;
(k) such other properties as are specified on the declaration form.

Sir John had a long list of properties including 13 houses at various locations in Accra and Kumasi and his hometown, Sakora Wonoo, in the Ashanti Region.

Meanwhile, the government has stated that Sir John’s will shall not get the Achimota Forest and Ramsar site lands included in the will.

Barely 24 hours following The Fourth Estate‘s publication, the Ministry of Lands and Natural Resources, in a statement on May 24, 2022, stated that its checks at the Lands Commission “show no record of ownership of lands, at the Achimota Forest or the Sakumono Ramsar Site, by the late Kwadwo Owusu Afriyie.”

From the details available to The Fourth Estate, it will not be strange not to find any records of Kwadwo Owusu Afriyie relating to the lands. He appeared to have acquired them through certain companies that were not linked to him until his death or with other persons named in his will. That has been the case in all the Achimota Forest lands he named in his will.

The ministry’s statement, which is signed by the sector minister, Samuel A. Jinapor, however, did not end there.

“That said, given the totality of the circumstances of the said allegations, I, as Minister for Lands and Natural Resources, have directed the Lands and Forestry Commissions to deem any ownership of lands, both, in the Achimota Forest and the Sakumono Ramsar Site by the late Kwadwo Owusu Afriyie as void and are to take the appropriate actions accordingly,” the statement said.

“For the avoidance of doubt, the bequeathing of the aforesaid lands, if established, will not pass any interest/title to the named beneficiaries in the alleged will. These lands, the subject matter of the alleged will, shall remain public lands, whether or not it falls within the de-gazetted lands pursuant to EI 144,” the statement added.

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Revealed: Sir John did not declare his assets https://www.adomonline.com/revealed-sir-john-did-not-declare-his-assets/ Tue, 24 May 2022 13:24:21 +0000 https://www.adomonline.com/?p=2117655 The Fourth Estate can report that the late Chief Executive of the Forestry Commission, Kwadwo Owusu Afriyie, whose will has left some Ghanaians in shock and stoked the call for accountability in governance, did not declare his asset while in office.

Popularly called Sir John, Mr. Afriyie was a former general secretary of the governing New Patriotic Party (NPP). He died of Covid-19-related complications on July 1, 2020, while still in office as the head of the Forestry Commission.

The massive wealth he bequeathed to his family and loved ones has shocked many Ghanaians since The Fourth Estate exclusively revealed the contents of his will.

Of particular interest have been the large parcels of land he owned at the Achimota Forest and the Ramsar site, a protected area he had warned people against acquiring land while he was in office.

Some have also questioned when he acquired the properties.

Information The Fourth Estate has requested and received from the Audit Service reveals that Kwadwo Owusu Afriyie did not declare his assets before taking office and did not declare them throughout his tenure as the CEO of the Forestry Commission.

Per the laws regulating asset declaration in Ghana—Article 286 of the 1992 Constitution and Public Office Holders (Declaration of Assets and Disqualification) Act—Mr Afriyie should have declared assets relating to the following:

(a) lands, houses and buildings;
(b) farms;
(c) concessions;
(d) trust or family property in respect of which the officer has beneficial interest;
(e) vehicles, plant and machinery, fishing boats, trawlers, generating plants;
(f) business interests;
(g) securities and bank balances;
(h) bonds and treasury bills;
(i) jewellery of the value of ¢5 million [now ¢500] or above; objects of art of the value of ¢5 million or above;
(j) life and other insurance policies;
(k) such other properties as are specified on the declaration form.

Sir John had a long list of properties including 13 houses at various locations in Accra and Kumasi and his hometown, Sakora Wonoo, in the Ashanti Region. These houses are:

  1. House on plot number GA54480 located in Ogbojo, East Legon, and dated February 12, 2018
  2. House on plot number GA 55329 located at Oyarifa No. 2, dated May 11, 2018
  3. House on plot number GA 55475 located at Oyarifa No.1, dated September 27, 2017
  4. House on plot number GA 5881 located at Adjiringanor, Accra, (white House), dated August 7, 2019.
  5. A 6-bedroom house located at Patangbe, Ogbojo, near East Legon.
  6. A  4-bedroom house located in Mempeheusem, East Legon
  7. A 3-bedroom house on plot number TDA 4140 located in Mempehuesem, East Legon
  8. Another 3-bedroom house on plot number TDA 4140 located in Mempehuesem, East Legon
  9. A 4-bedroom house on plot number GA56838 located in East Legon and dated October 25, 2018
  10. A 5-bedroom house located in Sakora Wonoo
  11. A 4-storey building located in East Legon, with 10 apartments, each apartment consisting of 3-bedrooms; and five apartments, each consisting of two bedrooms
  12. A house at East Legon Hills
  13. A house in Kumasi, Ashanti region

Assets Sir John Acquired while in office

Sir John was appointed the CEO of the Forestry Commission in March 2017

His will does not state when most of the landed properties, money in bank accounts and investments were acquired or the businesses he owned were set up.

However, he named dates along with the registration details of five of the houses in his will. Incidentally, all five dates were while he was the CEO of the Forestry Commission.

When he was just six months in office, his house acquired at Oyarifa No. 1 is dated September 27, 2017 with the registration.

A second house at Ogbojo in Accra is dated February 12, 2018, along with the details in the will.

A third house in Sir John’s collection is dated May 11, 2018, in the will, and a fourth on October 25, 2018.

By his 30th month in office, Sir John, a lawyer NPP’s general secretary from 2010 to 2014, had five houses registered in his name. The fifth one came on August 7, 2019.

Eight other houses contained in his will do not have the dates of acquisition.

His listed wealth also included 12 parcels of land.

Sir John’s will also contains 15 foreign and local bank and investment accounts (both individual and corporate ) with one of the local banks having GH₵ 2 million.

His list of businesses includes a fuel station located at Kentinkrono in the Ashanti Region; 10 fuel tankers (worth about $780,000, according to The Fourth Estate’s checks); one teak plantation located at Nkawie in the Ashanti Region; a rubber plantation located in the Eastern Region; three stalls located at the new Kejetia market in Kumasi, also in the Ashanti Region and Farms at Ejura in the Ashanti Region.

That is not all.

He owned a fleet of 15 private vehicles, including a Lexus LX570, Lexus V6, Mercedes Benz E68 Sport AMG, Honda Pilot V6, Honda Accord Sport, Toyota Landcruiser V8, Ford 150 and Lexus Saloon Car, 2019 model.

The Fourth Estate verifies if Sir John declared his assets

The Fourth Estate has, through a right to information request to the Audit Service, found that Kwadwo Owusu Afriyie, who led the country’s forestry sector regulator for almost four years failed to file his assets and liabilities as required by law.

This is clearly in violation of Article 286(1) of the 1992 Constitution, which required that public office holders declare their assets they hold directly or indirectly before taking office, at the end of every four years; and at the end of their term of office.

The law requires that the President, Vice-President, the Speaker, Deputy Speakers of Parliament, ministers and deputy ministers of state, ambassadors, the Chief Justice and managers of public institutions in which the state has interest to submit to the Auditor-General written declarations of all property or assets owned by, or liabilities owed by them, whether directly or indirectly.

Sir John did not.

Asset declaration just a formality?

Critics of Ghana’s asset declaration laws say it is nothing more than a formality since there is no means to verify what public office holders disclose.

This is because laws forbid public disclosure of the assets declared by the public officers concerned unless demanded as evidence by a court of competent jurisdiction, a commission of inquiry appointed under Article 278 or before an investigator appointed by the Commissioner for Human Rights and Administrative Justice.

But anti-graft crusaders including, Vitus Azeem, a former executive director of the Ghana Integrity Initiative, had described the law as opaque with parliament lacking the will to amend it because it wouldn’t favour public office holders.

“It does not make the law an effective tool to fight corruption,” he said, and points to the possibilities of dodging as the ideal situation should be that the Auditor-General could open the envelope and verify if the assets mentioned did exist or “if it was just a blank sheet that has been put into an envelope”.

The case against asset verification 
There have been a lot of cases made against the verification of assets declared. Civil Society Organisations, including the Centre for Democratic Development (CDD) noted some of these arguments against asset declarations in their research and publications. One argument against closing the assets declared to the public is the socio-cultural setting.

Some argue that in the context of Ghana’s extended family system, which relies heavily on  relatives, disclosing public office holders’ assets would make them vulnerable to undue pressure from needy relatives.

Another justification has been that publicising the assets of public officials could deter “good” persons from entering public service.

However, CDD-Ghana has shredded these arguments describing them as a red herring.

CDD has noted that politicians and other elites are themselves given to needless displays of ostentation and self-importance, mainly as a way of establishing their “big man” credentials and reputation as “patrons”. It argues that it is disingenuous for these same elites to resist the disclosures of their assets on the grounds that it would give undue publicity to the private wealth of public officeholders.

Controversies in the Sir John era as Forestry Commission CEO

During Kwadwo Owusu Afriyie’s tenure of office, the Environmental Investigation Agency (EIA) released a damning report on the illegal trade and felling of rosewood trees had continued despite a ban being in place since 2012.

“Since 2012, over 540,000 tons of rosewood – the equivalent of 23,478 twenty-foot containers or approximately six million trees – were illegally harvested and imported into China from Ghana while bans on harvest and trade have been in place,” the report said.

The investigations found “a massive institutionalised timber trafficking scheme, enabled by high-level corruption and collusion.”

When he addressed a press conference on September 5, 2019, Kwadwo Owusu Afriyie said from 2012 to May 2019, a total of 300,368.94 cubic metres of rosewood equivalent to 257,230 trees had been exported and not six million trees as alleged by the EIA.

As an antidote to the illegal rosewood trade, he said the commission had decided to among other things, burn all seized rosewood in order to deter people from engaging in cutting down the tree since all other measures had failed.

It didn’t happen.

At the heat of the crackdown on illegal mining (galamsey) in 2018, some residents of Koboro in the Amansie Central District in the Ashanti Region, a notorious illegal mining hub, labelled Sir John as an illegal miner.

In his defence, he explained that he had contracted a company to undertake a reclamation exercise and not an illegal mining activity in the Apamprama Forest located in the area.

MORE:

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Sir John’s son eulogises late father on his 70th birthday https://www.adomonline.com/sir-johns-son-eulogises-late-father-on-his-70th-birthday/ Wed, 23 Mar 2022 15:25:21 +0000 https://www.adomonline.com/?p=2095097 Deputy Chief Executive Officer (CEO) of the Ghana Investment Promotion Centre (GIPC), Yaw Amoateng Afriyie, has eulogised his late father, Kwadwo Owusu Afriyie, who would have turned 70 today.

In a post, he disclosed that he cannot repay the sacrifices of the former CEO of the Forestry Commission and promised to keep his memory alive.

“Remembering a great father, Lawyer Kwadwo Owusu Afriyie, Sir John, on his posthumous 70th Birthday. I cannot repay your sacrifices, and the least I can do is help keep your memory alive. God bless and keep you until we meet again.

“From your grateful son, Yaw Amoateng Afriyie. Deputy CEO, Ghana Investment Promotion Centre,” he wrote.

The former General Secretary of the ruling New Patriotic Party, affectionately called Sir John, died on July 1, 2020, at the Korle Bu Teaching Hospital after he was believed to have contracted COVID-19.

He was buried at his hometown Sakora Wonoo in the Kwabre East District of the Ashanti Region on June 3, 2021.

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Photo of Sir John’s ‘house’ tomb causes stir https://www.adomonline.com/photo-of-sir-johns-house-tomb-causes-stir/ Thu, 03 Jun 2021 08:39:43 +0000 https://www.adomonline.com/?p=1968584 All is set for the final funeral rites of the late Chief Executive Officer of the Forestry Commission of Ghana and New Patriotic Party (NPP) former General Secretary, Sir John.

Known in real life as Kwadwo Owusu Afriyie, the NPP stalwart is set to journey home in his hometown.

Prior to the funeral service, a photo of the NPP bigwig’s final resting place has popped up on social media.

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The photo showed a painted walled and gated edifice looking like a two-bedroom house with a huge picture of Sir John mounted on it.

Reports indicate that the edifice is Sir John’s tombstone and final resting place.

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Tears as Sir John’s mortal remains arrive at Sakora Wonoo [Video] https://www.adomonline.com/tears-as-sir-johns-mortal-remains-arrive-at-sakora-wonoo-video/ Wed, 02 Jun 2021 19:16:24 +0000 https://www.adomonline.com/?p=1968392 It was a moment of mixed feelings when the body of the late ex-boss of the Forestry Commission, Kwadwo Owusu Afryie alias Sir John, was being moved to his hometown

The former General Secretary of the New Patriotic Party died at the Korle Bu Teaching Hospital, Wednesday, July 1, 2020, after a short illness.

The body was moved from Accra on Tuesday, June 2, 2021 to Sakora Wonoo in the Kwabre East District of the Ashanti Region ahead of the funeral rites

Residents and sympathisers thronged the streets in their numbers clad in black and red attire to welcome the body amid tears.

ALSO READ:

All the funeral rites will take place at Sakora Wonoo in strict adherence to the covid-19 safety protocols.

Watch the video below:

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Sir John: Exclusive visuals from funeral grounds https://www.adomonline.com/sir-john-exclusive-visuals-from-funeral-grounds/ Wed, 02 Jun 2021 19:04:39 +0000 https://www.adomonline.com/?p=1968350 The hometown of the late former Chief Executive Officer of the Forestry Commission, Kwadwo Owusu Afriyie aka Sir John, was wrapped in red and black ahead of his funeral.

The former General Secretary of the New Patriotic Party died at the Korle Bu Teaching Hospital, Wednesday, July 1, 2020, after testing positive for Covid-19.

The funeral rites began today, Wednesday, June 2, 2021, and will continue up to the weekend.

Canopies and sound systems were mounted with chairs arranged as well as decors in place as mourners prepare to pay their last respects.

Where Sir John’s body will be interred

All the rites will be held in his hometown, Sakora Wonoo in the Kwabre East District of the Ashanti Region in strict adherence to the covid-19 safety protocols..

ALSO READ:

Sie John’s funeral grounds at Sakora Wonoo.

A thanksgiving service in his honour will be held on Saturday, June 5, 2021, at the Sakora Wonoo Seventh Day Adventist Church at 8:am following his burial today.

Watch the video attached for more:

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Sir John’s burial date finally announced https://www.adomonline.com/sir-johns-burial-date-finally-announced/ Thu, 27 May 2021 17:02:06 +0000 https://www.adomonline.com/?p=1965326 The final burial rites of late former Chief Executive Officer of the Forestry Commission, Kwadwo Owusu Afriyie, aka Sir John, is set to come off on Wednesday, June 2, 2021.

All the funeral rites are scheduled to take place in his hometown, Sakora Wonoo in the Kwabre East District of the Ashanti Region in strict adherence to the covid-19 safety protocols.

Sir John will be laid in state at the Junior High School park from 3:am to 9:am and buried at the family cemetery at 10:am.

A thanksgiving service in his honour will be held on Saturday, June 5, 2021, at the Sakora Wonoo Seventh Day Adventist Church at 8:am.

ALSO READ:

The former General Secretary of the New Patriotic Party died at the Korle Bu Teaching Hospital, Wednesday, July 1, 2020, after testing positive for Covid-19.

Read the full details below:

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Don’t step foot at Sir John’s funeral if … – Akufo-Addo, NPP warned [Video] https://www.adomonline.com/dont-step-foot-at-sir-johns-funeral-if-akufo-addo-npp-warned-video/ Fri, 30 Apr 2021 15:49:34 +0000 https://www.adomonline.com/?p=1953837

President Nana Akufo-Addo and the New Patriotic Party have been warned to stay away from the funeral of the former Forestry Commission boss, Kwadwo Owusu Afriyie, aka Sir John.

This is according to the residents of Sakora Wonoo in the Kwabre East District of the Ashanti Region due to the bad nature of roads in the area.

They revealed contractors packed out of the community after the Vice President, Dr Mahamudu Bawumia and other NPP stalwarts used the road to attend their son’s one-week rites.

They have given an ultimatum to the President and the party in which Sir John served as a secretary to ensure they do the needful or forget about his funeral.

The queen mother of the area, Nana Ama Nyarko, who led residents in a demonstration on Thursday, April 29, 2021, bemoaned why they should face such a problem, looking at the love Sir John had for his party.

“Sir John brought you here nine years ago after you lost your first contest and you promised to fix the roads for us and we will plead with you to fulfill that promise.

RELATED:

“If not, we are going to bury Sir John because he is our son but they should forget coming to the funeral,” she fumed.

To her, the contribution of the former New Patriotic Party General Secretary, who hails from the community, should be enough reason to influence the rehabilitation of the road.

The residents fear they may be cut off from surrounding communities as their roads and bridge linking them continue to deteriorate.

Their fears have heightened after half of the weak bridge caved in at the onset of rains with concrete culverts being washed away.

Drivers now have to skillfully maneuver their way to cross the bridge which may fully collapse at anytime.

Meanwhile, the District Chief Executive for the area, Osei Bonsu, has revealed road projects in the Kwabre East have progressed at a slow pace for financial reasons but efforts were underway to get the contractors back on site.

Watch the video attached above:

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I buried two men and a baby, all in the name of love https://www.adomonline.com/i-buried-two-men-and-a-baby-all-in-the-name-of-love/ Mon, 29 Mar 2021 08:43:49 +0000 https://www.adomonline.com/?p=1940669 I married John when I was 25. He was the love of my life. Our wedding was on the September 11th. He was John. I was 25 and our wedding was on the 11. That gave us John 25:11:

Jesus said to her: “I am the resurrection and the life. The one who believes in me will live, even though they die.”

It didn’t make sense to people but to us, it made a lot of sense. The most important numbers in our lives give us a beautiful bible verse and it meant a lot to us.

We stayed for two years and had a boy, James. He was our blessing and all the grace we sought for in our marriage.

When James was one, we decided to take him to visit my husband’s parents. It was Christmas, so in a way, we were celebrating Xmas and also bringing James to his dad’s hometown for the first time.

We got to Asankragua at 11:am and picked a taxi home. At a point, our taxi had to branch and make a U-turn to join the main road. Immediately the driver negotiated the curve and was about to hit the main road, a speeding vehicle out of nowhere ran into the side of the taxi.

The loud noise of the collision was enough to kill the faint-hearted. I didn’t see anything again. I passed out. The only thing I recall was the shout “Jesus!” just before the car crashed into ours. But I don’t remember who shouted.

I regained consciousness at the hospital. My left arm was in a bandage and had stitches just below my right jaw. I couldn’t speak clearly. My husband’s parents were called in when I got conscious. The mother wasn’t looking good. Her eyes were swollen and looking like she’d cried a river.

I asked where my husband and kid were. My husband’s father told me they were in a good shape and were in another ward. Something didn’t look right. A lot of things actually.

Immediately I asked the whereabouts of my husband and kid, my husband’s mother started crying. Her husband was trying to shush her but she couldn’t help it.

I knew something was wrong. I knew they were trying to hide something from me…

My husband and kid couldn’t make it. That was the truth they were hiding from me.

Everything became blurry. Somehow, I wished I was the one dead so John and James survived. I cried but nothing could bring them back to life. I asked God, “but you told us if we believe, we’ll live even if we die? So why are they dead with all their beliefs in their hearts?

No answer came. Obviously

Soon it was a year. Another year passed by and I still had traces of pain written all over my life. Time heals but it doesn’t erase the scars I guess.

At 31, I got married again—Martin. Martin was kind to me from day one. He was very sympathetic to my story and even offered to take me to the graveside of my boy and husband.

When he proposed marriage, I was skeptical at first but he was real. He was very authentic about his feelings towards me and I appreciated that.

We had a small traditional wedding and started a life together. Seven months later, I was pregnant. The joy was boundless, even greater than the joy I felt when I conceived James.

I was nine or 10 months pregnant when Martin had to travel to Prestea for his usual contract works. He told me: “It’s not anything big. By two or three days we would be done.”

I hope you don’t have to travel again when you return. From the look of things, if we don’t take care, you’ll be away when I deliver.”

He smiled: “By all means, I would be home when it happens, you don’t have to worry.”

When he got to Prestea, he called me. We spoke all night until there was no word to say.

He said: “Say hi to the baby for me.” I ran my hand over my stomach and said: “Dad says hi.” We said our goodnights and hang up.

I saw his missed call when I woke up the next morning. I tried calling back but he didn’t pick. Some hours later, I called again, he didn’t pick. “That’s so unlike him,” I said to myself.

It was already noon and he still hadn’t called back. Schedules might have been tight, I thought. I called him again anyway. He didn’t pick anyway.

I heard my phone ringing. It was some minutes after 4:pm. It was him. Martin. I picked up and immediately started ranting: “I’ve been calling you all day. Has work been so tight that you couldn’t even pick up to say hi to me? Anyway, I’ve been thinking about you all day.

“I’m sorry, this is not Martin. I presume you’re the wife?” The voice on the other side asked.

I got embarrassed. I laughed and said: “Ow sorry about my etiquette, I thought it was Martin. Yeah, this is the wife. Has he misplaced his phone?”

There was silence. “Hello, are you there?” I asked. Still, silence. “Hello, talk to me. I’m the wife. Why are you calling with Martin’s phone?”

For some seconds, the voice said nothing. Later, he gave a huge sigh and said; “I’m sorry to be the one to break this news to you. Martin got electrocuted from one of our 11KV lines. He couldn’t survive it.”

“Hello, hello..you mean, you…you mean what? Martin did what?” I was losing my breath. But I wasn’t sure if I heard him right. I kept asking…

“Hello, could you come again? I didn’t get it the first time. What did you say? What happened to Martin?” I was already broken and in tears. I felt my heart was breaking inside my chest, I wasn’t sure what I heard but something rung true.

Calmly he said again: “Yeah I can understand your shock. We are equally broken and don’t know how we are going to go on from here….he died. He got burnt from the electrocution.”

I dropped the phone, sat on the floor and rested my head on the bed next to me. I was in denial. “No no, not again. Martin didn’t die. No..someone should call me and say something different. They should tell me it was a lie.”

I screamed my lungs out…Nooooooo!!

That was when neighbors started rushing in and asking why. But all I said was “No no no this can’t happen. Martin didn’t die”

They started screaming and those who can cry started crying too.

I called Martin’s line again: “Sorry, the number you’re trying to call…” They put his phone off.

My parents heard the news and came for me. Somehow, Martin’s parents also heard the news. They called and I confirmed I’ve heard the news.

Two men. Both buried. Two marriages that ended in heartbreak. What could I have done to save the lives of these two important men in my life? I had a little say in the events that took their lives.

John went with our one-year-old son. Martin left me with an unborn baby…a son I named Martin. Somehow, he’s a piece of the father so I gave him his father’s name.

I won’t talk about the disgusting names people called me after the event. No, I won’t talk about the maltreatment I received from Martin’s family. To them, I killed their son with my witchcraft.

To the society and the little world around me, I am a witch who only prefers to eat husbands. Men are scared to get closer to me, not that I care. I’m over love and I don’t have any desire to marry again but the stigma I go through sometimes gets to me.

I’m a strong-willed woman. This too shall pass I know but for how long, I don’t know.

I’ve loved two men to death but all I get in return is abuse and stigma from same people who ought to give me love, but you see: “Those who believe in him shall live even if they die.” Physically, I’m dead but I’m alive through Christ who strengthens me.

Amen!

-Dede Acheampong, Dunkwa-Ghana.

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Grammy awards 2021: The full list of winners https://www.adomonline.com/grammy-awards-2021-the-full-list-of-winners/ Mon, 15 Mar 2021 11:34:23 +0000 https://www.adomonline.com/?p=1933232 Here is the list of winners for the 2021 Grammy Awards.

‘Daily Show’ host and comedian, Trevor Noah, was the emcee of the 63rd ceremony held on Sunday, which took place under coronavirus-related restrictions.

Two Grammy icons set historic marks. Beyoncé, who led all Grammy nominees with nine, is now the most winning performer/singer in Grammys history after multiple wins.

Taylor Swift also made history as the first woman to win an album of the year three times. 

Check out full list of winners below:

MORE:

Winners
GENERAL FIELD

1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

  • BLACK PARADE
    Beyoncé
    Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer
     
  • COLORS
    Black Pumas
    Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer
     
  • ROCKSTAR
    DaBaby Featuring Roddy Ricch
    SethinTheKitchen, producer; Derek “MixedByAli” Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer
     
  • SAY SO
    Doja Cat
    Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer
     
  • EVERYTHING I WANTED – WINNER
    Billie Eilish
    Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer

     
  • DON’T START NOW
    Dua Lipa
    Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer
     
  • CIRCLES
    Post Malone
    Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer
     
  • SAVAGE
    Megan Thee Stallion Featuring Beyoncé
    Beyoncé & J. White Did It, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer

2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.

  • CHILOMBO
    Jhené Aiko
    Fisticuffs & Julian-Quán Việt Lê, producers; Fisticuffs, Julian-Quán Việt Lê, Zeke Mishanec, Christian Plata & Gregg Rominiecki, engineers/mixers; Jhené Aiko Efuru Chilombo, Julian-Quán Việt Lê, Maclean Robinson & Brian Keith Warfield, songwriters; Dave Kutch, mastering engineer
     
  • BLACK PUMAS (DELUXE EDITION)
    Black Pumas
    Adrian Quesada, producer; Adrian Quesada, engineer/mixer; Eric Burton & Adrian Quesada, songwriters; JJ Golden, mastering engineer
     
  • EVERYDAY LIFE
    Coldplay
    Daniel Green, Bill Rahko & Rik Simpson, producers; Mark “Spike” Stent, engineer/mixer; Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters; Emily Lazar, mastering engineer
     
  • DJESSE VOL.3
    Jacob Collier
    Jacob Collier, producer; Ben Bloomberg & Jacob Collier, engineers/mixers; Jacob Collier, songwriter; Chris Allgood & Emily Lazar, mastering engineers
     
  • WOMEN IN MUSIC PT. III
    HAIM
    Rostam Batmanglij, Danielle Haim & Ariel Rechtshaid, producers; Rostam Batmanglij, Jasmine Chen, John DeBold, Matt DiMona, Tom Elmhirst, Joey Messina-Doerning & Ariel Rechtshaid, engineers/mixers; Rostam Batmanglij, Alana Haim, Danielle Haim, Este Haim & Ariel Rechtshaid, songwriters; Emily Lazar, mastering engineer
     
  • FUTURE NOSTALGIA
    Dua Lipa
    Lorna Blackwood & Koz, producers; Josh Gudwin & Cameron Gower Poole, engineers/mixers; Clarence Coffee Jr. & Dua Lipa, songwriters; Chris Gehringer, mastering engineer
     
  • HOLLYWOOD’S BLEEDING
    Post Malone
    Louis Bell & Frank Dukes, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell, Adam Feeney, Austin Post & Billy Walsh, songwriters; Mike Bozzi, mastering engineer
     
  • FOLKLORE – WINNER
    Taylor Swift
    Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer

3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLACK PARADE
    Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
     
  • THE BOX
    Larrance Dopson, Samuel Gloade, Rodrick Moore, Adarius Moragne, Eric Sloan & Khirye Anthony Tyler, songwriters (Roddy Ricch)
     
  • CARDIGAN
    Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)
     
  • CIRCLES
    Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)
     
  • DON’T START NOW
    Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)
     
  • EVERYTHING I WANTED
    Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
     
  • I CAN’T BREATHE – WINNER
    Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)

     
  • IF THE WORLD WAS ENDING
    Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)

4. Best New Artist
This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

  • INGRID ANDRESS
     
  • PHOEBE BRIDGERS
     
  • CHIKA
     
  • NOAH CYRUS
     
  • D SMOKE
     
  • DOJA CAT
     
  • KAYTRANADA
     
  • MEGAN THEE STALLION – WINNER
POP

5. Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.

  • YUMMY
    Justin Bieber
     
  • SAY SO
    Doja Cat
     
  • EVERYTHING I WANTED
    Billie Eilish
     
  • DON’T START NOW
    Dua Lipa
     
  • WATERMELON SUGAR  – WINNER
    Harry Styles

     
  • CARDIGAN
    Taylor Swift

6. Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

  • UN DIA (ONE DAY)
    J Balvin, Dua Lipa, Bad Bunny & Tainy
     
  • INTENTIONS
    Justin Bieber Featuring Quavo
     
  • DYNAMITE
    BTS
     
  • RAIN ON ME – WINNER
    Lady Gaga with Ariana Grande

     
  • EXILE
    Taylor Swift Featuring Bon Iver

7. Best Traditional Pop Vocal Album
For albums containing at least 51% playing time of new traditional pop recordings.

  • BLUE UMBRELLA
    (Burt Bacharach &) Daniel Tashian
     
  • TRUE LOVE: A CELEBRATION OF COLE PORTER
    Harry Connick, Jr.
     
  • AMERICAN STANDARD – WINNER
    James Taylor

     
  • UNFOLLOW THE RULES
    Rufus Wainwright
     
  • JUDY
    Renée Zellweger

8. Best Pop Vocal Album
For albums containing at least 51% playing time of new pop vocal recordings.

  • CHANGES
    Justin Bieber
     
  • CHROMATICA
    Lady Gaga
     
  • FUTURE NOSTALGIA – WINNER
    Dua Lipa

     
  • FINE LINE
    Harry Styles
     
  • FOLKLORE
    Taylor Swift
DANCE/ELECTRONIC MUSIC

9. Best Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

  • ON MY MIND
    Diplo & SIDEPIECE
    Diplo & SIDEPIECE, producers; Luca Pretolesi, mixer
     
  • MY HIGH
    Disclosure Featuring Aminé & Slowthai
    Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer
     
  • THE DIFFERENCE
    Flume Featuring Toro y Moi
    Flume, producer; Eric J Dubowsky, mixer
     
  • BOTH OF US
    Jayda G
    Fred Again.. & Jayda G, producers; Fred Again.. & Jayda G, mixers
     
  • 10% – WINNER
    Kaytranada Featuring Kali Uchis
    Kaytranada, producer; Neal H. Pogue, mixer

10. Best Dance/Electronic Album
For vocal or instrumental albums. Albums only.

  • KICK I
    Arca
     
  • PLANET’S MAD
    Baauer
     
  • ENERGY
    Disclosure
     
  • BUBBA – WINNER
    Kaytranada

     
  • GOOD FAITH
    Madeon
CONTEMPORARY INSTRUMENTAL MUSIC

11. Best Contemporary Instrumental Album
For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.

  • AXIOM
    Christian Scott aTunde Adjuah
  • CHRONOLOGY OF A DREAM: LIVE AT THE VILLAGE VANGUARD
    Jon Batiste
  • TAKE THE STAIRS
    Black Violin
     
  • AMERICANA
    Grégoire Maret, Romain Collin & Bill Frisell
     
  • LIVE AT THE ROYAL ALBERT HALL – WINNER
    Snarky Puppy
ROCK

12. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.

  • SHAMEIKA – WINNER
    Fiona Apple

     
  • NOT
    Big Thief
     
  • KYOTO
    Phoebe Bridgers
     
  • THE STEPS
    HAIM
     
  • STAY HIGH
    Brittany Howard
     
  • DAYLIGHT
    Grace Potter

13. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.

  • BUM-RUSH – WINNER
    Body Count

     
  • UNDERNEATH
    Code Orange
     
  • THE IN-BETWEEN
    In This Moment
     
  • BLOODMONEY
    Poppy
     
  • EXECUTIONER’S TAX (SWING OF THE AXE) – LIVE
    Power Trip

14. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • KYOTO
    Phoebe Bridgers, Morgan Nagler & Marshall Vore, songwriters (Phoebe Bridgers)
     
  • LOST IN YESTERDAY
    Kevin Parker, songwriter (Tame Impala)
     
  • NOT
    Adrianne Lenker, songwriter (Big Thief)
     
  • SHAMEIKA
    Fiona Apple, songwriter (Fiona Apple)
     
  • STAY HIGH – WINNER
    Brittany Howard, songwriter (Brittany Howard)

15. Best Rock Album
For albums containing at least 51% playing time of new rock, hard rock or metal recordings.

  • A HERO’S DEATH
    Fontaines D.C.
     
  • KIWANUKA
    Michael Kiwanuka
     
  • DAYLIGHT
    Grace Potter
     
  • SOUND & FURY
    Sturgill Simpson
     
  • THE NEW ABNORMAL – WINNER
    The Strokes
ALTERNATIVE

16. Best Alternative Music Album
Vocal or Instrumental.

  • FETCH THE BOLT CUTTERS – WINNER
    Fiona Apple

     
  • HYPERSPACE
    Beck
     
  • PUNISHER
    Phoebe Bridgers
     
  • JAIME
    Brittany Howard
     
  • THE SLOW RUSH
    Tame Impala
R&B

17. Best R&B Performance
For new vocal or instrumental R&B recordings.

  • LIGHTNING & THUNDER
    Jhené Aiko Featuring John Legend
     
  • BLACK PARADE – WINNER
    Beyoncé

     
  • ALL I NEED
    Jacob Collier Featuring Mahalia & Ty Dolla $ign
     
  • GOAT HEAD
    Brittany Howard
     
  • SEE ME
    Emily King

18. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.

  • SIT ON DOWN
    The Baylor Project Featuring Jean Baylor & Marcus Baylor
     
  • WONDER WHAT SHE THINKS OF ME
    Chloe X Halle
     
  • LET ME GO
    Mykal Kilgore
     
  • ANYTHING FOR YOU – WINNER
    Ledisi

     
  • DISTANCE
    Yebba

19. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BETTER THAN I IMAGINED – WINNER
    Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)
  • BLACK PARADE
    Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
     
  • COLLIDE
    Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar & Benedetto Rotondi, songwriters (Tiana Major9 & EARTHGANG)
     
  • DO IT
    Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monét, Scott Storch & Vincent Van Den Ende, songwriters (Chloe X Halle)
     
  • SLOW DOWN
    Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)

20. Best Progressive R&B Album
For albums containing at least 51% playing time of newly recorded progressive vocal tracks derivative of R&B.

  • CHILOMBO
    Jhené Aiko
     
  • UNGODLY HOUR
    Chloe X Halle
     
  • FREE NATIONALS
    Free Nationals
     
  • F*** YO FEELINGS
    Robert Glasper
     
  • IT IS WHAT IT IS – WINNER
    Thundercat

21. Best R&B Album
For albums containing at least 51% playing time of new R&B recordings.

  • HAPPY 2 BE HERE
    Ant Clemons
     
  • TAKE TIME
    Giveon
     
  • TO FEEL LOVE/D
    Luke James
     
  • BIGGER LOVE – WINNER
    John Legend

     
  • ALL RISE
    Gregory Porter
RAP

22. Best Rap Performance
For a Rap performance. Singles or Tracks only.

  • DEEP REVERENCE
    Big Sean Featuring Nipsey Hussle
     
  • BOP
    DaBaby
     
  • WHATS POPPIN
    Jack Harlow
     
  • THE BIGGER PICTURE
    Lil Baby
     
  • SAVAGE – WINNER
    Megan Thee Stallion Featuring Beyoncé

     
  • DIOR
    Pop Smoke

23. Best Melodic Rap Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.

  • ROCKSTAR
    DaBaby Featuring Roddy Ricch
     
  • LAUGH NOW CRY LATER
    Drake Featuring Lil Durk
     
  • LOCKDOWN – WINNER
    Anderson .Paak

     
  • THE BOX
    Roddy Ricch
     
  • HIGHEST IN THE ROOM
    Travis Scott

24. Best Rap Song
A Songwriter(s) Award.  A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only..

  • THE BIGGER PICTURE
    Dominique Jones, Noah Pettigrew & Rai’shaun Williams, songwriters (Lil Baby)
     
  • THE BOX
    Larrance Dopson, Samuel Gloade, Rodrick Moore, Adarius Moragne, Eric Sloan & Khirye Anthony Tyler, songwriters (Roddy Ricch)
     
  • LAUGH NOW CRY LATER
    Durk Banks, Rogét Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour & Ryan Martinez, songwriters (Drake Featuring Lil Durk)
     
  • ROCKSTAR
    Jonathan Lyndale Kirk, Ross Joseph Portaro IV & Rodrick Moore, songwriters (DaBaby Featuring Roddy Ricch)
     
  • SAVAGE – WINNER
    Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)

25. Best Rap Album
For albums containing at least 51% playing time of new rap recordings.

  • BLACK HABITS
    D SMOKE
     
  • ALFREDO
    Freddie Gibbs & The Alchemist
     
  • A WRITTEN TESTIMONY
    Jay Electronica
     
  • KING’S DISEASE – WINNER
    Nas

     
  • THE ALLEGORY
    Royce 5’9″
COUNTRY

26. Best Country Solo Performance
For new vocal or instrumental solo country recordings.

  • Stick That In Your Country Song
    Eric Church
     
  • WHO YOU THOUGHT I WAS
    Brandy Clark
     
  • WHEN MY AMY PRAYS – WINNER
    Vince Gill

     
  • BLACK LIKE ME
    Mickey Guyton
     
  • BLUEBIRD
    Miranda Lambert

27. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.

  • ALL NIGHT
    Brothers Osborne
     
  • 10,000 HOURS – WINNER
    Dan + Shay & Justin Bieber

     
  • OCEAN
    Lady A
     
  • SUGAR COAT
    Little Big Town
     
  • SOME PEOPLE DO
    Old Dominion

28. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLUEBIRD
    Luke Dick, Natalie Hemby & Miranda Lambert, songwriters (Miranda Lambert)
     
  • THE BONES
    Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris)
     
  • CROWDED TABLE – WINNER
    Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen)

     
  • MORE HEARTS THAN MINE
    Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters (Ingrid Andress)
     
  • SOME PEOPLE DO
    Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)

29. Best Country Album
For albums containing at least 51% playing time of new country recordings.

  • LADY LIKE
    Ingrid Andress
     
  • YOUR LIFE IS A RECORD
    Brandy Clark
     
  • WILDCARD – WINNER
    Miranda Lambert

     
  • NIGHTFALL
    Little Big Town
     
  • NEVER WILL
    Ashley McBryde
NEW AGE

30. Best New Age Album
For albums containing at least 51% playing time of new vocal or instrumental new age recordings.

  • SONGS FROM THE BARDO
    Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith
     
  • PERIPHERY
    Priya Darshini
     
  • FORM//LESS
    Superposition
     
  • MORE GUITAR STORIES – WINNER
    Jim “Kimo” West

     
  • MEDITATIONS
    Cory Wong & Jon Batiste
JAZZ

31. Best Improvised Jazz Solo
For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter’s name is in parenthesis for identification. Singles or Tracks only.

  • GUINNEVERE
    Christian Scott aTunde Adjuah, soloist
    Track from: Axiom
     
  • PACHAMAMA
    Regina Carter, soloist
    Track from: Ona (Thana Alexa)
     
  • CELIA
    Gerald Clayton, soloist
     
  • ALL BLUES – WINNER
    Chick Corea, soloist
    Track from: Trilogy 2 (Chick Corea, Christian McBride & Brian Blade)

     
  • MOE HONK
    Joshua Redman, soloist
    Track from: RoundAgain (Redman Mehldau McBride Blade)

32. Best Jazz Vocal Album
For albums containing at least 51% playing time of new vocal jazz recordings.

  • ONA
    Thana Alexa
     
  • SECRETS ARE THE BEST STORIES – WINNER
    Kurt Elling Featuring Danilo Pérez

     
  • MODERN ANCESTORS
    Carmen Lundy
     
  • HOLY ROOM: LIVE AT ALTE OPER
    Somi With Frankfurt Radio Big Band Conducted By John Beasley
     
  • WHAT’S THE HURRY
    Kenny Washington

33. Best Jazz Instrumental Album
For albums containing at least 51% playing time of new instrumental jazz recordings.

  • ON THE TENDER SPOT OF EVERY CALLOUSED MOMENT
    Ambrose Akinmusire
     
  • WAITING GAME
    Terri Lyne Carrington + Social Science
     
  • HAPPENING: LIVE AT THE VILLAGE VANGUARD
    Gerald Clayton
     
  • TRILOGY 2 – WINNER
    Chick Corea, Christian McBride & Brian Blade

     
  • ROUNDAGAIN
    Redman Mehldau McBride Blade

34. Best Large Jazz Ensemble Album
For albums containing at least 51% playing time of new ensemble jazz recordings.

  • DIALOGUES ON RACE
    Gregg August
     
  • MONK’ESTRA PLAYS JOHN BEASLEY
    John Beasley’s MONK’estra
     
  • THE INTANGIBLE BETWEEN
    Orrin Evans And The Captain Black Big Band
     
  • SONGS YOU LIKE A LOT
    John Hollenbeck With Theo Bleckmann, Kate McGarry, Gary Versace And The Frankfurt Radio Big Band
     
  • DATA LORDS – WINNER
    Maria Schneider Orchestra

35. Best Latin Jazz Album
For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

  • TRADICIONES
    Afro-Peruvian Jazz Orchestra
     
  • FOUR QUESTIONS – WINNER
    Arturo O’Farrill & The Afro Latin Jazz Orchestra

     
  • CITY OF DREAMS
    Chico Pinheiro
     
  • VIENTO Y TIEMPO – LIVE AT BLUE NOTE TOKYO
    Gonzalo Rubalcaba & Aymée Nuviola
     
  • TRANE’S DELIGHT
    Poncho Sanchez
GOSPEL/CONTEMPORARY CHRISTIAN MUSIC

36. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

  • WONDERFUL IS YOUR NAME
    Melvin Crispell III
     
  • RELEASE (LIVE)
    Ricky Dillard Featuring Tiff Joy; David Frazier, songwriter
     
  • COME TOGETHER
    Rodney “Darkchild” Jerkins Present: The Good News; Rodney “Darkchild” Jerkins & Jazz Nixon, producers; Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters
     
  • WON’T LET GO
    Travis Greene; Travis Greene, songwriter
     
  • MOVIN’ ON – WINNER 
    Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters

37. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.

  • THE BLESSING (LIVE)
    Kari Jobe, Cody Carnes & Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters
     
  • SUNDAY MORNING
    Lecrae Featuring Kirk Franklin; Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Rafael X. Brown, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, Songwriters
     
  • HOLY WATER
    We The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters
     
  • FAMOUS FOR (I BELIEVE)
    Tauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters
     
  • THERE WAS JESUS – WINNER
    Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters

38. Best Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

  • 2ECOND WIND: READY
    Anthony Brown & group therAPy
     
  • MY TRIBUTE
    Myron Butler
     
  • CHOIRMASTER
    Ricky Dillard
     
  • GOSPEL ACCORDING TO PJ – WINNER
    PJ Morton

     
  • KIERRA
    Kierra Sheard

39. Best Contemporary Christian Music Album
For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.

  • RUN TO THE FATHER
    Cody Carnes
     
  • ALL OF MY BEST FRIENDS
    Hillsong Young & Free
     
  • HOLY WATER
    We The Kingdom
     
  • CITIZEN OF HEAVEN
    Tauren Wells
     
  • JESUS IS KING – WINNER
    Kanye West

40. Best Roots Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

LATIN

41. Best Latin Pop or Urban Album
For albums containing at least 51% playing time of new Latin pop or urban recordings.

  • YHLQMDLG – WINNER
    Bad Bunny

     
  • POR PRIMERA VEZ
    Camilo
     
  • MESA PARA DOS
    Kany García
     
  • PAUSA
    Ricky Martin
     
  • 3:33
    Debi Nova

42. Best Latin Rock or Alternative Album
For albums containing at least 51% playing time of new Latin rock or alternative recordings.

  • AURA
    Bajofondo
     
  • MONSTRUO
    Cami
     
  • SOBREVOLANDO
    Cultura Profética
     
  • LA CONQUISTA DEL ESPACIO – WINNER
    Fito Paez

     
  • MISS COLOMBIA
    Lido Pimienta

43. Best Regional Mexican Music Album (Including Tejano)
For albums containing at least 51% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

  • HECHO EN MÉXICO
    Alejandro Fernández
     
  • LA SERENATA
    Lupita Infante
     
  • UN CANTO POR MÉXICO, VOL. 1 – WINNER
    Natalia Lafourcade

     
  • BAILANDO SONES Y HUAPANGOS CON MARIACHI SOL DE MEXICO DE JOSE HERNANDEZ
    Mariachi Sol De Mexico De Jose Hernandez
     
  • AYAYAY!
    Christian Nodal

44. Best Tropical Latin Album
For albums containing at least 51% playing time of new tropical Latin recordings.

  • MI TUMBAO
    José Alberto “El Ruiseñor”
     
  • INFINITO
    Edwin Bonilla
     
  • SIGO CANTANDO AL AMOR (DELUXE)
    Jorge Celedon & Sergio Luis
     
  • 40 – WINNER
    Grupo Niche

     
  • MEMORIAS DE NAVIDAD
    Víctor Manuelle
AMERICAN ROOTS MUSIC

45. Best American Roots Performance
For new vocal or instrumental American Roots recordings.  This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).

  • COLORS
    Black Pumas
     
  • DEEP IN LOVE
    Bonny Light Horseman
     
  • SHORT AND SWEET
    Brittany Howard
     
  • I’LL BE GONE
    Norah Jones & Mavis Staples
     
  • I REMEMBER EVERYTHING – WINNER
    John Prine

46. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • CABIN
    Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)
     
  • CEILING TO THE FLOOR
    Sierra Hull & Kai Welch, songwriters (Sierra Hull)
     
  • HOMETOWN
    Sarah Jarosz, songwriter (Sarah Jarosz)
     
  • I REMEMBER EVERYTHING – WINNER
    Pat McLaughlin & John Prine, songwriters (John Prine)

     
  • MAN WITHOUT A SOUL
    Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

47. Best Americana Album
For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.

  • OLD FLOWERS
    Courtney Marie Andrews
     
  • TERMS OF SURRENDER
    Hiss Golden Messenger
     
  • WORLD ON THE GROUND – WINNER
    Sarah Jarosz

     
  • EL DORADO
    Marcus King
     
  • GOOD SOULS BETTER ANGELS
    Lucinda Williams

48. Best Bluegrass Album
For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.

  • MAN ON FIRE
    Danny Barnes
     
  • TO LIVE IN TWO WORLDS, VOL. 1
    Thomm Jutz
     
  • NORTH CAROLINA SONGBOOK
    Steep Canyon Rangers
     
  • HOME – WINNER
    Billy Strings

     
  • THE JOHN HARTFORD FIDDLE TUNE PROJECT, VOL. 1
    (Various Artists)
    Matt Combs & Katie Harford Hogue, producers

49. Best Traditional Blues Album
For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.

  • ALL MY DUES ARE PAID
    Frank Bey
     
  • YOU MAKE ME FEEL
    Don Bryant
     
  • THAT’S WHAT I HEARD
    Robert Cray Band
     
  • CYPRESS GROVE
    Jimmy “Duck” Holmes
     
  • RAWER THAN RAW – WINNER
    Bobby Rush

50. Best Contemporary Blues Album
For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.

  • HAVE YOU LOST YOUR MIND YET? – WINNER
    Fantastic Negrito

     
  • LIVE AT THE PARAMOUNT
    Ruthie Foster Big Band
     
  • THE JUICE
    G. Love
     
  • BLACKBIRDS
    Bettye LaVette
     
  • UP AND ROLLING
    North Mississippi Allstars

51. Best Folk Album
For albums containing at least 51% playing time of new vocal or instrumental folk recordings.

  • BONNY LIGHT HORSEMAN
    Bonny Light Horseman
     
  • THANKS FOR THE DANCE
    Leonard Cohen
     
  • SONG FOR OUR DAUGHTER
    Laura Marling
     
  • SATURN RETURN
    The Secret Sisters
     
  • ALL THE GOOD TIMES – WINNER
    Gillian Welch & David Rawlings

52. Best Regional Roots Music Album
For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.

  • MY RELATIVES “NIKSO KOWAIKS”
    Black Lodge Singers
     
  • CAMERON DUPUY AND THE CAJUN TROUBADOURS
    Cameron Dupuy And The Cajun Troubadours
     
  • LOVELY SUNRISE
    Nā Wai ʽEhā
     
  • ATMOSPHERE – WINNER
    New Orleans Nightcrawlers

     
  • A TRIBUTE TO AL BERARD
    Sweet Cecilia
REGGAE

53. Best Reggae Album
For albums containing at least 51% playing time of new reggae recordings.

  • UPSIDE DOWN 2020
    Buju Banton
     
  • HIGHER PLACE
    Skip Marley
     
  • IT ALL COMES BACK TO LOVE
    Maxi Priest
     
  • GOT TO BE TOUGH – WINNER
    Toots & The Maytals

     
  • ONE WORLD
    The Wailers
GLOBAL MUSIC

54. Best Global Music Album
For albums containing at least 51% playing time of new vocal or instrumental Global Music recordings.

  • FU CHRONICLES
    Antibalas
     
  • TWICE AS TALL – WINNER
    Burna Boy

     
  • AGORA
    Bebel Gilberto
     
  • LOVE LETTERS
    Anoushka Shankar
     
  • AMADJAR
    Tinariwen
CHILDREN’S

55. Best Children’s Music Album
For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.

  • ALL THE LADIES – WINNER
    Joanie Leeds

     
  • WILD LIFE
    Justin Roberts
SPOKEN WORD

56. Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

  • ACID FOR THE CHILDREN: A MEMOIR
    Flea
     
  • ALEX TREBEK – THE ANSWER IS…
    Ken Jennings
     
  • BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH – WINNER
    Rachel Maddow

     
  • CATCH AND KILL
    Ronan Farrow
     
  • CHARLOTTE’S WEB (E.B. WHITE)
    Meryl Streep (& Full cast)
COMEDY

57. Best Comedy Album
For albums containing at least 51% playing time of new recordings.

  • BLACK MITZVAH – WINNER
    Tiffany Haddish

     
  • I LOVE EVERYTHING
    Patton Oswalt
     
  • THE PALE TOURIST
    Jim Gaffigan
     
  • PAPER TIGER
    Bill Burr
     
  • 23 HOURS TO KILL
    Jerry Seinfeld
MUSICAL THEATER

58. Best Musical Theater Album
For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.

  • AMÉLIE
    Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)
     
  • AMERICAN UTOPIA ON BROADWAY
    David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)
     
  • JAGGED LITTLE PILL – WINNER
    Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard, composer; Alanis Morissette, composer & lyricist) (Original Broadway Cast)

     
  • LITTLE SHOP OF HORRORS
    Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)
     
  • THE PRINCE OF EGYPT
    Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast
     
  • SOFT POWER
    Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)
MUSIC FOR VISUAL MEDIA

59. Best Compilation Soundtrack For Visual Media
Award to the artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album.  In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

  • A BEAUTIFUL DAY IN THE NEIGHBORHOOD
    (Various Artists)
    Nate Heller, compilation producer; Howard Paar, Music Supervisor
  • BILL & TED FACE THE MUSIC
    (Various Artists)
    Jonathan Leahy, compilation producer
  • EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA
    (Various Artists)
    Savan Kotecha, compilation producer; Becky Bentham, music supervisor
  • FROZEN 2
    (Various Artists)
    Kristen Anderson-Lopez, Robert Lopez, Tom MacDougall & Dave Metzger, compilation producers
  • JOJO RABBIT – WINNER
    (Various Artists)
    Taika Waititi, compilation producer

60. Best Score Soundtrack For Visual Media
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.

  • AD ASTRA
    Max Richter, composer
     
  • BECOMING
    Kamasi Washington, composer
     
  • JOKER – WINNER
    Hildur Guðnadóttir, composer

     
  • 1917
    Thomas Newman, composer
     
  • STAR WARS: THE RISE OF SKYWALKER
    John Williams, composer

61. Best Song Written For Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BEAUTIFUL GHOSTS [FROM CATS]
    Andrew Lloyd Webber & Taylor Swift, songwriters (Taylor Swift)
     
  • CARRIED ME WITH YOU [FROM ONWARD]
    Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
     
  • INTO THE UNKNOWN [FROM FROZEN 2]
    Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel & AURORA)
     
  • NO TIME TO DIE [FROM NO TIME TO DIE] – WINNER
    Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)

     
  • STAND UP [FROM HARRIET]
    Joshuah Brian Campbell & Cynthia Erivo, songwriters (Cynthia Erivo)
COMPOSING/ARRANGING

62. Best Instrumental Composition
A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

  • BABY JACK
    Arturo O’Farrill, composer (Arturo O’Farrill & The Afro Latin Jazz Orchestra)
     
  • BE WATER II
    Christian Sands, composer (Christian Sands)
     
  • PLUMFIELD
    Alexandre Desplat, composer (Alexandre Desplat)
     
  • SPUTNIK – WINNER
    Maria Schneider, composer (Maria Schneider)

     
  • STRATA
    Remy Le Boeuf, composer (Remy Le Boeuf’s Assembly Of Shadows Featuring Anna Webber & Eric Miller)

63. Best Arrangement, Instrumental or A Cappella
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • BATHROOM DANCE
    Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)
     
  • DONNA LEE – WINNER
    John Beasley, arranger (John Beasley)

     
  • HONEYMOONERS
    Remy Le Boeuf, arranger (Remy Le Boeuf’s Assembly Of Shadows)
     
  • LIFT EVERY VOICE AND SING
    Alvin Chea & Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)
     
  • URANUS: THE MAGICIAN
    Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)

64. Best Arrangement, Instruments and Vocals
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • ASAS FECHADAS
    John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)
     
  • DESERT SONG
    Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)
     
  • FROM THIS PLACE
    Alan Broadbent & Pat Metheny, arrangers (Pat Metheny Featuring Meshell Ndegeocello)
     
  • HE WON’T HOLD YOU – WINNER
    Jacob Collier, arranger (Jacob Collier Featuring Rapsody)

     
  • SLOW BURN
    Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens Featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)
PACKAGE

65. Best Recording Package

  • EVERYDAY LIFE
    Pilar Zeta, art director (Coldplay)
     
  • FUNERAL
    Kyle Goen & Alex Kalatschinow, art directors (Lil Wayne)
     
  • HEALER
    Julian Gross & Hannah Hooper, art directors (Grouplove)
     
  • ON CIRCLES
    Jordan Butcher, art director (Caspian)
     
  • VOLS. 11 & 12 – WINNER
    Doug Cunningham & Jason Noto, art directors (Desert Sessions)

66. Best Boxed Or Special Limited Edition Package

  • FLAMING PIE (COLLECTOR’S EDITION)
    Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)
     
  • GIANTS STADIUM 1987, 1989, 1991
    Lisa Glines & Doran Tyson, art directors (Grateful Dead)
  • MODE
    Jeff Schulz & Paul A. Taylor, art directors (Depeche Mode)
  • ODE TO JOY – WINNER
    Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)
  • THE STORY OF GHOSTLY INTERNATIONAL
    Michael Cina & Molly Smith, art directors (Various Artists)
NOTES

67. Best Album Notes

  • AT THE MINSTREL SHOW: MINSTREL ROUTINES FROM THE STUDIO, 1894-1926
    Tim Brooks, album notes writer (Various Artists)
     
  • THE BAKERSFIELD SOUND: COUNTRY MUSIC CAPITAL OF THE WEST, 1940-1974
    Scott B. Bomar, album notes writer (Various Artists)
     
  • DEAD MAN’S POP – WINNER
    Bob Mehr, album notes writer (The Replacements)

     
  • THE MISSING LINK: HOW GUS HAENSCHEN GOT US FROM JOPLIN TO JAZZ AND SHAPED THE MUSIC BUSINESS
    Colin Hancock, album notes writer (Various Artists)
     
  • OUT OF A CLEAR BLUE SKY
    David Sager, album notes writer (Nat Brusiloff)
HISTORICAL

68. Best Historical Album

  • CELEBRATED, 1895-1896
    Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)
     
  • HITTIN’ THE RAMP: THE EARLY YEARS (1936 – 1943)
    Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)
     
  • IT’S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS – WINNER
    Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)
  • 1999 SUPER DELUXE EDITION
    Trevor Guy, Michael Howe & Kirk Johnson, compilation producers; Bernie Grundman, mastering engineer (Prince)
  • SOUVENIR
    Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)
     
  • THROW DOWN YOUR HEART: THE COMPLETE AFRICA SESSIONS
    Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)
PRODUCTION, NON-CLASSICAL

69. Best Engineered Album, Non-Classical
An Engineer’s Award. (Artists names appear in parentheses.)

  • BLACK HOLE RAINBOW
    Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)
     
  • EXPECTATIONS
    Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)
     
  • HYPERSPACE – WINNER
    Drew Brown, Julian Burg, Andrew Coleman, Paul Epworth, Shawn Everett, Serban Ghenea, David Greenbaum, John Hanes, Beck Hansen, Jaycen Joshua, Greg Kurstin, Mike Larson, Cole M.G.N., Alex Pasco & Matt Wiggins, engineers; Randy Merrill, mastering engineer (Beck)

     
  • JAIME
    Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)
     
  • 25 TRIPS
    Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)

70. Producer Of The Year, Non-Classical

  • JACK ANTONOFF

• August (Taylor Swift) (T)
• Gaslighter (The Chicks) (A)
• Holy Terrain (FKA Twigs Featuring Future) (T)
• Mirrorball (Taylor Swift) (T)
• This Is Me Trying (Taylor Swift) (T)
• Together (Sia) (S)

  • DAN AUERBACH

• Cypress Grove (Jimmy “Duck” Holmes) (A)
• El Dorado (Marcus King) (A)
• Is Thomas Callaway (CeeLo Green) (A)
• Singing For My Supper (Early James) (A)
• Solid Gold Sounds (Kendell Marvel) (A)
• Years (John Anderson) (A

  • DAVE COBB

• Backbone (Kaleo) (S)
• The Balladeer (Lori McKenna) (A)
• Boneshaker (Airbourne) (A)
• Down Home Christmas (Oak Ridge Boys) (A)
• The Highwomen (The Highwomen) (A)
• I Remember Everything (John Prine) (S)
• Reunions (Jason Isbell And The 400 Unit) (A)
• The Spark (William Prince) (S)
• You’re Still The One (Teddy Swims) (S)

  • FLYING LOTUS

• It Is What It Is (Thundercat) (A)

  • ANDREW WATT – WINNER

• Break My Heart (Dua Lipa) (T)
• Me And My Guitar (A Boogie Wit Da Hoodie) (T)
• Midnight Sky (Miley Cyrus) (S)
• Old Me (5 Seconds Of Summer) (T)
• Ordinary Man (Ozzy Osbourne Featuring Elton John) (T)
• Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T)
• Under The Graveyard (Ozzy Osbourne) (T)

71. Best Remixed Recording
A Remixer’s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

  • DO YOU EVER (RAC MIX)
    RAC, remixer (Phil Good)
     
  • IMAGINARY FRIENDS (MORGAN PAGE REMIX)
    Morgan Page, remixer (Deadmau5)
     
  • PRAYING FOR YOU (LOUIE VEGA MAIN REMIX)
    Louie Vega, remixer (Jasper Street Co.)
     
  • ROSES (IMANBEK REMIX) – WINNER
    Imanbek Zeikenov, remixer (SAINt JHN)

     
  • YOUNG & ALIVE (BAZZI VS. HAYWYRE REMIX)
    Haywyre, remixer (Bazzi)
PRODUCTION, IMMERSIVE AUDIO

72. Best Immersive Audio Album
Due to the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category

PRODUCTION, CLASSICAL

73. Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)

  • DANIELPOUR: THE PASSION OF YESHUA
    Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
     
  • GERSHWIN: PORGY AND BESS
    David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus)
     
  • HYNES: FIELDS
    Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)
     
  • IVES: COMPLETE SYMPHONIES
    Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)
     
  • SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’ – WINNER
    David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

74. Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)

  • BLANTON ALSPAUGH

• Aspects Of America – Pulitzer Edition (Carlos Kalmar & Oregon Symphony)
• Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers)
• Dvořák: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra)
• Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera)
• Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony)
• Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke’s)
• Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra)
• Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra)
• Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)

  • DAVID FROST – WINNER

• Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
• Gershwin: Porgy And Bess (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus)
• Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus)
• Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony)
• Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus)
• Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
• Shostakovich: Symphony No. 13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

  • JESSE LEWIS

• Gunn: The Ascendant (Roomful Of Teeth)
• Harrison, M.: Just Constellations (Roomful Of Teeth)
• Her Own Wings (Willamette Valley Chamber Music Festival)
• Hynes: Fields (Devonté Hynes & Third Coast Percussion)
• Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble)
• Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble)
• Sharlat: Spare The Rod! (NOW Ensemble)
• Soul House (Hub New Music)
• Wherein Lies The Good (The Westerlies)

  • DMITRIY LIPAY

• Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)
• Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance)
• Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
• LA Phil 100 – The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic)
• Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra)
• Nielsen: Symphony No. 1 & Symphony No. 2, ‘The Four Temperaments’ (Thomas Dausgaard & Seattle Symphony)

  • ELAINE MARTONE

• Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman & Taylor Branch)
• Dawn (Shachar Israel)
• Gandolfi, Prior & Oliverio: Orchestral Works (Robert Spano & Atlanta Symphony Orchestra)
• Singing In The Dead Of Night (Eighth Blackbird)
• Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon & Los Angeles Master Chorale)

CLASSICAL

75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.

  • ASPECTS OF AMERICA – PULITZER EDITION
    Carlos Kalmar, conductor (Oregon Symphony)
     
  • CONCURRENCE
    Daníel Bjarnason, conductor (Iceland Symphony Orchestra)
     
  • COPLAND: SYMPHONY NO. 3
    Michael Tilson Thomas, conductor (San Francisco Symphony)
     
  • IVES: COMPLETE SYMPHONIES – WINNER
    Gustavo Dudamel, conductor (Los Angeles Philharmonic)

     
  • LUTOSłAWSKI: SYMPHONIES NOS. 2 & 3
    Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.

  • DELLO JOIO: THE TRIAL AT ROUEN
    Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)
     
  • FLOYD, C.: PRINCE OF PLAYERS
    William Boggs, conductor; Alexander Dobson, Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)
     
  • GERSHWIN: PORGY AND BESS – WINNER
    David Robertson, conductor; Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

     
  • HANDEL: AGRIPPINA
    Maxim Emelyanychev, conductor; Elsa Benoit, Joyce DiDonato, Franco Fagioli, Jakub Józef Orliński & Luca Pisaroni; Daniel Zalay, producer (Il Pomo D’Oro)
     
  • ZEMLINSKY: DER ZWERG
    Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)

77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

  • CARTHAGE
    Donald Nally, conductor (The Crossing)
     
  • DANIELPOUR: THE PASSION OF YESHUAH – WINNER
    JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

     
  • KASTALSKY: REQUIEM
    Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)
     
  • MORAVEC: SANCTUARY ROAD
    Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)
     
  • ONCE UPON A TIME
    Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

  • CONTEMPORARY VOICES – WINNER
    Pacifica Quartet

     
  • HEALING MODES
    Brooklyn Rider
     
  • HEARNE, T.: PLACE
    Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods, Diana Wade & Place Orchestra
     
  • HYNES: FIELDS
    Devonté Hynes & Third Coast Percussion
     
  • THE SCHUMANN QUARTETS
    Dover Quartet

79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.

  • ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
    Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)
     
  • BEETHOVEN: COMPLETE PIANO SONATAS
    Igor Levit
     
  • BOHEMIAN TALES
    Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)
     
  • DESTINATION RACHMANINOV – ARRIVAL
    Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
     
  • THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA – WINNER
    Richard O’Neill; David Alan Miller, conductor (Albany Symphony)

80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.

  • AMERICAN COMPOSERS AT PLAY – WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO
    Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)
     
  • CLAIRIÈRES – SONGS BY LILI & NADIA BOULANGER
    Nicholas Phan; Myra Huang, accompanist
     
  • FARINELLI
    Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)
     
  • A LAD’S LOVE
    Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)
     
  • SMYTH: THE PRISON- WINNER
    Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.

  • ADÈS CONDUCTS ADÈS
    Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer
     
  • SAARIAHO: GRAAL THÉÂTRE; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN
    Clément Mao-Takacs, conductor; Hans Kipfer, producer
     
  • SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO
    José Serebrier, conductor; Jens Braun, producer
     
  • THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK & MEDITATIONS ON RILKE- WINNER
    Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

     
  • WOOLF, L.P.: FIRE AND FLOOD
    Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

82. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

  • ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
    Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)
     
  • DANIELPOUR: THE PASSION OF YESHUA
    Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
     
  • FLOYD, C.: PRINCE OF PLAYERS
    Carlisle Floyd, composer (William Boggs, Alexander Dobson, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)
     
  • HEARNE, T.: PLACE
    Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)
     
  • ROUSE: SYMPHONY NO. 5- WINNER
    Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)
MUSIC VIDEO/FILM

83. Best Music Video
Award to the artist, video director, and video producer.

  • BROWN SKIN GIRL – WINNER
    Beyoncé, Blue Ivy & WizKid
    Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Astrid Edwards, Aya Kaida, Jean Mougin, Nathan Scherrer & Erinn Williams, video producers
  • LIFE IS GOOD
    Future Featuring Drake
    Julien Christian Lutz, video director; Harv Glazer, video producer
  • LOCKDOWN
    Anderson .Paak
    Dave Meyers, video director; Nathan Scherrer, video producer
     
  • ADORE YOU
    Harry Styles
    Dave Meyers, video director; Nathan Scherrer, video producer
     
  • GOLIATH
    Woodkid
    Yoann Lemoine, video director; Horace de Gunzbourg, video producer

84. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

  • BEASTIE BOYS STORY
    Beastie Boys
    Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers
     
  • BLACK IS KING
    Beyoncé
    Emmanuel Adjei, Blitz Bazawule, Beyonce Knowles Carter & Kwasi Fordjour, video directors; Lauren Baker, Akin Omotoso, Nathan Scherrer, Jeremy Sullivan & Erinn Williams, video producers
     
  • WE ARE FREESTYLE LOVE SUPREME
    Freestyle Love Supreme
    Andrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers
     
  • LINDA RONSTADT: THE SOUND OF MY VOICE – WINNER
    Linda Ronstadt
    Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers

     
  • THAT LITTLE OL’ BAND FROM TEXAS
    ZZ Top
    Sam Dunn, video director; Scot McFadyen, video producer
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Late Sir John’s son supports NPP’s campaign https://www.adomonline.com/late-sir-johns-son-supports-npps-campaign/ Thu, 03 Dec 2020 19:53:39 +0000 https://www.adomonline.com/?p=1888953 The love that the late former General Secretary of the New Patriotic Party (NPP), John Kwadwo Owusu Afriyie, had for the party is being kept alive by his son.

The son of Sir John as he is popularly known, Yaw Amoateng Afriyie, has made a donation to the party for the December 7, 2020 election campaign.

Mr Afriyie on Monday handed over the items in support of the NPP’s national campaign at the NPP headquarters in Accra.

The items he donated included 1,500 NPP-designed aprons and 165 bags of rice.

Apart from the donation towards the national campaign, Mr Afriyie also offered 1,000 aprons and 100 bags of rice to his constituency, Kwabre East, in the Ashanti Region.

Mr Afriyie’s donation was received by the National Chairman of the NPP, Freddy Blay, who commended the young man for keeping his father’s legacy alive.

Mr Blay recounted how the late Afriyie, loved the NPP and worked hard towards the good of the party, adding that it was the best for his son to continue from where the father left off.

The NPP Chairman promised that the NPP was ready to offer the needed support to Mr Afriyie, and urged him to offer his maximum contribution towards the growth of the party.

ALSO READ:

Mr Afriyie, on his part, said that he was motivated by the good works of the Nana Addo Dankwa Akufo-Addo administration to be part of the campaign.

He said that he would endeavour to serve the NPP with zeal and enthusiasm just like his late father did until he exited the world.

He said that he was of the firm conviction that the grassroots were the base of the NPP and thought it wise to donate the rice that would be used to motivate some polling station agents.

The soft-spoken Mr Afriyie said that he would always be part of the NPP to work towards the party’s progress “because it is the only party with the interest of Ghana and Ghanaians at heart.”

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2021 GRAMMY Awards: Complete Nominees List https://www.adomonline.com/2021-grammy-awards-complete-nominees-list/ Wed, 25 Nov 2020 14:11:02 +0000 https://www.adomonline.com/?p=1885147 The 63rd GRAMMY Awards are right around the corner, airing Sunday, January 31, 2021, on CBS, but the nominations are here now!

Find out who is nominated in each of the 83 categories in the full nominees list below:

MORE:

GENERAL FIELD

1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

  • BLACK PARADE
    Beyoncé
    Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer
     
  • COLORS
    Black Pumas
    Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer
     
  • ROCKSTAR
    DaBaby Featuring Roddy Ricch
    SethinTheKitchen, producer; Derek “MixedByAli” Ali, Chris Dennis & Liz Robson, engineers/mixers; Susan Tabor, mastering engineer
     
  • SAY SO
    Doja Cat
    Tyson Trax, producer; Clint Gibbs, engineer/mixer; Mike Bozzi, mastering engineer
     
  • EVERYTHING I WANTED
    Billie Eilish
    Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer
     
  • DON’T START NOW
    Dua Lipa
    Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer
     
  • CIRCLES
    Post Malone
    Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer
     
  • SAVAGE
    Megan Thee Stallion Featuring Beyoncé
    Beyoncé & J. White Did It, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer

2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.

  • CHILOMBO
    Jhené Aiko
    Fisticuffs & Julian-Quán Việt Lê, producers; Fisticuffs, Julian-Quán Việt Lê, Zeke Mishanec, Christian Plata & Gregg Rominiecki, engineers/mixers; Jhené Aiko Efuru Chilombo, Julian-Quán Việt Lê, Maclean Robinson & Brian Keith Warfield, songwriters; Dave Kutch, mastering engineer
     
  • BLACK PUMAS (DELUXE EDITION)
    Black Pumas
    Jon Kaplan & Adrian Quesada, producers; Adrian Quesada, Jacob Sciba, Stuart Sikes & Erik Wofford, engineers/mixers; Eric Burton & Adrian Quesada, songwriters; JJ Golden, mastering engineer
     
  • EVERYDAY LIFE
    Coldplay
    Daniel Green, Bill Rahko & Rik Simpson, producers; Mark “Spike” Stent, engineer/mixer; Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters; Emily Lazar, mastering engineer
     
  • DJESSE VOL.3
    Jacob Collier
    Jacob Collier, producer; Ben Bloomberg & Jacob Collier, engineers/mixers; Jacob Collier, songwriter; Chris Allgood & Emily Lazar, mastering engineers
     
  • WOMEN IN MUSIC PT. III
    HAIM
    Rostam Batmanglij, Danielle Haim & Ariel Rechtshaid, producers; Rostam Batmanglij, Jasmine Chen, John DeBold, Matt DiMona, Tom Elmhirst, Joey Messina-Doerning & Ariel Rechtshaid, engineers/mixers; Rostam Batmanglij, Alana Haim, Danielle Haim, Este Haim & Ariel Rechtshaid, songwriters; Emily Lazar, mastering engineer
     
  • FUTURE NOSTALGIA
    Dua Lipa
    Koz, producer; Josh Gudwin & Cameron Gower Poole, engineers/mixers; Clarence Coffee Jr. & Dua Lipa, songwriters; Chris Gehringer, mastering engineer
     
  • HOLLYWOOD’S BLEEDING
    Post Malone
    Louis Bell & Frank Dukes, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell, Adam Feeney, Austin Post & Billy Walsh, songwriters; Mike Bozzi, mastering engineer
     
  • FOLKLORE
    Taylor Swift
    Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer

3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLACK PARADE
    Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
     
  • THE BOX
    Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch)
     
  • CARDIGAN
    Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)
     
  • CIRCLES
    Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)
     
  • DON’T START NOW
    Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)
     
  • EVERYTHING I WANTED
    Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
     
  • I CAN’T BREATHE
    Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)
     
  • IF THE WORLD WAS ENDING
    Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)

4. Best New Artist
This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

  • INGRID ANDRESS
     
  • PHOEBE BRIDGERS
     
  • CHIKA
     
  • NOAH CYRUS
     
  • D SMOKE
     
  • DOJA CAT
     
  • KAYTRANADA
     
  • MEGAN THEE STALLION

POP

5. Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.

  • YUMMY
    Justin Bieber
     
  • SAY SO
    Doja Cat
     
  • EVERYTHING I WANTED
    Billie Eilish
     
  • DON’T START NOW
    Dua Lipa
     
  • WATERMELON SUGAR
    Harry Styles
     
  • CARDIGAN
    Taylor Swift

6. Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

  • UN DIA (ONE DAY)
    J Balvin, Dua Lipa, Bad Bunny & Tainy
     
  • INTENTIONS
    Justin Bieber Featuring Quavo
     
  • DYNAMITE
    BTS
     
  • RAIN ON ME
    Lady Gaga with Ariana Grande
     
  • EXILE
    Taylor Swift Featuring Bon Iver

7. Best Traditional Pop Vocal Album
For albums containing at least 51% playing time of new traditional pop recordings.

  • BLUE UMBRELLA
    (Burt Bacharach &) Daniel Tashian
     
  • TRUE LOVE: A CELEBRATION OF COLE PORTER
    Harry Connick, Jr.
     
  • AMERICAN STANDARD
    James Taylor
     
  • UNFOLLOW THE RULES
    Rufus Wainwright
     
  • JUDY
    Renée Zellweger

8. Best Pop Vocal Album
For albums containing at least 51% playing time of new pop vocal recordings.

  • CHANGES
    Justin Bieber
     
  • CHROMATICA
    Lady Gaga
     
  • FUTURE NOSTALGIA
    Dua Lipa
     
  • FINE LINE
    Harry Styles
     
  • FOLKLORE
    Taylor Swift

DANCE/ELECTRONIC MUSIC

9. Best Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

  • ON MY MIND
    Diplo & SIDEPIECE
    Diplo & SIDEPIECE, producers; Luca Pretolesi, mixer
     
  • MY HIGH
    Disclosure Featuring Aminé & Slowthai
    Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer
     
  • THE DIFFERENCE
    Flume Featuring Toro y Moi
    Flume, producer; Eric J Dubowsky, mixer
     
  • BOTH OF US
    Jayda G
    Fred Again.. & Jayda G, producers; Fred Again.. & Jayda G, mixers
     
  • 10%
    Kaytranada Featuring Kali Uchis
    Kaytranada, producer; Neal H. Pogue, mixer

10. Best Dance/Electronic Album
For vocal or instrumental albums. Albums only.

  • KICK I
    Arca
     
  • PLANET’S MAD
    Baauer
     
  • ENERGY
    Disclosure
     
  • BUBBA
    Kaytranada
     
  • GOOD FAITH
    Madeon

CONTEMPORARY INSTRUMENTAL MUSIC

11. Best Contemporary Instrumental Album
For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.

  • AXIOM
    Christian Scott Atunde Adjuah
     
  • CHRONOLOGY OF A DREAM: LIVE AT THE VILLAGE VANGUARD
    Jon Batiste
     
  • TAKE THE STAIRS
    Black Violin
     
  • AMERICANA
    Grégoire Maret, Romain Collin & Bill Frisell
     
  • LIVE AT THE ROYAL ALBERT HALL
    Snarky Puppy

ROCK

12. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.

  • SHAMEIKA
    Fiona Apple
     
  • NOT
    Big Thief
     
  • KYOTO
    Phoebe Bridgers
     
  • THE STEPS
    HAIM
     
  • STAY HIGH
    Brittany Howard
     
  • DAYLIGHT
    Grace Potter

13. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.

  • BUM-RUSH
    Body Count
     
  • UNDERNEATH
    Code Orange
     
  • THE IN-BETWEEN
    In This Moment
     
  • BLOODMONEY
    Poppy
     
  • EXECUTIONER’S TAX (SWING OF THE AXE) – LIVE
    Power Trip

14. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • KYOTO
    Phoebe Bridgers, Morgan Nagler & Marshall Vore, songwriters (Phoebe Bridgers)
     
  • LOST IN YESTERDAY
    Kevin Parker, songwriter (Tame Impala)
     
  • NOT
    Adrianne Lenker, songwriter (Big Thief)
     
  • SHAMEIKA
    Fiona Apple, songwriter (Fiona Apple)
     
  • STAY HIGH
    Brittany Howard, songwriter (Brittany Howard)

15. Best Rock Album
For albums containing at least 51% playing time of new rock, hard rock or metal recordings.

  • A HERO’S DEATH
    Fontaines D.C.
     
  • KIWANUKA
    Michael Kiwanuka
     
  • DAYLIGHT
    Grace Potter
     
  • SOUND & FURY
    Sturgill Simpson
     
  • THE NEW ABNORMAL
    The Strokes

ALTERNATIVE

16. Best Alternative Music Album
Vocal or Instrumental.

  • FETCH THE BOLT CUTTERS
    Fiona Apple
     
  • HYPERSPACE
    Beck
     
  • PUNISHER
    Phoebe Bridgers
     
  • JAIME
    Brittany Howard
     
  • THE SLOW RUSH
    Tame Impala

R&B

17. Best R&B Performance
For new vocal or instrumental R&B recordings.

  • LIGHTNING & THUNDER
    Jhené Aiko Featuring John Legend
     
  • BLACK PARADE
    Beyoncé
     
  • ALL I NEED
    Jacob Collier Featuring Mahalia & Ty Dolla $ign
     
  • GOAT HEAD
    Brittany Howard
     
  • SEE ME
    Emily King

18. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.

  • SIT ON DOWN
    The Baylor Project Featuring Jean Baylor & Marcus Baylor
     
  • WONDER WHAT SHE THINKS OF ME
    Chloe X Halle
     
  • LET ME GO
    Mykal Kilgore
     
  • ANYTHING FOR YOU
    Ledisi
     
  • DISTANCE
    Yebba

19. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BETTER THAN I IMAGINE
    Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)
     
  • BLACK PARADE
    Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
     
  • COLLIDE
    Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar & Benedetto Rotondi, songwriters (Tiana Major9 & EARTHGANG)
     
  • DO IT
    Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monét, Scott Storch & Vincent Van Den Ende, songwriters (Chloe X Halle)
     
  • SLOW DOWN
    Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)

20. Best Progressive R&B Album
For albums containing at least 51% playing time of newly recorded progressive vocal tracks derivative of R&B.

  • CHILOMBO
    Jhené Aiko
     
  • UNGODLY HOUR
    Chloe X Halle
     
  • FREE NATIONALS
    Free Nationals
     
  • F*** YO FEELINGS
    Robert Glasper
     
  • IT IS WHAT IT IS
    Thundercat

21. Best R&B Album
For albums containing at least 51% playing time of new R&B recordings.

  • HAPPY 2 BE HERE
    Ant Clemons
     
  • TAKE TIME
    Giveon
     
  • TO FEEL LOVE/D
    Luke James
     
  • BIGGER LOVE
    John Legend
     
  • ALL RISE
    Gregory Porter

RAP

22. Best Rap Performance
For a Rap performance. Singles or Tracks only.

  • DEEP REVERENCE
    Big Sean Featuring Nipsey Hussle
     
  • BOP
    DaBaby
     
  • WHAT’S POPPIN
    Jack Harlow
     
  • THE BIGGER PICTURE
    Lil Baby
     
  • SAVAGE
    Megan Thee Stallion Featuring Beyoncé
     
  • DIOR
    Pop Smoke

23. Best Melodic Rap Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.

  • ROCKSTAR
    DaBaby Featuring Roddy Ricch
     
  • LAUGH NOW, CRY LATER
    Drake Featuring Lil Durk
     
  • LOCKDOWN
    Anderson .Paak
     
  • THE BOX
    Roddy Ricch
     
  • HIGHEST IN THE ROOM
    Travis Scott

24. Best Rap Song
A Songwriter(s) Award.  A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only..

  • THE BIGGER PICTURE
    Dominique Jones, Noah Pettigrew & Rai’shaun Williams, songwriters (Lil Baby)
     
  • THE BOX
    Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch)
     
  • LAUGH NOW, CRY LATER
    Durk Banks, Rogét Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour & Ryan Martinez, songwriters (Drake Featuring Lil Durk)
     
  • ROCKSTAR
    Jonathan Lyndale Kirk, Ross Joseph Portaro IV & Rodrick Moore, songwriters (DaBaby Featuring Roddy Ricch)
     
  • SAVAGE
    Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)

25. Best Rap Album
For albums containing at least 51% playing time of new rap recordings.

  • BLACK HABITS
    D SMOKE
     
  • ALFREDO
    Freddie Gibbs & The Alchemist
     
  • A WRITTEN TESTIMONY
    Jay Electronica
     
  • KING’S DISEASE
    Nas
     
  • THE ALLEGORY
    Royce Da 5’9″

COUNTRY

26. Best Country Solo Performance
For new vocal or instrumental solo country recordings.

  • Stick That In Your Country Song
    Eric Church
     
  • WHO YOU THOUGHT I WAS
    Brandy Clark
     
  • WHEN MY AMY PRAYS
    Vince Gill
     
  • BLACK LIKE ME
    Mickey Guyton
     
  • BLUEBIRD
    Miranda Lambert

27. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.

  • ALL NIGHT
    Brothers Osborne
     
  • 10,000 HOURS
    Dan + Shay & Justin Bieber
     
  • OCEAN
    Lady A
     
  • SUGAR COAT
    Little Big Town
     
  • SOME PEOPLE DO
    Old Dominion

28. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLUEBIRD
    Luke Dick, Natalie Hemby & Miranda Lambert, songwriters (Miranda Lambert)
     
  • THE BONES
    Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris)
     
  • CROWDED TABLE
    Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen)
     
  • MORE HEARTS THAN MINE
    Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters (Ingrid Andress)
     
  • SOME PEOPLE DO
    Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)

29. Best Country Album
For albums containing at least 51% playing time of new country recordings.

  • LADY LIKE
    Ingrid Andress
     
  • YOUR LIFE IS A RECORD
    Brandy Clark
     
  • WILDCARD
    Miranda Lambert
     
  • NIGHTFALL
    Little Big Town
     
  • NEVER WILL
    Ashley McBryde

NEW AGE

30. Best New Age Album
For albums containing at least 51% playing time of new vocal or instrumental new age recordings.

  • SONGS FROM THE BARDO
    Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith
     
  • PERIPHERY
    Priya Darshini
     
  • FORM//LESS
    Superposition
     
  • MORE GUITAR STORIES
    Jim “Kimo” West
     
  • MEDITATIONS
    Cory Wong & Jon Batiste

JAZZ

31. Best Improvised Jazz Solo
For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter’s name is in parenthesis for identification. Singles or Tracks only.

  • GUINEVERE
    Christian Scott Atunde Adjuah, soloist
    Track from: Axiom
     
  • PACHAMAMA
    Regina Carter, soloist
    Track from: Ona (Thana Alexa)
     
  • CELIA
    Gerald Clayton, soloist
     
  • ALL BLUES
    Chick Corea, soloist
    Track from: Trilogy 2 (Chick Corea, Christian McBride & Brian Blade)
     
  • MOE HONK
    Joshua Redman, soloist
    Track from: RoundAgain (Redman Mehldau McBride Blade)

32. Best Jazz Vocal Album
For albums containing at least 51% playing time of new vocal jazz recordings.

  • ONA
    Thana Alexa
     
  • SECRETS ARE THE BEST STORIES
    Kurt Elling Featuring Danilo Pérez
     
  • MODERN ANCESTORS
    Carmen Lundy
     
  • HOLY ROOM: LIVE AT ALTE OPER
    Somi With Frankfurt Radio Big Band
     
  • WHAT’S THE HURRY
    Kenny Washington

33. Best Jazz Instrumental Album
For albums containing at least 51% playing time of new instrumental jazz recordings.

  • ON THE TENDER SPOT OF EVERY CALLOUSED MOMENT
    Ambrose Akinmusire
     
  • WAITING GAME
    Terri Lyne Carrington And Social Science
     
  • HAPPENING: LIVE AT THE VILLAGE VANGUARD
    Gerald Clayton
     
  • TRILOGY 2
    Chick Corea, Christian McBride & Brian Blade
     
  • ROUNDAGAIN
    Redman Mehldau McBride Blade

34. Best Large Jazz Ensemble Album
For albums containing at least 51% playing time of new ensemble jazz recordings.

  • DIALOGUES ON RACE
    Gregg August
     
  • MONK’ESTRA PLAYS JOHN BEASLEY
    John Beasley
     
  • THE INTANGIBLE BETWEEN
    Orrin Evans And The Captain Black Big Band
     
  • SONGS YOU LIKE A LOT
    John Hollenbeck With Theo Bleckmann, Kate McGarry, Gary Versace And The Frankfurt Radio Big Band
     
  • DATA LORDS
    Maria Schneider Orchestra

35. Best Latin Jazz Album
For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

  • TRADICIONES
    Afro-Peruvian Jazz Orchestra
     
  • FOUR QUESTIONS
    Arturo O’Farrill & The Afro Latin Jazz Orchestra
     
  • CITY OF DREAMS
    Chico Pinheiro
     
  • VIENTO Y TIEMPO – LIVE AT BLUE NOTE TOKYO
    Gonzalo Rubalcaba & Aymée Nuviola
     
  • TRANE’S DELIGHT
    Poncho Sanchez

GOSPEL/CONTEMPORARY CHRISTIAN MUSIC

36. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

  • WONDERFUL IS YOUR NAME
    Melvin Crispell III
     
  • RELEASE (LIVE)
    Ricky Dillard Featuring Tiff Joy; David Frazier, songwriter
     
  • COME TOGETHER
    Rodney “Darkchild” Jerkins Presents: The Good News; Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters
     
  • WON’T LET GO
    Travis Greene; Travis Greene, songwriter
     
  • MOVIN’ ON
    Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters

37. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.

  • THE BLESSING (LIVE)
    Kari Jobe, Cody Carnes & Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters
     
  • SUNDAY MORNING
    Lecrae Featuring Kirk Franklin; Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters
     
  • HOLY WATER
    We The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters
     
  • FAMOUS FOR (I BELIEVE)
    Tauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters
     
  • THERE WAS JESUS
    Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters

38. Best Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

  • 2ECOND WIND: READY
    Anthony Brown & group therAPy
     
  • MY TRIBUTE
    Myron Butler
     
  • CHOIRMASTER
    Ricky Dillard
     
  • GOSPEL ACCORDING TO PJ
    PJ Morton
     
  • KIERRA
    Kierra Sheard

39. Best Contemporary Christian Music Album
For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.

  • RUN TO THE FATHER
    Cody Carnes
     
  • ALL OF MY BEST FRIENDS
    Hillsong Young & Free
     
  • HOLY WATER
    We The Kingdom
     
  • CITIZEN OF HEAVEN
    Tauren Wells
     
  • JESUS IS KING
    Kanye West

40. Best Roots Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

LATIN

41. Best Latin Pop or Urban Album
For albums containing at least 51% playing time of new Latin pop or urban recordings.

  • YHLQMDLG
    Bad Bunny
     
  • POR PRIMERA VEZ
    Camilo
     
  • MESA PARA DOS
    Kany García
     
  • PAUSA
    Ricky Martin
     
  • 3:33
    Debi Nova

42. Best Latin Rock or Alternative Album
For albums containing at least 51% playing time of new Latin rock or alternative recordings.

  • AURA
    Bajofondo
     
  • MONSTRUO
    Cami
     
  • SOBREVOLANDO
    Cultura Profética
     
  • LA CONQUISTA DEL ESPACIO
    Fito Paez
     
  • MISS COLOMBIA
    Lido Pimienta

43. Best Regional Mexican Music Album (Including Tejano)
For albums containing at least 51% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

  • HECHO EN MÉXICO
    Alejandro Fernández
     
  • LA SERENATA
    Lupita Infante
     
  • UN CANTO POR MÉXICO, VOL. 1
    Natalia Lafourcade
     
  • BAILANDO SONES Y HUAPANGOS CON MARIACHI SOL DE MEXICO DE JOSE HERNANDEZ
    Mariachi Sol De Mexico De Jose Hernandez
     
  • AYAYAY!
    Christian Nodal

44. Best Tropical Latin Album
For albums containing at least 51% playing time of new tropical Latin recordings.

  • MI TUMBAO
    José Alberto “El Ruiseñor”
     
  • INFINITO
    Edwin Bonilla
     
  • SIGO CANTANDO AL AMOR (DELUXE)
    Jorge Celedon & Sergio Luis
     
  • 40
    Grupo Niche
     
  • MEMORIAS DE NAVIDAD
    Víctor Manuelle

AMERICAN ROOTS MUSIC

45. Best American Roots Performance
For new vocal or instrumental American Roots recordings.  This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).

  • COLORS
    Black Pumas
     
  • DEEP IN LOVE
    Bonny Light Horseman
     
  • SHORT AND SWEET
    Brittany Howard
     
  • I’LL BE GONE
    Norah Jones & Mavis Staples
     
  • I REMEMBER EVERYTHING
    John Prine

46. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • CABIN
    Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)
     
  • CEILING TO THE FLOOR
    Sierra Hull & Kai Welch, songwriters (Sierra Hull)
     
  • HOMETOWN
    Sarah Jarosz, songwriter (Sarah Jarosz)
     
  • I REMEMBER EVERYTHING
    Pat McLaughlin & John Prine, songwriters (John Prine)
     
  • MAN WITHOUT A SOUL
    Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

47. Best Americana Album
For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.

  • OLD FLOWERS
    Courtney Marie Andrews
     
  • TERMS OF SURRENDER
    Hiss Golden Messenger
     
  • WORLD ON THE GROUND
    Sarah Jarosz
     
  • EL DORADO
    Marcus King
     
  • GOOD SOULS BETTER ANGELS
    Lucinda Williams

48. Best Bluegrass Album
For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.

  • MAN ON FIRE
    Danny Barnes
     
  • TO LIVE IN TWO WORLDS, VOL. 1
    Thomm Jutz
     
  • NORTH CAROLINA SONGBOOK
    Steep Canyon Rangers
     
  • HOME
    Billy Strings
     
  • THE JOHN HARTFORD FIDDLE TUNE PROJECT, VOL. 1
    Various Artists

49. Best Traditional Blues Album
For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.

  • ALL MY DUES ARE PAID
    Frank Bey
     
  • YOU MAKE ME FEEL
    Don Bryant
     
  • THAT’S WHAT I HEARD
    Robert Cray Band
     
  • CYPRESS GROVE
    Jimmy “Duck” Holmes
     
  • RAWER THAN RAW
    Bobby Rush

50. Best Contemporary Blues Album
For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.

  • HAVE YOU LOST YOUR MIND YET?
    Fantastic Negrito
     
  • LIVE AT THE PARAMOUNT
    Ruthie Foster Big Band
     
  • THE JUICE
    G. Love
     
  • BLACKBIRDS
    Bettye LaVette
     
  • UP AND ROLLING
    North Mississippi Allstars

51. Best Folk Album
For albums containing at least 51% playing time of new vocal or instrumental folk recordings.

  • BONNY LIGHT HORSEMAN
    Bonny Light Horseman
     
  • THANKS FOR THE DANCE
    Leonard Cohen
     
  • SONG FOR OUR DAUGHTER
    Laura Marling
     
  • SATURN RETURN
    The Secret Sisters
     
  • ALL THE GOOD TIMES
    Gillian Welch & David Rawlings

52. Best Regional Roots Music Album
For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.

  • MY RELATIVES “NIKSO KOWAIKS”
    Black Lodge Singers
     
  • CAMERON DUPUY AND THE CAJUN TROUBADOURS
    Cameron Dupuy And The Cajun Troubadours
     
  • LOVELY SUNRISE
    Nā Wai ʽEhā
     
  • ATMOSPHERE
    New Orleans Nightcrawlers
     
  • A TRIBUTE TO AL BERARD
    Sweet Cecilia

REGGAE

53. Best Reggae Album
For albums containing at least 51% playing time of new reggae recordings.

  • UPSIDE DOWN 2020
    Buju Banton
     
  • HIGHER PLACE
    Skip Marley
     
  • IT ALL COMES BACK TO LOVE
    Maxi Priest
     
  • GOT TO BE TOUGH
    Toots & The Maytals
     
  • ONE WORLD
    The Wailers

GLOBAL MUSIC

54. Best Global Music Album
For albums containing at least 51% playing time of new vocal or instrumental Global Music recordings.

  • FU CHRONICLES
    Antibalas
     
  • TWICE AS TALL
    Burna Boy
     
  • AGORA
    Bebel Gilberto
     
  • LOVE LETTERS
    Anoushka Shankar
     
  • AMADJAR
    Tinariwen

CHILDREN’S

55. Best Children’s Music Album
For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.

  • ALL THE LADIES
    Joanie Leeds
     
  • BE A PAIN: AN ALBUM FOR YOUNG (AND OLD) LEADERS
    Alastair Moock And Friends
     
  • I’M AN OPTIMIST
    Dog On Fleas
     
  • SONGS FOR SINGIN’
    The Okee Dokee Brothers
     
  • WILD LIFE
    Justin Roberts

SPOKEN WORD

56. Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

  • ACID FOR THE CHILDREN: A MEMOIR
    Flea
     
  • ALEX TREBEK – THE ANSWER IS…
    Ken Jennings
     
  • BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH
    Rachel Maddow
     
  • CATCH AND KILL
    Ronan Farrow
     
  • CHARLOTTE’S WEB (E.B. WHITE)
    Meryl Streep (& Full cast)

COMEDY

57. Best Comedy Album
For albums containing at least 51% playing time of new recordings.

  • BLACK MITZVAH
    Tiffany Haddish
     
  • I LOVE EVERYTHING
    Patton Oswalt
     
  • THE PALE TOURIST
    Jim Gaffigan
     
  • PAPER TIGER
    Bill Burr
     
  • 23 HOURS TO KILL
    Jerry Seinfeld

MUSICAL THEATER

58. Best Musical Theater Album
For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.

  • AMÉLIE
    Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)
     
  • AMERICAN UTOPIA ON BROADWAY
    David Byrne, principal soloist; David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)
     
  • JAGGED LITTLE PILL
    Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard & Alanis Morissette, lyricists) (Original Broadway Cast)
     
  • LITTLE SHOP OF HORRORS
    Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)
     
  • THE PRINCE OF EGYPT
    Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast)
     
  • SOFT POWER
    Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)

MUSIC FOR VISUAL MEDIA

59. Best Compilation Soundtrack For Visual Media
Award to the artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album.  In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

  • A BEAUTIFUL DAY IN THE NEIGHBORHOOD
    (Various Artists)
     
  • BILL & TED FACE THE MUSIC
    (Various Artists)
     
  • EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA
    (Various Artists)
     
  • FROZEN 2
    (Various Artists)
     
  • JOJO RABBIT
    (Various Artists)

60. Best Score Soundtrack For Visual Media
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.

  • AD ASTRA
    Max Richter, composer
     
  • BECOMING
    Kamasi Washington, composer
     
  • JOKER
    Hildur Guðnadóttir, composer
     
  • 1917
    Thomas Newman, composer
     
  • STAR WARS: THE RISE OF SKYWALKER
    John Williams, composer

61. Best Song Written For Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BEAUTIFUL GHOSTS [FROM CATS]
    Andrew Lloyd Webber & Taylor Swift, songwriters (Taylor Swift)
     
  • CARRIED ME WITH YOU [FROM ONWARD]
    Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
     
  • INTO THE UNKNOWN [FROM FROZEN 2]
    Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel & AURORA)
     
  • NO TIME TO DIE [FROM NO TIME TO DIE]
    Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)
     
  • STAND UP [FROM HARRIET]
    Joshuah Brian Campbell & Cynthia Erivo, songwriters (Cynthia Erivo)

COMPOSING/ARRANGING

62. Best Instrumental Composition
A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

  • BABY JACK
    Arturo O’Farrill, composer (Arturo O’Farrill & The Afro Latin Jazz Orchestra)
     
  • BE WATER II
    Christian Sands, composer (Christian Sands)
     
  • PLUMFIELD
    Alexandre Desplat, composer (Alexandre Desplat)
     
  • SPUTNIK
    Maria Schneider, composer (Maria Schneider)
     
  • STRATA
    Remy Le Boeuf, composer (Remy Le Boeuf’s Assembly Of Shadows Featuring Anna Webber & Eric Miller)

63. Best Arrangement, Instrumental or A Cappella
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • BATHROOM DANCE
    Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)
     
  • DONNA LEE
    John Beasley, arranger (John Beasley)
     
  • HONEYMOONERS
    Remy Le Boeuf, arranger (Remy Le Boeuf’s Assembly Of Shadows)
     
  • LIFT EVERY VOICE AND SING
    Alvin Chea & Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)
     
  • URANUS: THE MAGICIAN
    Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)

64. Best Arrangement, Instruments and Vocals
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • ASAS FECHADAS
    John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)
     
  • DESERT SONG
    Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)
     
  • FROM THIS PLACE
    Alan Broadbent & Pat Metheny, arrangers (Pat Metheny Featuring Meshell Ndegeocello)
     
  • HE WON’T HOLD YOU
    Jacob Collier, arranger (Jacob Collier Featuring Rapsody)
     
  • SLOW BURN
    Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens Featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)

PACKAGE

65. Best Recording Package

  • EVERYDAY LIFE
    Pilar Zeta, art director (Coldplay)
     
  • FUNERAL
    Kyle Goen, art director (Lil Wayne)
     
  • HEALER
    Julian Gross & Hannah Hooper, art directors (Grouplove)
     
  • ON CIRCLES
    Jordan Butcher, art director (Caspian)
     
  • VOLS. 11 & 12
    Doug Cunningham & Jason Noto, art directors (Desert Sessions)

66. Best Boxed Or Special Limited Edition Package

  • FLAMING PIE (COLLECTOR’S EDITION)
    Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)
     
  • GIANTS STADIUM 1987, 1989, 1991
    Lisa Glines & Doran Tyson, art directors (Grateful Dead)
     
  • MODE
    Jeff Schulz, art director (Depeche Mode)
     
  • ODE TO JOY
    Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)
     
  • THE STORY OF GHOSTLY INTERNATIONAL
    Michael Cina & Molly Smith, art directors (Various Artists)

NOTES

67. Best Album Notes

  • AT THE MINSTREL SHOW: MINSTREL ROUTINES FROM THE STUDIO, 1894-1926
    Tim Brooks, album notes writer (Various Artists)
     
  • THE BAKERSFIELD SOUND: COUNTRY MUSIC CAPITAL OF THE WEST, 1940-1974
    Scott B. Bomar, album notes writer (Various Artists)
     
  • DEAD MAN’S POP
    Bob Mehr, album notes writer (The Replacements)
     
  • THE MISSING LINK: HOW GUS HAENSCHEN GOT US FROM JOPLIN TO JAZZ AND SHAPED THE MUSIC BUSINESS
    Colin Hancock, album notes writer (Various Artists)
     
  • OUT OF A CLEAR BLUE SKY
    David Sager, album notes writer (Nat Brusiloff)

HISTORICAL

68. Best Historical Album

  • CELEBRATED, 1895-1896
    Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)
     
  • HITTIN’ THE RAMP: THE EARLY YEARS (1936 – 1943)
    Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)
     
  • IT’S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS
    Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)
     
  • 1999 SUPER DELUXE EDITION
    Michael Howe, compilation producer; Bernie Grundman, mastering engineer (Prince)
     
  • SOUVENIR
    Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)
     
  • THROW DOWN YOUR HEART: THE COMPLETE AFRICA SESSIONS
    Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)

PRODUCTION, NON-CLASSICAL

69. Best Engineered Album, Non-Classical
An Engineer’s Award. (Artists names appear in parentheses.)

  • BLACK HOLE RAINBOW
    Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)
     
  • EXPECTATIONS
    Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)
     
  • HYPERSPACE
    Drew Brown, Andrew Coleman, Shawn Everett, Serban Ghenea, David Greenbaum, Jaycen Joshua & Mike Larson, engineers; Randy Merrill, mastering engineer (Beck)
     
  • JAIME
    Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)
     
  • 25 TRIPS
    Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)

70. Producer Of The Year, Non-Classical

  • JACK ANTONOFF

• August (Taylor Swift) (T)
• Gaslighter (The Chicks) (A)
• Holy Terrain (FKA Twigs Featuring Future) (T)
• Mirrorball (Taylor Swift) (T)
• This Is Me Trying (Taylor Swift) (T)
• Together (Sia) (S)

  • DAN AUERBACH

• Cypress Grove (Jimmy “Duck” Holmes) (A)
• El Dorado (Marcus King) (A)
• Is Thomas Callaway (CeeLo Green) (A)
• Singing For My Supper (Early James) (A)
• Solid Gold Sounds (Kendell Marvel) (A)
• Years (John Anderson) (A

  • DAVE COBB

• Backbone (Kaleo) (S)
• The Balladeer (Lori McKenna) (A)
• Boneshaker (Airbourne) (A)
• Down Home Christmas (Oak Ridge Boys) (A)
• The Highwomen (The Highwomen) (A)
• I Remember Everything (John Prine) (S)
• Reunions (Jason Isbell And The 400 Unit) (A)
• The Spark (William Prince) (S)
• You’re Still The One (Teddy Swims) (S)

  • FLYING LOTUS

• It Is What It Is (Thundercat) (A)

  • ANDREW WATT

• Break My Heart (Dua Lipa) (T)
• Me And My Guitar (A Boogie Wit Da Hoodie) (T)
• Midnight Sky (Miley Cyrus) (S)
• Old Me (5 Seconds Of Summer) (T)
• Ordinary Man (Ozzy Osbourne Featuring Elton John) (T)
• Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T)
• Under The Graveyard (Ozzy Osbourne) (T)

71. Best Remixed Recording
A Remixer’s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

  • DO YOU EVER (RAC MIX)
    RAC, remixer (Phil Good)
     
  • IMAGINARY FRIENDS (MORGAN PAGE REMIX)
    Morgan Page, remixer (Deadmau5)
     
  • PRAYING FOR YOU (LOUIE VEGA MAIN REMIX)
    Louie Vega, remixer (Jasper Street Co.)
     
  • ROSES (IMANBEK REMIX)
    Imanbek Zeikenov, remixer (SAINt JHN)
     
  • YOUNG & ALIVE (BAZZI VS. HAYWYRE REMIX)
    Haywyre, remixer (Bazzi)

PRODUCTION, IMMERSIVE AUDIO

72. Best Immersive Audio Album
Due the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category

PRODUCTION, CLASSICAL

73. Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)

  • DANIELPOUR: THE PASSION OF YESHUA
    Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
     
  • GERSHWIN: PORGY AND BESS
    David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)
     
  • HYNES: FIELDS
    Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)
     
  • IVES: COMPLETE SYMPHONIES
    Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)
     
  • SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’
    David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

74. Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)

  • BLANTON ALSPAUGH

• Aspects Of America – Pulitzer Edition (Carlos Kalmar & Oregon Symphony)
• Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers)
• Dvořák: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra)
• Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera)
• Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony)
• Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke’s)
• Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra)
• Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra)
• Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)

  • DAVID FROST

• Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
• Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)
• Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus)
• Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony)
• Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus)
• Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
• Shostakovich: Symphony No. 13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

  • JESSE LEWIS

• Gunn: The Ascendant (Roomful Of Teeth)
• Harrison, M.: Just Constellations (Roomful Of Teeth)
• Her Own Wings (Willamette Valley Chamber Music Festival)
• Hynes: Fields (Devonté Hynes & Third Coast Percussion)
• Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble)
• Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble)
• Sharlat: Spare The Rod! (NOW Ensemble)
• Soul House (Hub New Music)
• Wherein Lies The Good (The Westerlies)

  • DMITRIY LIPAY

• Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)
• Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance)
• Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
• LA Phil 100 – The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic)
• Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra)
• Nielsen: Symphony No. 1 & Symphony No. 2, ‘The Four Temperaments’ (Thomas Dausgaard & Seattle Symphony)

  • ELAINE MARTONE

• Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman & Taylor Branch)
• Dawn (Shachar Israel)
• Gandolfi, Prior & Oliverio: Orchestral Works (Robert Spano & Atlanta Symphony Orchestra)
• Singing In The Dead Of Night (Eighth Blackbird)
• Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon & Los Angeles Master Chorale)

CLASSICAL

75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.

  • ASPECTS OF AMERICA – PULITZER EDITION
    Carlos Kalmar, conductor (Oregon Symphony)
     
  • CONCURRENCE
    Daníel Bjarnason, conductor (Iceland Symphony Orchestra)
     
  • COPLAND: SYMPHONY NO. 3
    Michael Tilson Thomas, conductor (San Francisco Symphony)
     
  • IVES: COMPLETE SYMPHONIES
    Gustavo Dudamel, conductor (Los Angeles Philharmonic)
     
  • LUTOSłAWSKI: SYMPHONIES NOS. 2 & 3
    Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.

  • DELLO JOIO: THE TRIAL AT ROUEN
    Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)
     
  • FLOYD, C.: PRINCE OF PLAYERS
    William Boggs, conductor; Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)
     
  • GERSHWIN: PORGY AND BESS
    David Robertson, conductor; Angel Blue & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
     
  • HANDEL: AGRIPPINA
    Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D’Oro)
     
  • ZEMLINSKY: DER ZWERG
    Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)

77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

  • CARTHAGE
    Donald Nally, conductor (The Crossing)
     
  • DANIELPOUR: THE PASSION OF YESHUAH
    JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)
     
  • KASTALSKY: REQUIEM
    Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)
     
  • MORAVEC: SANCTUARY ROAD
    Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)
     
  • ONCE UPON A TIME
    Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

  • CONTEMPORARY VOICES
    Pacifica Quartet
     
  • HEALING MODES
    Brooklyn Rider
     
  • HEARNE, T.: PLACE
    Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra
     
  • HYNES: FIELDS
    Devonté Hynes & Third Coast Percussion
     
  • THE SCHUMANN QUARTETS
    Dover Quartet

79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.

  • ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
    Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)
     
  • BEETHOVEN: COMPLETE PIANO SONATAS
    Igor Levit
     
  • BOHEMIAN TALES
    Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)
     
  • DESTINATION RACHMANINOV – ARRIVAL
    Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
     
  • THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA
    Richard O’Neill; David Alan Miller, conductor (Albany Symphony)

80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.

  • AMERICAN COMPOSERS AT PLAY – WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO
    Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)
     
  • CLAIRIÈRES – SONGS BY LILI & NADIA BOULANGER
    Nicholas Phan; Myra Huang, accompanist
     
  • FARINELLI
    Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)
     
  • A LAD’S LOVE
    Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)
     
  • SMYTH: THE PRISON
    Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.

  • ADÈS CONDUCTS ADÈS
    Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer
     
  • SAARIAHO: GRAAL THÉÂTRE; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN
    Clément Mao-Takacs, conductor; Hans Kipfer, producer
     
  • SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO
    José Serebrier, conductor; Jens Braun, producer
     
  • THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK & MEDITATIONS ON RILKE
    Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer
     
  • WOOLF, L.P.: FIRE AND FLOOD
    Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

82. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

  • ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
    Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)
     
  • DANIELPOUR: THE PASSION OF YESHUA
    Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
     
  • FLOYD, C.: PRINCE OF PLAYERS
    Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)
     
  • HEARNE, T.: PLACE
    Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)
     
  • ROUSE: SYMPHONY NO. 5
    Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

MUSIC VIDEO/FILM

83. Best Music Video
Award to the artist, video director, and video producer.

  • BROWN SKIN GIRL
    Beyoncé
    Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Lauren Baker, Astrid Edwards, Nathan Scherrer & Erinn Williams, video producers
     
  • LIFE IS GOOD
    Future Featuring Drake
    Julien Christian Lutz, video director; Harv Glazer, video producer
     
  • LOCKDOWN
    Anderson .Paak
    Dave Meyers, video director; Nathan Scherrer, video producer
     
  • ADORE YOU
    Harry Styles
    Dave Meyers, video director; Nathan Scherrer, video producer
     
  • GOLIATH
    Woodkid
    Yoann Lemoine, video director

84. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

  • BEASTIE BOYS STORY
    Beastie Boys
    Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers
     
  • BLACK IS KING
    Beyoncé
     
  • WE ARE FREESTYLE LOVE SUPREME
    Freestyle Love Supreme
    Andrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers
     
  • LINDA RONSTADT: THE SOUND OF MY VOICE
    Linda Ronstadt
    Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers
     
  • THAT LITTLE OL’ BAND FROM TEXAS
    ZZ Top
    Sam Dunn, video director; Scot McFadyen, video producer
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Alhaji Aliu Mahama was committed to discipline – Dr S.K. Frimpong https://www.adomonline.com/alhaji-aliu-mahama-was-committed-to-discipline-dr-s-k-frimpong/ Wed, 25 Nov 2020 10:21:41 +0000 https://www.adomonline.com/?p=1885170
 The 8th-anniversary celebration of the demise of the late former Vice President of Ghana under the erstwhile John Agyekum Kufuor administration has been marked in a grand style in Yendi, the traditional seat of Dagbon and hometown of the late Veep, Aliu Mahama.


 
In an address, the Executive Director of the Foundation, Dr S.K. Frimpong indicated that the late former Veep was an inspiration to many and his memories will ever live on as he instilled good training and great family values into all and sundry who he came across.
 
Dr Frimpong, who is also the technical advisor to the Vice President, H.E. Dr Alhaji Mahamadu Bawumia, explained that the event was to celebrate the life and legacies of the late Alhaji Mahama. The late Alhaji Mahama was  Ghana’s first Muslim Vice President between 2001 and 2009 under the Kufuor New Patriotic Party (NPP) administration.
 
The Aliu Mahama Foundation is a Non-Governmental-Organisation established on the beliefs and principles of the late Former Vice President of Ghana, Alhaji Mahama. The foundation, which focuses on skills development and poverty alleviation, has over the years supported over 10,000 Ghanaians through initiatives such as Zongo Lafia, My Health Behind Bars and Entrepreneurial Skills Development among others.


 
Farouk Aliu Mahama, son of the late Aliu Mahama and NPP parliamentary candidate for Yendi, in a brief statement, expressed the desire of the foundation to make a positive impact in the country through various social interventions
 
Delivering the keynote address, Kojo Oppong Nkrumah, the Information Minister, who doubles as the Member of Parliament for Ofoase Ayirebi, spoke extensively on the theme ‘From Dagbon to the world, the example of Alhaji Aliu Mahama.’

As part of activities to mark the anniversary, a photo exhibition was held at the Dagbon State Senior High School to highlight visual experiences of the late Alhaji Mahama during his time in office.
 
Other activities that took place to mark the week-long celebration included the launch of ‘Zongo Laafia’, a health and wellness programme which was graced by Samira Bawumia, wife of the Vice President. It was followed by a courtesy call on the overlord of Dagbon, Yaa-Naa Abukari II at the Gbewaa, the launch of McDan Skill Development Centre, a donation to the Nyani Witch camp as well as soccer games in that order.
 
The 66-year-old late Veep died on November 16, 2012. He was Ghana’s first Muslim Vice-President and the first and only Dagomba to have risen to that political height. 

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Naana Opoku-Agyemang receives rousing welcome in Alavanyo https://www.adomonline.com/naana-opoku-agyemang-receives-rousing-welcome-in-alavanyo/ Fri, 30 Oct 2020 11:39:01 +0000 https://www.adomonline.com/?p=1874874 The Chiefs and people of the Alavanyo Traditional Area in the Hohoe Constituency gave NDC flagbearer’s running mate, Prof Naana Jane Opoku-Agyeman a rousing welcome on Thursday.

As part of her homecoming ceremony to officially introduce herself to the community, she made a stop at her maternal hometown, Alavanyo Vudidi, where her late mother hails from.

Traditional authorities of the Fiakpui Clan performed some traditional rites to welcome her back home to the community where she spent some time of her early days and had her basic education.

They prayed to the gods to grant her heart desire and that of her party.

Prof Naana Opoku-Agyemang and her entourage thereafter proceeded to participate in a durbar at Alavanyo Kpeme.

The Paramount Chief of the Alavanyo Traditional Area, Togbega Tsedze Atakora VII, in welcoming the team, applauded former President John Mahama on selecting a ”Professor and a daughter of the soil” as his Vice Presidential Candidate in the December polls.

”We have chalked first again in the sense that the first female vice-presidential candidate is a daughter of Alavanyo”, he said.

He extolled the former administration on its development agenda for the area adding it was under the Mahama-led-government that the Kpando-Alavanyo-Wegbe road network was constructed.

“A few years ago, the road from Kpando Konda to Wegbe was a dusty one. If you ride from Alavanyo to Kpando, someone will have to dust your hair for you. The same way if you have to drive from Hohoe to Alavanyo, they will have to use a rag to duster your hair for you.”

“But it was during the time of President Maham that the road from Kpando Konda to Wegbe had been tarred. And that is why you see all these vehicles using the Alavanyo road. So if President Mahama has done this, is it a crime to say it?” he quizzed.

Addressing the gathering, emotional Prof Naana Opoku-Agyemang, explained that the NDC’s aim of running an all-inclusive government where every single citizen of the country equally benefits from policies and programs that would be implemented.

She underscored the John-Mahama-led-administrations motive of providing skill development for the teeming youth, enhancing the country’s educational sector, while ensuring there is improved and accessible healthcare delivery to the citizenry.

She, therefore, urged the people of Alavanyo not to vote skirt and blouse but vote for both the Presidential and Parliamentary candidates of the NDC to enable the party to deliver its development agenda for the constituency.

She, however, assured of making the entire Alavanyo area proud when she eventually becomes the Vice President of Ghana.

The Hohoe NDC Parliamentary candidate, Prof Margaret Kwaku, promised to ensure the construction of an organic fertilizer factory and completion of the construction of the military training center in Alavanyo started under the Mahama administration.

”We will lay the second bitumen coating on the Kpando-Alavanyo-Hohoe road and complete the police station we started”, she stressed.

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Govt delegation storms Sir John’s hometown for his one-week observation [Photos] https://www.adomonline.com/govt-delegation-storms-sir-johns-hometown-for-his-one-week-observation-photos/ Wed, 22 Jul 2020 21:04:29 +0000 https://www.adomonline.com/?p=1830675 Vice Presiden Dr Mahamudu Bawumia and Chief of Staff, Akosua Fremah Opare, led a government delegation to the one-week observation of the late Chief Executive of the Forestry Commission, Kwadwo Owusu Afriyie in the Kwabre town of Sakora Wonoo.

Hundreds of people, including mourners from all political divides, state agencies and the media  all thronged the Sakora Wonoo township to commiserate with the family.

READ ALSO:

Check out Obaapa Christy’s emotional tribute song for late Sir John [Video]

First photos from Sir John’s ‘One Week’ Commemoration

Mr Afriyie, also known as Sir John, passed on at the Korle Bu Teaching Hospital in June after succumbing to coronavirus.

Sir John one week
Sir John’s one week observance
Sir John one week
Sir John’s one week observance
Sir John one week
Sir John one week
Sir John one week
Sir John one week
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NPP Youth Wing to hold candlelight vigil for Sir John https://www.adomonline.com/npp-youth-wing-to-hold-candlelight-vigil-for-sir-john/ Tue, 21 Jul 2020 16:41:00 +0000 https://www.adomonline.com/?p=1830142 The Youth Wing of the New Patriotic Party (NPP) will today, Tuesday, July 21, 2020, hold a candlelight vigil in honour of its late stalwart, Sir John.

The vigil is in collaboration with the Wonoo Youth Association in the Ashanti region, the hometown of the late Forestry Commission boss born Kwadwo Owusu Afriyie.

The ceremony is scheduled to take place at 7:00 pm ahead of his one-week observation in his hometown on Wednesday, July 22, 2020.

ALSO READ:

This follows the former NPP General Secretary’s demise on Wednesday, July 1, 2020, at the Korle Bu Teaching Hospital.

Read details of the vigil below:

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Sir John didn’t die of COVID-19 –Personal Assistant https://www.adomonline.com/sir-john-didnt-die-of-covid-19-personal-assistant/ Tue, 21 Jul 2020 16:37:00 +0000 https://www.adomonline.com/?p=1830184 A Personal Assistant of late former General Secretary of the New Patriotic Party (NPP), Kwadwo Owusu Afriyie, popularly known as Sir John, claims he did not die of COVID-19.

Charles Owusu claims such a report, which went viral shortly after his death, was just a figment of someone’s imagination.

“Sir John didn’t die of COVID-19; we are still waiting for the autopsy report,” he stated in an interview on Asempa FM’s Ekosii Sen programme Tuesday.

The former Chief Executive Officer of the Forestry Commission died on July 1, 2020 after testing positive for Covid-19.

According to reports, he succumbed to complications of the disease while undergoing treatment at the Intensive Care Unit of the Korle Bu Teaching Hospital.

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A member of Parliament for Tema West, Carlos Kingsley Ahenkorah, who shared a ward with the late Sir John, also confirmed he died of coronavirus.

But a livid Mr Owusu insists his godfather did not die of the novel disease as has been speculated.

He explained that Sir John, who tested positive for COVID-19, was treated and recovered before his admission at Korle Bu Teaching Hospital.

“When Sir John was at the hospital, the doctors were still running other tests because they couldn’t diagnose his ailment,” he said.

Mr Owusu disclosed that the former NPP General Secretary did not have any underlying condition to die from COVID-19.

“Sir John was stronger than me a young man so his death came to me as a shock. Let’s stop the speculation when people die,” he fumed.

Mr Owusu said they are still waiting for the autopsy report to know the cause of death of Sir John.

Meanwhile, a memorial service will be held for Sir John in his hometown on Wednesday July 22, 2020.

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Joseph Yamin recounts how late Sir John advised him to settle a matter out of court [Listen] https://www.adomonline.com/joseph-yamin-recounts-how-late-sir-john-advised-him-to-settle-a-matter-out-of-court-listen/ Sat, 04 Jul 2020 11:24:46 +0000 https://www.adomonline.com/?p=1821702

Former Ashanti Regional Deputy Minister, Joseph Yamin, has recounted how Kwadwo Owusu Afriyie, popularly known as ‘Sir John,’ advised him to settle a matter out of court.

According to him, Hopeson Adorye in 2012 assaulted one Donkor Fuseini of the National Democratic Congress in the studios of Kessben FM.

He, then being the regional minister, reported the assault to the police and the issue was sent to court.

READ ALSO:

After court proceedings, Mr Yamin said Sir John approached him and pleaded with him to settle the issue out of court to the benefit of both parties.

 “Sir John asked me why I took such a small matter to court and that this was a political case. He said Hopeson had used his big head to assault Donkor and then I dragged him in court. ‘How can you do that my friend?’ Just forget about it and settle the matter out of court,” Mr Yamin said on Accra based Hello FM, monitored by Adomonline.com.

Mr Yamin said although he was from the opposing political party, he headed to his advice.

The former Deputy Regional Minister said he would always remember Sir John for his selfless lifestyle and his ability to bring people together regardless of their political race.

This, he said, would make him miss Sir John.

Listen to him in audio above:

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Sir John’s brother speaks on his death https://www.adomonline.com/sir-johns-brother-speaks-on-his-death/ Thu, 02 Jul 2020 21:34:53 +0000 https://www.adomonline.com/?p=1821256 Father William Opoku Boateng, a junior brother to the late Kwadwo Owusu Afriyie, affectionately called Sir John, says his brother was a man of truth and justice.

According to him, his late brother, when alive was a man of his words and always stood for the truth and justice.

The Chief Executive Officer of the forestry Commission was reported dead on July 1, 2020.

He died at the Korle Bu Teaching Hospital after an illness.

Speaking in an interview on Atinka FM, Mr Boateng said, his brother had a good heart and came to serve his family and Ghana with all his heart.

READ ALSO:

Scenes from Sir John’s hometown as sympathisers throng his house [Photos]

Oti Region: Security deployment destroys newly-constructed footbridge; Togolese counterparts angry [Video]

He added that the news came to him as a shock because he had not heard from his brother for almost two months after their last engagement.

“It has been over two months since my late brother told me he was going to Accra to make some arrangements towards the burial of our late dear mother and sister but I never heard from him, only for me to be called yesterday by a friend to watch TV, they are confirming the demise of my brother,” he said.

When asked about what killed his brother, Father Boateng replied that the family as it stands now can’t confirm the exact cause of his death but they are sending a delegation to Accra to find out what killed him.

Some media houses have reported that the late Sir John tested Positive for COVID-19 and was admitted at the Korle Bu Teaching Hospital in Accra.

Sir John recently lost a sister of his and went to perform the one-week rites at his hometown, Wonoo in the Ashanti region.

There is a solemn atmosphere at the Forestry Commission after Sir John’s death

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Asiedu Nketia promises to ‘father’ Sir John’s family https://www.adomonline.com/asiedu-nketia-promises-to-father-sir-johns-family/ Thu, 02 Jul 2020 21:29:41 +0000 https://www.adomonline.com/?p=1821242 General Secretary of the National Democratic Congress, Johnson Asiedu Nketia, has promised to take over the family duties of his late friend and former New Patriotic Party (NPP) General Secretary, Kwadwo Owusu Afriyie, alias Sir John.

His promise comes a day after the former NPP stalwart passed on at the Korle-Bu Teaching Hospital after testing positive for the novel coronavirus.

I want his family to know that if he is gone I am here to take over his responsibilities, so they can call on me for anything they need and I will be there for them, an emotional Mr Nketia said in an interview monitored by ABC News.

Mr Nketia, alias General Mosquito, speaking further in the interview, said despite the sharp political differences between them, Sir John was like a brother to him, adding that they did a lot of things together in their private lives.

According to him, he and Sir John took a decision never to allow their political differences to affect their personal relationship and it never did.

THIS ALSO:

When we both became General Secretaries of the two leading political parties, we both decided to maintain our relationship and not allow anything to come between us. So, he was a brother to me, a very sad General Mosquito said.

General Mosquito, who struggled to hide his emotions about the death of his friend, therefore extended his sympathies to the family, wife and children of the former Chief Executive Officer of Ghana Forestry Commission, promising to take up the role of Sir John in his family.

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Asanteman pays tribute to Sir John https://www.adomonline.com/asanteman-pays-tribute-to-sir-john/ Thu, 02 Jul 2020 21:17:19 +0000 https://www.adomonline.com/?p=1821246 Tributes are pouring from across the length and breadth of Ashanti, the home region of Kwadwo Owusu Afriyie, popularly known as Sir John, who passed on Wednesday night.

Callers into radio stations on Thursday morning expressed shock at the news of the death of Mr Afriyie, who was the Chief Executive Officer of the Forestry Commission.

Some of the callers openly cried on radio and said they were deeply saddened by the sudden death of Sir John, who had touched many hearts because of his philanthropic nature.

Mr Afriyie, a native of Sakora-Wonoo in the Kwabre East District, had been an embodiment of the New Patriotic Party (NPP) in the Ashanti region.

He rose through the ranks to become the General Secretary of the party.

On his contribution to the course of Asanteman, Mr Afriyie led a group of Asante students to form the Asante Students Union in 1979, to protest against the harassment and intimidation of the Asante people by the Armed Forces Revolutionary Council, led by former President Rawlings.

In May this year, Mr Afriyie, through the Forestry Commission, distributed quantities of Personal Protective Equipment (PPE) to all health facilities in the Kwabre East and the Komfo Anokye Teaching Hospital (KATH) to fight the coronavirus pandemic.

Frederick Fredua Anto, first Vice Chairman of NPP, in his tribute on Thursday morning said: “Sir John would be missed by many people, who had close contact, especially in his professional, political and social lives.”

He said Mr Afriyie’s contribution to the development of democracy and respect for the dignity of all manner of people dated back to his school days at Legon, where he joined forces with other colleagues to protest against coup d’ etat in the country.

Samuel Pyne, Ashanti Regional Secretary of the NPP, said the party had lost a courageous personality who stood for the right principles in all that he did.

Dr Oheneba Owusu-Danso, Chief Executive of KATH, said the hospital was deeply indebted to Mr Afriyie, who supported the facility with huge quantities of PPE to support the fight against the coronavirus.

Sakora-Wonoo, Mr Afriyie’s hometown, was said to have been thrown into a state of mourning on Wednesday night, when the news of his death reached the family and town folks.

Scores of people were said to have rushed to his house wailing uncontrollably over the bad omen that had befallen the community.

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Coronavirus: Check out update on Mac Manu’s health https://www.adomonline.com/coronavirus-check-out-update-on-mac-manus-health/ Thu, 02 Jul 2020 21:06:43 +0000 https://www.adomonline.com/?p=1821240 Campaign Manager of the New Patriotic Party (NPP), Peter Mac-Manu, who is receiving treatment after testing positive for COVID-19, is in stable condition.

The veteran politician, who was said to be at the Intensive Care Unit of the Korle Bu Teaching Hospital, is currently under observation.

Deputy Minister for Trade and Industry, Carlos Ahenkorah, who shared a ward with Mr Mac Manu said there is no cause for alarm.

Speaking on Asempa FM’s Ekosii Sen programme Thursday, he said the health condition of the former National Chairman of the NPP has not deteriorated as is being speculated in the media.

“Mr Mac Manu is not on a ventilator, he is very fine and under observation. We should stop spreading fear and panic,” he admonished.

The Member of Parliament for Tema West said as he was being discharged on Thursday, Mr Mac Manu was very fit and in good health.

Mr Ahenkorah is certain Mr Mac Manu would be discharged given the progress his witnessed at the isolation centre.

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Why I toured registration centres after testing positive – Carlos Ahenkorah explains https://www.adomonline.com/why-i-toured-registration-centres-after-testing-positive-carlos-ahenkorah-explains/ Thu, 02 Jul 2020 20:12:06 +0000 https://www.adomonline.com/?p=1821335 Deputy Minister for Trade and Industry has made a shocking revelation after testing positive for the novel coronavirus.

Carlos Ahenkorah, who was discharged and asked to self-isolate at home, said he toured some registration centres in the Tema West constituency on Tuesday, June 30, 2020, to see how the process was going after knowing his status.

His conduct, which many have described as reckless, he explained was based on advice given by his doctors.

In an interview on Asempa FM’s Ekosii Sen programme Thursday, the Tema West Member of Parliament said he was extremely careful during his interactions with people at the centres.

ALSO READ:

“I decided to see how some of the centres were just operating. So, I stepped out into town a bit. It didn’t mean I couldn’t go out. My test results had shown I was positive a week ago and after one week, my doctors said I could step out,” he explained.

“They [doctors] said I could go out, except that I needed to wear my mask and observe social distancing. I was very careful and very mature about it,” he said.

The Deputy Minister, who is asymptomatic, said he has not suffered any serious breakdown.

“I’m very strong so I was shocked when people said I was in Intensive Care Unit,” he stressed.

Mr Ahenkorah is hoping to fully recover and help retain President Nana Akufo-Addo in power.

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Tears flow as mourners throng Sir John’s hometown [Video] https://www.adomonline.com/tears-flow-as-mourners-throng-sir-johns-hometown-video/ Thu, 02 Jul 2020 19:16:00 +0000 https://www.adomonline.com/?p=1821150 Following the death of Sir John, mourners have thronged his hometown, Sakora Wonoo of the Kwabre East District in the Ashanti region.

Ghanaians were hit with the news of the death of the former Ghana Forestry Commission boss on Wednesday evening after contracting Covid-19.

Sir John reportedly succumbed to complications of the disease while undergoing treatment at the Intensive Care Unit of the Korle Bu Teaching Hospital.

The mourners turned up clad in red and black attires with their nose masks amid the coronavirus pandemic.

MORE:

The mourners, who could not control their tears, continuously mentioned his name as they wailed.

Family members have described the death of their son as a big blow to the entire community and the nation at large.

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Details of Sir John’s relatives he was set to bury pop up [Photos+Video] https://www.adomonline.com/details-of-sir-johns-relatives-he-was-set-to-bury-pop-up-photosvideo/ Thu, 02 Jul 2020 16:43:59 +0000 https://www.adomonline.com/?p=1821095

It has emerged that former Ghana Forestry Commission boss, Kwadwo Owusu Afiriyie’s was preparing to bury two relatives whose details have popped up after his death.

Reports indicate it was a joint funeral for the mother and sister of the late politician which was scheduled for August 27, 2020.

According to sources, the duo was his biological sister and aunt who took care of him after his biological mother died when he was just at a tender age.

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Joy News’ Ohemeng Tawiah reports that family members have described Sir John’s death as a big blow to the entire community and the municipality at large.

Sir John passed on Wednesday, July 1, 2020, at the Korle Bu Teaching Hospital in Accra after reportedly testing positive for coronavirus and succumbing to complication at the ICU.

Below are photos Sir John’s relatives he was preparing to bury:

Sir John mum
Sir John mum
sir john sister
sir john sister
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Scenes from Sir John’s hometown as sympathisers throng his house [Photos] https://www.adomonline.com/scenes-from-sir-johns-hometown-as-sympathisers-throng-his-house-photos/ Thu, 02 Jul 2020 15:39:30 +0000 https://www.adomonline.com/?p=1821044 Sakora Wonoo in the Kwabre East District of the Ashanti Region has been thrown into a state of mourning, following the death of industrious son of the town, Kwadwo Owusu Afriyie.

Relatives and residents have gathered in front of his house to wail and cry as they mourned their hero.

From the young to the aged, everyone is seen clad in red or black.

Sir john hometown

READ ALSO:

His family told Joy News they have not just lost an industrious son but a big blow to the entire community and the municipality in general.

Sir john hometown

Sarfo-Adu Bernard, nephew of the late Kwadwo Owusu Afriyie, says it will take decades for Sakora Wonoo to get over the loss.

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PHOTOS: Late Agyarko goes home today https://www.adomonline.com/photos-late-agyarko-goes-home-today/ Sat, 26 Jan 2019 09:49:38 +0000 http://35.232.176.128/ghana-news/?p=1611581 The late New Patriotic Party (NPP) Member of Parliament for Ayawasa West Wuogon, Emmanuel Kwabena Acheampong Kyeremateng Agyarko will be buried today Saturday, January 26 at Odumase-Krobo in the Eastern Region.

Family and friends have gathered at the hometown to pay their last respect to the former MP.

President Akufo Addo is yet to arrive at the funeral grounds.

ALSO: Two notorious land guards arrested by police at Breku

His final funeral rites will follow immediately at the Zimmerman Presbyterian School Park at Odumase-Krobo.

He will finally be laid to rest at the Presbyterian Cemetery at Labour, Odumase-Krobo.

Mr Agyarko, whose remains arrived in the country last Thursday, died on Wednesday, November 21, 2018 in the United States of America (USA) after a short illness.

ALSO: Sir John, Kofi Jumah, 5 others asked to retire

The late MP died on November 21, 2018 at the Yale University Hospital after an ailment from a complication with his ball gladder.

Last Friday, a vigil and a candlelight procession were organized for him through the principal streets of Odumase-Krobo in honour of Mr Agyarko, who was a former Presiding Member of the Lower Manya Krobo Municipal Assembly.

Below are some photos:

 

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NATIONAL CATHEDRAL: Vulgar or Virtuous Venture? https://www.adomonline.com/national-cathedral-vulgar-or-virtuous-venture/ Sun, 02 Sep 2018 10:02:58 +0000 http://35.232.176.128/ghana-news/?p=1303741

My Unwholly Holy Initial Thoughts, Honest-to-God

‘To build or not to build?’ is more often than not a rather profound, mind-wracking, heart-churning, soul-searching question, be it for a young couple or a growing congregation, a thriving corporation or even an emerging country!

My initial reaction to the notion of building a national cathedral in Accra, Ghana was not that of excitement and welcome. No. It was a rolling of the eyes, a cynical “yeah right! another opportunity for sleek politicians to line their pockets with 10% kickbacks and oil their party’s campaign wheels.” The other thought was, “Really? In a country that is struggling to procure beds for the sick and school buildings for the young or even prevent needless deaths every year from perennial floods? Can this be a priority with our degree of poverty?”

Apart from the economic prudence and social justice angles, from a purely missiological lens I shuddered we may be treading the undesirable path of so-called ‘post-Christian’ Europe, ending up 100 years from now with beautiful but empty cathedrals only good for tourism or sale to condo developers, effigies of a dying spirituality.

Oh yeah, and there is the splendid basilica in Yamoussoukro next door, Notre Dame de la Paix, which I got to visit a couple of times during my one-year sojourn in Cote d’Ivoire as a United Nations peacekeeper. The grandeur of the edifice from afar and the sense of awe it evokes in the soul upon standing on those holy grounds left me schizophrenic how a nation with such a holy habitation would be at war or why this multi-million dollar erection is queerly perched in the middle of poverty and even backwardness. Apparently the papacy—John Paul II was the pope at the time—before agreeing to the 1990 commissioning of this expensive edifice in the midst of pauperism insisted that he would do this only on condition that a hospital be built in the vicinity of the cathedral (sort of to ease his conscience, I guess). As far as I know, then-president Félix Houphouët-Boigny acquiesced and that hospital was commissioned at that time but is still yet to be built, 28 years later!

That being said, my willingness to travel all the way from Montreal to Accra, at my own expense, to be part of a discourse organized by the National Cathedral Secretariat proved to me that my mind wasn’t completely closed to the idea. After taking pains to learn a wee bit more about the proposed project and spending some time last weekend in the United States with a former national head of a historical and significant Ghanaian church denomination, I am now almost won over.  May I share why? (these are not his thoughts but mine)

1. More Than a Building

Part of my unease about hardware with no software, the case of Western civilization’s empty cathedrals but denying the power thereof, has been eased with the knowledge that this venture is a two-edged sword of both Cathedral-as-Infrastructure and Cathedral-as-Convenor. Those who say faith should have no place in the public space are ill-informed at best and naïve at worst. This is true and matters even in the West where the so-called post-Christian era has brought in its wake such a keen thrust towards secularism let alone in Africa where religion is life and life is religion, period. You can find loads of books and scholarly articles written about how culture and religion are inseparable in the African paradigm. The Cathedral seeks to facilitate conversations and critical public debates. There is one in the works, which I plan to attend, that has even garnered international interest. We have a lot to talk about, with so much faith and so little integrity, or so many churches but so much filth and poverty in Ghana. Then to act.

In this vein, I congratulate the National Cathedral Secretariat for not falling prey to what Jim Collins calls, “‘the tyranny of the ‘or’” but fully riding on the wave of “the genius of the ‘and.’” Not Cathedral-as-Infrastructure or Cathedral-as-Convenor but both/and. For my worry that we may be building concrete structures rather than investing in the actual making disciples of Jesus Christ, I say to myself, it isn’t either/or; it can, and indeed should, be both/and.  For Christians who say our body is the temple of God so we need no other such national cathedral, may I again submit, it’s not either/or but both/and.

2. Just the Land

One of the most important things I have learnt about this project is that the government is only providing the land. None of the money for the proposed cathedral will be taxpayers’ money. The Christians who believe this will be honouring to their God are expected to put their money where their mouth is. That eases my concerns a bit, as a sort of secular state (that’s a fallacy; plus we should perhaps revise our stance on annually facilitating pilgrimages to Mecca on taxpayers’ money).

There are enough Christians and more than enough Christian cash to put up this building. Between a mere two denominations, say the Church of Pentecost (have you seen their conference centre at Kasoa?) and Lighthouse Chapel alone (go and see their Anakazo edifice in my hometown, Mampong-Akuapem), this is easy-peasy.It will be great to see the unity of the body of Christ in Ghana around this one national vision and mission.

As a budding missiologist, such a monument of the Christian faith is of much interest to me as a symbol of Christianity on a continent which only 100 years ago was considered ‘savage,’ ‘dark’, ‘primitive’ and ‘heathen.’ This year, 2018, is the first time in the history of the world, actually, that Africa has been billed as the continent with the most Christians in the world! Perhaps a national cathedral in Ghana, a major player in quantity and quality of Christianity on the continent, may be a worthy monument to mark this new era, to the glory of the God of Africa too.

3. Priorities and Prime Time

It seems like the only good time to build a national cathedral is after there is no poor person in Ghana, a perfect doctor-patient ratio, Malaria has been eradicated, everyone has a job or is in school… in other words after all our problems are solved. In that case, there will never be a good time to build a national cathedral then; not even a house of parliament or a national sports stadium.

The people of Israel, in the prophet Haggai’s day, kept saying “The time has not yet come to rebuild the Lord’s house.” God was upset and queried: “Why are you living in luxurious houses while my house lies in ruins?” In this case, there isn’t even a national cathedral yet, in the first place, but many of us have two, three or more real estate properties. Now, this is what the LORD Almighty’s exhortation: “Give careful thought to your ways.”

This issue can really be a chicken-or-egg-which-comes-first one. Do we prosper first and then honour God with a national cathedral or do we honour God with one first and prosperity ensues. In the context of Haggai, God has no doubt which comes first:  “You expected much, but see, it turned out to be little. What you brought home, I blew away. Why?” declares the Lord Almighty. “Because of my house, which remains a ruin, while each of you is busy with your own house.”I will suggest you read the whole chapter here.

We may be saying that when all is well with us we will build a national cathedral for God’s glory; he might be saying, until you build me a national cathedral for my pleasure, honour and glory nil will be well with you.

Cathedral by Day

4. Poverty as an Excuse

Smack in line with the above argument against the national cathedral is the argument about poverty in Ghana. Poverty around is not an excuse for not giving God our best. That is the whole concept of the widow’s mite. That being said, we must put on record that nobody has done more work in alleviating poverty, building hospitals and schools like the Church (Body of Christ) in Ghana. The Church has done enough for society to be worthy of a single ecumenical cathedral at her own costAaba! Even then, this is not just a monument but a practical, functioning construction for the use of the State!

It will be interesting to research how much the Church has contributed against how much even government itself has done in bringing dignity to the lives of Ghanaians. If I may be permitted to be so crass I would dare say that perhaps the Church deserves a national cathedral even more than the government deserves a Jubilee House!  Can the Church in Ghana do more? Sure! But even then the Body of Christ in this country has already done more than enough to bless Ghanaians of faith or no faith with education and healthcare, peace and prosperity, civics and commerce, ideas and industry, to deserve one national, non-denominational, inter-denominational edifice to the glory of this God of theirs!

Read some history! It is because of the Church that our local languages like Twi and Ga are written today. The first seeds of cocoa, Ghana’s export lifeline, were brought into the country by the Church; not Tetteh-Quarshie. Even our very independence from colonial masters was to a significant degree catalyzed by the work of the Church. The erudite Kwame Bediako asserts that “a number of educated Christians who had a clear self-consciousness as Africans and Christians and who were alive to their intellectual responsibility to their society” was “as a result of the impact of missionary Christianity on our people.”*

There was poverty in Ghana when we built Parliament House and the National Theatre and the Accra International Conference Centre and Jubilee House. “The poor you will always have with you.” We will come back to who said that and in what context shortly. That is not to say we be cursory or even fatalistic about poverty in our developing country and not do much about it; what is meant is that if we’re going to use poverty in society as a barometer, we will never build anything celebratory or symbolic except hospitals, schools, roads, prisons and such.

5. When Extravagant Worship is OK

Also related to the above is the fact that many shouting, “this is extravagant, oh so unnecessary when we have the poor,” actually don’t care a hoot about the poor! Ghana’s woes stem from that same educated middle and upper class. They remind me of Jesus’ treasurer, Judas.

If anybody loved and cared for the widow, orphan and poor it was Jesus. Yet on this one occasion when a woman with a past decided to pour her expensive jar of perfume on Jesus, he did not stop her. Everyone else thought this was a waste or rather extravagant at best (it was worth a whole year’s salary!) but Jesus thought it was the coolest thing ever—whole-hearted worship, giving God one’s very best.

The ‘everyone’ included Judas Iscariot, who was audacious enough to open his big mouth to say this perfume could’ve been sold and the proceeds given to the poor. He said that because he was a thief and wanted to help himself to additional cash in the kitty, yes, but more importantly Jesus made it clear that there is a place for pure-motived, no holds barred, deep-felt extravagant worship even in the midst of poverty. It was in that context that Jesus shockingly revealed that “the poor you will always have with you.” After investing the equivalent of all the cathedral project money into poverty alleviation programmes as church and government have done for decades, we shall still have poor people in our midst.

6. In the Hearts of Kings

Leaders like to build—figuratively and literally, people and things, systems and structures. I have heard “The king’s heart is like a stream of water directed by the LORD; he guides it wherever he pleases” quoted in untoward circumstances when Christ followers want to see a heart-change of sorts of someone in power regarding some policy and such. But if the Christian God does direct the hearts of leaders of nations, could it be that it is he who has put this desire in the heart of the Ghanaian president? That desire to build for God was put in world leaders like Darius, Cyrus, Nehemiah, Solomon… dare I say Houphouët-Boigny? Could it be that this desire has been implanted into the heart of Ghana’s President by God himself?

7. Might Not Be the One or the Time

Inasmuch as I just spoke to the notion that a leader’s desire to do something great for God is a fact of life and of history it isn’t always acceptable to God because it might not be for them in particular to do and/or the timing may not be right in God’s scheme of things.

The great Jewish king David loved God and once said to himself, “Here I am, living in a house of cedar, while the ark of God remains in a tent.” A prophet called Nathan replied to the king, “Whatever you have in mind, go ahead and do it, for the Lord is with you.” That night, the LORD appears to Nathan and asks him to go back to David and disappoint him. Fascinating! Check out the full story here.

A national cathedral for Ghana may be a good thing, but depending on whether it is God’s will, especially vis-à-vis his timing, it may not be a pleasing and perfect thing in his sight. David rescinded; but provided all the resources for the one appointed and anointed to build that national cathedral to do so at the future perfect time—his heir and son, Solomon.

A Holier Conclusion

For Christians, the question to ask is if such a national cathedral in Ghana will bring glory to God at this time, be a blessing to people at all times and in any way deal another punch to evil to make the righteousness, love, joy, peace, and power of God’s kingdom more established on earth as it is for all time and all eternity in heaven. Will other nations travel from near and far to come and see this edifice and leave breathless in wonder—like the Queen of Sheba when he visited Solomon and his national citadel—that the God of Ghana is great and most greatly to be praised? At the same time, will the beauty and glory of our everyday lives (not just when we’re suited up for church but at Makola and the government ministries) match the magnificence of this national cathedral? As for where to site it as well as the maintenance culture and costs, that is another conversation.

Personally, I would like to give this national cathedral a chance. I am very close to echoing the response of city officials to Nehemiah’s national building proposal, “The God of heaven, he will prosper us; therefore we his servants will arise and build.”

*Bediako, Kwame. 2014. Christianity in Africa: The renewal of a Non-Western Religion. Akropong-Akuapem. Regnum Africa.

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